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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7AFDA it is the complementary color #285025. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7AFDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7AFDA shade: #DCAFD5, #EDC1E8, #FED3FB, #FFE5FF and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7AFDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7AFDA shade: #D7AFDA, #C69DC7, #B58BB4, #A479A1 and #93678E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7AFDA shade: #D7AFDA, #DAAFD1, #DAAFC6, #DAAFBA and #DAAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7AFDA shade: #D7AFDA, #CBAFDA, #C0AFDA, #B4AFDA and #AFAFDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7AFDA shade matches the following richer shades: #D7AFDA, #DFA5E4, #E79CED and #F092F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7AFDA shade: #D7AFDA, #CFB8D1, #C7C2C7, #BFCBBE and #B6D5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7AFDA shade: #BFAFDA, #CBAFDA, #D6AFDA, #DAAFD2 and #DAAFC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7AFDA shade: #BB76C0, #C992CD, #D7AFDA, #E5CBE7 and #F3E7F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7AFDA shade: #D7AFDA, #DAB4AF and #AFDAC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7AFDA shade: #D7AFDA, #DAD6AF and #AFDAD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7AFDA shade: #D7AFDA, #DAB4AF, #B2DAAF and #AFD5DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7AFDA shade: #D7AFDA, #DAC1AF, #B2DAAF and #AFC8DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

Complementary color

CMYK 50 / 0 / 54 / 69

HEX #285025

RGB 40 80 37

HSL 115.81, 0.37%, 0.23%

LAB 30.21, -24.15, 20.95

 

CMYK 0 / 20 / 3 / 14

HEX #DCAFD5

RGB 220 175 213

HSL 309.33, 0.39%, 0.77%

LAB 76.48, 22.65, -12.94

 

CMYK 0 / 19 / 2 / 7

HEX #EDC1E8

RGB 237 193 232

HSL 306.82, 0.55%, 0.84%

LAB 82.9, 22.13, -13.42

 

CMYK 0 / 17 / 1 / 0

HEX #FED3FB

RGB 254 211 251

HSL 304.19, 0.96%, 0.91%

LAB 89.22, 21.65, -13.88

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 1 / 21 / 0 / 22

HEX #C69DC7

RGB 198 157 199

HSL 298.57, 0.27%, 0.7%

LAB 69.64, 22.43, -15.76

 

CMYK 0 / 23 / 1 / 29

HEX #B58BB4

RGB 181 139 180

HSL 301.43, 0.22%, 0.63%

LAB 63, 23.01, -15.32

 

CMYK 0 / 26 / 2 / 36

HEX #A479A1

RGB 164 121 161

HSL 304.19, 0.19%, 0.56%

LAB 56.23, 23.65, -14.87

 

CMYK 0 / 30 / 3 / 42

HEX #93678E

RGB 147 103 142

HSL 306.82, 0.18%, 0.49%

LAB 49.32, 24.34, -14.39

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 0 / 20 / 4 / 15

HEX #DAAFD1

RGB 218 175 209

HSL 312.56, 0.37%, 0.77%

LAB 76.17, 21.25, -11.25

 

CMYK 0 / 20 / 9 / 15

HEX #DAAFC6

RGB 218 175 198

HSL 327.91, 0.37%, 0.77%

LAB 75.85, 19.33, -5.73

 

CMYK 0 / 20 / 15 / 15

HEX #DAAFBA

RGB 218 175 186

HSL 344.65, 0.37%, 0.77%

LAB 75.52, 17.34, 0.33

 

CMYK 0 / 20 / 20 / 15

HEX #DAAFAF

RGB 218 175 175

HSL 0, 0.37%, 0.77%

LAB 75.24, 15.62, 5.93

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 7 / 20 / 0 / 15

HEX #CBAFDA

RGB 203 175 218

HSL 279.07, 0.37%, 0.77%

LAB 75.09, 17.92, -17.92

 

CMYK 12 / 20 / 0 / 15

HEX #C0AFDA

RGB 192 175 218

HSL 263.72, 0.37%, 0.77%

LAB 74.14, 14.33, -19.44

 

CMYK 17 / 20 / 0 / 15

HEX #B4AFDA

RGB 180 175 218

HSL 246.98, 0.37%, 0.77%

LAB 73.17, 10.49, -21.01

 

CMYK 20 / 20 / 0 / 15

HEX #AFAFDA

RGB 175 175 218

HSL 240, 0.37%, 0.77%

LAB 72.78, 8.92, -21.63

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 2 / 28 / 0 / 11

HEX #DFA5E4

RGB 223 165 228

HSL 295.24, 0.54%, 0.77%

LAB 74.95, 31.8, -23.4

 

CMYK 3 / 34 / 0 / 7

HEX #E79CED

RGB 231 156 237

HSL 295.56, 0.69%, 0.77%

LAB 74.11, 40.81, -29.51

 

