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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D77F85 it is the complementary color #28807A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D77F85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D77F85 shade: #DC7F80, #ED9193, #FEA3A6, #FFB5B9 and #FFC7CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D77F85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D77F85 shade: #D77F85, #C66D72, #B55B5F, #A4494C and #933739

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D77F85 shade: #D77F85 and #D77F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D77F85 shade: #D77F85, #D77F9D, #D77FB4, #D77FCC and #CA7FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D77F85 shade matches the following richer shades: #D77F85, #E47179 and #F2646E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D77F85 shade: #D77F85, #C98D91, #BB9A9D, #AEA8A8 and #A0B6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D77F85 shade: #D77FB5, #D77F9E, #D77F86, #D78F7F and #D7A67F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D77F85 shade: #C34049, #CD6067, #D77F85, #E19EA3 and #EABEC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D77F85 shade: #D77F85, #CCD77F and #7FA9D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D77F85 shade: #D77F85, #86D77F and #7F86D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D77F85 shade: #D77F85, #CCD77F, #7FD7CF and #897FD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D77F85 shade: #D77F85, #B2D77F, #7FD7CF and #A47FD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

Complementary color

CMYK 69 / 0 / 5 / 50

HEX #28807A

RGB 40 128 122

HSL 175.91, 0.52%, 0.33%

LAB 48.63, -27, -4.33

 

CMYK 0 / 42 / 42 / 14

HEX #DC7F80

RGB 220 127 128

HSL 359.35, 0.57%, 0.68%

LAB 63.3, 35.97, 15.2

 

CMYK 0 / 39 / 38 / 7

HEX #ED9193

RGB 237 145 147

HSL 358.7, 0.72%, 0.75%

LAB 69.73, 34.97, 13.81

 

CMYK 0 / 36 / 35 / 0

HEX #FEA3A6

RGB 254 163 166

HSL 358.02, 0.98%, 0.82%

LAB 76.08, 34.04, 12.57

 

CMYK 0 / 29 / 27 / 0

HEX #FFB5B9

RGB 255 181 185

HSL 356.76, 1%, 0.85%

LAB 80.63, 27.4, 8.74

 

CMYK 0 / 22 / 20 / 0

HEX #FFC7CC

RGB 255 199 204

HSL 354.64, 1%, 0.89%

LAB 85.23, 20.62, 5.17

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 0 / 45 / 42 / 22

HEX #C66D72

RGB 198 109 114

HSL 356.63, 0.44%, 0.6%

LAB 56.25, 35.69, 12.98

 

CMYK 0 / 50 / 48 / 29

HEX #B55B5F

RGB 181 91 95

HSL 357.33, 0.38%, 0.53%

LAB 49.66, 36.77, 14.68

 

CMYK 0 / 55 / 54 / 36

HEX #A4494C

RGB 164 73 76

HSL 358.02, 0.38%, 0.46%

LAB 43.03, 37.89, 16.71

 

CMYK 0 / 63 / 61 / 42

HEX #933739

RGB 147 55 57

HSL 358.7, 0.46%, 0.4%

LAB 36.42, 38.95, 19.21

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 0 / 41 / 41 / 16

HEX #D77F7F

RGB 215 127 127

HSL 0, 0.52%, 0.67%

LAB 62.64, 33.98, 14.75

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 0 / 41 / 27 / 16

HEX #D77F9D

RGB 215 127 157

HSL 339.55, 0.52%, 0.67%

LAB 63.39, 37.72, -1.27

 

CMYK 0 / 41 / 16 / 16

HEX #D77FB4

RGB 215 127 180

HSL 323.86, 0.52%, 0.67%

LAB 64.1, 41.11, -13.29

 

CMYK 0 / 41 / 5 / 16

HEX #D77FCC

RGB 215 127 204

HSL 307.5, 0.52%, 0.67%

LAB 64.95, 45.09, -25.52

 

CMYK 6 / 41 / 0 / 16

HEX #CA7FD7

RGB 202 127 215

HSL 291.14, 0.52%, 0.67%

LAB 63.87, 43.14, -33.47

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 0 / 50 / 47 / 11

HEX #E47179

RGB 228 113 121

HSL 355.83, 0.68%, 0.67%

LAB 61.38, 45.33, 16.7

 

CMYK 0 / 59 / 55 / 5

HEX #F2646E

RGB 242 100 110

HSL 355.77, 0.85%, 0.67%

LAB 60.89, 55.36, 22.69

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 0 / 30 / 28 / 21

HEX #C98D91

RGB 201 141 145

HSL 356, 0.36%, 0.67%

LAB 64.57, 23.37, 7.04

 

