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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76F63 it is the complementary color #28909C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76F63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76F63 shade: #DC6F5E, #ED8171, #FE9384, #FFA597 and #FFB7AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76F63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76F63 shade: #D76F63, #C65D50, #B54B3D, #A4392A and #932717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76F63 shade: #D77165 and #D76565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76F63 shade: #D77165, #D79065, #D7AE65, #D7CD65 and #C2D765

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76F63 shade matches the following richer shades: #D77165, #E76455 and #F75846

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76F63 shade: #D77165, #C87D75, #B88A84, #A89694 and #99A2A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76F63 shade: #D76596, #D76578, #D77065, #D78F65 and #D7AD65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76F63 shade: #BA3E30, #CF5244, #D77165, #E08F86 and #E8ADA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76F63 shade: #D76F63, #B5D765 and #6587D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76F63 shade: #D76F63, #65D770 and #7065D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76F63 shade: #D76F63, #B5D765, #65CCD7 and #8765D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76F63 shade: #D76F63, #93D765, #65CCD7 and #AA65D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 54 / 16

HEX #D76F63

RGB 215 111 99

HSL 6.21, 0.59%, 0.62%

LAB 58.71, 39.6, 25.37

 

Complementary color

CMYK 74 / 8 / 0 / 39

HEX #28909C

RGB 40 144 156

HSL 186.21, 0.59%, 0.38%

LAB 54.86, -24.57, -14.78

 

CMYK 0 / 50 / 57 / 14

HEX #DC6F5E

RGB 220 111 94

HSL 8.1, 0.64%, 0.62%

LAB 59.34, 41.08, 29.15

 

CMYK 0 / 46 / 52 / 7

HEX #ED8171

RGB 237 129 113

HSL 7.74, 0.78%, 0.69%

LAB 65.67, 39.85, 27.22

 

CMYK 0 / 42 / 48 / 0

HEX #FE9384

RGB 254 147 132

HSL 7.38, 0.98%, 0.76%

LAB 71.96, 38.69, 25.51

 

CMYK 0 / 35 / 41 / 0

HEX #FFA597

RGB 255 165 151

HSL 8.08, 1%, 0.8%

LAB 76.32, 31.67, 21.09

 

CMYK 0 / 28 / 33 / 0

HEX #FFB7AA

RGB 255 183 170

HSL 9.18, 1%, 0.83%

LAB 80.76, 24.44, 16.99

 

CMYK 0 / 48 / 54 / 16

HEX #D76F63

RGB 215 111 99

HSL 6.21, 0.59%, 0.62%

LAB 58.71, 39.6, 25.37

 

CMYK 0 / 53 / 60 / 22

HEX #C65D50

RGB 198 93 80

HSL 6.61, 0.51%, 0.55%

LAB 52.3, 40.85, 27.47

 

CMYK 0 / 59 / 66 / 29

HEX #B54B3D

RGB 181 75 61

HSL 7, 0.5%, 0.47%

LAB 45.9, 42.11, 29.92

 

CMYK 0 / 65 / 74 / 36

HEX #A4392A

RGB 164 57 42

HSL 7.38, 0.59%, 0.4%

LAB 39.56, 43.29, 32.78

 

CMYK 0 / 73 / 84 / 42

HEX #932717

RGB 147 39 23

HSL 7.74, 0.73%, 0.33%

LAB 33.38, 44.18, 35.96

 

CMYK 0 / 47 / 53 / 16

HEX #D77165

RGB 215 113 101

HSL 6.32, 0.59%, 0.62%

LAB 59.16, 38.74, 24.82

 

CMYK 0 / 53 / 53 / 16

HEX #D76565

RGB 215 101 101

HSL 0, 0.59%, 0.62%

LAB 56.78, 44.78, 21.65

 

CMYK 0 / 47 / 53 / 16

HEX #D77165

RGB 215 113 101

HSL 6.32, 0.59%, 0.62%

LAB 59.16, 38.74, 24.82

 

CMYK 0 / 33 / 53 / 16

HEX #D79065

RGB 215 144 101

HSL 22.63, 0.59%, 0.62%

LAB 66.01, 22.29, 33.69

 

CMYK 0 / 19 / 53 / 16

HEX #D7AE65

RGB 215 174 101

HSL 38.42, 0.59%, 0.62%

LAB 73.32, 6.15, 42.78

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD65

RGB 215 205 101

HSL 54.74, 0.59%, 0.62%

LAB 81.32, -10, 52.31

 

CMYK 10 / 0 / 53 / 16

HEX #C2D765

RGB 194 215 101

HSL 71.05, 0.59%, 0.62%

LAB 82.38, -23.43, 53.14

 

CMYK 0 / 47 / 53 / 16

HEX #D77165

RGB 215 113 101

HSL 6.32, 0.59%, 0.62%

LAB 59.16, 38.74, 24.82

 

CMYK 0 / 57 / 63 / 9

HEX #E76455

RGB 231 100 85

HSL 6.16, 0.75%, 0.62%

LAB 58.75, 49.83, 33.81

 

CMYK 0 / 64 / 72 / 3

HEX #F75846

RGB 247 88 70

HSL 6.1, 0.92%, 0.62%

LAB 59.16, 59.75, 43.17

 

CMYK 0 / 47 / 53 / 16

HEX #D77165

RGB 215 113 101

HSL 6.32, 0.59%, 0.62%

LAB 59.16, 38.74, 24.82

 

