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Color name
HEX #D7BA47

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7BA47 it is the complementary color #2845B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7BA47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7BA47 shade: #DCBA42, #EDCC55, #FEDE68, #FFF07B and #FFFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7BA47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7BA47 shade: #D7BA47, #C6A834, #B59621, #A4840E and #937200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7BA47 shade: #D7BA47, #D79347, #D76C47 and #D74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7BA47 shade: #D7BA47, #CDD747, #A6D747, #7FD747 and #59D747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7BA47 shade matches the following richer shades: #D7BA47, #E9C535 and #FBCF23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7BA47 shade: #D7BA47, #C4AF59, #B2A46B, #A0997D and #8E8E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7BA47 shade: #D76B47, #D79147, #D7B747, #CFD747 and #A9D747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7BA47 shade: #A78C25, #C8A92C, #D7BA47, #DEC669 and #E5D38B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7BA47 shade: #D7BA47, #49D747 and #7E47D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7BA47 shade: #D7BA47, #47D7B7 and #B747D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7BA47 shade: #D7BA47, #49D747, #4766D7 and #D447D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7BA47 shade: #D7BA47, #47D770, #4766D7 and #D747AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

Complementary color

CMYK 78 / 63 / 0 / 28

HEX #2845B8

RGB 40 69 184

HSL 227.92, 0.64%, 0.44%

LAB 34.33, 31.46, -63.63

 

CMYK 0 / 15 / 70 / 14

HEX #DCBA42

RGB 220 186 66

HSL 46.75, 0.69%, 0.56%

LAB 76.51, -0.43, 62.53

 

CMYK 0 / 14 / 64 / 7

HEX #EDCC55

RGB 237 204 85

HSL 46.97, 0.81%, 0.63%

LAB 82.83, -1.52, 61.73

 

CMYK 0 / 13 / 59 / 0

HEX #FEDE68

RGB 254 222 104

HSL 47.2, 0.99%, 0.7%

LAB 89.07, -2.45, 60.72

 

CMYK 0 / 6 / 52 / 0

HEX #FFF07B

RGB 255 240 123

HSL 53.18, 1%, 0.74%

LAB 93.89, -9.62, 57.69

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 0 / 15 / 74 / 22

HEX #C6A834

RGB 198 168 52

HSL 47.67, 0.58%, 0.49%

LAB 69.65, -1.14, 60.49

 

CMYK 0 / 17 / 82 / 29

HEX #B59621

RGB 181 150 33

HSL 47.43, 0.69%, 0.42%

LAB 63.13, 0.24, 60.44

 

CMYK 0 / 20 / 91 / 36

HEX #A4840E

RGB 164 132 14

HSL 47.2, 0.84%, 0.35%

LAB 56.51, 1.89, 59.18

 

CMYK 0 / 22 / 100 / 42

HEX #937200

RGB 147 114 0

HSL 46.53, 1%, 0.29%

LAB 49.78, 3.85, 56.06

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 0 / 32 / 67 / 16

HEX #D79347

RGB 215 147 71

HSL 31.67, 0.64%, 0.56%

LAB 66.34, 18.5, 49.45

 

CMYK 0 / 50 / 67 / 16

HEX #D76C47

RGB 215 108 71

HSL 15.42, 0.64%, 0.56%

LAB 57.68, 39.16, 39.63

 

CMYK 0 / 67 / 67 / 16

HEX #D74747

RGB 215 71 71

HSL 0, 0.64%, 0.56%

LAB 51.16, 56.21, 31.85

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 5 / 0 / 67 / 16

HEX #CDD747

RGB 205 215 71

HSL 64.17, 0.64%, 0.56%

LAB 82.93, -21.16, 66.67

 

CMYK 23 / 0 / 67 / 16

HEX #A6D747

RGB 166 215 71

HSL 80.42, 0.64%, 0.56%

LAB 80.27, -36.67, 63.09

 

CMYK 41 / 0 / 67 / 16

HEX #7FD747

RGB 127 215 71

HSL 96.67, 0.64%, 0.56%

LAB 78.21, -50.48, 60.3

 

CMYK 59 / 0 / 67 / 16

HEX #59D747

RGB 89 215 71

HSL 112.5, 0.64%, 0.56%

LAB 76.79, -61.2, 58.36

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 0 / 15 / 77 / 9

HEX #E9C535

RGB 233 197 53

HSL 48, 0.8%, 0.56%

LAB 80.47, -1.15, 71.48

 

