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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D77C5EBF it is the complementary color #2883A1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D77C5EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D77C5EBF shade: #DC7C59BF, #ED8E6CBF, #FEA07FBF, #FFB292BF and #FFC4A5BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D77C5EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D77C5EBF shade: #D77C5EBF, #C66A4BBF, #B55838BF, #A44625BF and #933412BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D77C5EBF shade: #D77D60 and #D76060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D77C5EBF shade: #D77D60, #D79E60, #D7BE60, #D0D760 and #B0D760

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D77C5EBF shade matches the following richer shades: #D77D60, #E77550 and #F76D40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D77C5EBF shade: #D77D60, #C78670, #B78E80, #A79690 and #979EA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D77C5EBF shade: #D76084, #D76064, #D77C60, #D79C60 and #D7BB60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D77C5EBF shade: #B7502E, #CF633F, #D77D60, #DF9881 and #E8B3A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D77C5EBF shade: #D77C5E, #A4D760 and #6074D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D77C5EBF shade: #D77C5E, #60D77C and #7C60D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D77C5EBF shade: #D77C5E, #A4D760, #60BBD7 and #9460D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D77C5EBF shade: #D77C5E, #80D760, #60BBD7 and #B760D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 42 / 12

HEX #D77C5EBF

RGBA 215 124 94 0.75

HSLA 14.88, 0.6%, 0.61%, 0.75

LABA 61.37, 32.42, 31.61, 0.75

 

Complementary color

CMYK 56 / 14 / 0 / 28

HEX #2883A1BF

RGBA 40 131 161 0.75

HSLA 194.88, 0.6%, 0.39%, 0.75

LABA 50.99, -16.01, -23.59, 0.75

 

CMYK 0 / 33 / 45 / 10

HEX #DC7C59BF

RGBA 220 124 89 0.75

HSLA 16.03, 0.65%, 0.61%, 0.75

LABA 61.96, 34.01, 35.23, 0.75

 

CMYK 0 / 30 / 41 / 5

HEX #ED8E6CBF

RGBA 237 142 108 0.75

HSLA 15.81, 0.78%, 0.68%, 0.75

LABA 68.34, 32.71, 33.43, 0.75

 

CMYK 0 / 28 / 38 / 0

HEX #FEA07FBF

RGBA 254 160 127 0.75

HSLA 15.59, 0.98%, 0.75%, 0.75

LABA 74.66, 31.53, 31.8, 0.75

 

CMYK 0 / 23 / 32 / 0

HEX #FFB292BF

RGBA 255 178 146 0.75

HSLA 17.61, 1%, 0.79%, 0.75

LABA 79.14, 24.35, 27.61, 0.75

 

CMYK 0 / 17 / 26 / 0

HEX #FFC4A5BF

RGBA 255 196 165 0.75

HSLA 20.67, 1%, 0.82%, 0.75

LABA 83.68, 17.03, 23.7, 0.75

 

CMYK 0 / 32 / 42 / 12

HEX #D77C5EBF

RGBA 215 124 94 0.75

HSLA 14.88, 0.6%, 0.61%, 0.75

LABA 61.37, 32.42, 31.61, 0.75

 

CMYK 0 / 35 / 47 / 17

HEX #C66A4BBF

RGBA 198 106 75 0.75

HSLA 15.12, 0.52%, 0.54%, 0.75

LABA 54.89, 33.79, 33.53, 0.75

 

CMYK 0 / 39 / 52 / 22

HEX #B55838BF

RGBA 181 88 56 0.75

HSLA 15.36, 0.53%, 0.46%, 0.75

LABA 48.37, 35.28, 35.67, 0.75

 

CMYK 0 / 43 / 58 / 27

HEX #A44625BF

RGBA 164 70 37 0.75

HSLA 15.59, 0.63%, 0.39%, 0.75

LABA 41.85, 36.87, 38, 0.75

 

