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Color name
HEX #D7CC29

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7CC29 it is the complementary color #2833D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7CC29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7CC29 shade: #DCCC24, #EDDE37, #FEF04A, #FFFF5D and #FFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7CC29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7CC29 shade: #D7CC29, #C6BA16, #B5A803, #A49600 and #938400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7CC29 shade: #D7CC28, #D79D28, #D76D28, #D73E28 and #D72828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7CC29 shade: #D7CC28, #B3D728, #84D728, #54D728 and #28D72A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7CC29 shade matches the following richer shades: #D7CC28 and #ECDE13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7CC29 shade: #D7CC28, #C3BA3C, #AEA851, #9A9665 and #85847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7CC29 shade: #D76E28, #D79D28, #D7CC28, #B4D728 and #85D728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7CC29 shade: #928A1B, #B5AB21, #D7CC28, #DED54A and #E4DD6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7CC29 shade: #D7CC29, #28D73F and #8528D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7CC29 shade: #D7CC29, #28D7CC and #CC28D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7CC29 shade: #D7CC29, #28D73F, #2833D7 and #D728C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7CC29 shade: #D7CC29, #28D774, #2833D7 and #D7288B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 81 / 16

HEX #D7CC29

RGB 215 204 41

HSL 56.21, 0.69%, 0.5%

LAB 80.62, -12.81, 74.54

 

Complementary color

CMYK 81 / 76 / 0 / 16

HEX #2833D6

RGB 40 51 214

HSL 236.21, 0.69%, 0.5%

LAB 33.29, 52.81, -82.85

 

CMYK 0 / 7 / 84 / 14

HEX #DCCC24

RGB 220 204 36

HSL 54.78, 0.72%, 0.5%

LAB 81.03, -10.81, 76.3

 

CMYK 0 / 6 / 77 / 7

HEX #EDDE37

RGB 237 222 55

HSL 55.05, 0.83%, 0.57%

LAB 87.25, -12.04, 77.14

 

CMYK 0 / 6 / 71 / 0

HEX #FEF04A

RGB 254 240 74

HSL 55.33, 0.99%, 0.64%

LAB 93.4, -13.1, 77.24

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC29

RGB 215 204 41

HSL 56.21, 0.69%, 0.5%

LAB 80.62, -12.81, 74.54

 

CMYK 0 / 6 / 89 / 22

HEX #C6BA16

RGB 198 186 22

HSL 55.91, 0.8%, 0.43%

LAB 74.31, -11.48, 72.97

 

CMYK 0 / 7 / 98 / 29

HEX #B5A803

RGB 181 168 3

HSL 55.62, 0.97%, 0.36%

LAB 67.9, -9.95, 70.07

 

CMYK 0 / 9 / 100 / 36

HEX #A49600

RGB 164 150 0

HSL 54.88, 1%, 0.32%

LAB 61.4, -8.14, 65.07

 

CMYK 0 / 10 / 100 / 42

HEX #938400

RGB 147 132 0

HSL 53.88, 1%, 0.29%

LAB 54.77, -6.24, 59.57

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC28

RGB 215 204 40

HSL 56.23, 0.69%, 0.5%

LAB 80.62, -12.84, 74.8

 

CMYK 0 / 27 / 81 / 16

HEX #D79D28

RGB 215 157 40

HSL 40.11, 0.69%, 0.5%

LAB 68.54, 11.73, 64.34

 

CMYK 0 / 49 / 81 / 16

HEX #D76D28

RGB 215 109 40

HSL 23.66, 0.69%, 0.5%

LAB 57.6, 37.28, 54.55

 

CMYK 0 / 71 / 81 / 16

HEX #D73E28

RGB 215 62 40

HSL 7.54, 0.69%, 0.5%

LAB 49.55, 58.37, 47.08

 

CMYK 0 / 81 / 81 / 16

HEX #D72828

RGB 215 40 40

HSL 0, 0.69%, 0.5%

LAB 47.13, 65.14, 44.76

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC28

RGB 215 204 40

HSL 56.23, 0.69%, 0.5%

LAB 80.62, -12.84, 74.8

 

CMYK 17 / 0 / 81 / 16

HEX #B3D728

RGB 179 215 40

HSL 72.34, 0.69%, 0.5%

LAB 80.93, -33.14, 74

 

CMYK 39 / 0 / 81 / 16

HEX #84D728

RGB 132 215 40

HSL 88.46, 0.69%, 0.5%

LAB 78.26, -50.68, 70.63

 

CMYK 61 / 0 / 81 / 16

HEX #54D728

RGB 84 215 40

HSL 104.91, 0.69%, 0.5%

LAB 76.46, -64.5, 68.32

 

CMYK 81 / 0 / 80 / 16

HEX #28D72A

RGB 40 215 42

HSL 120.69, 0.69%, 0.5%

LAB 75.59, -71.9, 66.66

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC28

RGB 215 204 40

HSL 56.23, 0.69%, 0.5%

LAB 80.62, -12.84, 74.8

 

CMYK 0 / 6 / 92 / 7

HEX #ECDE13

RGB 236 222 19

HSL 56.13, 0.85%, 0.5%

LAB 87.06, -13.32, 84.69

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC28

RGB 215 204 40

HSL 56.23, 0.69%, 0.5%

LAB 80.62, -12.84, 74.8

 

