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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D79BDB it is the complementary color #286424. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D79BDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D79BDB shade: #DC9BD6, #EDADE9, #FEBFFC, #FFD1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D79BDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D79BDB shade: #D79BDB, #C689C8, #B577B5, #A465A2 and #93538F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D79BDB shade: #D69ADB, #DB9ACD, #DB9ABC, #DB9AAA and #DB9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D79BDB shade: #D69ADB, #C59ADB, #B49ADB, #A29ADB and #9A9ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D79BDB shade matches the following richer shades: #D69ADB, #E08FE6, #EA84F1 and #F478FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D79BDB shade: #D69ADB, #CDA5CF, #C3B0C4, #B9BBB9 and #AFC6AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D79BDB shade: #B49ADB, #C59ADB, #D69ADB, #DB9ACE and #DB9ABC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D79BDB shade: #BE5DC5, #CA7BD0, #D69ADB, #E3B8E5 and #EFD6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D79BDB shade: #D79BDB, #DBA29A and #9ADBBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D79BDB shade: #D79BDB, #DBD69A and #9ADBD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D79BDB shade: #D79BDB, #DBA29A, #9EDB9A and #9AD2DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D79BDB shade: #D79BDB, #DBB69A, #9EDB9A and #9ABEDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 29 / 0 / 14

HEX #D79BDB

RGB 215 155 219

HSL 296.25, 0.47%, 0.73%

LAB 71.56, 32.92, -23.72

 

Complementary color

CMYK 60 / 0 / 64 / 61

HEX #286424

RGB 40 100 36

HSL 116.25, 0.47%, 0.27%

LAB 37.29, -33.39, 29.92

 

CMYK 0 / 30 / 3 / 14

HEX #DC9BD6

RGB 220 155 214

HSL 305.54, 0.48%, 0.74%

LAB 71.9, 33.62, -20.4

 

CMYK 0 / 27 / 2 / 7

HEX #EDADE9

RGB 237 173 233

HSL 303.75, 0.64%, 0.8%

LAB 78.33, 32.96, -20.84

 

CMYK 0 / 25 / 1 / 0

HEX #FEBFFC

RGB 254 191 252

HSL 301.9, 0.97%, 0.87%

LAB 84.67, 32.34, -21.26

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 2 / 29 / 0 / 14

HEX #D79BDB

RGB 215 155 219

HSL 296.25, 0.47%, 0.73%

LAB 71.56, 32.92, -23.72

 

CMYK 1 / 32 / 0 / 22

HEX #C689C8

RGB 198 137 200

HSL 298.1, 0.36%, 0.66%

LAB 65.02, 33.62, -23.34

 

CMYK 0 / 34 / 0 / 29

HEX #B577B5

RGB 181 119 181

HSL 300, 0.3%, 0.59%

LAB 58.37, 34.35, -22.94

 

CMYK 0 / 38 / 1 / 36

HEX #A465A2

RGB 164 101 162

HSL 301.9, 0.26%, 0.52%

LAB 51.62, 35.12, -22.49

 

CMYK 0 / 44 / 3 / 42

HEX #93538F

RGB 147 83 143

HSL 303.75, 0.28%, 0.45%

LAB 44.76, 35.9, -21.97

 

CMYK 2 / 30 / 0 / 14

HEX #D69ADB

RGB 214 154 219

HSL 295.38, 0.47%, 0.73%

LAB 71.23, 33.14, -24.23

 

CMYK 0 / 30 / 6 / 14

HEX #DB9ACD

RGB 219 154 205

HSL 312.92, 0.47%, 0.73%

LAB 71.27, 32.23, -16.41

 

CMYK 0 / 30 / 14 / 14

HEX #DB9ABC

RGB 219 154 188

HSL 328.62, 0.47%, 0.73%

LAB 70.73, 29.36, -7.8

 

CMYK 0 / 30 / 22 / 14

HEX #DB9AAA

RGB 219 154 170

HSL 345.23, 0.47%, 0.73%

LAB 70.23, 26.57, 1.45

 

