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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D772E2 it is the complementary color #288D1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D772E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D772E2 shade: #DC72DD, #ED84F0, #FE96FF, #FFA8FF and #FFBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D772E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D772E2 shade: #D772E2, #C660CF, #B54EBC, #A43CA9 and #932A96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D772E2 shade: #D773E2, #E273CF, #E273B1, #E27393 and #E27375

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D772E2 shade: #D773E2, #BA73E2, #9C73E2, #7E73E2 and #7373E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D772E2 shade matches the following richer shades: #D773E2, #E266F0 and #ED58FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D772E2 shade: #D773E2, #CD81D5, #C28FC7, #B79CBA and #ACAAAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D772E2 shade: #9C73E2, #BA73E2, #D773E2, #E273D0 and #E273B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D772E2 shade: #C42FD4, #CE51DB, #D773E2, #E196E9 and #EBB8F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D772E2 shade: #D772E2, #E27E73 and #73E2AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D772E2 shade: #D772E2, #E2D773 and #73E2D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D772E2 shade: #D772E2, #E27E73, #7EE273 and #73D7E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D772E2 shade: #D772E2, #E2A073, #7EE273 and #73B6E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 50 / 0 / 11

HEX #D772E2

RGB 215 114 226

HSL 294.11, 0.66%, 0.67%

LAB 63.32, 55.63, -40.34

 

Complementary color

CMYK 72 / 0 / 79 / 45

HEX #288D1D

RGB 40 141 29

HSL 114.11, 0.66%, 0.33%

LAB 51.37, -49.55, 47.61

 

CMYK 0 / 48 / 0 / 13

HEX #DC72DD

RGB 220 114 221

HSL 299.44, 0.61%, 0.66%

LAB 63.73, 56.12, -36.87

 

CMYK 1 / 45 / 0 / 6

HEX #ED84F0

RGB 237 132 240

HSL 298.33, 0.78%, 0.73%

LAB 70.03, 55.45, -37.4

 

CMYK 0 / 41 / 0 / 0

HEX #FE96FF

RGB 254 150 255

HSL 299.43, 1%, 0.79%

LAB 76.13, 54.04, -35.94

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 5 / 50 / 0 / 11

HEX #D772E2

RGB 215 114 226

HSL 294.11, 0.66%, 0.67%

LAB 63.32, 55.63, -40.34

 

CMYK 4 / 54 / 0 / 19

HEX #C660CF

RGB 198 96 207

HSL 295.14, 0.54%, 0.59%

LAB 56.95, 56.24, -39.8

 

CMYK 4 / 59 / 0 / 26

HEX #B54EBC

RGB 181 78 188

HSL 296.18, 0.45%, 0.52%

LAB 50.57, 56.69, -39.1

 

CMYK 3 / 64 / 0 / 34

HEX #A43CA9

RGB 164 60 169

HSL 297.25, 0.48%, 0.45%

LAB 44.22, 56.86, -38.17

 

CMYK 2 / 72 / 0 / 41

HEX #932A96

RGB 147 42 150

HSL 298.33, 0.56%, 0.38%

LAB 37.95, 56.51, -36.87

 

CMYK 5 / 49 / 0 / 11

HEX #D773E2

RGB 215 115 226

HSL 294.05, 0.66%, 0.67%

LAB 63.51, 55.14, -40.05

 

CMYK 0 / 49 / 8 / 11

HEX #E273CF

RGB 226 115 207

HSL 310.27, 0.66%, 0.67%

LAB 64.11, 54.96, -28.38

 

CMYK 0 / 49 / 22 / 11

HEX #E273B1

RGB 226 115 177

HSL 326.49, 0.66%, 0.67%

LAB 63.01, 50.36, -13.07

 

CMYK 0 / 49 / 35 / 11

HEX #E27393

RGB 226 115 147

HSL 342.7, 0.66%, 0.67%

LAB 62.11, 46.42, 2.76

 

CMYK 0 / 49 / 48 / 11

HEX #E27375

RGB 226 115 117

HSL 358.92, 0.66%, 0.67%

LAB 61.41, 43.23, 18.98

 

CMYK 5 / 49 / 0 / 11

HEX #D773E2

RGB 215 115 226

HSL 294.05, 0.66%, 0.67%

LAB 63.51, 55.14, -40.05

 

CMYK 18 / 49 / 0 / 11

HEX #BA73E2

RGB 186 115 226

HSL 278.38, 0.66%, 0.67%

LAB 60.06, 47.18, -45.71

 

CMYK 31 / 49 / 0 / 11

HEX #9C73E2

RGB 156 115 226

HSL 262.16, 0.66%, 0.67%

LAB 56.9, 39.2, -50.92

 

CMYK 44 / 49 / 0 / 11

HEX #7E73E2

RGB 126 115 226

HSL 245.95, 0.66%, 0.67%

LAB 54.23, 31.82, -55.34

 

CMYK 49 / 49 / 0 / 11

HEX #7373E2

RGB 115 115 226

HSL 240, 0.66%, 0.67%

LAB 53.38, 29.33, -56.74

 

CMYK 5 / 49 / 0 / 11

HEX #D773E2

RGB 215 115 226

HSL 294.05, 0.66%, 0.67%

LAB 63.51, 55.14, -40.05

 

CMYK 6 / 58 / 0 / 6

HEX #E266F0

RGB 226 102 240

HSL 293.91, 0.82%, 0.67%

LAB 63.31, 66.67, -48.04

 

CMYK 7 / 65 / 0 / 0

HEX #ED58FE

RGB 237 88 254

HSL 293.86, 0.99%, 0.67%

LAB 63.46, 77.43, -55.45

 

