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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D79293 it is the complementary color #286D6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D79293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D79293 shade: #DC928E, #EDA4A1, #FEB6B4, #FFC8C7 and #FFDADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D79293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D79293 shade: #D79293, #C68080, #B56E6D, #A45C5A and #934A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D79293 shade: #D79394 and #D79393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D79293 shade: #D79394, #D793A6, #D793B9, #D793CB and #D193D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D79293 shade matches the following richer shades: #D79394, #E38788, #EF7B7D and #FB6F71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D79293 shade: #D79394, #CB9FA0, #BFABAB, #B3B7B7 and #A7C3C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D79293 shade: #D793B8, #D793A6, #D79394, #D7A493 and #D7B693

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D79293 shade: #C15758, #CC7576, #D79394, #E2B1B2 and #EDCFD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D79293 shade: #D79293, #CBD793 and #93AFD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D79293 shade: #D79293, #94D793 and #9394D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D79293 shade: #D79293, #CBD793, #93D7D6 and #A093D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D79293 shade: #D79293, #B6D793, #93D7D6 and #B493D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 32 / 16

HEX #D79293

RGB 215 146 147

HSL 359.13, 0.46%, 0.71%

LAB 67.36, 26.21, 10.1

 

Complementary color

CMYK 63 / 0 / 1 / 57

HEX #286D6C

RGB 40 109 108

HSL 179.13, 0.46%, 0.29%

LAB 41.96, -21.49, -5.87

 

CMYK 0 / 34 / 35 / 14

HEX #DC928E

RGB 220 146 142

HSL 3.08, 0.53%, 0.71%

LAB 67.82, 27.48, 13.63

 

CMYK 0 / 31 / 32 / 7

HEX #EDA4A1

RGB 237 164 161

HSL 2.37, 0.68%, 0.78%

LAB 74.27, 26.63, 12.48

 

CMYK 0 / 28 / 29 / 0

HEX #FEB6B4

RGB 254 182 180

HSL 1.62, 0.97%, 0.85%

LAB 80.64, 25.85, 11.43

 

CMYK 0 / 22 / 22 / 0

HEX #FFC8C7

RGB 255 200 199

HSL 1.07, 1%, 0.89%

LAB 85.35, 19.38, 7.99

 

CMYK 0 / 15 / 15 / 0

HEX #FFDADA

RGB 255 218 218

HSL 0, 1%, 0.93%

LAB 90.07, 12.82, 4.76

 

CMYK 0 / 32 / 32 / 16

HEX #D79293

RGB 215 146 147

HSL 359.13, 0.46%, 0.71%

LAB 67.36, 26.21, 10.1

 

CMYK 0 / 35 / 35 / 22

HEX #C68080

RGB 198 128 128

HSL 0, 0.38%, 0.64%

LAB 60.78, 27.09, 11.27

 

CMYK 0 / 39 / 40 / 29

HEX #B56E6D

RGB 181 110 109

HSL 0.83, 0.33%, 0.57%

LAB 54.11, 28.06, 12.59

 

CMYK 0 / 44 / 45 / 36

HEX #A45C5A

RGB 164 92 90

HSL 1.62, 0.29%, 0.5%

LAB 47.35, 29.14, 14.11

 

CMYK 0 / 50 / 52 / 42

HEX #934A47

RGB 147 74 71

HSL 2.37, 0.35%, 0.43%

LAB 40.5, 30.33, 15.91

 

CMYK 0 / 32 / 31 / 16

HEX #D79394

RGB 215 147 148

HSL 359.12, 0.46%, 0.71%

LAB 67.62, 25.8, 9.91

 

CMYK 0 / 32 / 32 / 16

HEX #D79393

RGB 215 147 147

HSL 0, 0.46%, 0.71%

LAB 67.59, 25.67, 10.43

 

CMYK 0 / 32 / 31 / 16

HEX #D79394

RGB 215 147 148

HSL 359.12, 0.46%, 0.71%

LAB 67.62, 25.8, 9.91

 

CMYK 0 / 32 / 23 / 16

HEX #D793A6

RGB 215 147 166

HSL 343.24, 0.46%, 0.71%

LAB 68.07, 28.31, 0.49

 

CMYK 0 / 32 / 14 / 16

HEX #D793B9

RGB 215 147 185

HSL 326.47, 0.46%, 0.71%

LAB 68.62, 31.25, -9.33

 

CMYK 0 / 32 / 6 / 16

HEX #D793CB

RGB 215 147 203

HSL 310.59, 0.46%, 0.71%

LAB 69.2, 34.31, -18.47

 

CMYK 3 / 32 / 0 / 16

HEX #D193D7

RGB 209 147 215

HSL 294.71, 0.46%, 0.71%

LAB 68.99, 34.57, -25.5

 

CMYK 0 / 32 / 31 / 16

HEX #D79394

RGB 215 147 148

HSL 359.12, 0.46%, 0.71%

LAB 67.62, 25.8, 9.91

 

CMYK 0 / 41 / 40 / 11

HEX #E38788

RGB 227 135 136

HSL 359.35, 0.62%, 0.71%

LAB 66.09, 35.26, 14.69

 

CMYK 0 / 49 / 48 / 6

HEX #EF7B7D

RGB 239 123 125

HSL 358.97, 0.78%, 0.71%

LAB 64.96, 44.68, 19.59

 

CMYK 0 / 56 / 55 / 2

HEX #FB6F71

RGB 251 111 113

HSL 359.14, 0.95%, 0.71%

LAB 64.22, 53.64, 25.66

 

CMYK 0 / 32 / 31 / 16

HEX #D79394

RGB 215 147 148

HSL 359.12, 0.46%, 0.71%

LAB 67.62, 25.8, 9.91

 

