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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D786B5 it is the complementary color #28794A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D786B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D786B5 shade: #DC86B0, #ED98C3, #FEAAD6, #FFBCE9 and #FFCEFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D786B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D786B5 shade: #D786B5, #C674A2, #B5628F, #A4507C and #933E69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D786B5 shade: #D685B4, #D6859E, #D68588 and #D68585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D786B5 shade: #D685B4, #D685CA, #CC85D6, #B685D6 and #A085D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D786B5 shade matches the following richer shades: #D685B4, #E377B6, #F16AB8 and #FE5DBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D786B5 shade: #D685B4, #C992B2, #BC9FB0, #AFACAE and #A1B9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D786B5 shade: #CD85D6, #D685CA, #D685B4, #D6859E and #D68589

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D786B5 shade: #C2478E, #CC66A1, #D685B4, #E1A4C7 and #EBC2DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D786B5 shade: #D786B5, #D6B785 and #85D5D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D786B5 shade: #D786B5, #B4D685 and #85B4D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D786B5 shade: #D786B5, #D6B785, #85D6A7 and #85A4D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D786B5 shade: #D786B5, #D6CF85, #85D6A7 and #858BD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 16 / 16

HEX #D786B5

RGB 215 134 181

HSL 325.19, 0.5%, 0.68%

LAB 65.62, 37.57, -11.57

 

Complementary color

CMYK 67 / 0 / 39 / 53

HEX #28794A

RGB 40 121 74

HSL 145.19, 0.5%, 0.32%

LAB 45.11, -35.94, 18.8

 

CMYK 0 / 39 / 20 / 14

HEX #DC86B0

RGB 220 134 176

HSL 330.7, 0.55%, 0.69%

LAB 66.06, 38.51, -8.03

 

CMYK 0 / 36 / 18 / 7

HEX #ED98C3

RGB 237 152 195

HSL 329.65, 0.7%, 0.76%

LAB 72.5, 37.73, -8.84

 

CMYK 0 / 33 / 16 / 0

HEX #FEAAD6

RGB 254 170 214

HSL 328.57, 0.98%, 0.83%

LAB 78.85, 36.99, -9.58

 

CMYK 0 / 26 / 9 / 0

HEX #FFBCE9

RGB 255 188 233

HSL 319.7, 1%, 0.87%

LAB 83.5, 30.95, -12.87

 

CMYK 0 / 19 / 1 / 0

HEX #FFCEFC

RGB 255 206 252

HSL 303.67, 1%, 0.9%

LAB 88.18, 24.78, -15.96

 

CMYK 0 / 38 / 16 / 16

HEX #D786B5

RGB 215 134 181

HSL 325.19, 0.5%, 0.68%

LAB 65.62, 37.57, -11.57

 

CMYK 0 / 41 / 18 / 22

HEX #C674A2

RGB 198 116 162

HSL 326.34, 0.42%, 0.62%

LAB 59.07, 38.37, -10.77

 

CMYK 0 / 46 / 21 / 29

HEX #B5628F

RGB 181 98 143

HSL 327.47, 0.36%, 0.55%

LAB 52.44, 39.18, -9.86

 

CMYK 0 / 51 / 24 / 36

HEX #A4507C

RGB 164 80 124

HSL 328.57, 0.34%, 0.48%

LAB 45.75, 39.97, -8.78

 

CMYK 0 / 58 / 29 / 42

HEX #933E69

RGB 147 62 105

HSL 329.65, 0.41%, 0.41%

LAB 39.02, 40.68, -7.43

 

CMYK 0 / 38 / 16 / 16

HEX #D685B4

RGB 214 133 180

HSL 325.19, 0.5%, 0.68%

LAB 65.25, 37.61, -11.57

 

CMYK 0 / 38 / 26 / 16

HEX #D6859E

RGB 214 133 158

HSL 341.48, 0.5%, 0.68%

LAB 64.6, 34.32, -0.09

 

