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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7BF4E it is the complementary color #2840B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7BF4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7BF4E shade: #DCBF49, #EDD15C, #FEE36F, #FFF582 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7BF4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7BF4E shade: #D7BF4E, #C6AD3B, #B59B28, #A48915 and #937702

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7BF4E shade: #D6BE4C, #D6994C, #D6744C, #D64E4C and #D64C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7BF4E shade: #D6BE4C, #C9D64C, #A4D64C, #7FD64C and #5AD64C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7BF4E shade matches the following richer shades: #D6BE4C, #E8CA3B and #FAD529

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7BF4E shade: #D6BE4C, #C5B35E, #B3A770, #A19C81 and #8F9093

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7BF4E shade: #D6734C, #D6984C, #D6BD4C, #CBD64C and #A6D64C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7BF4E shade: #AA9327, #CBB02E, #D6BE4C, #DECA6E and #E6D790

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7BF4E shade: #D7BF4E, #4CD64F and #864CD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7BF4E shade: #D7BF4E, #4CD6BD and #BD4CD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7BF4E shade: #D7BF4E, #4CD64F, #4C66D6 and #D64CD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7BF4E shade: #D7BF4E, #4CD678, #4C66D6 and #D64CAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 64 / 16

HEX #D7BF4E

RGB 215 191 78

HSL 49.49, 0.63%, 0.57%

LAB 77.44, -4.48, 58.35

 

Complementary color

CMYK 77 / 64 / 0 / 31

HEX #2840B1

RGB 40 64 177

HSL 229.49, 0.63%, 0.43%

LAB 32.46, 32.11, -62.54

 

CMYK 0 / 13 / 67 / 14

HEX #DCBF49

RGB 220 191 73

HSL 48.16, 0.68%, 0.57%

LAB 77.85, -2.66, 61.05

 

CMYK 0 / 12 / 61 / 7

HEX #EDD15C

RGB 237 209 92

HSL 48.41, 0.8%, 0.65%

LAB 84.16, -3.63, 60.14

 

CMYK 0 / 11 / 56 / 0

HEX #FEE36F

RGB 254 227 111

HSL 48.67, 0.99%, 0.72%

LAB 90.39, -4.47, 59.07

 

CMYK 0 / 4 / 49 / 0

HEX #FFF582

RGB 255 245 130

HSL 55.2, 1%, 0.75%

LAB 95.24, -11.5, 56.06

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 11 / 64 / 16

HEX #D7BF4E

RGB 215 191 78

HSL 49.49, 0.63%, 0.57%

LAB 77.44, -4.48, 58.35

 

CMYK 0 / 13 / 70 / 22

HEX #C6AD3B

RGB 198 173 59

HSL 49.21, 0.55%, 0.5%

LAB 71.01, -3.45, 59.11

 

CMYK 0 / 14 / 78 / 29

HEX #B59B28

RGB 181 155 40

HSL 48.94, 0.64%, 0.43%

LAB 64.5, -2.21, 59.38

 

CMYK 0 / 16 / 87 / 36

HEX #A48915

RGB 164 137 21

HSL 48.67, 0.77%, 0.36%

LAB 57.88, -0.73, 58.69

 

CMYK 0 / 19 / 99 / 42

HEX #937702

RGB 147 119 2

HSL 48.41, 0.97%, 0.29%

LAB 51.15, 1.04, 56.61

 

CMYK 0 / 11 / 64 / 16

HEX #D6BE4C

RGB 214 190 76

HSL 49.57, 0.63%, 0.57%

LAB 77.07, -4.51, 58.79

 

CMYK 0 / 29 / 64 / 16

HEX #D6994C

RGB 214 153 76

HSL 33.48, 0.63%, 0.57%

LAB 67.73, 15.14, 48.56

 

CMYK 0 / 46 / 64 / 16

HEX #D6744C

RGB 214 116 76

HSL 17.39, 0.63%, 0.57%

LAB 59.26, 34.95, 38.78

 

