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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7CC37 it is the complementary color #2833C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7CC37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7CC37 shade: #DCCC32, #EDDE45, #FEF058, #FFFF6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7CC37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7CC37 shade: #D7CC37, #C6BA24, #B5A811, #A49600 and #938400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7CC37 shade: #D7CC37, #D7A137, #D77637, #D74A37 and #D73737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7CC37 shade: #D7CC37, #B7D737, #8CD737, #61D737 and #37D738

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7CC37 shade matches the following richer shades: #D7CC37, #EBDD23 and #FEEE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7CC37 shade: #D7CC37, #C4BC4A, #B1AB5E, #9D9A71 and #8A8A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7CC37 shade: #D77437, #D79F37, #D7CA37, #BAD737 and #8FD737

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7CC37 shade: #9D941F, #BFB526, #D7CC37, #DED559 and #E5DE7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7CC37 shade: #D7CC37, #37D74A and #8A37D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7CC37 shade: #D7CC37, #37D7CA and #CA37D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7CC37 shade: #D7CC37, #37D74A, #3744D7 and #D737C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7CC37 shade: #D7CC37, #37D77A, #3744D7 and #D73795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

Complementary color

CMYK 80 / 75 / 0 / 22

HEX #2833C8

RGB 40 51 200

HSL 235.88, 0.67%, 0.47%

LAB 31.78, 48.21, -77.22

 

CMYK 0 / 7 / 77 / 14

HEX #DCCC32

RGB 220 204 50

HSL 54.35, 0.71%, 0.53%

LAB 81.09, -10.38, 72.55

 

CMYK 0 / 6 / 71 / 7

HEX #EDDE45

RGB 237 222 69

HSL 54.64, 0.82%, 0.6%

LAB 87.33, -11.47, 72.62

 

CMYK 0 / 6 / 65 / 0

HEX #FEF058

RGB 254 240 88

HSL 54.94, 0.99%, 0.67%

LAB 93.49, -12.4, 72.18

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 0 / 6 / 82 / 22

HEX #C6BA24

RGB 198 186 36

HSL 55.56, 0.69%, 0.46%

LAB 74.35, -11.14, 69.9

 

CMYK 0 / 7 / 91 / 29

HEX #B5A811

RGB 181 168 17

HSL 55.24, 0.83%, 0.39%

LAB 67.92, -9.75, 68.2

 

CMYK 0 / 9 / 100 / 36

HEX #A49600

RGB 164 150 0

HSL 54.88, 1%, 0.32%

LAB 61.4, -8.14, 65.07

 

CMYK 0 / 10 / 100 / 42

HEX #938400

RGB 147 132 0

HSL 53.88, 1%, 0.29%

LAB 54.77, -6.24, 59.57

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 0 / 25 / 74 / 16

HEX #D7A137

RGB 215 161 55

HSL 39.75, 0.67%, 0.53%

LAB 69.62, 10.14, 59.89

 

CMYK 0 / 45 / 74 / 16

HEX #D77637

RGB 215 118 55

HSL 23.63, 0.67%, 0.53%

LAB 59.6, 33.18, 49.83

 

CMYK 0 / 66 / 74 / 16

HEX #D74A37

RGB 215 74 55

HSL 7.13, 0.67%, 0.53%

LAB 51.41, 54.23, 41.14

 

CMYK 0 / 74 / 74 / 16

HEX #D73737

RGB 215 55 55

HSL 0, 0.67%, 0.53%

LAB 48.83, 61.3, 38.3

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 15 / 0 / 74 / 16

HEX #B7D737

RGB 183 215 55

HSL 72, 0.67%, 0.53%

LAB 81.26, -30.92, 70.11

 

CMYK 35 / 0 / 74 / 16

HEX #8CD737

RGB 140 215 55

HSL 88.13, 0.67%, 0.53%

LAB 78.72, -47.19, 66.8

 

CMYK 55 / 0 / 74 / 16

HEX #61D737

RGB 97 215 55

HSL 104.25, 0.67%, 0.53%

LAB 76.93, -60.44, 64.44

 

CMYK 74 / 0 / 74 / 16

HEX #37D738

RGB 55 215 56

HSL 120.38, 0.67%, 0.53%

LAB 75.88, -69.04, 62.71

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 0 / 6 / 85 / 8

HEX #EBDD23

RGB 235 221 35

HSL 55.8, 0.83%, 0.53%

LAB 86.75, -12.97, 81.75

 

CMYK 0 / 6 / 94 / 0

HEX #FEEE10

RGB 254 238 16

HSL 55.97, 0.99%, 0.53%

LAB 92.69, -13.66, 89.94

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 0 / 4 / 62 / 23

HEX #C4BC4A

RGB 196 188 74

HSL 56.07, 0.51%, 0.53%

LAB 74.95, -11.23, 56.91

 