CMYK 0 / 38 / 36 / 16

HEX #D68588

RGB 214 133 136

HSL 357.78, 0.5%, 0.68%

LAB 64.04, 31.45, 11.58

 

CMYK 0 / 38 / 38 / 16

HEX #D68585

RGB 214 133 133

HSL 0, 0.5%, 0.68%

LAB 63.97, 31.09, 13.19

 

CMYK 0 / 38 / 16 / 16

HEX #D685B4

RGB 214 133 180

HSL 325.19, 0.5%, 0.68%

LAB 65.25, 37.61, -11.57

 

CMYK 0 / 38 / 6 / 16

HEX #D685CA

RGB 214 133 202

HSL 308.89, 0.5%, 0.68%

LAB 66.01, 41.28, -22.78

 

CMYK 5 / 38 / 0 / 16

HEX #CC85D6

RGB 204 133 214

HSL 292.59, 0.5%, 0.68%

LAB 65.33, 40.36, -30.62

 

CMYK 15 / 38 / 0 / 16

HEX #B685D6

RGB 182 133 214

HSL 276.3, 0.5%, 0.68%

LAB 62.99, 33.65, -34.44

 

CMYK 25 / 38 / 0 / 16

HEX #A085D6

RGB 160 133 214

HSL 260, 0.5%, 0.68%

LAB 60.87, 27.11, -37.9

 

CMYK 0 / 38 / 16 / 16

HEX #D685B4

RGB 214 133 180

HSL 325.19, 0.5%, 0.68%

LAB 65.25, 37.61, -11.57

 

CMYK 0 / 48 / 20 / 11

HEX #E377B6

RGB 227 119 182

HSL 325, 0.66%, 0.68%

LAB 64.08, 49.42, -14.3

 

CMYK 0 / 56 / 24 / 5

HEX #F16AB8

RGB 241 106 184

HSL 325.33, 0.83%, 0.68%

LAB 63.73, 60.19, -15.77

 

CMYK 0 / 63 / 27 / 0

HEX #FE5DBA

RGB 254 93 186

HSL 325.34, 0.99%, 0.68%

LAB 63.71, 69.65, -16.76

 

CMYK 0 / 38 / 16 / 16

HEX #D685B4

RGB 214 133 180

HSL 325.19, 0.5%, 0.68%

LAB 65.25, 37.61, -11.57

 

CMYK 0 / 27 / 11 / 21

HEX #C992B2

RGB 201 146 178

HSL 325.09, 0.34%, 0.68%

LAB 66.66, 25.74, -8.49

 

CMYK 0 / 15 / 6 / 26

HEX #BC9FB0

RGB 188 159 176

HSL 324.83, 0.18%, 0.68%

LAB 68.48, 13.59, -4.82

 

CMYK 0 / 2 / 1 / 31

HEX #AFACAE

RGB 175 172 174

HSL 320, 0.02%, 0.68%

LAB 70.65, 1.44, -0.65

 

CMYK 13 / 0 / 8 / 27

HEX #A1B9AB

RGB 161 185 171

HSL 145, 0.15%, 0.68%

LAB 73.03, -10.96, 4.33

 

CMYK 4 / 38 / 0 / 16

HEX #CD85D6

RGB 205 133 214

HSL 293.33, 0.5%, 0.68%

LAB 65.44, 40.67, -30.44

 

CMYK 0 / 38 / 6 / 16

HEX #D685CA

RGB 214 133 202

HSL 308.89, 0.5%, 0.68%

LAB 66.01, 41.28, -22.78

 

CMYK 0 / 38 / 16 / 16

HEX #D685B4

RGB 214 133 180

HSL 325.19, 0.5%, 0.68%

LAB 65.25, 37.61, -11.57

 

CMYK 0 / 38 / 26 / 16

HEX #D6859E

RGB 214 133 158

HSL 341.48, 0.5%, 0.68%

LAB 64.6, 34.32, -0.09

 

CMYK 0 / 38 / 36 / 16

HEX #D68589

RGB 214 133 137

HSL 357.04, 0.5%, 0.68%

LAB 64.06, 31.57, 11.05

 

