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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7AF44 it is the complementary color #2850BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7AF44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7AF44 shade: #DCAF3F, #EDC152, #FED365, #FFE578 and #FFF78B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7AF44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7AF44 shade: #D7AF44, #C69D31, #B58B1E, #A4790B and #936700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7AF44 shade: #D7AE42, #D78642, #D75E42 and #D74242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7AF44 shade: #D7AE42, #D7D642, #AFD742, #87D742 and #5FD742

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7AF44 shade matches the following richer shades: #D7AE42, #E9B72F and #FCBF1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7AF44 shade: #D7AE42, #C4A654, #B29D67, #9F9579 and #8D8C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7AF44 shade: #D75D42, #D78542, #D7AD42, #D7D442 and #B2D742

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7AF44 shade: #A38023, #C59B2A, #D7AE42, #DEBD64 and #E5CB86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7AF44 shade: #D7AF44, #4ED742 and #7142D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7AF44 shade: #D7AF44, #42D7AD and #AD42D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7AF44 shade: #D7AF44, #4ED742, #426CD7 and #CA42D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7AF44 shade: #D7AF44, #42D762, #426CD7 and #D742B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 68 / 16

HEX #D7AF44

RGB 215 175 68

HSL 43.67, 0.65%, 0.55%

LAB 73.24, 3.31, 58.19

 

Complementary color

CMYK 79 / 57 / 0 / 27

HEX #2850BB

RGB 40 80 187

HSL 223.67, 0.65%, 0.45%

LAB 37.44, 25.37, -60.32

 

CMYK 0 / 20 / 71 / 14

HEX #DCAF3F

RGB 220 175 63

HSL 42.8, 0.69%, 0.55%

LAB 73.7, 5.2, 60.9

 

CMYK 0 / 19 / 65 / 7

HEX #EDC152

RGB 237 193 82

HSL 42.97, 0.81%, 0.63%

LAB 80.04, 3.99, 60.02

 

CMYK 0 / 17 / 60 / 0

HEX #FED365

RGB 254 211 101

HSL 43.14, 0.99%, 0.7%

LAB 86.31, 2.94, 58.95

 

CMYK 0 / 10 / 53 / 0

HEX #FFE578

RGB 255 229 120

HSL 48.44, 1%, 0.74%

LAB 91.08, -4.38, 55.76

 

CMYK 0 / 3 / 45 / 0

HEX #FFF78B

RGB 255 247 139

HSL 55.86, 1%, 0.77%

LAB 95.85, -11.68, 52.58

 

CMYK 0 / 19 / 68 / 16

HEX #D7AF44

RGB 215 175 68

HSL 43.67, 0.65%, 0.55%

LAB 73.24, 3.31, 58.19

 

CMYK 0 / 21 / 75 / 22

HEX #C69D31

RGB 198 157 49

HSL 43.49, 0.6%, 0.48%

LAB 66.78, 4.62, 58.86

 

CMYK 0 / 23 / 83 / 29

HEX #B58B1E

RGB 181 139 30

HSL 43.31, 0.72%, 0.41%

LAB 60.23, 6.16, 58.86

 

CMYK 0 / 26 / 93 / 36

HEX #A4790B

RGB 164 121 11

HSL 43.14, 0.87%, 0.34%

LAB 53.59, 8, 57.54

 

CMYK 0 / 30 / 100 / 42

HEX #936700

RGB 147 103 0

HSL 42.04, 1%, 0.29%

LAB 46.85, 10.17, 54.05

 

CMYK 0 / 19 / 69 / 16

HEX #D7AE42

RGB 215 174 66

HSL 43.49, 0.65%, 0.55%

LAB 72.97, 3.74, 58.75

 

CMYK 0 / 38 / 69 / 16

HEX #D78642

RGB 215 134 66

HSL 27.38, 0.65%, 0.55%

LAB 63.25, 25.22, 48.46

 

