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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7816D it is the complementary color #287E92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7816D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7816D shade: #DC8168, #ED937B, #FEA58E, #FFB7A1 and #FFC9B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7816D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7816D shade: #D7816D, #C66F5A, #B55D47, #A44B34 and #933921

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7816D shade: #D8836F and #D86F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7816D shade: #D8836F, #D89F6F, #D8BB6F, #D8D76F and #BCD86F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7816D shade matches the following richer shades: #D8836F, #E67960 and #F57051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7816D shade: #D8836F, #C98C7E, #BA958D, #AB9E9B and #9CA8AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7816D shade: #D86F94, #D86F78, #D8826F, #D89E6F and #D8BA6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7816D shade: #BF4F34, #CF674E, #D8836F, #E09F8F and #E9BBB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7816D shade: #D7816D, #AFD86F and #6F86D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7816D shade: #D7816D, #6FD882 and #826FD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7816D shade: #D7816D, #AFD86F, #6FC4D8 and #976FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7816D shade: #D7816D, #90D86F, #6FC4D8 and #B66FD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 49 / 16

HEX #D7816D

RGB 215 129 109

HSL 11.32, 0.57%, 0.64%

LAB 62.72, 31.07, 25.02

 

Complementary color

CMYK 73 / 14 / 0 / 43

HEX #287E92

RGB 40 126 146

HSL 191.32, 0.57%, 0.36%

LAB 48.82, -18.36, -18.17

 

CMYK 0 / 41 / 53 / 14

HEX #DC8168

RGB 220 129 104

HSL 12.93, 0.62%, 0.64%

LAB 63.27, 32.58, 28.66

 

CMYK 0 / 38 / 48 / 7

HEX #ED937B

RGB 237 147 123

HSL 12.63, 0.76%, 0.71%

LAB 69.68, 31.41, 27.02

 

CMYK 0 / 35 / 44 / 0

HEX #FEA58E

RGB 254 165 142

HSL 12.32, 0.98%, 0.78%

LAB 76.03, 30.35, 25.55

 

CMYK 0 / 28 / 37 / 0

HEX #FFB7A1

RGB 255 183 161

HSL 14.04, 1%, 0.82%

LAB 80.57, 23.37, 21.55

 

CMYK 0 / 21 / 29 / 0

HEX #FFC9B4

RGB 255 201 180

HSL 16.8, 1%, 0.85%

LAB 85.16, 16.27, 17.82

 

CMYK 0 / 40 / 49 / 16

HEX #D7816D

RGB 215 129 109

HSL 11.32, 0.57%, 0.64%

LAB 62.72, 31.07, 25.02

 

CMYK 0 / 44 / 55 / 22

HEX #C66F5A

RGB 198 111 90

HSL 11.67, 0.49%, 0.56%

LAB 56.2, 32.29, 26.76

 

CMYK 0 / 49 / 61 / 29

HEX #B55D47

RGB 181 93 71

HSL 12, 0.44%, 0.49%

LAB 49.63, 33.63, 28.74

 

CMYK 0 / 54 / 68 / 36

HEX #A44B34

RGB 164 75 52

HSL 12.32, 0.52%, 0.42%

LAB 43.02, 35.08, 31.02

 

CMYK 0 / 61 / 78 / 42

HEX #933921

RGB 147 57 33

HSL 12.63, 0.63%, 0.35%

LAB 36.44, 36.57, 33.6

 

CMYK 0 / 39 / 49 / 15

HEX #D8836F

RGB 216 131 111

HSL 11.43, 0.57%, 0.64%

LAB 63.33, 30.59, 24.73

 

CMYK 0 / 49 / 49 / 15

HEX #D86F6F

RGB 216 111 111

HSL 0, 0.57%, 0.64%

LAB 59.08, 41.04, 19.02

 

CMYK 0 / 39 / 49 / 15

HEX #D8836F

RGB 216 131 111

HSL 11.43, 0.57%, 0.64%

LAB 63.33, 30.59, 24.73

 

CMYK 0 / 26 / 49 / 15

HEX #D89F6F

RGB 216 159 111

HSL 27.43, 0.57%, 0.64%

LAB 69.85, 15.51, 33.27

 

CMYK 0 / 13 / 49 / 15

HEX #D8BB6F

RGB 216 187 111

HSL 43.43, 0.57%, 0.64%

LAB 76.85, 0.58, 42.1

 

CMYK 0 / 0 / 49 / 15

HEX #D8D76F

RGB 216 215 111

HSL 59.43, 0.57%, 0.64%

LAB 84.15, -13.78, 50.96

 

CMYK 13 / 0 / 49 / 15

HEX #BCD86F

RGB 188 216 111

HSL 76, 0.57%, 0.64%

LAB 82.35, -25.31, 48.32

 

CMYK 0 / 39 / 49 / 15

HEX #D8836F

RGB 216 131 111

HSL 11.43, 0.57%, 0.64%

LAB 63.33, 30.59, 24.73

 

CMYK 0 / 47 / 58 / 10

HEX #E67960

RGB 230 121 96

HSL 11.19, 0.73%, 0.64%

LAB 62.8, 39.93, 32.73

 

CMYK 0 / 54 / 67 / 4

HEX #F57051

RGB 245 112 81

HSL 11.34, 0.89%, 0.64%

LAB 63.01, 48.97, 41.64

 

CMYK 0 / 39 / 49 / 15

HEX #D8836F

RGB 216 131 111

HSL 11.43, 0.57%, 0.64%

LAB 63.33, 30.59, 24.73

 

