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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7C4C9 it is the complementary color #283B36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7C4C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7C4C9 shade: #DCC4C4, #EDD6D7, #FEE8EA, #FFFAFD and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7C4C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7C4C9 shade: #D7C4C9, #C6B2B6, #B5A0A3, #A48E90 and #937C7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7C4C9 shade: #D8C5CA and #D8C5C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7C4C9 shade: #D8C5CA, #D8C5CF, #D8C5D4, #D6C5D8 and #D1C5D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7C4C9 shade matches the following richer shades: #D8C5CA, #E0BEC6, #E7B6C3, #EFAEBF and #F7A6BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7C4C9 shade: #D8C5CA, #D0CDCE, #C8D5D2, #C0DDD5 and #B8E5D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7C4C9 shade: #D8C5D4, #D8C5CF, #D8C5CA, #D8C5C5 and #D8CAC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7C4C9 shade: #B6949D, #C7ADB4, #D8C5CA, #E8DEE1 and #F9F6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7C4C9 shade: #D7C4C9, #D8D7C5 and #C5D2D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7C4C9 shade: #D7C4C9, #CAD8C5 and #C5CAD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7C4C9 shade: #D7C4C9, #D8D7C5, #C5D8D3 and #C5C7D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7C4C9 shade: #D7C4C9, #D3D8C5, #C5D8D3 and #CAC5D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 7 / 16

HEX #D7C4C9

RGB 215 196 201

HSL 344.21, 0.19%, 0.81%

LAB 80.82, 7.52, -0.09

 

Complementary color

CMYK 32 / 0 / 8 / 77

HEX #283B36

RGB 40 59 54

HSL 164.21, 0.19%, 0.19%

LAB 23.15, -8.93, 0.64

 

CMYK 0 / 11 / 11 / 14

HEX #DCC4C4

RGB 220 196 196

HSL 0, 0.26%, 0.82%

LAB 81.12, 8.45, 3.08

 

CMYK 0 / 10 / 9 / 7

HEX #EDD6D7

RGB 237 214 215

HSL 357.39, 0.39%, 0.88%

LAB 87.49, 8.11, 2.39

 

CMYK 0 / 9 / 8 / 0

HEX #FEE8EA

RGB 254 232 234

HSL 354.55, 0.92%, 0.95%

LAB 93.76, 7.81, 1.73

 

CMYK 0 / 2 / 1 / 0

HEX #FFFAFD

RGB 255 250 253

HSL 324, 1%, 0.99%

LAB 98.72, 2.18, -0.86

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 9 / 7 / 16

HEX #D7C4C9

RGB 215 196 201

HSL 344.21, 0.19%, 0.81%

LAB 80.82, 7.52, -0.09

 

CMYK 0 / 10 / 8 / 22

HEX #C6B2B6

RGB 198 178 182

HSL 348, 0.15%, 0.74%

LAB 74.33, 7.84, 0.57

 

CMYK 0 / 12 / 10 / 29

HEX #B5A0A3

RGB 181 160 163

HSL 351.43, 0.12%, 0.67%

LAB 67.73, 8.2, 1.25

 

CMYK 0 / 13 / 12 / 36

HEX #A48E90

RGB 164 142 144

HSL 354.55, 0.11%, 0.6%

LAB 61, 8.58, 1.98

 

CMYK 0 / 16 / 15 / 42

HEX #937C7D

RGB 147 124 125

HSL 357.39, 0.1%, 0.53%

LAB 54.13, 9.02, 2.75

 

CMYK 0 / 9 / 6 / 15

HEX #D8C5CA

RGB 216 197 202

HSL 344.21, 0.2%, 0.81%

LAB 81.18, 7.52, -0.09

 

CMYK 0 / 9 / 9 / 15

HEX #D8C5C5

RGB 216 197 197

HSL 0, 0.2%, 0.81%

LAB 81.05, 6.66, 2.41

 