CMYK 0 / 64 / 64 / 16

HEX #D64E4C

RGB 214 78 76

HSL 0.87, 0.63%, 0.57%

LAB 52.14, 53.27, 30.11

 

CMYK 0 / 64 / 64 / 16

HEX #D64C4C

RGB 214 76 76

HSL 0, 0.63%, 0.57%

LAB 51.82, 54.12, 29.72

 

CMYK 0 / 11 / 64 / 16

HEX #D6BE4C

RGB 214 190 76

HSL 49.57, 0.63%, 0.57%

LAB 77.07, -4.51, 58.79

 

CMYK 6 / 0 / 64 / 16

HEX #C9D64C

RGB 201 214 76

HSL 65.65, 0.63%, 0.57%

LAB 82.4, -22.01, 64.08

 

CMYK 23 / 0 / 64 / 16

HEX #A4D64C

RGB 164 214 76

HSL 81.74, 0.63%, 0.57%

LAB 79.9, -36.62, 60.69

 

CMYK 41 / 0 / 64 / 16

HEX #7FD64C

RGB 127 214 76

HSL 97.83, 0.63%, 0.57%

LAB 77.95, -49.66, 58.02

 

CMYK 58 / 0 / 64 / 16

HEX #5AD64C

RGB 90 214 76

HSL 113.91, 0.63%, 0.57%

LAB 76.55, -60.14, 56.09

 

CMYK 0 / 11 / 64 / 16

HEX #D6BE4C

RGB 214 190 76

HSL 49.57, 0.63%, 0.57%

LAB 77.07, -4.51, 58.79

 

CMYK 0 / 13 / 75 / 9

HEX #E8CA3B

RGB 232 202 59

HSL 49.6, 0.79%, 0.57%

LAB 81.68, -3.91, 70.56

 

CMYK 0 / 15 / 84 / 2

HEX #FAD529

RGB 250 213 41

HSL 49.38, 0.95%, 0.57%

LAB 86.04, -2.47, 80.36

 

CMYK 0 / 11 / 64 / 16

HEX #D6BE4C

RGB 214 190 76

HSL 49.57, 0.63%, 0.57%

LAB 77.07, -4.51, 58.79

 

CMYK 0 / 9 / 52 / 23

HEX #C5B35E

RGB 197 179 94

HSL 49.51, 0.47%, 0.57%

LAB 72.84, -4.62, 45.29

 

CMYK 0 / 7 / 37 / 30

HEX #B3A770

RGB 179 167 112

HSL 49.25, 0.31%, 0.57%

LAB 68.31, -3.88, 30.03

 

CMYK 0 / 3 / 20 / 37

HEX #A19C81

RGB 161 156 129

HSL 50.63, 0.15%, 0.57%

LAB 64.11, -2.81, 14.82

 

CMYK 3 / 2 / 0 / 42

HEX #8F9093

RGB 143 144 147

HSL 225, 0.02%, 0.57%

LAB 59.79, 0.23, -1.72

 

CMYK 0 / 46 / 64 / 16

HEX #D6734C

RGB 214 115 76

HSL 16.96, 0.63%, 0.57%

LAB 59.05, 35.47, 38.53

 

CMYK 0 / 29 / 64 / 16

HEX #D6984C

RGB 214 152 76

HSL 33.04, 0.63%, 0.57%

LAB 67.48, 15.68, 48.29

 

CMYK 0 / 12 / 64 / 16

HEX #D6BD4C

RGB 214 189 76

HSL 49.13, 0.63%, 0.57%

LAB 76.81, -3.99, 58.51

 

CMYK 5 / 0 / 64 / 16

HEX #CBD64C

RGB 203 214 76

HSL 64.78, 0.63%, 0.57%

LAB 82.55, -21.19, 64.28

 

CMYK 22 / 0 / 64 / 16

HEX #A6D64C

RGB 166 214 76

HSL 80.87, 0.63%, 0.57%

LAB 80.02, -35.86, 60.86

 