CMYK 0 / 30 / 37 / 21

HEX #C98C7E

RGB 201 140 126

HSL 11.2, 0.41%, 0.64%

LAB 63.9, 21.44, 16.81

 

CMYK 0 / 20 / 24 / 27

HEX #BA958D

RGB 186 149 141

HSL 10.67, 0.25%, 0.64%

LAB 64.85, 12.62, 9.47

 

CMYK 0 / 8 / 9 / 33

HEX #AB9E9B

RGB 171 158 155

HSL 11.25, 0.09%, 0.64%

LAB 66.12, 4.21, 3.27

 

CMYK 8 / 1 / 0 / 33

HEX #9CA8AA

RGB 156 168 170

HSL 188.57, 0.08%, 0.64%

LAB 68, -3.8, -2.49

 

CMYK 0 / 49 / 31 / 15

HEX #D86F94

RGB 216 111 148

HSL 338.86, 0.57%, 0.64%

LAB 59.98, 45.13, -1.08

 

CMYK 0 / 49 / 44 / 15

HEX #D86F78

RGB 216 111 120

HSL 354.86, 0.57%, 0.64%

LAB 59.27, 41.92, 14.09

 

CMYK 0 / 40 / 49 / 15

HEX #D8826F

RGB 216 130 111

HSL 10.86, 0.57%, 0.64%

LAB 63.1, 31.12, 24.44

 

CMYK 0 / 27 / 49 / 15

HEX #D89E6F

RGB 216 158 111

HSL 26.86, 0.57%, 0.64%

LAB 69.61, 16.05, 32.96

 

CMYK 0 / 14 / 49 / 15

HEX #D8BA6F

RGB 216 186 111

HSL 42.86, 0.57%, 0.64%

LAB 76.6, 1.1, 41.78

 

CMYK 0 / 59 / 73 / 25

HEX #BF4F34

RGB 191 79 52

HSL 11.65, 0.57%, 0.48%

LAB 48.15, 43.41, 38.04

 

CMYK 0 / 50 / 62 / 19

HEX #CF674E

RGB 207 103 78

HSL 11.63, 0.57%, 0.56%

LAB 55.6, 39.06, 33.03

 

CMYK 0 / 39 / 49 / 15

HEX #D8836F

RGB 216 131 111

HSL 11.43, 0.57%, 0.64%

LAB 63.33, 30.59, 24.73

 

CMYK 0 / 29 / 36 / 12

HEX #E09F8F

RGB 224 159 143

HSL 11.85, 0.57%, 0.72%

LAB 71.3, 22.14, 17.99

 

CMYK 0 / 20 / 24 / 9

HEX #E9BBB0

RGB 233 187 176

HSL 11.58, 0.56%, 0.8%

LAB 79.61, 14.9, 11.83

 

CMYK 0 / 40 / 49 / 16

HEX #D7816D

RGB 215 129 109

HSL 11.32, 0.57%, 0.64%

LAB 62.72, 31.07, 25.02

 

CMYK 19 / 0 / 49 / 15

HEX #AFD86F

RGB 175 216 111

HSL 83.43, 0.57%, 0.64%

LAB 81.5, -30.24, 47.08

 

CMYK 49 / 38 / 0 / 15

HEX #6F86D8

RGB 111 134 216

HSL 226.86, 0.57%, 0.64%

LAB 57.45, 14, -44.66

 

CMYK 0 / 40 / 49 / 16

HEX #D7816D

RGB 215 129 109

HSL 11.32, 0.57%, 0.64%

LAB 62.72, 31.07, 25.02

 

CMYK 49 / 0 / 40 / 15

HEX #6FD882

RGB 111 216 130

HSL 130.86, 0.57%, 0.64%

LAB 78.52, -48.56, 33.25

 

CMYK 40 / 49 / 0 / 15

HEX #826FD8

RGB 130 111 216

HSL 250.86, 0.57%, 0.64%

LAB 53.03, 32.3, -51.6

 

CMYK 0 / 40 / 49 / 16

HEX #D7816D

RGB 215 129 109

HSL 11.32, 0.57%, 0.64%

LAB 62.72, 31.07, 25.02

 

CMYK 19 / 0 / 49 / 15

HEX #AFD86F

RGB 175 216 111

HSL 83.43, 0.57%, 0.64%

LAB 81.5, -30.24, 47.08

 

CMYK 49 / 9 / 0 / 15

HEX #6FC4D8

RGB 111 196 216

HSL 191.43, 0.57%, 0.64%

LAB 74.71, -20.43, -17.97

 

CMYK 30 / 49 / 0 / 15

HEX #976FD8

RGB 151 111 216

HSL 262.86, 0.57%, 0.64%

LAB 54.98, 37.66, -48.38

 

CMYK 0 / 40 / 49 / 16

HEX #D7816D

RGB 215 129 109

HSL 11.32, 0.57%, 0.64%

LAB 62.72, 31.07, 25.02

 

CMYK 33 / 0 / 49 / 15

HEX #90D86F

RGB 144 216 111

HSL 101.14, 0.57%, 0.64%

LAB 79.72, -41.28, 44.5

 

CMYK 49 / 9 / 0 / 15

HEX #6FC4D8

RGB 111 196 216

HSL 191.43, 0.57%, 0.64%

LAB 74.71, -20.43, -17.97

 

CMYK 16 / 49 / 0 / 15

HEX #B66FD8

RGB 182 111 216

HSL 280.57, 0.57%, 0.64%

LAB 58.29, 46.06, -42.92

 

Description

Color code: HEX #D7816D | qconv.com Color code: HEX #D7816D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 129 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 129 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 49 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 49% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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