CMYK 0 / 9 / 6 / 15

HEX #D8C5CA

RGB 216 197 202

HSL 344.21, 0.2%, 0.81%

LAB 81.18, 7.52, -0.09

 

CMYK 0 / 9 / 4 / 15

HEX #D8C5CF

RGB 216 197 207

HSL 328.42, 0.2%, 0.81%

LAB 81.31, 8.39, -2.58

 

CMYK 0 / 9 / 2 / 15

HEX #D8C5D4

RGB 216 197 212

HSL 312.63, 0.2%, 0.81%

LAB 81.45, 9.29, -5.06

 

CMYK 1 / 9 / 0 / 15

HEX #D6C5D8

RGB 214 197 216

HSL 293.68, 0.2%, 0.81%

LAB 81.39, 9.34, -7.3

 

CMYK 3 / 9 / 0 / 15

HEX #D1C5D8

RGB 209 197 216

HSL 277.89, 0.2%, 0.81%

LAB 80.99, 7.65, -7.95

 

CMYK 0 / 9 / 6 / 15

HEX #D8C5CA

RGB 216 197 202

HSL 344.21, 0.2%, 0.81%

LAB 81.18, 7.52, -0.09

 

CMYK 0 / 15 / 12 / 12

HEX #E0BEC6

RGB 224 190 198

HSL 345.88, 0.35%, 0.81%

LAB 80.04, 13.39, 0.48

 

CMYK 0 / 21 / 16 / 9

HEX #E7B6C3

RGB 231 182 195

HSL 344.08, 0.51%, 0.81%

LAB 78.69, 19.68, 0.21

 

CMYK 0 / 27 / 20 / 6

HEX #EFAEBF

RGB 239 174 191

HSL 344.31, 0.67%, 0.81%

LAB 77.51, 26.18, 0.76

 

CMYK 0 / 33 / 24 / 3

HEX #F7A6BB

RGB 247 166 187

HSL 344.44, 0.84%, 0.81%

LAB 76.46, 32.68, 1.52

 

CMYK 0 / 9 / 6 / 15

HEX #D8C5CA

RGB 216 197 202

HSL 344.21, 0.2%, 0.81%

LAB 81.18, 7.52, -0.09

 

CMYK 0 / 1 / 1 / 18

HEX #D0CDCE

RGB 208 205 206

HSL 340, 0.03%, 0.81%

LAB 82.66, 1.22, -0.14

 

CMYK 6 / 0 / 1 / 16

HEX #C8D5D2

RGB 200 213 210

HSL 166.15, 0.13%, 0.81%

LAB 84.24, -4.94, -0.04

 

CMYK 13 / 0 / 4 / 13

HEX #C0DDD5

RGB 192 221 213

HSL 163.45, 0.3%, 0.81%

LAB 85.87, -11.11, 0.68

 

CMYK 20 / 0 / 5 / 10

HEX #B8E5D9

RGB 184 229 217

HSL 164, 0.46%, 0.81%

LAB 87.6, -16.9, 1.04

 

CMYK 0 / 9 / 2 / 15

HEX #D8C5D4

RGB 216 197 212

HSL 312.63, 0.2%, 0.81%

LAB 81.45, 9.29, -5.06

 

CMYK 0 / 9 / 4 / 15

HEX #D8C5CF

RGB 216 197 207

HSL 328.42, 0.2%, 0.81%

LAB 81.31, 8.39, -2.58

 

CMYK 0 / 9 / 6 / 15

HEX #D8C5CA

RGB 216 197 202

HSL 344.21, 0.2%, 0.81%

LAB 81.18, 7.52, -0.09

 

CMYK 0 / 9 / 9 / 15

HEX #D8C5C5

RGB 216 197 197

HSL 0, 0.2%, 0.81%

LAB 81.05, 6.66, 2.41

 

CMYK 0 / 6 / 9 / 15

HEX #D8CAC5

RGB 216 202 197

HSL 15.79, 0.2%, 0.81%

LAB 82.31, 4.02, 4.23

 