CMYK 0 / 5 / 69 / 24

HEX #C3BA3C

RGB 195 186 60

HSL 56, 0.53%, 0.5%

LAB 74.22, -11.45, 61.84

 

CMYK 0 / 3 / 53 / 32

HEX #AEA851

RGB 174 168 81

HSL 56.13, 0.36%, 0.5%

LAB 67.72, -9.66, 45.1

 

CMYK 0 / 3 / 34 / 40

HEX #9A9665

RGB 154 150 101

HSL 55.47, 0.21%, 0.5%

LAB 61.33, -6.33, 26.42

 

CMYK 0 / 1 / 8 / 48

HEX #85847A

RGB 133 132 122

HSL 54.55, 0.04%, 0.5%

LAB 54.96, -1.52, 5.52

 

CMYK 0 / 49 / 81 / 16

HEX #D76E28

RGB 215 110 40

HSL 24, 0.69%, 0.5%

LAB 57.8, 36.77, 54.74

 

CMYK 0 / 27 / 81 / 16

HEX #D79D28

RGB 215 157 40

HSL 40.11, 0.69%, 0.5%

LAB 68.54, 11.73, 64.34

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC28

RGB 215 204 40

HSL 56.23, 0.69%, 0.5%

LAB 80.62, -12.84, 74.8

 

CMYK 16 / 0 / 81 / 16

HEX #B4D728

RGB 180 215 40

HSL 72, 0.69%, 0.5%

LAB 80.99, -32.73, 74.09

 

CMYK 38 / 0 / 81 / 16

HEX #85D728

RGB 133 215 40

HSL 88.11, 0.69%, 0.5%

LAB 78.31, -50.34, 70.69

 

CMYK 0 / 5 / 82 / 43

HEX #928A1B

RGB 146 138 27

HSL 55.97, 0.69%, 0.34%

LAB 56.45, -9.36, 55.13

 

CMYK 0 / 6 / 82 / 29

HEX #B5AB21

RGB 181 171 33

HSL 55.95, 0.69%, 0.42%

LAB 68.79, -10.93, 65.35

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC28

RGB 215 204 40

HSL 56.23, 0.69%, 0.5%

LAB 80.62, -12.84, 74.8

 

CMYK 0 / 4 / 67 / 13

HEX #DED54A

RGB 222 213 74

HSL 56.35, 0.69%, 0.58%

LAB 83.76, -12.97, 66.8

 

CMYK 0 / 3 / 52 / 11

HEX #E4DD6D

RGB 228 221 109

HSL 56.47, 0.69%, 0.66%

LAB 86.66, -12.12, 55.1

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC29

RGB 215 204 41

HSL 56.21, 0.69%, 0.5%

LAB 80.62, -12.81, 74.54

 

CMYK 81 / 0 / 71 / 16

HEX #28D73F

RGB 40 215 63

HSL 127.89, 0.69%, 0.5%

LAB 75.71, -70.41, 59.97

 

CMYK 38 / 81 / 0 / 16

HEX #8528D7

RGB 133 40 215

HSL 271.89, 0.69%, 0.5%

LAB 40.26, 67.69, -71.65

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC29

RGB 215 204 41

HSL 56.21, 0.69%, 0.5%

LAB 80.62, -12.81, 74.54

 

CMYK 81 / 0 / 5 / 16

HEX #28D7CC

RGB 40 215 204

HSL 176.23, 0.69%, 0.5%

LAB 78.12, -43.67, -6.59

 

CMYK 5 / 81 / 0 / 16

HEX #CC28D7

RGB 204 40 215

HSL 296.23, 0.69%, 0.5%

LAB 50.99, 79.35, -53.77

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC29

RGB 215 204 41

HSL 56.21, 0.69%, 0.5%

LAB 80.62, -12.81, 74.54

 

CMYK 81 / 0 / 71 / 16

HEX #28D73F

RGB 40 215 63

HSL 127.89, 0.69%, 0.5%

LAB 75.71, -70.41, 59.97

 

CMYK 81 / 76 / 0 / 16

HEX #2833D7

RGB 40 51 215

HSL 236.23, 0.69%, 0.5%

LAB 33.4, 53.14, -83.25

 

CMYK 0 / 81 / 11 / 16

HEX #D728C0

RGB 215 40 192

HSL 307.89, 0.69%, 0.5%

LAB 51.58, 78.02, -39.48

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC29

RGB 215 204 41

HSL 56.21, 0.69%, 0.5%

LAB 80.62, -12.81, 74.54

 

CMYK 81 / 0 / 46 / 16

HEX #28D774

RGB 40 215 116

HSL 146.06, 0.69%, 0.5%

LAB 76.26, -63.69, 37.03

 

CMYK 81 / 76 / 0 / 16

HEX #2833D7

RGB 40 51 215

HSL 236.23, 0.69%, 0.5%

LAB 33.4, 53.14, -83.25

 

CMYK 0 / 81 / 35 / 16

HEX #D7288B

RGB 215 40 139

HSL 326.06, 0.69%, 0.5%

LAB 49.29, 71.58, -11.68

 

Description

Color code: HEX #D7CC29 | qconv.com Color code: HEX #D7CC29 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 204 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 204 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 81% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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