CMYK 0 / 22 / 21 / 20

HEX #CB9FA0

RGB 203 159 160

HSL 358.64, 0.3%, 0.71%

LAB 69.49, 16.44, 5.73

 

CMYK 0 / 10 / 10 / 25

HEX #BFABAB

RGB 191 171 171

HSL 0, 0.14%, 0.71%

LAB 71.65, 7.21, 2.63

 

CMYK 2 / 0 / 0 / 28

HEX #B3B7B7

RGB 179 183 183

HSL 180, 0.03%, 0.71%

LAB 74.11, -1.39, -0.5

 

CMYK 14 / 0 / 1 / 24

HEX #A7C3C2

RGB 167 195 194

HSL 177.86, 0.19%, 0.71%

LAB 76.76, -9.6, -2.68

 

CMYK 0 / 32 / 14 / 16

HEX #D793B8

RGB 215 147 184

HSL 327.35, 0.46%, 0.71%

LAB 68.59, 31.09, -8.82

 

CMYK 0 / 32 / 23 / 16

HEX #D793A6

RGB 215 147 166

HSL 343.24, 0.46%, 0.71%

LAB 68.07, 28.31, 0.49

 

CMYK 0 / 32 / 31 / 16

HEX #D79394

RGB 215 147 148

HSL 359.12, 0.46%, 0.71%

LAB 67.62, 25.8, 9.91

 

CMYK 0 / 24 / 32 / 16

HEX #D7A493

RGB 215 164 147

HSL 15, 0.46%, 0.71%

LAB 71.63, 16.47, 16.1

 

CMYK 0 / 15 / 32 / 16

HEX #D7B693

RGB 215 182 147

HSL 30.88, 0.46%, 0.71%

LAB 76.08, 6.8, 22.24

 

CMYK 0 / 55 / 54 / 24

HEX #C15758

RGB 193 87 88

HSL 359.43, 0.46%, 0.55%

LAB 50.52, 42.61, 20.32

 

CMYK 0 / 43 / 42 / 20

HEX #CC7576

RGB 204 117 118

HSL 359.31, 0.46%, 0.63%

LAB 58.85, 34.14, 14.42

 

CMYK 0 / 32 / 31 / 16

HEX #D79394

RGB 215 147 148

HSL 359.12, 0.46%, 0.71%

LAB 67.62, 25.8, 9.91

 

CMYK 0 / 22 / 21 / 11

HEX #E2B1B2

RGB 226 177 178

HSL 358.78, 0.46%, 0.79%

LAB 76.57, 17.94, 6.32

 

CMYK 0 / 13 / 12 / 7

HEX #EDCFD0

RGB 237 207 208

HSL 358, 0.45%, 0.87%

LAB 85.6, 10.64, 3.36

 

CMYK 0 / 32 / 32 / 16

HEX #D79293

RGB 215 146 147

HSL 359.13, 0.46%, 0.71%

LAB 67.36, 26.21, 10.1

 

CMYK 6 / 0 / 32 / 16

HEX #CBD793

RGB 203 215 147

HSL 70.59, 0.46%, 0.71%

LAB 83.65, -14.93, 32.27

 

CMYK 32 / 19 / 0 / 16

HEX #93AFD7

RGB 147 175 215

HSL 215.29, 0.46%, 0.71%

LAB 70.71, -0.23, -23.33

 

CMYK 0 / 32 / 32 / 16

HEX #D79293

RGB 215 146 147

HSL 359.13, 0.46%, 0.71%

LAB 67.36, 26.21, 10.1

 

CMYK 31 / 0 / 32 / 16

HEX #94D793

RGB 148 215 147

HSL 119.12, 0.46%, 0.71%

LAB 80.18, -34.4, 27.02

 

CMYK 32 / 31 / 0 / 16

HEX #9394D7

RGB 147 148 215

HSL 239.12, 0.46%, 0.71%

LAB 63.58, 14.98, -34.32

 

CMYK 0 / 32 / 32 / 16

HEX #D79293

RGB 215 146 147

HSL 359.13, 0.46%, 0.71%

LAB 67.36, 26.21, 10.1

 

CMYK 6 / 0 / 32 / 16

HEX #CBD793

RGB 203 215 147

HSL 70.59, 0.46%, 0.71%

LAB 83.65, -14.93, 32.27

 

CMYK 32 / 0 / 0 / 16

HEX #93D7D6

RGB 147 215 214

HSL 179.12, 0.46%, 0.71%

LAB 81.65, -21.45, -6.34

 

CMYK 26 / 32 / 0 / 16

HEX #A093D7

RGB 160 147 215

HSL 251.47, 0.46%, 0.71%

LAB 64.36, 19.35, -33.02

 

CMYK 0 / 32 / 32 / 16

HEX #D79293

RGB 215 146 147

HSL 359.13, 0.46%, 0.71%

LAB 67.36, 26.21, 10.1

 

CMYK 15 / 0 / 32 / 16

HEX #B6D793

RGB 182 215 147

HSL 89.12, 0.46%, 0.71%

LAB 82.19, -22.71, 30.06

 

CMYK 32 / 0 / 0 / 16

HEX #93D7D6

RGB 147 215 214

HSL 179.12, 0.46%, 0.71%

LAB 81.65, -21.45, -6.34

 

CMYK 16 / 32 / 0 / 16

HEX #B493D7

RGB 180 147 215

HSL 269.12, 0.46%, 0.71%

LAB 66.12, 25.43, -30.16

 

Description

Color code: HEX #D79293 | qconv.com Color code: HEX #D79293 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 146 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 146 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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