CMYK 0 / 30 / 30 / 14

HEX #DB9A9A

RGB 219 154 154

HSL 0, 0.47%, 0.73%

LAB 69.83, 24.32, 9.77

 

CMYK 2 / 30 / 0 / 14

HEX #D69ADB

RGB 214 154 219

HSL 295.38, 0.47%, 0.73%

LAB 71.23, 33.14, -24.23

 

CMYK 10 / 30 / 0 / 14

HEX #C59ADB

RGB 197 154 219

HSL 279.69, 0.47%, 0.73%

LAB 69.54, 27.72, -26.97

 

CMYK 18 / 30 / 0 / 14

HEX #B49ADB

RGB 180 154 219

HSL 264, 0.47%, 0.73%

LAB 67.97, 22.39, -29.52

 

CMYK 26 / 30 / 0 / 14

HEX #A29ADB

RGB 162 154 219

HSL 247.38, 0.47%, 0.73%

LAB 66.45, 16.93, -31.99

 

CMYK 30 / 30 / 0 / 14

HEX #9A9ADB

RGB 154 154 219

HSL 240, 0.47%, 0.73%

LAB 65.82, 14.58, -33.01

 

CMYK 2 / 30 / 0 / 14

HEX #D69ADB

RGB 214 154 219

HSL 295.38, 0.47%, 0.73%

LAB 71.23, 33.14, -24.23

 

CMYK 3 / 38 / 0 / 10

HEX #E08FE6

RGB 224 143 230

HSL 295.86, 0.64%, 0.73%

LAB 70.32, 44.2, -31.59

 

CMYK 3 / 45 / 0 / 5

HEX #EA84F1

RGB 234 132 241

HSL 296.15, 0.8%, 0.73%

LAB 69.72, 54.78, -38.47

 

CMYK 3 / 52 / 0 / 1

HEX #F478FC

RGB 244 120 252

HSL 296.36, 0.96%, 0.73%

LAB 69.25, 65.22, -45.13

 

CMYK 2 / 30 / 0 / 14

HEX #D69ADB

RGB 214 154 219

HSL 295.38, 0.47%, 0.73%

LAB 71.23, 33.14, -24.23

 

CMYK 1 / 20 / 0 / 19

HEX #CDA5CF

RGB 205 165 207

HSL 297.14, 0.3%, 0.73%

LAB 72.49, 21.91, -15.81

 

CMYK 1 / 10 / 0 / 23

HEX #C3B0C4

RGB 195 176 196

HSL 297, 0.14%, 0.73%

LAB 73.96, 10.41, -7.67

 

CMYK 1 / 0 / 1 / 27

HEX #B9BBB9

RGB 185 187 185

HSL 120, 0.01%, 0.73%

LAB 75.67, -1.06, 0.76

 

CMYK 12 / 0 / 12 / 22

HEX #AFC6AE

RGB 175 198 174

HSL 117.5, 0.17%, 0.73%

LAB 77.61, -12.33, 9.41

 

CMYK 18 / 30 / 0 / 14

HEX #B49ADB

RGB 180 154 219

HSL 264, 0.47%, 0.73%

LAB 67.97, 22.39, -29.52

 

CMYK 10 / 30 / 0 / 14

HEX #C59ADB

RGB 197 154 219

HSL 279.69, 0.47%, 0.73%

LAB 69.54, 27.72, -26.97

 

CMYK 2 / 30 / 0 / 14

HEX #D69ADB

RGB 214 154 219

HSL 295.38, 0.47%, 0.73%

LAB 71.23, 33.14, -24.23

 

CMYK 0 / 30 / 6 / 14

HEX #DB9ACE

RGB 219 154 206

HSL 312, 0.47%, 0.73%

LAB 71.3, 32.4, -16.91

 

CMYK 0 / 30 / 14 / 14

HEX #DB9ABC

RGB 219 154 188

HSL 328.62, 0.47%, 0.73%

LAB 70.73, 29.36, -7.8

 

