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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D77848 it is the complementary color #2887B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D77848. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D77848 shade: #DC7843, #ED8A56, #FE9C69, #FFAE7C and #FFC08F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D77848. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D77848 shade: #D77848, #C66635, #B55422, #A4420F and #933000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D77848 shade: #D77747, #D75047 and #D74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D77848 shade: #D77747, #D79E47, #D7C547, #C2D747 and #9BD747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D77848 shade matches the following richer shades: #D77747, #E97135 and #FB6B23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D77848 shade: #D77747, #C47D59, #B2836B, #A0897D and #8E8F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D77848 shade: #D74764, #D75147, #D77747, #D79D47 and #D7C347

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D77848 shade: #A75025, #C8602C, #D77747, #DE9069 and #E5A98B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D77848 shade: #D77848, #8AD747 and #4751D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D77848 shade: #D77848, #47D777 and #7747D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D77848 shade: #D77848, #8AD747, #47A7D7 and #9447D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D77848 shade: #D77848, #5FD747, #47A7D7 and #BF47D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 67 / 16

HEX #D77848

RGB 215 120 72

HSL 20.14, 0.64%, 0.56%

LAB 60.2, 33.01, 42.03

 

Complementary color

CMYK 78 / 26 / 0 / 28

HEX #2887B7

RGB 40 135 183

HSL 200.14, 0.64%, 0.44%

LAB 53.17, -10.54, -32.9

 

CMYK 0 / 45 / 70 / 14

HEX #DC7843

RGB 220 120 67

HSL 20.78, 0.69%, 0.56%

LAB 60.83, 34.73, 45.49

 

CMYK 0 / 42 / 64 / 7

HEX #ED8A56

RGB 237 138 86

HSL 20.66, 0.81%, 0.63%

LAB 67.17, 33.21, 43.64

 

CMYK 0 / 39 / 59 / 0

HEX #FE9C69

RGB 254 156 105

HSL 20.54, 0.99%, 0.7%

LAB 73.46, 31.84, 41.89

 

CMYK 0 / 32 / 51 / 0

HEX #FFAE7C

RGB 255 174 124

HSL 22.9, 1%, 0.74%

LAB 77.87, 24.35, 37.55

 

CMYK 0 / 25 / 44 / 0

HEX #FFC08F

RGB 255 192 143

HSL 26.25, 1%, 0.78%

LAB 82.35, 16.71, 33.45

 

CMYK 0 / 44 / 67 / 16

HEX #D77848

RGB 215 120 72

HSL 20.14, 0.64%, 0.56%

LAB 60.2, 33.01, 42.03

 

CMYK 0 / 48 / 73 / 22

HEX #C66635

RGB 198 102 53

HSL 20.28, 0.58%, 0.49%

LAB 53.78, 34.61, 43.96

 

CMYK 0 / 54 / 81 / 29

HEX #B55422

RGB 181 84 34

HSL 20.41, 0.68%, 0.42%

LAB 47.34, 36.36, 45.8

 

CMYK 0 / 60 / 91 / 36

HEX #A4420F

RGB 164 66 15

HSL 20.54, 0.83%, 0.35%

LAB 40.93, 38.2, 47.03

 

CMYK 0 / 67 / 100 / 42

HEX #933000

RGB 147 48 0

HSL 19.59, 1%, 0.29%

LAB 34.63, 39.95, 46.62

 

CMYK 0 / 45 / 67 / 16

HEX #D77747

RGB 215 119 71

HSL 20, 0.64%, 0.56%

LAB 59.98, 33.47, 42.29

 

CMYK 0 / 63 / 67 / 16

HEX #D75047

RGB 215 80 71

HSL 3.75, 0.64%, 0.56%

LAB 52.55, 52.46, 33.54

 

CMYK 0 / 67 / 67 / 16

HEX #D74747

RGB 215 71 71

HSL 0, 0.64%, 0.56%

LAB 51.16, 56.21, 31.85

 

CMYK 0 / 45 / 67 / 16

HEX #D77747

RGB 215 119 71

HSL 20, 0.64%, 0.56%

LAB 59.98, 33.47, 42.29

 

CMYK 0 / 27 / 67 / 16

HEX #D79E47

RGB 215 158 71

HSL 36.25, 0.64%, 0.56%

LAB 69.01, 12.57, 52.37

 

CMYK 0 / 8 / 67 / 16

HEX #D7C547

RGB 215 197 71

HSL 52.5, 0.64%, 0.56%

LAB 78.95, -7.98, 62.86

 

CMYK 10 / 0 / 67 / 16

HEX #C2D747

RGB 194 215 71

HSL 68.75, 0.64%, 0.56%

LAB 82.12, -25.64, 65.59

 

CMYK 28 / 0 / 67 / 16

HEX #9BD747

RGB 155 215 71

HSL 85, 0.64%, 0.56%

LAB 79.63, -40.78, 62.22

 

CMYK 0 / 45 / 67 / 16

HEX #D77747

RGB 215 119 71

HSL 20, 0.64%, 0.56%

LAB 59.98, 33.47, 42.29

 

CMYK 0 / 52 / 77 / 9

HEX #E97135

RGB 233 113 53

HSL 20, 0.8%, 0.56%

LAB 61.13, 42.73, 53.14

 

CMYK 0 / 57 / 86 / 2

HEX #FB6B23

RGB 251 107 35

HSL 20, 0.96%, 0.56%

LAB 62.63, 51.77, 62.95

 

CMYK 0 / 45 / 67 / 16

HEX #D77747

RGB 215 119 71

HSL 20, 0.64%, 0.56%

LAB 59.98, 33.47, 42.29

 

