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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7B184 it is the complementary color #284E7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7B184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7B184 shade: #DCB17F, #EDC392, #FED5A5, #FFE7B8 and #FFF9CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7B184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7B184 shade: #D7B184, #C69F71, #B58D5E, #A47B4B and #936938

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7B184 shade: #D7B184, #D79A84 and #D78484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7B184 shade: #D7B184, #D7C784, #D0D784, #BAD784 and #A3D784

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7B184 shade matches the following richer shades: #D7B184, #E4B277, #F1B369 and #FFB45C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7B184 shade: #D7B184, #CAB091, #BDAF9E, #AFAEAB and #A2ACB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7B184 shade: #D78484, #D79A84, #D7B084, #D7C684 and #D1D784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7B184 shade: #C38945, #CD9D65, #D7B184, #E1C5A3 and #EBD8C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7B184 shade: #D7B184, #9AD784 and #8F84D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7B184 shade: #D7B184, #84D7B0 and #B084D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7B184 shade: #D7B184, #9AD784, #84ABD7 and #C184D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7B184 shade: #D7B184, #84D787, #84ABD7 and #D784D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

Complementary color

CMYK 67 / 37 / 0 / 52

HEX #284E7B

RGB 40 78 123

HSL 212.53, 0.51%, 0.32%

LAB 32.55, 2.06, -29.56

 

CMYK 0 / 20 / 42 / 14

HEX #DCB17F

RGB 220 177 127

HSL 32.26, 0.57%, 0.68%

LAB 74.95, 9.1, 31.47

 

CMYK 0 / 18 / 38 / 7

HEX #EDC392

RGB 237 195 146

HSL 32.31, 0.72%, 0.75%

LAB 81.35, 8.41, 30.25

 

CMYK 0 / 16 / 35 / 0

HEX #FED5A5

RGB 254 213 165

HSL 32.36, 0.98%, 0.82%

LAB 87.67, 7.81, 29.09

 

CMYK 0 / 9 / 28 / 0

HEX #FFE7B8

RGB 255 231 184

HSL 39.72, 1%, 0.86%

LAB 92.52, 1.3, 25.9

 

CMYK 0 / 2 / 20 / 0

HEX #FFF9CB

RGB 255 249 203

HSL 53.08, 1%, 0.9%

LAB 97.36, -5.21, 22.84

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 0 / 20 / 43 / 22

HEX #C69F71

RGB 198 159 113

HSL 32.47, 0.43%, 0.61%

LAB 68.02, 8.35, 29.45

 

CMYK 0 / 22 / 48 / 29

HEX #B58D5E

RGB 181 141 94

HSL 32.41, 0.37%, 0.54%

LAB 61.38, 9.16, 30.8

 

CMYK 0 / 25 / 54 / 36

HEX #A47B4B

RGB 164 123 75

HSL 32.36, 0.37%, 0.47%

LAB 54.62, 10.13, 32.24

 

CMYK 0 / 29 / 62 / 42

HEX #936938

RGB 147 105 56

HSL 32.31, 0.45%, 0.4%

LAB 47.74, 11.31, 33.77

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 0 / 28 / 39 / 16

HEX #D79A84

RGB 215 154 132

HSL 15.9, 0.51%, 0.68%

LAB 68.91, 20.03, 20.6

 

CMYK 0 / 39 / 39 / 16

HEX #D78484

RGB 215 132 132

HSL 0, 0.51%, 0.68%

LAB 63.85, 31.89, 13.6

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 0 / 7 / 39 / 16

HEX #D7C784

RGB 215 199 132

HSL 48.43, 0.51%, 0.68%

LAB 80.16, -3.93, 35.57

 

CMYK 3 / 0 / 39 / 16

HEX #D0D784

RGB 208 215 132

HSL 65.06, 0.51%, 0.68%

LAB 83.8, -14.83, 40.14

 

CMYK 13 / 0 / 39 / 16

HEX #BAD784

RGB 186 215 132

HSL 80.96, 0.51%, 0.68%

LAB 82.22, -23.22, 37.8

 

CMYK 24 / 0 / 39 / 16

HEX #A3D784

RGB 163 215 132

HSL 97.59, 0.51%, 0.68%

LAB 80.77, -31.58, 35.64

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 0 / 22 / 48 / 11

HEX #E4B277

RGB 228 178 119

HSL 32.48, 0.67%, 0.68%

LAB 75.86, 10.98, 37.01

 

CMYK 0 / 26 / 56 / 5

HEX #F1B369

RGB 241 179 105

HSL 32.65, 0.83%, 0.68%

LAB 77.26, 14.55, 46.16

 