CMYK 0 / 3 / 47 / 31

HEX #B1AB5E

RGB 177 171 94

HSL 55.66, 0.35%, 0.53%

LAB 68.95, -8.78, 40.19

 

CMYK 0 / 2 / 28 / 38

HEX #9D9A71

RGB 157 154 113

HSL 55.91, 0.18%, 0.53%

LAB 62.9, -5.67, 21.98

 

CMYK 0 / 0 / 4 / 46

HEX #8A8A84

RGB 138 138 132

HSL 60, 0.02%, 0.53%

LAB 57.31, -1.15, 3.2

 

CMYK 0 / 46 / 74 / 16

HEX #D77437

RGB 215 116 55

HSL 22.88, 0.67%, 0.53%

LAB 59.17, 34.23, 49.39

 

CMYK 0 / 26 / 74 / 16

HEX #D79F37

RGB 215 159 55

HSL 39, 0.67%, 0.53%

LAB 69.13, 11.21, 59.4

 

CMYK 0 / 6 / 74 / 16

HEX #D7CA37

RGB 215 202 55

HSL 55.13, 0.67%, 0.53%

LAB 80.16, -11.3, 69.95

 

CMYK 13 / 0 / 74 / 16

HEX #BAD737

RGB 186 215 55

HSL 70.88, 0.67%, 0.53%

LAB 81.46, -29.72, 70.38

 

CMYK 33 / 0 / 74 / 16

HEX #8FD737

RGB 143 215 55

HSL 87, 0.67%, 0.53%

LAB 78.88, -46.13, 67

 

CMYK 0 / 6 / 80 / 38

HEX #9D941F

RGB 157 148 31

HSL 55.71, 0.67%, 0.37%

LAB 60.29, -9.58, 57.68

 

CMYK 0 / 5 / 80 / 25

HEX #BFB526

RGB 191 181 38

HSL 56.08, 0.67%, 0.45%

LAB 72.4, -11.55, 67.43

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 0 / 4 / 60 / 13

HEX #DED559

RGB 222 213 89

HSL 55.94, 0.67%, 0.61%

LAB 83.88, -12.06, 60.77

 

CMYK 0 / 3 / 46 / 10

HEX #E5DE7C

RGB 229 222 124

HSL 56, 0.67%, 0.69%

LAB 87.17, -10.9, 48.65

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 74 / 0 / 66 / 16

HEX #37D74A

RGB 55 215 74

HSL 127.13, 0.67%, 0.53%

LAB 76.01, -67.47, 56.08

 

CMYK 36 / 74 / 0 / 16

HEX #8A37D7

RGB 138 55 215

HSL 271.13, 0.67%, 0.53%

LAB 42.83, 62.96, -67.44

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 74 / 0 / 6 / 16

HEX #37D7CA

RGB 55 215 202

HSL 175.13, 0.67%, 0.53%

LAB 78.27, -42.8, -5.27

 

CMYK 6 / 74 / 0 / 16

HEX #CA37D7

RGB 202 55 215

HSL 295.13, 0.67%, 0.53%

LAB 52.06, 74.96, -52.08

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 74 / 0 / 66 / 16

HEX #37D74A

RGB 55 215 74

HSL 127.13, 0.67%, 0.53%

LAB 76.01, -67.47, 56.08

 

CMYK 74 / 68 / 0 / 16

HEX #3744D7

RGB 55 68 215

HSL 235.13, 0.67%, 0.53%

LAB 37.58, 44.61, -76.33

 

CMYK 0 / 74 / 8 / 16

HEX #D737C5

RGB 215 55 197

HSL 306.75, 0.67%, 0.53%

LAB 53.18, 74.84, -39.85

 

CMYK 0 / 5 / 74 / 16

HEX #D7CC37

RGB 215 204 55

HSL 55.88, 0.67%, 0.53%

LAB 80.69, -12.31, 70.44

 

CMYK 74 / 0 / 43 / 16

HEX #37D77A

RGB 55 215 122

HSL 145.13, 0.67%, 0.53%

LAB 76.57, -60.9, 34.46

 

CMYK 74 / 68 / 0 / 16

HEX #3744D7

RGB 55 68 215

HSL 235.13, 0.67%, 0.53%

LAB 37.58, 44.61, -76.33

 

CMYK 0 / 74 / 31 / 16

HEX #D73795

RGB 215 55 149

HSL 324.75, 0.67%, 0.53%

LAB 51.09, 68.55, -14.94

 

Description

Color code: HEX #D7CC37 | qconv.com Color code: HEX #D7CC37 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 204 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 204 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 74 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 74% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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