CMYK 4 / 53 / 0 / 23

HEX #BE5DC5

RGB 190 93 197

HSL 295.96, 0.47%, 0.57%

LAB 54.87, 53.67, -37.44

 

CMYK 3 / 41 / 0 / 18

HEX #CA7BD0

RGB 202 123 208

HSL 295.76, 0.47%, 0.65%

LAB 62.74, 43.92, -31.3

 

CMYK 2 / 30 / 0 / 14

HEX #D69ADB

RGB 214 154 219

HSL 295.38, 0.47%, 0.73%

LAB 71.23, 33.14, -24.23

 

CMYK 1 / 20 / 0 / 10

HEX #E3B8E5

RGB 227 184 229

HSL 297.33, 0.46%, 0.81%

LAB 79.77, 23.08, -16.6

 

CMYK 0 / 11 / 0 / 6

HEX #EFD6F0

RGB 239 214 240

HSL 297.69, 0.46%, 0.89%

LAB 88.32, 13.14, -9.56

 

CMYK 2 / 29 / 0 / 14

HEX #D79BDB

RGB 215 155 219

HSL 296.25, 0.47%, 0.73%

LAB 71.56, 32.92, -23.72

 

CMYK 0 / 26 / 30 / 14

HEX #DBA29A

RGB 219 162 154

HSL 7.38, 0.47%, 0.73%

LAB 71.71, 20, 12.44

 

CMYK 30 / 0 / 14 / 14

HEX #9ADBBC

RGB 154 219 188

HSL 151.38, 0.47%, 0.73%

LAB 82.47, -26.99, 8.71

 

CMYK 2 / 29 / 0 / 14

HEX #D79BDB

RGB 215 155 219

HSL 296.25, 0.47%, 0.73%

LAB 71.56, 32.92, -23.72

 

CMYK 0 / 2 / 30 / 14

HEX #DBD69A

RGB 219 214 154

HSL 55.38, 0.47%, 0.73%

LAB 84.73, -7.45, 30.32

 

CMYK 30 / 0 / 2 / 14

HEX #9ADBD6

RGB 154 219 214

HSL 175.38, 0.47%, 0.73%

LAB 83.12, -21.48, -4.14

 

CMYK 2 / 29 / 0 / 14

HEX #D79BDB

RGB 215 155 219

HSL 296.25, 0.47%, 0.73%

LAB 71.56, 32.92, -23.72

 

CMYK 0 / 26 / 30 / 14

HEX #DBA29A

RGB 219 162 154

HSL 7.38, 0.47%, 0.73%

LAB 71.71, 20, 12.44

 

CMYK 28 / 0 / 30 / 14

HEX #9EDB9A

RGB 158 219 154

HSL 116.31, 0.47%, 0.73%

LAB 81.98, -31.88, 25.91

 

CMYK 30 / 4 / 0 / 14

HEX #9AD2DB

RGB 154 210 219

HSL 188.31, 0.47%, 0.73%

LAB 80.78, -15.81, -10.26

 

CMYK 2 / 29 / 0 / 14

HEX #D79BDB

RGB 215 155 219

HSL 296.25, 0.47%, 0.73%

LAB 71.56, 32.92, -23.72

 

CMYK 0 / 17 / 30 / 14

HEX #DBB69A

RGB 219 182 154

HSL 25.85, 0.47%, 0.73%

LAB 76.59, 9.26, 19.25

 

CMYK 28 / 0 / 30 / 14

HEX #9EDB9A

RGB 158 219 154

HSL 116.31, 0.47%, 0.73%

LAB 81.98, -31.88, 25.91

 

CMYK 30 / 13 / 0 / 14

HEX #9ABEDB

RGB 154 190 219

HSL 206.77, 0.47%, 0.73%

LAB 75.33, -5.36, -18.44

 

Description

Color code: HEX #D79BDB | qconv.com Color code: HEX #D79BDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 155 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 155 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 29 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 29% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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