CMYK 0 / 36 / 55 / 23

HEX #C47D59

RGB 196 125 89

HSL 20.19, 0.48%, 0.56%

LAB 59.09, 23.82, 30.97

 

CMYK 0 / 26 / 40 / 30

HEX #B2836B

RGB 178 131 107

HSL 20.28, 0.32%, 0.56%

LAB 58.75, 14.91, 20.06

 

CMYK 0 / 14 / 22 / 37

HEX #A0897D

RGB 160 137 125

HSL 20.57, 0.16%, 0.56%

LAB 58.83, 6.72, 9.64

 

CMYK 1 / 1 / 0 / 44

HEX #8E8F90

RGB 142 143 144

HSL 210, 0.01%, 0.56%

LAB 59.35, -0.17, -0.67

 

CMYK 0 / 67 / 53 / 16

HEX #D74764

RGB 215 71 100

HSL 347.92, 0.64%, 0.56%

LAB 51.69, 58.13, 15.35

 

CMYK 0 / 62 / 67 / 16

HEX #D75147

RGB 215 81 71

HSL 4.17, 0.64%, 0.56%

LAB 52.72, 52.02, 33.74

 

CMYK 0 / 45 / 67 / 16

HEX #D77747

RGB 215 119 71

HSL 20, 0.64%, 0.56%

LAB 59.98, 33.47, 42.29

 

CMYK 0 / 27 / 67 / 16

HEX #D79D47

RGB 215 157 71

HSL 35.83, 0.64%, 0.56%

LAB 68.76, 13.1, 52.1

 

CMYK 0 / 9 / 67 / 16

HEX #D7C347

RGB 215 195 71

HSL 51.67, 0.64%, 0.56%

LAB 78.42, -6.96, 62.32

 

CMYK 0 / 52 / 78 / 35

HEX #A75025

RGB 167 80 37

HSL 19.85, 0.64%, 0.4%

LAB 44.36, 32.91, 40.71

 

CMYK 0 / 52 / 78 / 22

HEX #C8602C

RGB 200 96 44

HSL 20, 0.64%, 0.48%

LAB 52.76, 38.12, 47.4

 

CMYK 0 / 45 / 67 / 16

HEX #D77747

RGB 215 119 71

HSL 20, 0.64%, 0.56%

LAB 59.98, 33.47, 42.29

 

CMYK 0 / 35 / 53 / 13

HEX #DE9069

RGB 222 144 105

HSL 20, 0.64%, 0.64%

LAB 66.9, 25.47, 32.83

 

CMYK 0 / 26 / 39 / 10

HEX #E5A98B

RGB 229 169 139

HSL 20, 0.63%, 0.72%

LAB 74.12, 18.26, 24.12

 

CMYK 0 / 44 / 67 / 16

HEX #D77848

RGB 215 120 72

HSL 20.14, 0.64%, 0.56%

LAB 60.2, 33.01, 42.03

 

CMYK 36 / 0 / 67 / 16

HEX #8AD747

RGB 138 215 71

HSL 92.08, 0.64%, 0.56%

LAB 78.73, -46.82, 61.01

 

CMYK 67 / 62 / 0 / 16

HEX #4751D7

RGB 71 81 215

HSL 235.83, 0.64%, 0.56%

LAB 41.42, 38.59, -69.99

 

CMYK 0 / 44 / 67 / 16

HEX #D77848

RGB 215 120 72

HSL 20.14, 0.64%, 0.56%

LAB 60.2, 33.01, 42.03

 

CMYK 67 / 0 / 45 / 16

HEX #47D777

RGB 71 215 119

HSL 140, 0.64%, 0.56%

LAB 76.84, -58.89, 36.38

 

CMYK 45 / 67 / 0 / 16

HEX #7747D7

RGB 119 71 215

HSL 260, 0.64%, 0.56%

LAB 43.26, 52.14, -66.82

 

CMYK 0 / 44 / 67 / 16

HEX #D77848

RGB 215 120 72

HSL 20.14, 0.64%, 0.56%

LAB 60.2, 33.01, 42.03

 

CMYK 36 / 0 / 67 / 16

HEX #8AD747

RGB 138 215 71

HSL 92.08, 0.64%, 0.56%

LAB 78.73, -46.82, 61.01

 

CMYK 67 / 22 / 0 / 16

HEX #47A7D7

RGB 71 167 215

HSL 200, 0.64%, 0.56%

LAB 64.87, -13.2, -32.62

 

CMYK 31 / 67 / 0 / 16

HEX #9447D7

RGB 148 71 215

HSL 272.08, 0.64%, 0.56%

LAB 46.59, 57.81, -61.27

 

CMYK 0 / 44 / 67 / 16

HEX #D77848

RGB 215 120 72

HSL 20.14, 0.64%, 0.56%

LAB 60.2, 33.01, 42.03

 

CMYK 56 / 0 / 67 / 16

HEX #5FD747

RGB 95 215 71

HSL 110, 0.64%, 0.56%

LAB 76.97, -59.72, 58.62

 

CMYK 67 / 22 / 0 / 16

HEX #47A7D7

RGB 71 167 215

HSL 200, 0.64%, 0.56%

LAB 64.87, -13.2, -32.62

 

CMYK 11 / 67 / 0 / 16

HEX #BF47D7

RGB 191 71 215

HSL 290, 0.64%, 0.56%

LAB 52.39, 67.01, -51.65

 

Description

Color code: HEX #D77848 | qconv.com Color code: HEX #D77848 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 120 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 120 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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