CMYK 0 / 19 / 14 / 29

HEX #B6949D

RGB 182 148 157

HSL 344.12, 0.19%, 0.65%

LAB 64.61, 14.19, 0.08

 

CMYK 0 / 13 / 10 / 22

HEX #C7ADB4

RGB 199 173 180

HSL 343.85, 0.19%, 0.73%

LAB 73.11, 10.57, -0.12

 

CMYK 0 / 9 / 6 / 15

HEX #D8C5CA

RGB 216 197 202

HSL 344.21, 0.2%, 0.81%

LAB 81.18, 7.52, -0.09

 

CMYK 0 / 4 / 3 / 9

HEX #E8DEE1

RGB 232 222 225

HSL 342, 0.18%, 0.89%

LAB 89.32, 3.93, -0.26

 

CMYK 0 / 1 / 1 / 2

HEX #F9F6F7

RGB 249 246 247

HSL 340, 0.2%, 0.97%

LAB 97.13, 1.18, -0.14

 

CMYK 0 / 9 / 7 / 16

HEX #D7C4C9

RGB 215 196 201

HSL 344.21, 0.19%, 0.81%

LAB 80.82, 7.52, -0.09

 

CMYK 0 / 0 / 9 / 15

HEX #D8D7C5

RGB 216 215 197

HSL 56.84, 0.2%, 0.81%

LAB 85.62, -2.77, 9

 

CMYK 9 / 3 / 0 / 15

HEX #C5D2D8

RGB 197 210 216

HSL 198.95, 0.2%, 0.81%

LAB 83.4, -3.22, -4.48

 

CMYK 0 / 9 / 7 / 16

HEX #D7C4C9

RGB 215 196 201

HSL 344.21, 0.19%, 0.81%

LAB 80.82, 7.52, -0.09

 

CMYK 6 / 0 / 9 / 15

HEX #CAD8C5

RGB 202 216 197

HSL 104.21, 0.2%, 0.81%

LAB 84.84, -8.17, 7.74

 

CMYK 9 / 6 / 0 / 15

HEX #C5CAD8

RGB 197 202 216

HSL 224.21, 0.2%, 0.81%

LAB 81.33, 0.99, -7.54

 

CMYK 0 / 9 / 7 / 16

HEX #D7C4C9

RGB 215 196 201

HSL 344.21, 0.19%, 0.81%

LAB 80.82, 7.52, -0.09

 

CMYK 0 / 0 / 9 / 15

HEX #D8D7C5

RGB 216 215 197

HSL 56.84, 0.2%, 0.81%

LAB 85.62, -2.77, 9

 

CMYK 9 / 0 / 2 / 15

HEX #C5D8D3

RGB 197 216 211

HSL 164.21, 0.2%, 0.81%

LAB 84.84, -7.3, 0.28

 

CMYK 9 / 8 / 0 / 15

HEX #C5C7D8

RGB 197 199 216

HSL 233.68, 0.2%, 0.81%

LAB 80.56, 2.58, -8.69

 

CMYK 0 / 9 / 7 / 16

HEX #D7C4C9

RGB 215 196 201

HSL 344.21, 0.19%, 0.81%

LAB 80.82, 7.52, -0.09

 

CMYK 2 / 0 / 9 / 15

HEX #D3D8C5

RGB 211 216 197

HSL 75.79, 0.2%, 0.81%

LAB 85.5, -5.04, 8.77

 

CMYK 9 / 0 / 2 / 15

HEX #C5D8D3

RGB 197 216 211

HSL 164.21, 0.2%, 0.81%

LAB 84.84, -7.3, 0.28

 

CMYK 6 / 9 / 0 / 15

HEX #CAC5D8

RGB 202 197 216

HSL 255.79, 0.2%, 0.81%

LAB 80.43, 5.3, -8.84

 

Description

Color code: HEX #D7C4C9 | qconv.com Color code: HEX #D7C4C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 196 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 196 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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