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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D77B9F it is the complementary color #288460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D77B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D77B9F shade: #DC7B9A, #ED8DAD, #FE9FC0, #FFB1D3 and #FFC3E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D77B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D77B9F shade: #D77B9F, #C6698C, #B55779, #A44566 and #933353

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D77B9F shade: #D67A9E, #D67A86 and #D67A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D77B9F shade: #D67A9E, #D67AB7, #D67AD0, #C47AD6 and #AB7AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D77B9F shade matches the following richer shades: #D67A9E, #E46C9B and #F25E98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D77B9F shade: #D67A9E, #C888A1, #BA96A4, #ACA4A7 and #9EB2AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D77B9F shade: #D67AD0, #D67AB8, #D67A9F, #D67A87 and #D6877A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D77B9F shade: #C23C70, #CD5B87, #D67A9E, #E09AB5 and #EAB9CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D77B9F shade: #D77B9F, #D6C47A and #7AC4D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D77B9F shade: #D77B9F, #9FD67A and #7A9FD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D77B9F shade: #D77B9F, #D6C47A, #7AD6B1 and #7A8DD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D77B9F shade: #D77B9F, #CDD67A, #7AD6B1 and #847AD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 26 / 16

HEX #D77B9F

RGB 215 123 159

HSL 336.52, 0.53%, 0.66%

LAB 62.61, 40.09, -3.57

 

Complementary color

CMYK 70 / 0 / 27 / 48

HEX #288460

RGB 40 132 96

HSL 156.52, 0.53%, 0.34%

LAB 49.25, -35.85, 11.77

 

CMYK 0 / 44 / 30 / 14

HEX #DC7B9A

RGB 220 123 154

HSL 340.82, 0.58%, 0.67%

LAB 63.11, 41.16, 0.1

 

CMYK 0 / 41 / 27 / 7

HEX #ED8DAD

RGB 237 141 173

HSL 340, 0.73%, 0.74%

LAB 69.52, 40.3, -1.01

 

CMYK 0 / 37 / 24 / 0

HEX #FE9FC0

RGB 254 159 192

HSL 339.16, 0.98%, 0.81%

LAB 75.87, 39.47, -1.99

 

CMYK 0 / 31 / 17 / 0

HEX #FFB1D3

RGB 255 177 211

HSL 333.85, 1%, 0.85%

LAB 80.41, 33.21, -5.64

 

CMYK 0 / 24 / 10 / 0

HEX #FFC3E6

RGB 255 195 230

HSL 325, 1%, 0.88%

LAB 85, 26.78, -9.04

 

CMYK 0 / 43 / 26 / 16

HEX #D77B9F

RGB 215 123 159

HSL 336.52, 0.53%, 0.66%

LAB 62.61, 40.09, -3.57

 

CMYK 0 / 47 / 29 / 22

HEX #C6698C

RGB 198 105 140

HSL 337.42, 0.45%, 0.59%

LAB 56.09, 40.95, -2.43

 

CMYK 0 / 52 / 33 / 29

HEX #B55779

RGB 181 87 121

HSL 338.3, 0.39%, 0.53%

LAB 49.52, 41.8, -1.1

 

CMYK 0 / 58 / 38 / 36

HEX #A44566

RGB 164 69 102

HSL 339.16, 0.41%, 0.46%

LAB 42.93, 42.59, 0.52

 

CMYK 0 / 65 / 44 / 42

HEX #933353

RGB 147 51 83

HSL 340, 0.48%, 0.39%

LAB 36.36, 43.18, 2.57

 

CMYK 0 / 43 / 26 / 16

HEX #D67A9E

RGB 214 122 158

HSL 336.52, 0.53%, 0.66%

LAB 62.24, 40.13, -3.55

 

CMYK 0 / 43 / 37 / 16

HEX #D67A86

RGB 214 122 134

HSL 352.17, 0.53%, 0.66%

LAB 61.6, 37.05, 9.27

 

CMYK 0 / 43 / 43 / 16

HEX #D67A7A

RGB 214 122 122

HSL 0, 0.53%, 0.66%

LAB 61.33, 35.7, 15.75

 

CMYK 0 / 43 / 26 / 16

HEX #D67A9E

RGB 214 122 158

HSL 336.52, 0.53%, 0.66%

LAB 62.24, 40.13, -3.55

 

CMYK 0 / 43 / 14 / 16

HEX #D67AB7

RGB 214 122 183

HSL 320.22, 0.53%, 0.66%

LAB 63.04, 43.86, -16.6

 

CMYK 0 / 43 / 3 / 16

HEX #D67AD0

RGB 214 122 208

HSL 303.91, 0.53%, 0.66%

LAB 63.97, 48.07, -29.27

 

CMYK 8 / 43 / 0 / 16

HEX #C47AD6

RGB 196 122 214

HSL 288.26, 0.53%, 0.66%

LAB 62.09, 43.82, -35.73

 

CMYK 20 / 43 / 0 / 16

HEX #AB7AD6

RGB 171 122 214

HSL 271.96, 0.53%, 0.66%

LAB 59.37, 36.52, -40.18

 

CMYK 0 / 43 / 26 / 16

HEX #D67A9E

RGB 214 122 158

HSL 336.52, 0.53%, 0.66%

LAB 62.24, 40.13, -3.55

 

CMYK 0 / 53 / 32 / 11

HEX #E46C9B

RGB 228 108 155

HSL 336.5, 0.69%, 0.66%

LAB 61.3, 51.48, -3

 

CMYK 0 / 61 / 37 / 5

HEX #F25E98

RGB 242 94 152

HSL 336.49, 0.85%, 0.66%

LAB 60.91, 61.86, -1.59

 