CMYK 0 / 18 / 16 / 27

HEX #BB9A9D

RGB 187 154 157

HSL 354.55, 0.2%, 0.67%

LAB 66.6, 12.73, 3.03

 

CMYK 0 / 3 / 3 / 32

HEX #AEA8A8

RGB 174 168 168

HSL 0, 0.04%, 0.67%

LAB 69.35, 2.15, 0.76

 

CMYK 12 / 0 / 1 / 29

HEX #A0B6B4

RGB 160 182 180

HSL 174.55, 0.13%, 0.67%

LAB 72.38, -7.93, -1.55

 

CMYK 0 / 41 / 16 / 16

HEX #D77FB5

RGB 215 127 181

HSL 323.18, 0.52%, 0.67%

LAB 64.13, 41.27, -13.81

 

CMYK 0 / 41 / 27 / 16

HEX #D77F9E

RGB 215 127 158

HSL 338.86, 0.52%, 0.67%

LAB 63.42, 37.86, -1.8

 

CMYK 0 / 41 / 38 / 16

HEX #D77F86

RGB 215 127 134

HSL 355.23, 0.52%, 0.67%

LAB 62.8, 34.78, 10.99

 

CMYK 0 / 33 / 41 / 16

HEX #D78F7F

RGB 215 143 127

HSL 10.91, 0.52%, 0.67%

LAB 66.23, 25.41, 19.71

 

CMYK 0 / 23 / 41 / 16

HEX #D7A67F

RGB 215 166 127

HSL 26.59, 0.52%, 0.67%

LAB 71.73, 12.98, 27.12

 

CMYK 0 / 67 / 63 / 24

HEX #C34049

RGB 195 64 73

HSL 355.88, 0.52%, 0.51%

LAB 46.64, 52.64, 24.25

 

CMYK 0 / 53 / 50 / 20

HEX #CD6067

RGB 205 96 103

HSL 356.15, 0.52%, 0.59%

LAB 54.37, 43.82, 16.98

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 0 / 30 / 28 / 12

HEX #E19EA3

RGB 225 158 163

HSL 355.52, 0.53%, 0.75%

LAB 71.63, 25.63, 7.43

 

CMYK 0 / 19 / 18 / 8

HEX #EABEC1

RGB 234 190 193

HSL 355.91, 0.51%, 0.83%

LAB 80.83, 16.18, 4.44

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 5 / 0 / 41 / 16

HEX #CCD77F

RGB 204 215 127

HSL 67.5, 0.52%, 0.67%

LAB 83.43, -16.94, 42.1

 

CMYK 41 / 21 / 0 / 16

HEX #7FA9D7

RGB 127 169 215

HSL 211.36, 0.52%, 0.67%

LAB 67.87, -2.42, -27.79

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 38 / 0 / 41 / 16

HEX #86D77F

RGB 134 215 127

HSL 115.23, 0.52%, 0.67%

LAB 79.16, -41.94, 35.78

 

CMYK 41 / 38 / 0 / 16

HEX #7F86D7

RGB 127 134 215

HSL 235.23, 0.52%, 0.67%

LAB 58.48, 17.67, -42.41

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 5 / 0 / 41 / 16

HEX #CCD77F

RGB 204 215 127

HSL 67.5, 0.52%, 0.67%

LAB 83.43, -16.94, 42.1

 

CMYK 41 / 0 / 4 / 16

HEX #7FD7CF

RGB 127 215 207

HSL 174.55, 0.52%, 0.67%

LAB 80.53, -28.35, -4.38

 

CMYK 36 / 41 / 0 / 16

HEX #897FD7

RGB 137 127 215

HSL 246.82, 0.52%, 0.67%

LAB 57.47, 24.42, -43.95

 

CMYK 0 / 41 / 38 / 16

HEX #D77F85

RGB 215 127 133

HSL 355.91, 0.52%, 0.67%

LAB 62.78, 34.66, 11.53

 

CMYK 17 / 0 / 41 / 16

HEX #B2D77F

RGB 178 215 127

HSL 85.23, 0.52%, 0.67%

LAB 81.62, -26.82, 39.43

 

CMYK 41 / 0 / 4 / 16

HEX #7FD7CF

RGB 127 215 207

HSL 174.55, 0.52%, 0.67%

LAB 80.53, -28.35, -4.38

 

CMYK 24 / 41 / 0 / 16

HEX #A47FD7

RGB 164 127 215

HSL 265.23, 0.52%, 0.67%

LAB 59.87, 31.93, -40.01

 

Description

Color code: HEX #D77F85 | qconv.com Color code: HEX #D77F85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 127 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 127 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 38 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 38% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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