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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D781BA it is the complementary color #287E45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D781BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D781BA shade: #DC81B5, #ED93C8, #FEA5DB, #FFB7EE and #FFC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D781BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D781BA shade: #D781BA, #C66FA7, #B55D94, #A44B81 and #93396E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D781BA shade: #D77FB9, #D77FA2, #D77F8A and #D77F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D781BA shade: #D77FB9, #D77FD1, #C57FD7, #AD7FD7 and #967FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D781BA shade matches the following richer shades: #D77FB9, #E471BE and #F264C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D781BA shade: #D77FB9, #C98DB5, #BB9AB0, #AEA8AC and #A0B6A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D781BA shade: #C57FD7, #D77FD1, #D77FB9, #D77FA2 and #D77F8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D781BA shade: #C34097, #CD60A8, #D77FB9, #E19ECA and #EABEDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D781BA shade: #D781BA, #D7AE7F and #7FD7D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D781BA shade: #D781BA, #B9D77F and #7FB9D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D781BA shade: #D781BA, #D7AE7F, #7FD79C and #7FA8D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D781BA shade: #D781BA, #D7C87F, #7FD79C and #7F8ED7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 13 / 16

HEX #D781BA

RGB 215 129 186

HSL 320.23, 0.52%, 0.67%

LAB 64.72, 41.02, -15.75

 

Complementary color

CMYK 68 / 0 / 45 / 51

HEX #287E45

RGB 40 126 69

HSL 140.23, 0.52%, 0.33%

LAB 46.71, -39.01, 23.72

 

CMYK 0 / 41 / 18 / 14

HEX #DC81B5

RGB 220 129 181

HSL 325.71, 0.57%, 0.68%

LAB 65.16, 41.89, -12.19

 

CMYK 0 / 38 / 16 / 7

HEX #ED93C8

RGB 237 147 200

HSL 324.67, 0.71%, 0.75%

LAB 71.58, 41.11, -12.97

 

CMYK 0 / 35 / 14 / 0

HEX #FEA5DB

RGB 254 165 219

HSL 323.6, 0.98%, 0.82%

LAB 77.93, 40.36, -13.68

 

CMYK 0 / 28 / 7 / 0

HEX #FFB7EE

RGB 255 183 238

HSL 314.17, 1%, 0.86%

LAB 82.54, 34.42, -16.99

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 40 / 13 / 16

HEX #D781BA

RGB 215 129 186

HSL 320.23, 0.52%, 0.67%

LAB 64.72, 41.02, -15.75

 

CMYK 0 / 44 / 16 / 22

HEX #C66FA7

RGB 198 111 167

HSL 321.38, 0.43%, 0.61%

LAB 58.19, 41.79, -14.98

 

CMYK 0 / 49 / 18 / 29

HEX #B55D94

RGB 181 93 148

HSL 322.5, 0.37%, 0.54%

LAB 51.6, 42.56, -14.09

 

CMYK 0 / 54 / 21 / 36

HEX #A44B81

RGB 164 75 129

HSL 323.6, 0.37%, 0.47%

LAB 44.96, 43.27, -13.01

 

CMYK 0 / 61 / 25 / 42

HEX #93396E

RGB 147 57 110

HSL 324.67, 0.44%, 0.4%

LAB 38.3, 43.81, -11.64

 

CMYK 0 / 41 / 14 / 16

HEX #D77FB9

RGB 215 127 185

HSL 320.45, 0.52%, 0.67%

LAB 64.26, 41.9, -15.87

 

CMYK 0 / 41 / 25 / 16

HEX #D77FA2

RGB 215 127 162

HSL 336.14, 0.52%, 0.67%

LAB 63.54, 38.42, -3.91

 

CMYK 0 / 41 / 36 / 16

HEX #D77F8A

RGB 215 127 138

HSL 352.5, 0.52%, 0.67%

LAB 62.89, 35.26, 8.84

 

CMYK 0 / 41 / 41 / 16

HEX #D77F7F

RGB 215 127 127

HSL 0, 0.52%, 0.67%

LAB 62.64, 33.98, 14.75

 

CMYK 0 / 41 / 14 / 16

HEX #D77FB9

RGB 215 127 185

HSL 320.45, 0.52%, 0.67%

LAB 64.26, 41.9, -15.87

 

CMYK 0 / 41 / 3 / 16

HEX #D77FD1

RGB 215 127 209

HSL 304.09, 0.52%, 0.67%

LAB 65.14, 45.97, -28.02

 

CMYK 8 / 41 / 0 / 16

HEX #C57FD7

RGB 197 127 215

HSL 287.73, 0.52%, 0.67%

LAB 63.31, 41.65, -34.39

 

CMYK 20 / 41 / 0 / 16

HEX #AD7FD7

RGB 173 127 215

HSL 271.36, 0.52%, 0.67%

LAB 60.75, 34.54, -38.56

 

CMYK 30 / 41 / 0 / 16

HEX #967FD7

RGB 150 127 215

HSL 255.68, 0.52%, 0.67%

LAB 58.57, 27.96, -42.14

 

CMYK 0 / 41 / 14 / 16

HEX #D77FB9

RGB 215 127 185

HSL 320.45, 0.52%, 0.67%

LAB 64.26, 41.9, -15.87

 

CMYK 0 / 50 / 17 / 11

HEX #E471BE

RGB 228 113 190

HSL 319.83, 0.68%, 0.67%

LAB 63.36, 53.86, -19.91

 

CMYK 0 / 59 / 20 / 5

HEX #F264C2

RGB 242 100 194

HSL 320.28, 0.85%, 0.67%

LAB 63.25, 64.48, -22.17

 

