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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76B61 it is the complementary color #28949E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76B61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76B61 shade: #DC6B5C, #ED7D6F, #FE8F82, #FFA195 and #FFB3A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76B61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76B61 shade: #D76B61, #C6594E, #B5473B, #A43528 and #932315

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76B61 shade: #D76A60 and #D76060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76B61 shade: #D76A60, #D78A60, #D7AA60, #D7CB60 and #C4D760

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76B61 shade matches the following richer shades: #D76A60, #E75D50 and #F74F40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76B61 shade: #D76A60, #C77770, #B78580, #A79290 and #979FA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76B61 shade: #D76096, #D76076, #D76A60, #D78A60 and #D7A960

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76B61 shade: #B7392E, #CF4B3F, #D76A60, #DF8981 and #E8A8A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76B61 shade: #D76B61, #B5D760 and #6086D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76B61 shade: #D76B61, #60D76A and #6A60D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76B61 shade: #D76B61, #B5D760, #60CDD7 and #8260D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76B61 shade: #D76B61, #92D760, #60CDD7 and #A560D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 55 / 16

HEX #D76B61

RGB 215 107 97

HSL 5.08, 0.6%, 0.61%

LAB 57.87, 41.47, 25.4

 

Complementary color

CMYK 75 / 6 / 0 / 38

HEX #28949E

RGB 40 148 158

HSL 185.08, 0.6%, 0.39%

LAB 56.19, -25.97, -13.92

 

CMYK 0 / 51 / 58 / 14

HEX #DC6B5C

RGB 220 107 92

HSL 7.03, 0.65%, 0.61%

LAB 58.51, 42.94, 29.22

 

CMYK 0 / 47 / 53 / 7

HEX #ED7D6F

RGB 237 125 111

HSL 6.67, 0.78%, 0.68%

LAB 64.82, 41.71, 27.21

 

CMYK 0 / 44 / 49 / 0

HEX #FE8F82

RGB 254 143 130

HSL 6.29, 0.98%, 0.75%

LAB 71.1, 40.55, 25.45

 

CMYK 0 / 37 / 42 / 0

HEX #FFA195

RGB 255 161 149

HSL 6.79, 1%, 0.79%

LAB 75.4, 33.54, 20.92

 

CMYK 0 / 30 / 34 / 0

HEX #FFB3A8

RGB 255 179 168

HSL 7.59, 1%, 0.83%

LAB 79.8, 26.29, 16.73

 

CMYK 0 / 50 / 55 / 16

HEX #D76B61

RGB 215 107 97

HSL 5.08, 0.6%, 0.61%

LAB 57.87, 41.47, 25.4

 

CMYK 0 / 55 / 61 / 22

HEX #C6594E

RGB 198 89 78

HSL 5.5, 0.51%, 0.54%

LAB 51.5, 42.69, 27.6

 

CMYK 0 / 61 / 67 / 29

HEX #B5473B

RGB 181 71 59

HSL 5.9, 0.51%, 0.47%

LAB 45.15, 43.9, 30.17

 

CMYK 0 / 68 / 76 / 36

HEX #A43528

RGB 164 53 40

HSL 6.29, 0.61%, 0.4%

LAB 38.88, 44.95, 33.18

 

CMYK 0 / 76 / 86 / 42

HEX #932315

RGB 147 35 21

HSL 6.67, 0.75%, 0.33%

LAB 32.83, 45.6, 36.5

 

CMYK 0 / 51 / 55 / 16

HEX #D76A60

RGB 215 106 96

HSL 5.04, 0.6%, 0.61%

LAB 57.66, 41.89, 25.69

 

CMYK 0 / 55 / 55 / 16

HEX #D76060

RGB 215 96 96

HSL 0, 0.6%, 0.61%

LAB 55.74, 46.8, 23.17

 

CMYK 0 / 51 / 55 / 16

HEX #D76A60

RGB 215 106 96

HSL 5.04, 0.6%, 0.61%

LAB 57.66, 41.89, 25.69

 

CMYK 0 / 36 / 55 / 16

HEX #D78A60

RGB 215 138 96

HSL 21.18, 0.6%, 0.61%

LAB 64.54, 25.11, 34.52

 

CMYK 0 / 21 / 55 / 16

HEX #D7AA60

RGB 215 170 96

HSL 37.31, 0.6%, 0.61%

LAB 72.26, 7.87, 44.01

 

CMYK 0 / 6 / 55 / 16

HEX #D7CB60

RGB 215 203 96

HSL 53.95, 0.6%, 0.61%

LAB 80.74, -9.38, 53.97

 

CMYK 9 / 0 / 55 / 16

HEX #C4D760

RGB 196 215 96

HSL 69.58, 0.6%, 0.61%

LAB 82.48, -23.07, 55.56

 

CMYK 0 / 51 / 55 / 16

HEX #D76A60

RGB 215 106 96

HSL 5.04, 0.6%, 0.61%

LAB 57.66, 41.89, 25.69

 

CMYK 0 / 60 / 65 / 9

HEX #E75D50

RGB 231 93 80

HSL 5.17, 0.76%, 0.61%

LAB 57.46, 52.73, 35.02

 

CMYK 0 / 68 / 74 / 3

HEX #F74F40

RGB 247 79 64

HSL 4.92, 0.92%, 0.61%

LAB 57.79, 63.03, 44.87

 

CMYK 0 / 51 / 55 / 16

HEX #D76A60

RGB 215 106 96

HSL 5.04, 0.6%, 0.61%

LAB 57.66, 41.89, 25.69

 