CMYK 0 / 56 / 69 / 16

HEX #D75E42

RGB 215 94 66

HSL 11.28, 0.65%, 0.55%

LAB 54.91, 45.8, 39.12

 

CMYK 0 / 69 / 69 / 16

HEX #D74242

RGB 215 66 66

HSL 0, 0.65%, 0.55%

LAB 50.38, 57.9, 33.8

 

CMYK 0 / 19 / 69 / 16

HEX #D7AE42

RGB 215 174 66

HSL 43.49, 0.65%, 0.55%

LAB 72.97, 3.74, 58.75

 

CMYK 0 / 0 / 69 / 16

HEX #D7D642

RGB 215 214 66

HSL 59.6, 0.65%, 0.55%

LAB 83.41, -16.8, 69.25

 

CMYK 19 / 0 / 69 / 16

HEX #AFD742

RGB 175 215 66

HSL 76.11, 0.65%, 0.55%

LAB 80.8, -33.51, 65.7

 

CMYK 37 / 0 / 69 / 16

HEX #87D742

RGB 135 215 66

HSL 92.21, 0.65%, 0.55%

LAB 78.55, -48.21, 62.68

 

CMYK 56 / 0 / 69 / 16

HEX #5FD742

RGB 95 215 66

HSL 108.32, 0.65%, 0.55%

LAB 76.94, -60.15, 60.51

 

CMYK 0 / 19 / 69 / 16

HEX #D7AE42

RGB 215 174 66

HSL 43.49, 0.65%, 0.55%

LAB 72.97, 3.74, 58.75

 

CMYK 0 / 21 / 80 / 9

HEX #E9B72F

RGB 233 183 47

HSL 43.87, 0.81%, 0.55%

LAB 76.92, 5.93, 70.21

 

CMYK 0 / 24 / 88 / 1

HEX #FCBF1D

RGB 252 191 29

HSL 43.59, 0.97%, 0.55%

LAB 80.76, 9.43, 78.89

 

CMYK 0 / 19 / 69 / 16

HEX #D7AE42

RGB 215 174 66

HSL 43.49, 0.65%, 0.55%

LAB 72.97, 3.74, 58.75

 

CMYK 0 / 15 / 57 / 23

HEX #C4A654

RGB 196 166 84

HSL 43.93, 0.49%, 0.55%

LAB 69.22, 1.03, 45.89

 

CMYK 0 / 12 / 42 / 30

HEX #B29D67

RGB 178 157 103

HSL 43.2, 0.33%, 0.55%

LAB 65.4, 0.07, 31.05

 

CMYK 0 / 6 / 24 / 38

HEX #9F9579

RGB 159 149 121

HSL 44.21, 0.17%, 0.55%

LAB 61.87, -0.98, 16.14

 

CMYK 0 / 1 / 1 / 45

HEX #8D8C8C

RGB 141 140 140

HSL 0, 0%, 0.55%

LAB 58.33, 0.37, 0.12

 

CMYK 0 / 57 / 69 / 16

HEX #D75D42

RGB 215 93 66

HSL 10.87, 0.65%, 0.55%

LAB 54.73, 46.27, 38.9

 

CMYK 0 / 38 / 69 / 16

HEX #D78542

RGB 215 133 66

HSL 26.98, 0.65%, 0.55%

LAB 63.02, 25.76, 48.21

 

CMYK 0 / 20 / 69 / 16

HEX #D7AD42

RGB 215 173 66

HSL 43.09, 0.65%, 0.55%

LAB 72.71, 4.27, 58.49

 

CMYK 0 / 1 / 69 / 16

HEX #D7D442

RGB 215 212 66

HSL 58.79, 0.65%, 0.55%

LAB 82.87, -15.81, 68.72

 

CMYK 17 / 0 / 69 / 16

HEX #B2D742

RGB 178 215 66

HSL 74.9, 0.65%, 0.55%

LAB 80.99, -32.33, 65.95

 