CMYK 0 / 48 / 66 / 32

HEX #933412BF

RGBA 147 52 18 0.75

HSLA 15.81, 0.78%, 0.32%, 0.75

LABA 35.41, 38.46, 40.19, 0.75

 

CMYK 0 / 42 / 55 / 16

HEX #D77D60

RGB 215 125 96

HSL 14.62, 0.6%, 0.61%

LAB 61.62, 32.06, 30.82

 

CMYK 0 / 55 / 55 / 16

HEX #D76060

RGB 215 96 96

HSL 0, 0.6%, 0.61%

LAB 55.74, 46.8, 23.17

 

CMYK 0 / 42 / 55 / 16

HEX #D77D60

RGB 215 125 96

HSL 14.62, 0.6%, 0.61%

LAB 61.62, 32.06, 30.82

 

CMYK 0 / 27 / 55 / 16

HEX #D79E60

RGB 215 158 96

HSL 31.26, 0.6%, 0.61%

LAB 69.29, 14.31, 40.41

 

CMYK 0 / 12 / 55 / 16

HEX #D7BE60

RGB 215 190 96

HSL 47.39, 0.6%, 0.61%

LAB 77.35, -2.69, 50.04

 

CMYK 3 / 0 / 55 / 16

HEX #D0D760

RGB 208 215 96

HSL 63.53, 0.6%, 0.61%

LAB 83.37, -18.25, 56.81

 

CMYK 18 / 0 / 55 / 16

HEX #B0D760

RGB 176 215 96

HSL 79.66, 0.6%, 0.61%

LAB 81.11, -30.88, 53.64

 

CMYK 0 / 42 / 55 / 16

HEX #D77D60

RGB 215 125 96

HSL 14.62, 0.6%, 0.61%

LAB 61.62, 32.06, 30.82

 

CMYK 0 / 49 / 65 / 9

HEX #E77550

RGB 231 117 80

HSL 14.7, 0.76%, 0.61%

LAB 61.9, 41.27, 40.36

 

CMYK 0 / 56 / 74 / 3

HEX #F76D40

RGB 247 109 64

HSL 14.75, 0.92%, 0.61%

LAB 62.58, 50.29, 50.03

 

CMYK 0 / 42 / 55 / 16

HEX #D77D60

RGB 215 125 96

HSL 14.62, 0.6%, 0.61%

LAB 61.62, 32.06, 30.82

 

CMYK 0 / 33 / 44 / 22

HEX #C78670

RGB 199 134 112

HSL 15.17, 0.44%, 0.61%

LAB 61.97, 22.33, 21.99

 

CMYK 0 / 22 / 30 / 28

HEX #B78E80

RGB 183 142 128

HSL 15.27, 0.28%, 0.61%

LAB 62.48, 13.48, 13.41

 

CMYK 0 / 10 / 14 / 35

HEX #A79690

RGB 167 150 144

HSL 15.65, 0.12%, 0.61%

LAB 63.38, 5.24, 5.44

 

CMYK 6 / 1 / 0 / 37

HEX #979EA0

RGB 151 158 160

HSL 193.33, 0.05%, 0.61%

LAB 64.62, -2.1, -1.92

 

CMYK 0 / 55 / 39 / 16

HEX #D76084

RGB 215 96 132

HSL 341.85, 0.6%, 0.61%

LAB 56.56, 50.23, 3.24

 

CMYK 0 / 55 / 53 / 16

HEX #D76064

RGB 215 96 100

HSL 357.98, 0.6%, 0.61%

LAB 55.82, 47.13, 20.95

 

CMYK 0 / 42 / 55 / 16

HEX #D77C60

RGB 215 124 96

HSL 14.12, 0.6%, 0.61%

LAB 61.4, 32.59, 30.54

 

CMYK 0 / 27 / 55 / 16

HEX #D79C60

RGB 215 156 96

HSL 30.25, 0.6%, 0.61%

LAB 68.8, 15.39, 39.81

 

CMYK 0 / 13 / 55 / 16

HEX #D7BB60

RGB 215 187 96

HSL 45.88, 0.6%, 0.61%

LAB 76.58, -1.13, 49.14

 