CMYK 0 / 38 / 42 / 22

HEX #C87D75

RGB 200 125 117

HSL 5.78, 0.43%, 0.62%

LAB 60.1, 28.19, 16.63

 

CMYK 0 / 25 / 28 / 28

HEX #B88A84

RGB 184 138 132

HSL 6.92, 0.27%, 0.62%

LAB 61.68, 16.65, 10.04

 

CMYK 0 / 11 / 12 / 34

HEX #A89694

RGB 168 150 148

HSL 6, 0.1%, 0.62%

LAB 63.57, 6.3, 3.48

 

CMYK 7 / 1 / 0 / 36

HEX #99A2A4

RGB 153 162 164

HSL 190.91, 0.06%, 0.62%

LAB 65.98, -2.79, -2.15

 

CMYK 0 / 53 / 30 / 16

HEX #D76596

RGB 215 101 150

HSL 334.21, 0.59%, 0.62%

LAB 58, 49.99, -5.19

 

CMYK 0 / 53 / 44 / 16

HEX #D76578

RGB 215 101 120

HSL 350, 0.59%, 0.62%

LAB 57.18, 46.55, 11.15

 

CMYK 0 / 48 / 53 / 16

HEX #D77065

RGB 215 112 101

HSL 5.79, 0.59%, 0.62%

LAB 58.95, 39.26, 24.55

 

CMYK 0 / 33 / 53 / 16

HEX #D78F65

RGB 215 143 101

HSL 22.11, 0.59%, 0.62%

LAB 65.77, 22.83, 33.39

 

CMYK 0 / 20 / 53 / 16

HEX #D7AD65

RGB 215 173 101

HSL 37.89, 0.59%, 0.62%

LAB 73.07, 6.68, 42.48

 

CMYK 0 / 67 / 74 / 27

HEX #BA3E30

RGB 186 62 48

HSL 6.09, 0.59%, 0.46%

LAB 44.37, 49.1, 35.82

 

CMYK 0 / 60 / 67 / 19

HEX #CF5244

RGB 207 82 68

HSL 6.04, 0.59%, 0.54%

LAB 51.52, 48.63, 33.68

 

CMYK 0 / 47 / 53 / 16

HEX #D77165

RGB 215 113 101

HSL 6.32, 0.59%, 0.62%

LAB 59.16, 38.74, 24.82

 

CMYK 0 / 36 / 40 / 12

HEX #E08F86

RGB 224 143 134

HSL 6, 0.59%, 0.7%

LAB 67.44, 29.67, 17.63

 

CMYK 0 / 25 / 28 / 9

HEX #E8ADA7

RGB 232 173 167

HSL 5.54, 0.59%, 0.78%

LAB 75.97, 20.75, 11.52

 

CMYK 0 / 48 / 54 / 16

HEX #D76F63

RGB 215 111 99

HSL 6.21, 0.59%, 0.62%

LAB 58.71, 39.6, 25.37

 

CMYK 16 / 0 / 53 / 16

HEX #B5D765

RGB 181 215 101

HSL 77.89, 0.59%, 0.62%

LAB 81.49, -28.5, 51.88

 

CMYK 53 / 37 / 0 / 16

HEX #6587D7

RGB 101 135 215

HSL 222.11, 0.59%, 0.62%

LAB 57.08, 10.82, -44.73

 

CMYK 0 / 48 / 54 / 16

HEX #D76F63

RGB 215 111 99

HSL 6.21, 0.59%, 0.62%

LAB 58.71, 39.6, 25.37

 

CMYK 53 / 0 / 48 / 16

HEX #65D770

RGB 101 215 112

HSL 125.79, 0.59%, 0.62%

LAB 77.6, -53.49, 40.99

 

CMYK 48 / 53 / 0 / 16

HEX #7065D7

RGB 112 101 215

HSL 245.79, 0.59%, 0.62%

LAB 49.08, 33.76, -57.44

 

CMYK 0 / 48 / 54 / 16

HEX #D76F63

RGB 215 111 99

HSL 6.21, 0.59%, 0.62%

LAB 58.71, 39.6, 25.37

 

CMYK 16 / 0 / 53 / 16

HEX #B5D765

RGB 181 215 101

HSL 77.89, 0.59%, 0.62%

LAB 81.49, -28.5, 51.88

 

CMYK 53 / 5 / 0 / 16

HEX #65CCD7

RGB 101 204 215

HSL 185.79, 0.59%, 0.62%

LAB 76.59, -26.85, -14.63

 

CMYK 37 / 53 / 0 / 16

HEX #8765D7

RGB 135 101 215

HSL 257.89, 0.59%, 0.62%

LAB 51.11, 39.05, -54.07

 

CMYK 0 / 48 / 54 / 16

HEX #D76F63

RGB 215 111 99

HSL 6.21, 0.59%, 0.62%

LAB 58.71, 39.6, 25.37

 

CMYK 32 / 0 / 53 / 16

HEX #93D765

RGB 147 215 101

HSL 95.79, 0.59%, 0.62%

LAB 79.47, -40.97, 48.99

 

CMYK 53 / 5 / 0 / 16

HEX #65CCD7

RGB 101 204 215

HSL 185.79, 0.59%, 0.62%

LAB 76.59, -26.85, -14.63

 

CMYK 21 / 53 / 0 / 16

HEX #AA65D7

RGB 170 101 215

HSL 276.32, 0.59%, 0.62%

LAB 54.82, 47.9, -47.93

 

Description

Color code: HEX #D76F63 | qconv.com Color code: HEX #D76F63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 111 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 111 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 54 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 54% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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