CMYK 0 / 21 / 79 / 36

HEX #A38023

RGB 163 128 35

HSL 43.59, 0.65%, 0.39%

LAB 55.43, 4.27, 52.12

 

CMYK 0 / 21 / 79 / 23

HEX #C59B2A

RGB 197 155 42

HSL 43.74, 0.65%, 0.47%

LAB 66.12, 4.98, 60.77

 

CMYK 0 / 19 / 69 / 16

HEX #D7AE42

RGB 215 174 66

HSL 43.49, 0.65%, 0.55%

LAB 72.97, 3.74, 58.75

 

CMYK 0 / 15 / 55 / 13

HEX #DEBD64

RGB 222 189 100

HSL 43.77, 0.65%, 0.63%

LAB 77.78, 1.06, 48.79

 

CMYK 0 / 11 / 41 / 10

HEX #E5CB86

RGB 229 203 134

HSL 43.58, 0.65%, 0.71%

LAB 82.43, -0.23, 37.72

 

CMYK 0 / 19 / 68 / 16

HEX #D7AF44

RGB 215 175 68

HSL 43.67, 0.65%, 0.55%

LAB 73.24, 3.31, 58.19

 

CMYK 64 / 0 / 69 / 16

HEX #4ED742

RGB 78 215 66

HSL 115.17, 0.65%, 0.55%

LAB 76.44, -64.1, 59.84

 

CMYK 47 / 69 / 0 / 16

HEX #7142D7

RGB 113 66 215

HSL 258.93, 0.65%, 0.55%

LAB 41.71, 53.64, -69.38

 

CMYK 0 / 19 / 68 / 16

HEX #D7AF44

RGB 215 175 68

HSL 43.67, 0.65%, 0.55%

LAB 73.24, 3.31, 58.19

 

CMYK 69 / 0 / 20 / 16

HEX #42D7AD

RGB 66 215 173

HSL 163.09, 0.65%, 0.55%

LAB 77.74, -48.81, 9.49

 

CMYK 20 / 69 / 0 / 16

HEX #AD42D7

RGB 173 66 215

HSL 283.09, 0.65%, 0.55%

LAB 49.11, 65.16, -57.04

 

CMYK 0 / 19 / 68 / 16

HEX #D7AF44

RGB 215 175 68

HSL 43.67, 0.65%, 0.55%

LAB 73.24, 3.31, 58.19

 

CMYK 64 / 0 / 69 / 16

HEX #4ED742

RGB 78 215 66

HSL 115.17, 0.65%, 0.55%

LAB 76.44, -64.1, 59.84

 

CMYK 69 / 50 / 0 / 16

HEX #426CD7

RGB 66 108 215

HSL 223.09, 0.65%, 0.55%

LAB 47.99, 20.94, -59.34

 

CMYK 6 / 69 / 0 / 16

HEX #CA42D7

RGB 202 66 215

HSL 294.77, 0.65%, 0.55%

LAB 53.34, 71.3, -50.03

 

CMYK 0 / 19 / 68 / 16

HEX #D7AF44

RGB 215 175 68

HSL 43.67, 0.65%, 0.55%

LAB 73.24, 3.31, 58.19

 

CMYK 69 / 0 / 54 / 16

HEX #42D762

RGB 66 215 98

HSL 132.89, 0.65%, 0.55%

LAB 76.46, -62.89, 46.08

 

CMYK 69 / 50 / 0 / 16

HEX #426CD7

RGB 66 108 215

HSL 223.09, 0.65%, 0.55%

LAB 47.99, 20.94, -59.34

 

CMYK 0 / 69 / 15 / 16

HEX #D742B7

RGB 215 66 183

HSL 312.89, 0.65%, 0.55%

LAB 53.77, 69.26, -30.82

 

Description

Color code: HEX #D7AF44 | qconv.com Color code: HEX #D7AF44 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 175 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 175 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 68 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 68% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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