CMYK 0 / 18 / 86 / 2

HEX #FBCF23

RGB 251 207 35

HSL 47.78, 0.96%, 0.56%

LAB 84.62, 0.87, 80.62

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 0 / 11 / 55 / 23

HEX #C4AF59

RGB 196 175 89

HSL 48.22, 0.48%, 0.56%

LAB 71.63, -3.36, 46.28

 

CMYK 0 / 8 / 40 / 30

HEX #B2A46B

RGB 178 164 107

HSL 48.17, 0.32%, 0.56%

LAB 67.34, -3.26, 31.41

 

CMYK 0 / 4 / 22 / 37

HEX #A0997D

RGB 160 153 125

HSL 48, 0.16%, 0.56%

LAB 63.12, -2.18, 15.66

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E90

RGB 142 142 144

HSL 240, 0.01%, 0.56%

LAB 59.08, 0.4, -1.07

 

CMYK 0 / 50 / 67 / 16

HEX #D76B47

RGB 215 107 71

HSL 15, 0.64%, 0.56%

LAB 57.48, 39.67, 39.4

 

CMYK 0 / 33 / 67 / 16

HEX #D79147

RGB 215 145 71

HSL 30.83, 0.64%, 0.56%

LAB 65.87, 19.58, 48.93

 

CMYK 0 / 15 / 67 / 16

HEX #D7B747

RGB 215 183 71

HSL 46.67, 0.64%, 0.56%

LAB 75.31, -0.73, 59.08

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 21 / 0 / 67 / 16

HEX #A9D747

RGB 169 215 71

HSL 79.17, 0.64%, 0.56%

LAB 80.45, -35.52, 63.34

 

CMYK 0 / 16 / 78 / 35

HEX #A78C25

RGB 167 140 37

HSL 47.54, 0.64%, 0.4%

LAB 59.07, -0.48, 54.92

 

CMYK 0 / 16 / 78 / 22

HEX #C8A92C

RGB 200 169 44

HSL 48.08, 0.64%, 0.48%

LAB 70.06, -1.13, 63.79

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 0 / 11 / 53 / 13

HEX #DEC669

RGB 222 198 105

HSL 47.69, 0.64%, 0.64%

LAB 80.14, -3.21, 49.18

 

CMYK 0 / 8 / 39 / 10

HEX #E5D38B

RGB 229 211 139

HSL 48, 0.63%, 0.72%

LAB 84.54, -3.81, 37.9

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 66 / 0 / 67 / 16

HEX #49D747

RGB 73 215 71

HSL 119.17, 0.64%, 0.56%

LAB 76.36, -64.67, 57.77

 

CMYK 41 / 67 / 0 / 16

HEX #7E47D7

RGB 126 71 215

HSL 262.92, 0.64%, 0.56%

LAB 44.01, 53.45, -65.57

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 67 / 0 / 15 / 16

HEX #47D7B7

RGB 71 215 183

HSL 166.67, 0.64%, 0.56%

LAB 78.09, -45.65, 4.66

 

CMYK 15 / 67 / 0 / 16

HEX #B747D7

RGB 183 71 215

HSL 286.67, 0.64%, 0.56%

LAB 51.24, 65.26, -53.54

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 66 / 0 / 67 / 16

HEX #49D747

RGB 73 215 71

HSL 119.17, 0.64%, 0.56%

LAB 76.36, -64.67, 57.77

 

CMYK 67 / 53 / 0 / 16

HEX #4766D7

RGB 71 102 215

HSL 227.08, 0.64%, 0.56%

LAB 46.64, 25.46, -61.51

 

CMYK 1 / 67 / 0 / 16

HEX #D447D7

RGB 212 71 215

HSL 298.75, 0.64%, 0.56%

LAB 55.49, 71.68, -46.52

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA47

RGB 215 186 71

HSL 47.92, 0.64%, 0.56%

LAB 76.08, -2.3, 59.89

 

CMYK 67 / 0 / 48 / 16

HEX #47D770

RGB 71 215 112

HSL 137.08, 0.64%, 0.56%

LAB 76.75, -60, 39.73

 

CMYK 67 / 53 / 0 / 16

HEX #4766D7

RGB 71 102 215

HSL 227.08, 0.64%, 0.56%

LAB 46.64, 25.46, -61.51

 

CMYK 0 / 67 / 19 / 16

HEX #D747AE

RGB 215 71 174

HSL 317.08, 0.64%, 0.56%

LAB 54.04, 66.19, -25.17

 

Description

Color code: HEX #D7BA47 | qconv.com Color code: HEX #D7BA47 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 186 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 186 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 67% 16% C M Y K

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