CMYK 0 / 40 / 44 / 22

HEX #C77770

RGB 199 119 112

HSL 4.83, 0.44%, 0.61%

LAB 58.51, 30.51, 17.3

 

CMYK 0 / 27 / 30 / 28

HEX #B78580

RGB 183 133 128

HSL 5.45, 0.28%, 0.61%

LAB 60.25, 18.49, 10.27

 

CMYK 0 / 13 / 14 / 35

HEX #A79290

RGB 167 146 144

HSL 5.22, 0.12%, 0.61%

LAB 62.33, 7.48, 3.93

 

CMYK 6 / 1 / 0 / 37

HEX #979FA0

RGB 151 159 160

HSL 186.67, 0.05%, 0.61%

LAB 64.89, -2.65, -1.52

 

CMYK 0 / 55 / 30 / 16

HEX #D76096

RGB 215 96 150

HSL 332.77, 0.6%, 0.61%

LAB 57.09, 52.37, -6.53

 

CMYK 0 / 55 / 45 / 16

HEX #D76076

RGB 215 96 118

HSL 348.91, 0.6%, 0.61%

LAB 56.21, 48.76, 10.95

 

CMYK 0 / 51 / 55 / 16

HEX #D76A60

RGB 215 106 96

HSL 5.04, 0.6%, 0.61%

LAB 57.66, 41.89, 25.69

 

CMYK 0 / 36 / 55 / 16

HEX #D78A60

RGB 215 138 96

HSL 21.18, 0.6%, 0.61%

LAB 64.54, 25.11, 34.52

 

CMYK 0 / 21 / 55 / 16

HEX #D7A960

RGB 215 169 96

HSL 36.81, 0.6%, 0.61%

LAB 72.01, 8.4, 43.71

 

CMYK 0 / 69 / 75 / 28

HEX #B7392E

RGB 183 57 46

HSL 4.82, 0.6%, 0.45%

LAB 43.05, 50.06, 35.33

 

CMYK 0 / 64 / 70 / 19

HEX #CF4B3F

RGB 207 75 63

HSL 5, 0.6%, 0.53%

LAB 50.28, 51.47, 35.06

 

CMYK 0 / 51 / 55 / 16

HEX #D76A60

RGB 215 106 96

HSL 5.04, 0.6%, 0.61%

LAB 57.66, 41.89, 25.69

 

CMYK 0 / 39 / 42 / 13

HEX #DF8981

RGB 223 137 129

HSL 5.11, 0.59%, 0.69%

LAB 65.88, 31.93, 18.26

 

CMYK 0 / 28 / 30 / 9

HEX #E8A8A2

RGB 232 168 162

HSL 5.14, 0.6%, 0.77%

LAB 74.68, 22.75, 12.43

 

CMYK 0 / 50 / 55 / 16

HEX #D76B61

RGB 215 107 97

HSL 5.08, 0.6%, 0.61%

LAB 57.87, 41.47, 25.4

 

CMYK 16 / 0 / 55 / 16

HEX #B5D760

RGB 181 215 96

HSL 77.14, 0.6%, 0.61%

LAB 81.44, -28.95, 54.1

 

CMYK 55 / 38 / 0 / 16

HEX #6086D7

RGB 96 134 215

HSL 220.84, 0.6%, 0.61%

LAB 56.53, 10.34, -45.62

 

CMYK 0 / 50 / 55 / 16

HEX #D76B61

RGB 215 107 97

HSL 5.08, 0.6%, 0.61%

LAB 57.87, 41.47, 25.4

 

CMYK 55 / 0 / 51 / 16

HEX #60D76A

RGB 96 215 106

HSL 125.04, 0.6%, 0.61%

LAB 77.36, -55.56, 43.56

 

CMYK 51 / 55 / 0 / 16

HEX #6A60D7

RGB 106 96 215

HSL 245.04, 0.6%, 0.61%

LAB 47.41, 35.48, -60.15

 

CMYK 0 / 50 / 55 / 16

HEX #D76B61

RGB 215 107 97

HSL 5.08, 0.6%, 0.61%

LAB 57.87, 41.47, 25.4

 

CMYK 16 / 0 / 55 / 16

HEX #B5D760

RGB 181 215 96

HSL 77.14, 0.6%, 0.61%

LAB 81.44, -28.95, 54.1

 

CMYK 55 / 5 / 0 / 16

HEX #60CDD7

RGB 96 205 215

HSL 185.04, 0.6%, 0.61%

LAB 76.71, -28.33, -14.47

 

CMYK 40 / 55 / 0 / 16

HEX #8260D7

RGB 130 96 215

HSL 257.14, 0.6%, 0.61%

LAB 49.52, 40.73, -56.65

 

CMYK 0 / 50 / 55 / 16

HEX #D76B61

RGB 215 107 97

HSL 5.08, 0.6%, 0.61%

LAB 57.87, 41.47, 25.4

 

CMYK 32 / 0 / 55 / 16

HEX #92D760

RGB 146 215 96

HSL 94.79, 0.6%, 0.61%

LAB 79.36, -41.84, 51.16

 

CMYK 55 / 5 / 0 / 16

HEX #60CDD7

RGB 96 205 215

HSL 185.04, 0.6%, 0.61%

LAB 76.71, -28.33, -14.47

 

CMYK 23 / 55 / 0 / 16

HEX #A560D7

RGB 165 96 215

HSL 274.79, 0.6%, 0.61%

LAB 53.25, 49.24, -50.48

 

Description

Color code: HEX #D76B61 | qconv.com Color code: HEX #D76B61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 107 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 107 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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