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Color name
HEX #D76C49

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76C49 it is the complementary color #2893B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76C49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76C49 shade: #DC6C44, #ED7E57, #FE906A, #FFA27D and #FFB490

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76C49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76C49 shade: #D76C49, #C65A36, #B54823, #A43610 and #932400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76C49 shade: #D76A47 and #D74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76C49 shade: #D76A47, #D79147, #D7B847, #CFD747 and #A8D747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76C49 shade matches the following richer shades: #D76A47, #E96135 and #FB5823

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76C49 shade: #D76A47, #C47459, #B27D6B, #A0867D and #8E8F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76C49 shade: #D74772, #D7474C, #D76947, #D78F47 and #D7B547

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76C49 shade: #A74525, #C8532C, #D76A47, #DE8669 and #E5A18B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76C49 shade: #D76C49, #98D747 and #475FD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76C49 shade: #D76C49, #47D769 and #6947D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76C49 shade: #D76C49, #98D747, #47B5D7 and #8547D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76C49 shade: #D76C49, #6DD747, #47B5D7 and #B047D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 66 / 16

HEX #D76C49

RGB 215 108 73

HSL 14.79, 0.64%, 0.56%

LAB 57.71, 39.28, 38.59

 

Complementary color

CMYK 78 / 19 / 0 / 29

HEX #2893B6

RGB 40 147 182

HSL 194.79, 0.64%, 0.44%

LAB 56.78, -17.54, -26.72

 

CMYK 0 / 51 / 69 / 14

HEX #DC6C44

RGB 220 108 68

HSL 15.79, 0.68%, 0.56%

LAB 58.38, 40.92, 42.21

 

CMYK 0 / 47 / 63 / 7

HEX #ED7E57

RGB 237 126 87

HSL 15.6, 0.81%, 0.64%

LAB 64.66, 39.45, 40.13

 

CMYK 0 / 43 / 58 / 0

HEX #FE906A

RGB 254 144 106

HSL 15.41, 0.99%, 0.71%

LAB 70.91, 38.08, 38.21

 

CMYK 0 / 36 / 51 / 0

HEX #FFA27D

RGB 255 162 125

HSL 17.08, 1%, 0.75%

LAB 75.19, 30.7, 33.58

 

CMYK 0 / 29 / 44 / 0

HEX #FFB490

RGB 255 180 144

HSL 19.46, 1%, 0.78%

LAB 79.57, 23.09, 29.24

 

CMYK 0 / 50 / 66 / 16

HEX #D76C49

RGB 215 108 73

HSL 14.79, 0.64%, 0.56%

LAB 57.71, 39.28, 38.59

 

CMYK 0 / 55 / 73 / 22

HEX #C65A36

RGB 198 90 54

HSL 15, 0.57%, 0.49%

LAB 51.36, 40.78, 40.83

 

CMYK 0 / 60 / 81 / 29

HEX #B54823

RGB 181 72 35

HSL 15.21, 0.68%, 0.42%

LAB 45.05, 42.32, 43.15

 

CMYK 0 / 67 / 90 / 36

HEX #A43610

RGB 164 54 16

HSL 15.41, 0.82%, 0.35%

LAB 38.84, 43.78, 45.08

 

CMYK 0 / 76 / 100 / 42

HEX #932400

RGB 147 36 0

HSL 14.69, 1%, 0.29%

LAB 32.84, 44.85, 45.56

 

CMYK 0 / 51 / 67 / 16

HEX #D76A47

RGB 215 106 71

HSL 14.58, 0.64%, 0.56%

LAB 57.28, 40.17, 39.16

 

CMYK 0 / 67 / 67 / 16

HEX #D74747

RGB 215 71 71

HSL 0, 0.64%, 0.56%

LAB 51.16, 56.21, 31.85

 

CMYK 0 / 51 / 67 / 16

HEX #D76A47

RGB 215 106 71

HSL 14.58, 0.64%, 0.56%

LAB 57.28, 40.17, 39.16

 

CMYK 0 / 33 / 67 / 16

HEX #D79147

RGB 215 145 71

HSL 30.83, 0.64%, 0.56%

LAB 65.87, 19.58, 48.93

 

CMYK 0 / 14 / 67 / 16

HEX #D7B847

RGB 215 184 71

HSL 47.08, 0.64%, 0.56%

LAB 75.57, -1.26, 59.35

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 22 / 0 / 67 / 16

HEX #A8D747

RGB 168 215 71

HSL 79.58, 0.64%, 0.56%

LAB 80.39, -35.9, 63.26

 

CMYK 0 / 51 / 67 / 16

HEX #D76A47

RGB 215 106 71

HSL 14.58, 0.64%, 0.56%

LAB 57.28, 40.17, 39.16

 

CMYK 0 / 58 / 77 / 9

HEX #E96135

RGB 233 97 53

HSL 14.67, 0.8%, 0.56%

LAB 58.16, 50.36, 50.18

 

CMYK 0 / 65 / 86 / 2

HEX #FB5823

RGB 251 88 35

HSL 14.72, 0.96%, 0.56%

LAB 59.53, 59.96, 60.46

 

CMYK 0 / 51 / 67 / 16

HEX #D76A47

RGB 215 106 71

HSL 14.58, 0.64%, 0.56%

LAB 57.28, 40.17, 39.16

 

CMYK 0 / 41 / 55 / 23

HEX #C47459

RGB 196 116 89

HSL 15.14, 0.48%, 0.56%

LAB 57.02, 28.72, 28.33

 