CMYK 0 / 29 / 64 / 0

HEX #FFB45C

RGB 255 180 92

HSL 32.39, 1%, 0.68%

LAB 78.85, 18.85, 54.71

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 0 / 13 / 28 / 21

HEX #CAB091

RGB 202 176 145

HSL 32.63, 0.35%, 0.68%

LAB 73.32, 4.68, 19.35

 

CMYK 0 / 7 / 16 / 26

HEX #BDAF9E

RGB 189 175 158

HSL 32.9, 0.19%, 0.68%

LAB 72.19, 2.16, 10.52

 

CMYK 0 / 1 / 2 / 31

HEX #AFAEAB

RGB 175 174 171

HSL 45, 0.02%, 0.68%

LAB 71.1, -0.2, 1.65

 

CMYK 12 / 7 / 0 / 27

HEX #A2ACB9

RGB 162 172 185

HSL 213.91, 0.14%, 0.68%

LAB 69.96, -0.85, -7.86

 

CMYK 0 / 39 / 39 / 16

HEX #D78484

RGB 215 132 132

HSL 0, 0.51%, 0.68%

LAB 63.85, 31.89, 13.6

 

CMYK 0 / 28 / 39 / 16

HEX #D79A84

RGB 215 154 132

HSL 15.9, 0.51%, 0.68%

LAB 68.91, 20.03, 20.6

 

CMYK 0 / 18 / 39 / 16

HEX #D7B084

RGB 215 176 132

HSL 31.81, 0.51%, 0.68%

LAB 74.29, 8.18, 27.87

 

CMYK 0 / 8 / 39 / 16

HEX #D7C684

RGB 215 198 132

HSL 47.71, 0.51%, 0.68%

LAB 79.9, -3.41, 35.24

 

CMYK 3 / 0 / 39 / 16

HEX #D1D784

RGB 209 215 132

HSL 64.34, 0.51%, 0.68%

LAB 83.87, -14.44, 40.25

 

CMYK 0 / 30 / 65 / 24

HEX #C38945

RGB 195 137 69

HSL 32.38, 0.51%, 0.52%

LAB 61.59, 15.3, 44.47

 

CMYK 0 / 23 / 51 / 20

HEX #CD9D65

RGB 205 157 101

HSL 32.31, 0.51%, 0.6%

LAB 68.04, 11.13, 36.03

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 0 / 12 / 28 / 12

HEX #E1C5A3

RGB 225 197 163

HSL 32.9, 0.51%, 0.76%

LAB 81.06, 4.82, 20.7

 

CMYK 0 / 8 / 17 / 8

HEX #EBD8C2

RGB 235 216 194

HSL 32.2, 0.51%, 0.84%

LAB 87.32, 3.04, 13.21

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 28 / 0 / 39 / 16

HEX #9AD784

RGB 154 215 132

HSL 104.1, 0.51%, 0.68%

LAB 80.26, -34.69, 34.88

 

CMYK 33 / 39 / 0 / 16

HEX #8F84D7

RGB 143 132 215

HSL 247.95, 0.51%, 0.68%

LAB 59.2, 23.12, -41.18

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 39 / 0 / 18 / 16

HEX #84D7B0

RGB 132 215 176

HSL 151.81, 0.51%, 0.68%

LAB 79.98, -33.91, 11.37

 

CMYK 18 / 39 / 0 / 16

HEX #B084D7

RGB 176 132 215

HSL 271.81, 0.51%, 0.68%

LAB 62.2, 32.62, -36.27

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 28 / 0 / 39 / 16

HEX #9AD784

RGB 154 215 132

HSL 104.1, 0.51%, 0.68%

LAB 80.26, -34.69, 34.88

 

CMYK 39 / 20 / 0 / 16

HEX #84ABD7

RGB 132 171 215

HSL 211.81, 0.51%, 0.68%

LAB 68.71, -2.2, -26.48

 

CMYK 10 / 39 / 0 / 16

HEX #C184D7

RGB 193 132 215

HSL 284.1, 0.51%, 0.68%

LAB 63.95, 37.74, -33.41

 

CMYK 0 / 18 / 39 / 16

HEX #D7B184

RGB 215 177 132

HSL 32.53, 0.51%, 0.68%

LAB 74.54, 7.65, 28.2

 

CMYK 39 / 0 / 37 / 16

HEX #84D787

RGB 132 215 135

HSL 122.17, 0.51%, 0.68%

LAB 79.19, -41.34, 31.74

 

CMYK 39 / 20 / 0 / 16

HEX #84ABD7

RGB 132 171 215

HSL 211.81, 0.51%, 0.68%

LAB 68.71, -2.2, -26.48

 

CMYK 0 / 39 / 1 / 16

HEX #D784D4

RGB 215 132 212

HSL 302.17, 0.51%, 0.68%

LAB 66.29, 43.9, -27.92

 

Description

Color code: HEX #D7B184 | qconv.com Color code: HEX #D7B184 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 177 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 177 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 39 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 39% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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