CMYK 0 / 41 / 14 / 16

HEX #D77FB9

RGB 215 127 185

HSL 320.45, 0.52%, 0.67%

LAB 64.26, 41.9, -15.87

 

CMYK 0 / 30 / 10 / 21

HEX #C98DB5

RGB 201 141 181

HSL 320, 0.36%, 0.67%

LAB 65.6, 28.99, -11.77

 

CMYK 0 / 18 / 6 / 27

HEX #BB9AB0

RGB 187 154 176

HSL 320, 0.2%, 0.67%

LAB 67.13, 16, -6.82

 

CMYK 0 / 3 / 1 / 32

HEX #AEA8AC

RGB 174 168 172

HSL 320, 0.04%, 0.67%

LAB 69.46, 2.89, -1.3

 

CMYK 12 / 0 / 8 / 29

HEX #A0B6A7

RGB 160 182 167

HSL 139.09, 0.13%, 0.67%

LAB 72.04, -10.5, 5.08

 

CMYK 8 / 41 / 0 / 16

HEX #C57FD7

RGB 197 127 215

HSL 287.73, 0.52%, 0.67%

LAB 63.31, 41.65, -34.39

 

CMYK 0 / 41 / 3 / 16

HEX #D77FD1

RGB 215 127 209

HSL 304.09, 0.52%, 0.67%

LAB 65.14, 45.97, -28.02

 

CMYK 0 / 41 / 14 / 16

HEX #D77FB9

RGB 215 127 185

HSL 320.45, 0.52%, 0.67%

LAB 64.26, 41.9, -15.87

 

CMYK 0 / 41 / 25 / 16

HEX #D77FA2

RGB 215 127 162

HSL 336.14, 0.52%, 0.67%

LAB 63.54, 38.42, -3.91

 

CMYK 0 / 41 / 35 / 16

HEX #D77F8B

RGB 215 127 139

HSL 351.82, 0.52%, 0.67%

LAB 62.92, 35.38, 8.31

 

CMYK 0 / 67 / 23 / 24

HEX #C34097

RGB 195 64 151

HSL 320.15, 0.52%, 0.51%

LAB 48.89, 60.46, -19.81

 

CMYK 0 / 53 / 18 / 20

HEX #CD60A8

RGB 205 96 168

HSL 320.37, 0.52%, 0.59%

LAB 56.26, 51.73, -18.4

 

CMYK 0 / 41 / 14 / 16

HEX #D77FB9

RGB 215 127 185

HSL 320.45, 0.52%, 0.67%

LAB 64.26, 41.9, -15.87

 

CMYK 0 / 30 / 10 / 12

HEX #E19ECA

RGB 225 158 202

HSL 320.6, 0.53%, 0.75%

LAB 72.71, 31.59, -12.52

 

CMYK 0 / 19 / 6 / 8

HEX #EABEDB

RGB 234 190 219

HSL 320.45, 0.51%, 0.83%

LAB 81.53, 20.43, -8.52

HEX #EABEDB

CMYK 0 / 40 / 13 / 16

HEX #D781BA

RGB 215 129 186

HSL 320.23, 0.52%, 0.67%

LAB 64.72, 41.02, -15.75

 

CMYK 0 / 19 / 41 / 16

HEX #D7AE7F

RGB 215 174 127

HSL 32.05, 0.52%, 0.67%

LAB 73.71, 8.69, 29.75

 

CMYK 41 / 0 / 3 / 16

HEX #7FD7D1

RGB 127 215 209

HSL 175.91, 0.52%, 0.67%

LAB 80.58, -27.87, -5.36

 

CMYK 0 / 40 / 13 / 16

HEX #D781BA

RGB 215 129 186

HSL 320.23, 0.52%, 0.67%

LAB 64.72, 41.02, -15.75

 

CMYK 14 / 0 / 41 / 16

HEX #B9D77F

RGB 185 215 127

HSL 80.45, 0.52%, 0.67%

LAB 82.08, -24.21, 40.12

 

CMYK 41 / 14 / 0 / 16

HEX #7FB9D7

RGB 127 185 215

HSL 200.45, 0.52%, 0.67%

LAB 72.31, -11.11, -21

 

CMYK 0 / 40 / 13 / 16

HEX #D781BA

RGB 215 129 186

HSL 320.23, 0.52%, 0.67%

LAB 64.72, 41.02, -15.75

 

CMYK 0 / 19 / 41 / 16

HEX #D7AE7F

RGB 215 174 127

HSL 32.05, 0.52%, 0.67%

LAB 73.71, 8.69, 29.75

 

CMYK 41 / 0 / 27 / 16

HEX #7FD79C

RGB 127 215 156

HSL 139.77, 0.52%, 0.67%

LAB 79.34, -39.22, 21

 

CMYK 41 / 22 / 0 / 16

HEX #7FA8D7

RGB 127 168 215

HSL 212.05, 0.52%, 0.67%

LAB 67.59, -1.86, -28.21

 

CMYK 0 / 40 / 13 / 16

HEX #D781BA

RGB 215 129 186

HSL 320.23, 0.52%, 0.67%

LAB 64.72, 41.02, -15.75

 

CMYK 0 / 7 / 41 / 16

HEX #D7C87F

RGB 215 200 127

HSL 49.77, 0.52%, 0.67%

LAB 80.34, -4.99, 38.37

 

CMYK 41 / 0 / 27 / 16

HEX #7FD79C

RGB 127 215 156

HSL 139.77, 0.52%, 0.67%

LAB 79.34, -39.22, 21

 

CMYK 41 / 34 / 0 / 16

HEX #7F8ED7

RGB 127 142 215

HSL 229.77, 0.52%, 0.67%

LAB 60.57, 12.97, -39.12

 

Description

Color code: HEX #D781BA | qconv.com Color code: HEX #D781BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 129 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 129 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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