CMYK 0 / 30 / 40 / 30

HEX #B27D6B

RGB 178 125 107

HSL 15.21, 0.32%, 0.56%

LAB 57.26, 18.27, 18.04

 

CMYK 0 / 16 / 22 / 37

HEX #A0867D

RGB 160 134 125

HSL 15.43, 0.16%, 0.56%

LAB 58.04, 8.42, 8.52

 

CMYK 1 / 1 / 0 / 44

HEX #8E8F90

RGB 142 143 144

HSL 210, 0.01%, 0.56%

LAB 59.35, -0.17, -0.67

 

CMYK 0 / 67 / 47 / 16

HEX #D74772

RGB 215 71 114

HSL 342.08, 0.64%, 0.56%

LAB 52.03, 59.32, 7.41

 

CMYK 0 / 67 / 65 / 16

HEX #D7474C

RGB 215 71 76

HSL 357.92, 0.64%, 0.56%

LAB 51.24, 56.49, 29.03

 

CMYK 0 / 51 / 67 / 16

HEX #D76947

RGB 215 105 71

HSL 14.17, 0.64%, 0.56%

LAB 57.08, 40.67, 38.93

 

CMYK 0 / 33 / 67 / 16

HEX #D78F47

RGB 215 143 71

HSL 30, 0.64%, 0.56%

LAB 65.39, 20.66, 48.4

 

CMYK 0 / 16 / 67 / 16

HEX #D7B547

RGB 215 181 71

HSL 45.83, 0.64%, 0.56%

LAB 74.79, 0.32, 58.54

 

CMYK 0 / 59 / 78 / 35

HEX #A74525

RGB 167 69 37

HSL 14.77, 0.64%, 0.4%

LAB 42.16, 38.53, 38.47

 

CMYK 0 / 59 / 78 / 22

HEX #C8532C

RGB 200 83 44

HSL 15, 0.64%, 0.48%

LAB 50.27, 44.51, 44.91

 

CMYK 0 / 51 / 67 / 16

HEX #D76A47

RGB 215 106 71

HSL 14.58, 0.64%, 0.56%

LAB 57.28, 40.17, 39.16

 

CMYK 0 / 40 / 53 / 13

HEX #DE8669

RGB 222 134 105

HSL 14.87, 0.64%, 0.64%

LAB 64.64, 30.8, 29.93

 

CMYK 0 / 30 / 39 / 10

HEX #E5A18B

RGB 229 161 139

HSL 14.67, 0.63%, 0.72%

LAB 72.24, 22.54, 21.56

 

CMYK 0 / 50 / 66 / 16

HEX #D76C49

RGB 215 108 73

HSL 14.79, 0.64%, 0.56%

LAB 57.71, 39.28, 38.59

 

CMYK 29 / 0 / 67 / 16

HEX #98D747

RGB 152 215 71

HSL 86.25, 0.64%, 0.56%

LAB 79.46, -41.88, 62

 

CMYK 67 / 56 / 0 / 16

HEX #475FD7

RGB 71 95 215

HSL 230, 0.64%, 0.56%

LAB 44.84, 29.87, -64.42

 

CMYK 0 / 50 / 66 / 16

HEX #D76C49

RGB 215 108 73

HSL 14.79, 0.64%, 0.56%

LAB 57.71, 39.28, 38.59

 

CMYK 67 / 0 / 51 / 16

HEX #47D769

RGB 71 215 105

HSL 134.17, 0.64%, 0.56%

LAB 76.66, -61.04, 43.02

 

CMYK 51 / 67 / 0 / 16

HEX #6947D7

RGB 105 71 215

HSL 254.17, 0.64%, 0.56%

LAB 41.87, 49.65, -69.16

 

CMYK 0 / 50 / 66 / 16

HEX #D76C49

RGB 215 108 73

HSL 14.79, 0.64%, 0.56%

LAB 57.71, 39.28, 38.59

 

CMYK 29 / 0 / 67 / 16

HEX #98D747

RGB 152 215 71

HSL 86.25, 0.64%, 0.56%

LAB 79.46, -41.88, 62

 

CMYK 67 / 16 / 0 / 16

HEX #47B5D7

RGB 71 181 215

HSL 194.17, 0.64%, 0.56%

LAB 68.96, -20.62, -26.31

 

CMYK 38 / 67 / 0 / 16

HEX #8547D7

RGB 133 71 215

HSL 265.83, 0.64%, 0.56%

LAB 44.8, 54.8, -64.26

 

CMYK 0 / 50 / 66 / 16

HEX #D76C49

RGB 215 108 73

HSL 14.79, 0.64%, 0.56%

LAB 57.71, 39.28, 38.59

 

CMYK 49 / 0 / 67 / 16

HEX #6DD747

RGB 109 215 71

HSL 104.17, 0.64%, 0.56%

LAB 77.46, -55.96, 59.28

 

CMYK 67 / 16 / 0 / 16

HEX #47B5D7

RGB 71 181 215

HSL 194.17, 0.64%, 0.56%

LAB 68.96, -20.62, -26.31

 

CMYK 18 / 67 / 0 / 16

HEX #B047D7

RGB 176 71 215

HSL 283.75, 0.64%, 0.56%

LAB 50.27, 63.73, -55.16

 

Description

Color code: HEX #D76C49 | qconv.com Color code: HEX #D76C49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 108 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 108 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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