CMYK 0 / 56 / 75 / 28

HEX #B7502E

RGB 183 80 46

HSL 14.89, 0.6%, 0.45%

LAB 46.98, 39.63, 39.6

 

CMYK 0 / 52 / 70 / 19

HEX #CF633F

RGB 207 99 63

HSL 15, 0.6%, 0.53%

LAB 54.6, 40.18, 40.05

 

CMYK 0 / 42 / 55 / 16

HEX #D77D60

RGB 215 125 96

HSL 14.62, 0.6%, 0.61%

LAB 61.62, 32.06, 30.82

 

CMYK 0 / 32 / 42 / 13

HEX #DF9881

RGB 223 152 129

HSL 14.68, 0.59%, 0.69%

LAB 69.28, 23.91, 22.9

 

CMYK 0 / 23 / 30 / 9

HEX #E8B3A2

RGB 232 179 162

HSL 14.57, 0.6%, 0.77%

LAB 77.28, 16.88, 16.09

 

CMYK 0 / 42 / 56 / 16

HEX #D77C5E

RGB 215 124 94

HSL 14.88, 0.6%, 0.61%

LAB 61.37, 32.42, 31.61

 

CMYK 24 / 0 / 55 / 16

HEX #A4D760

RGB 164 215 96

HSL 85.71, 0.6%, 0.61%

LAB 80.37, -35.39, 52.59

 

CMYK 55 / 46 / 0 / 16

HEX #6074D7

RGB 96 116 215

HSL 229.92, 0.6%, 0.61%

LAB 51.71, 21.25, -53.29

 

CMYK 0 / 42 / 56 / 16

HEX #D77C5E

RGB 215 124 94

HSL 14.88, 0.6%, 0.61%

LAB 61.37, 32.42, 31.61

 

CMYK 55 / 0 / 42 / 16

HEX #60D77C

RGB 96 215 124

HSL 134.12, 0.6%, 0.61%

LAB 77.6, -52.89, 34.99

 

CMYK 42 / 55 / 0 / 16

HEX #7C60D7

RGB 124 96 215

HSL 254.12, 0.6%, 0.61%

LAB 48.95, 39.36, -57.59

 

CMYK 0 / 42 / 56 / 16

HEX #D77C5E

RGB 215 124 94

HSL 14.88, 0.6%, 0.61%

LAB 61.37, 32.42, 31.61

 

CMYK 24 / 0 / 55 / 16

HEX #A4D760

RGB 164 215 96

HSL 85.71, 0.6%, 0.61%

LAB 80.37, -35.39, 52.59

 

CMYK 55 / 13 / 0 / 16

HEX #60BBD7

RGB 96 187 215

HSL 194.12, 0.6%, 0.61%

LAB 71.51, -19.29, -22.34

 

CMYK 31 / 55 / 0 / 16

HEX #9460D7

RGB 148 96 215

HSL 266.22, 0.6%, 0.61%

LAB 51.35, 45.01, -53.62

 

CMYK 0 / 42 / 56 / 16

HEX #D77C5E

RGB 215 124 94

HSL 14.88, 0.6%, 0.61%

LAB 61.37, 32.42, 31.61

 

CMYK 40 / 0 / 55 / 16

HEX #80D760

RGB 128 215 96

HSL 103.87, 0.6%, 0.61%

LAB 78.48, -47.8, 49.91

 

CMYK 55 / 13 / 0 / 16

HEX #60BBD7

RGB 96 187 215

HSL 194.12, 0.6%, 0.61%

LAB 71.51, -19.29, -22.34

 

CMYK 15 / 55 / 0 / 16

HEX #B760D7

RGB 183 96 215

HSL 283.87, 0.6%, 0.61%

LAB 55.42, 53.84, -46.89

 

Description

Color code: HEX #D77C5EBF | qconv.com Color code: HEX #D77C5EBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 124 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 124 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 42 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 42% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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