CMYK 3 / 41 / 0 / 3

HEX #F092F7

RGB 240 146 247

HSL 295.84, 0.86%, 0.77%

LAB 73.41, 50.55, -35.95

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 1 / 12 / 0 / 18

HEX #CFB8D1

RGB 207 184 209

HSL 295.2, 0.21%, 0.77%

LAB 77.37, 12.63, -9.57

 

CMYK 0 / 3 / 0 / 22

HEX #C7C2C7

RGB 199 194 199

HSL 300, 0.04%, 0.77%

LAB 78.95, 2.66, -1.89

 

CMYK 6 / 0 / 6 / 20

HEX #BFCBBE

RGB 191 203 190

HSL 115.38, 0.11%, 0.77%

LAB 80.46, -6.5, 5.06

 

CMYK 15 / 0 / 15 / 16

HEX #B6D5B4

RGB 182 213 180

HSL 116.36, 0.28%, 0.77%

LAB 82.29, -16.49, 12.91

 

CMYK 12 / 20 / 0 / 15

HEX #BFAFDA

RGB 191 175 218

HSL 262.33, 0.37%, 0.77%

LAB 74.06, 14.01, -19.57

 

CMYK 7 / 20 / 0 / 15

HEX #CBAFDA

RGB 203 175 218

HSL 279.07, 0.37%, 0.77%

LAB 75.09, 17.92, -17.92

 

CMYK 2 / 20 / 0 / 15

HEX #D6AFDA

RGB 214 175 218

HSL 294.42, 0.37%, 0.77%

LAB 76.08, 21.56, -16.32

 

CMYK 0 / 20 / 4 / 15

HEX #DAAFD2

RGB 218 175 210

HSL 311.16, 0.37%, 0.77%

LAB 76.2, 21.43, -11.75

 

CMYK 0 / 20 / 9 / 15

HEX #DAAFC7

RGB 218 175 199

HSL 326.51, 0.37%, 0.77%

LAB 75.88, 19.5, -6.24

 

CMYK 3 / 39 / 0 / 25

HEX #BB76C0

RGB 187 118 192

HSL 295.95, 0.37%, 0.61%

LAB 59.28, 38.92, -27.76

 

CMYK 2 / 29 / 0 / 20

HEX #C992CD

RGB 201 146 205

HSL 295.93, 0.37%, 0.69%

LAB 67.56, 30.62, -22.21

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 1 / 12 / 0 / 9

HEX #E5CBE7

RGB 229 203 231

HSL 295.71, 0.37%, 0.85%

LAB 84.56, 13.97, -10.48

 

CMYK 0 / 5 / 0 / 4

HEX #F3E7F4

RGB 243 231 244

HSL 295.38, 0.37%, 0.93%

LAB 92.9, 6.33, -4.84

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 0 / 17 / 20 / 15

HEX #DAB4AF

RGB 218 180 175

HSL 6.98, 0.37%, 0.77%

LAB 76.46, 12.93, 7.69

 

CMYK 20 / 0 / 10 / 15

HEX #AFDAC5

RGB 175 218 197

HSL 150.7, 0.37%, 0.77%

LAB 83.59, -18.18, 5.72

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 0 / 2 / 20 / 15

HEX #DAD6AF

RGB 218 214 175

HSL 54.42, 0.37%, 0.77%

LAB 85.04, -4.96, 19.79

 

CMYK 20 / 0 / 2 / 15

HEX #AFDAD6

RGB 175 218 214

HSL 174.42, 0.37%, 0.77%

LAB 84.02, -14.76, -2.67

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 0 / 17 / 20 / 15

HEX #DAB4AF

RGB 218 180 175

HSL 6.98, 0.37%, 0.77%

LAB 76.46, 12.93, 7.69

 

CMYK 18 / 0 / 20 / 15

HEX #B2DAAF

RGB 178 218 175

HSL 115.81, 0.37%, 0.77%

LAB 83.29, -21.21, 16.92

 

CMYK 20 / 2 / 0 / 15

HEX #AFD5DA

RGB 175 213 218

HSL 186.98, 0.37%, 0.77%

LAB 82.79, -11.37, -6.62

 

CMYK 1 / 20 / 0 / 15

HEX #D7AFDA

RGB 215 175 218

HSL 295.81, 0.37%, 0.77%

LAB 76.17, 21.89, -16.18

 

CMYK 0 / 11 / 20 / 15

HEX #DAC1AF

RGB 218 193 175

HSL 25.12, 0.37%, 0.77%

LAB 79.69, 6, 12.29

 

CMYK 18 / 0 / 20 / 15

HEX #B2DAAF

RGB 178 218 175

HSL 115.81, 0.37%, 0.77%

LAB 83.29, -21.21, 16.92

 

CMYK 20 / 8 / 0 / 15

HEX #AFC8DA

RGB 175 200 218

HSL 205.12, 0.37%, 0.77%

LAB 79.32, -4.59, -11.78

 

Description

Color code: HEX #D7AFDA | qconv.com Color code: HEX #D7AFDA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 175 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 175 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 20 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 20% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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