CMYK 0 / 63 / 27 / 24

HEX #C2478E

RGB 194 71 142

HSL 325.37, 0.5%, 0.52%

LAB 49.41, 56.15, -13.65

 

CMYK 0 / 50 / 21 / 20

HEX #CC66A1

RGB 204 102 161

HSL 325.29, 0.5%, 0.6%

LAB 56.99, 47.44, -13.25

 

CMYK 0 / 38 / 16 / 16

HEX #D685B4

RGB 214 133 180

HSL 325.19, 0.5%, 0.68%

LAB 65.25, 37.61, -11.57

 

CMYK 0 / 27 / 12 / 12

HEX #E1A4C7

RGB 225 164 199

HSL 325.57, 0.5%, 0.76%

LAB 73.99, 27.86, -8.97

 

CMYK 0 / 17 / 7 / 8

HEX #EBC2DA

RGB 235 194 218

HSL 324.88, 0.51%, 0.84%

LAB 82.54, 18.47, -6.47

 

CMYK 0 / 38 / 16 / 16

HEX #D786B5

RGB 215 134 181

HSL 325.19, 0.5%, 0.68%

LAB 65.62, 37.57, -11.57

 

CMYK 0 / 14 / 38 / 16

HEX #D6B785

RGB 214 183 133

HSL 37.04, 0.5%, 0.68%

LAB 75.98, 4.17, 29.56

 

CMYK 38 / 0 / 0 / 16

HEX #85D5D6

RGB 133 213 214

HSL 180.74, 0.5%, 0.68%

LAB 80.42, -24.17, -8.24

 

CMYK 0 / 38 / 16 / 16

HEX #D786B5

RGB 215 134 181

HSL 325.19, 0.5%, 0.68%

LAB 65.62, 37.57, -11.57

 

CMYK 16 / 0 / 38 / 16

HEX #B4D685

RGB 180 214 133

HSL 85.19, 0.5%, 0.68%

LAB 81.56, -24.84, 36.37

 

CMYK 38 / 16 / 0 / 16

HEX #85B4D6

RGB 133 180 214

HSL 205.19, 0.5%, 0.68%

LAB 71.2, -7.11, -22.11

 

CMYK 0 / 38 / 16 / 16

HEX #D786B5

RGB 215 134 181

HSL 325.19, 0.5%, 0.68%

LAB 65.62, 37.57, -11.57

 

CMYK 0 / 14 / 38 / 16

HEX #D6B785

RGB 214 183 133

HSL 37.04, 0.5%, 0.68%

LAB 75.98, 4.17, 29.56

 

CMYK 38 / 0 / 22 / 16

HEX #85D6A7

RGB 133 214 167

HSL 145.19, 0.5%, 0.68%

LAB 79.54, -34.96, 15.53

 

CMYK 38 / 23 / 0 / 16

HEX #85A4D6

RGB 133 164 214

HSL 217.04, 0.5%, 0.68%

LAB 66.82, 1.7, -28.83

 

CMYK 0 / 38 / 16 / 16

HEX #D786B5

RGB 215 134 181

HSL 325.19, 0.5%, 0.68%

LAB 65.62, 37.57, -11.57

 

CMYK 0 / 3 / 38 / 16

HEX #D6CF85

RGB 214 207 133

HSL 54.81, 0.5%, 0.68%

LAB 82.17, -8.33, 37.65

 

CMYK 38 / 0 / 22 / 16

HEX #85D6A7

RGB 133 214 167

HSL 145.19, 0.5%, 0.68%

LAB 79.54, -34.96, 15.53

 

CMYK 38 / 35 / 0 / 16

HEX #858BD6

RGB 133 139 214

HSL 235.56, 0.5%, 0.68%

LAB 60.16, 16.04, -39.17

 

Description

Color code: HEX #D786B5 | qconv.com Color code: HEX #D786B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 134 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 134 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 16 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 16% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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