CMYK 5 / 49 / 0 / 11

HEX #D773E2

RGB 215 115 226

HSL 294.05, 0.66%, 0.67%

LAB 63.51, 55.14, -40.05

 

CMYK 4 / 39 / 0 / 16

HEX #CD81D5

RGB 205 129 213

HSL 294.29, 0.5%, 0.67%

LAB 64.55, 42.6, -31.27

 

CMYK 3 / 28 / 0 / 22

HEX #C28FC7

RGB 194 143 199

HSL 294.64, 0.33%, 0.67%

LAB 65.93, 28.82, -21.42

 

CMYK 2 / 16 / 0 / 27

HEX #B79CBA

RGB 183 156 186

HSL 294, 0.18%, 0.67%

LAB 67.57, 15.36, -11.79

 

CMYK 0 / 1 / 0 / 33

HEX #ACAAAC

RGB 172 170 172

HSL 300, 0.01%, 0.67%

LAB 69.82, 1.09, -0.78

 

CMYK 31 / 49 / 0 / 11

HEX #9C73E2

RGB 156 115 226

HSL 262.16, 0.66%, 0.67%

LAB 56.9, 39.2, -50.92

 

CMYK 18 / 49 / 0 / 11

HEX #BA73E2

RGB 186 115 226

HSL 278.38, 0.66%, 0.67%

LAB 60.06, 47.18, -45.71

 

CMYK 5 / 49 / 0 / 11

HEX #D773E2

RGB 215 115 226

HSL 294.05, 0.66%, 0.67%

LAB 63.51, 55.14, -40.05

 

CMYK 0 / 49 / 8 / 11

HEX #E273D0

RGB 226 115 208

HSL 309.73, 0.66%, 0.67%

LAB 64.15, 55.12, -28.88

 

CMYK 0 / 49 / 21 / 11

HEX #E273B2

RGB 226 115 178

HSL 325.95, 0.66%, 0.67%

LAB 63.05, 50.5, -13.59

 

CMYK 8 / 78 / 0 / 17

HEX #C42FD4

RGB 196 47 212

HSL 294.18, 0.66%, 0.51%

LAB 50.12, 75.62, -53.51

 

CMYK 6 / 63 / 0 / 14

HEX #CE51DB

RGB 206 81 219

HSL 294.35, 0.66%, 0.59%

LAB 56.21, 67.1, -47.71

 

CMYK 5 / 49 / 0 / 11

HEX #D773E2

RGB 215 115 226

HSL 294.05, 0.66%, 0.67%

LAB 63.51, 55.14, -40.05

 

CMYK 3 / 36 / 0 / 9

HEX #E196E9

RGB 225 150 233

HSL 294.22, 0.65%, 0.75%

LAB 72.03, 41.38, -30.59

 

CMYK 2 / 23 / 0 / 6

HEX #EBB8F0

RGB 235 184 240

HSL 294.64, 0.65%, 0.83%

LAB 80.87, 27.74, -20.78

 

CMYK 5 / 50 / 0 / 11

HEX #D772E2

RGB 215 114 226

HSL 294.11, 0.66%, 0.67%

LAB 63.32, 55.63, -40.34

 

CMYK 0 / 44 / 49 / 11

HEX #E27E73

RGB 226 126 115

HSL 5.95, 0.66%, 0.67%

LAB 63.61, 37.43, 23.1

 

CMYK 49 / 0 / 24 / 11

HEX #73E2AB

RGB 115 226 171

HSL 150.27, 0.66%, 0.67%

LAB 82.37, -44.32, 17.27

 

CMYK 5 / 50 / 0 / 11

HEX #D772E2

RGB 215 114 226

HSL 294.11, 0.66%, 0.67%

LAB 63.32, 55.63, -40.34

 

CMYK 0 / 5 / 49 / 11

HEX #E2D773

RGB 226 215 115

HSL 54.05, 0.66%, 0.67%

LAB 85, -9.41, 50.28

 

CMYK 49 / 0 / 5 / 11

HEX #73E2D7

RGB 115 226 215

HSL 174.05, 0.66%, 0.67%

LAB 83.41, -34.43, -4.43

 

CMYK 5 / 50 / 0 / 11

HEX #D772E2

RGB 215 114 226

HSL 294.11, 0.66%, 0.67%

LAB 63.32, 55.63, -40.34

 

CMYK 0 / 44 / 49 / 11

HEX #E27E73

RGB 226 126 115

HSL 5.95, 0.66%, 0.67%

LAB 63.61, 37.43, 23.1

 

CMYK 44 / 0 / 49 / 11

HEX #7EE273

RGB 126 226 115

HSL 114.05, 0.66%, 0.67%

LAB 81.87, -50.66, 45.05

 

CMYK 49 / 5 / 0 / 11

HEX #73D7E2

RGB 115 215 226

HSL 185.95, 0.66%, 0.67%

LAB 80.59, -26.36, -14.47

 

CMYK 5 / 50 / 0 / 11

HEX #D772E2

RGB 215 114 226

HSL 294.11, 0.66%, 0.67%

LAB 63.32, 55.63, -40.34

 

CMYK 0 / 29 / 49 / 11

HEX #E2A073

RGB 226 160 115

HSL 24.32, 0.66%, 0.67%

LAB 71.25, 19.4, 33.15

 

CMYK 44 / 0 / 49 / 11

HEX #7EE273

RGB 126 226 115

HSL 114.05, 0.66%, 0.67%

LAB 81.87, -50.66, 45.05

 

CMYK 49 / 19 / 0 / 11

HEX #73B6E2

RGB 115 182 226

HSL 203.78, 0.66%, 0.67%

LAB 71.28, -9.39, -28.63

 

Description

Color code: HEX #D772E2 | qconv.com Color code: HEX #D772E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 114 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 114 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 50 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 50% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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