CMYK 0 / 14 / 77 / 33

HEX #AA9327

RGB 170 147 39

HSL 49.47, 0.63%, 0.41%

LAB 61.27, -2.86, 56.36

 

CMYK 0 / 13 / 77 / 20

HEX #CBB02E

RGB 203 176 46

HSL 49.68, 0.63%, 0.49%

LAB 72.19, -3.43, 65.18

 

CMYK 0 / 11 / 64 / 16

HEX #D6BE4C

RGB 214 190 76

HSL 49.57, 0.63%, 0.57%

LAB 77.07, -4.51, 58.79

 

CMYK 0 / 9 / 50 / 13

HEX #DECA6E

RGB 222 202 110

HSL 49.29, 0.63%, 0.65%

LAB 81.23, -4.85, 48.07

 

CMYK 0 / 7 / 37 / 10

HEX #E6D790

RGB 230 215 144

HSL 49.53, 0.63%, 0.73%

LAB 85.72, -4.91, 36.92

 

CMYK 0 / 11 / 64 / 16

HEX #D7BF4E

RGB 215 191 78

HSL 49.49, 0.63%, 0.57%

LAB 77.44, -4.48, 58.35

 

CMYK 64 / 0 / 63 / 16

HEX #4CD64F

RGB 76 214 79

HSL 121.3, 0.63%, 0.57%

LAB 76.19, -62.94, 54.32

 

CMYK 37 / 64 / 0 / 16

HEX #864CD6

RGB 134 76 214

HSL 265.22, 0.63%, 0.57%

LAB 45.76, 52.23, -62.12

 

CMYK 0 / 11 / 64 / 16

HEX #D7BF4E

RGB 215 191 78

HSL 49.49, 0.63%, 0.57%

LAB 77.44, -4.48, 58.35

 

CMYK 64 / 0 / 12 / 16

HEX #4CD6BD

RGB 76 214 189

HSL 169.13, 0.63%, 0.57%

LAB 78.05, -42.93, 1.42

 

CMYK 12 / 64 / 0 / 16

HEX #BD4CD6

RGB 189 76 214

HSL 289.13, 0.63%, 0.57%

LAB 52.78, 64.33, -50.47

 

CMYK 0 / 11 / 64 / 16

HEX #D7BF4E

RGB 215 191 78

HSL 49.49, 0.63%, 0.57%

LAB 77.44, -4.48, 58.35

 

CMYK 64 / 0 / 63 / 16

HEX #4CD64F

RGB 76 214 79

HSL 121.3, 0.63%, 0.57%

LAB 76.19, -62.94, 54.32

 

CMYK 64 / 52 / 0 / 16

HEX #4C66D6

RGB 76 102 214

HSL 228.7, 0.63%, 0.57%

LAB 46.84, 25.9, -60.62

 

CMYK 0 / 64 / 1 / 16

HEX #D64CD4

RGB 214 76 212

HSL 300.87, 0.63%, 0.57%

LAB 56.31, 69.78, -43.51

 

CMYK 0 / 11 / 64 / 16

HEX #D7BF4E

RGB 215 191 78

HSL 49.49, 0.63%, 0.57%

LAB 77.44, -4.48, 58.35

 

CMYK 64 / 0 / 44 / 16

HEX #4CD678

RGB 76 214 120

HSL 139.13, 0.63%, 0.57%

LAB 76.67, -57.44, 35.68

 

CMYK 64 / 52 / 0 / 16

HEX #4C66D6

RGB 76 102 214

HSL 228.7, 0.63%, 0.57%

LAB 46.84, 25.9, -60.62

 

CMYK 0 / 64 / 20 / 16

HEX #D64CAB

RGB 214 76 171

HSL 318.7, 0.63%, 0.57%

LAB 54.45, 63.58, -22.79

 

Description

Color code: HEX #D7BF4E | qconv.com Color code: HEX #D7BF4E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 191 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 191 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 64 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 64% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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