CMYK 0 / 43 / 26 / 16

HEX #D67A9E

RGB 214 122 158

HSL 336.52, 0.53%, 0.66%

LAB 62.24, 40.13, -3.55

 

CMYK 0 / 32 / 20 / 22

HEX #C888A1

RGB 200 136 161

HSL 336.56, 0.37%, 0.66%

LAB 63.72, 28.1, -3.27

 

CMYK 0 / 19 / 12 / 27

HEX #BA96A4

RGB 186 150 164

HSL 336.67, 0.21%, 0.66%

LAB 65.7, 15.74, -2.23

 

CMYK 0 / 5 / 3 / 33

HEX #ACA4A7

RGB 172 164 167

HSL 337.5, 0.05%, 0.66%

LAB 68.1, 3.44, -0.53

 

CMYK 11 / 0 / 4 / 30

HEX #9EB2AB

RGB 158 178 171

HSL 159, 0.11%, 0.66%

LAB 70.91, -8.29, 1.22

 

CMYK 0 / 43 / 3 / 16

HEX #D67AD0

RGB 214 122 208

HSL 303.91, 0.53%, 0.66%

LAB 63.97, 48.07, -29.27

 

CMYK 0 / 43 / 14 / 16

HEX #D67AB8

RGB 214 122 184

HSL 319.57, 0.53%, 0.66%

LAB 63.07, 44.02, -17.11

 

CMYK 0 / 43 / 26 / 16

HEX #D67A9F

RGB 214 122 159

HSL 335.87, 0.53%, 0.66%

LAB 62.27, 40.27, -4.08

 

CMYK 0 / 43 / 37 / 16

HEX #D67A87

RGB 214 122 135

HSL 351.52, 0.53%, 0.66%

LAB 61.62, 37.17, 8.73

 

CMYK 0 / 37 / 43 / 16

HEX #D6877A

RGB 214 135 122

HSL 8.48, 0.53%, 0.66%

LAB 64.18, 28.78, 19.69

 

CMYK 0 / 69 / 42 / 24

HEX #C23C70

RGB 194 60 112

HSL 336.72, 0.53%, 0.5%

LAB 46.8, 57.11, 0.63

 

CMYK 0 / 56 / 34 / 20

HEX #CD5B87

RGB 205 91 135

HSL 336.84, 0.53%, 0.58%

LAB 54.25, 49.65, -2.09

 

CMYK 0 / 43 / 26 / 16

HEX #D67A9E

RGB 214 122 158

HSL 336.52, 0.53%, 0.66%

LAB 62.24, 40.13, -3.55

 

CMYK 0 / 31 / 19 / 12

HEX #E09AB5

RGB 224 154 181

HSL 336.86, 0.53%, 0.74%

LAB 71.07, 30.02, -3.36

 

CMYK 0 / 21 / 13 / 8

HEX #EAB9CC

RGB 234 185 204

HSL 336.73, 0.54%, 0.82%

LAB 79.93, 20.58, -2.81

 

CMYK 0 / 43 / 26 / 16

HEX #D77B9F

RGB 215 123 159

HSL 336.52, 0.53%, 0.66%

LAB 62.61, 40.09, -3.57

 

CMYK 0 / 8 / 43 / 16

HEX #D6C47A

RGB 214 196 122

HSL 48.26, 0.53%, 0.66%

LAB 79.15, -3.85, 39.37

 

CMYK 43 / 8 / 0 / 16

HEX #7AC4D6

RGB 122 196 214

HSL 191.74, 0.53%, 0.66%

LAB 75.12, -18.37, -16.22

 

CMYK 0 / 43 / 26 / 16

HEX #D77B9F

RGB 215 123 159

HSL 336.52, 0.53%, 0.66%

LAB 62.61, 40.09, -3.57

 

CMYK 26 / 0 / 43 / 16

HEX #9FD67A

RGB 159 214 122

HSL 95.87, 0.53%, 0.66%

LAB 80.11, -33.84, 39.77

 

CMYK 43 / 26 / 0 / 16

HEX #7A9FD6

RGB 122 159 214

HSL 215.87, 0.53%, 0.66%

LAB 64.79, 1.61, -32.01

 

CMYK 0 / 43 / 26 / 16

HEX #D77B9F

RGB 215 123 159

HSL 336.52, 0.53%, 0.66%

LAB 62.61, 40.09, -3.57

 

CMYK 0 / 8 / 43 / 16

HEX #D6C47A

RGB 214 196 122

HSL 48.26, 0.53%, 0.66%

LAB 79.15, -3.85, 39.37

 

CMYK 43 / 0 / 17 / 16

HEX #7AD6B1

RGB 122 214 177

HSL 155.87, 0.53%, 0.66%

LAB 79.27, -35.94, 9.78

 

CMYK 43 / 34 / 0 / 16

HEX #7A8DD6

RGB 122 141 214

HSL 227.61, 0.53%, 0.66%

LAB 59.93, 11.98, -39.6

 

CMYK 0 / 43 / 26 / 16

HEX #D77B9F

RGB 215 123 159

HSL 336.52, 0.53%, 0.66%

LAB 62.61, 40.09, -3.57

 

CMYK 4 / 0 / 43 / 16

HEX #CDD67A

RGB 205 214 122

HSL 65.87, 0.53%, 0.66%

LAB 83.17, -16.58, 44.26

 

CMYK 43 / 0 / 17 / 16

HEX #7AD6B1

RGB 122 214 177

HSL 155.87, 0.53%, 0.66%

LAB 79.27, -35.94, 9.78

 

CMYK 38 / 43 / 0 / 16

HEX #847AD6

RGB 132 122 214

HSL 246.52, 0.53%, 0.66%

LAB 55.77, 25.77, -46.11

 

Description

Color code: HEX #D77B9F | qconv.com Color code: HEX #D77B9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 123 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 123 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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