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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76B26 it is the complementary color #2894D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76B26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76B26 shade: #DC6B21, #ED7D34, #FE8F47, #FFA15A and #FFB36D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76B26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76B26 shade: #D76B26, #C65913, #B54700, #A43500 and #932300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76B26 shade: #D96C26, #D93C26 and #D92626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76B26 shade: #D96C26, #D99C26, #D9CC26, #B5D926 and #85D926

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76B26 shade matches the following richer shades: #D96C26 and #ED6712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76B26 shade: #D96C26, #C4703B, #AF7550, #9B7964 and #867E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76B26 shade: #D92641, #D93B26, #D96B26, #D99A26 and #D9CA26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76B26 shade: #93491A, #B65A20, #D96C26, #DF8449 and #E59B6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76B26 shade: #D76B26, #71D926 and #2629D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76B26 shade: #D76B26, #26D96B and #6B26D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76B26 shade: #D76B26, #71D926, #2694D9 and #8E26D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76B26 shade: #D76B26, #3BD926, #2694D9 and #C426D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 82 / 16

HEX #D76B26

RGB 215 107 38

HSL 23.39, 0.7%, 0.5%

LAB 57.18, 38.24, 54.99

 

Complementary color

CMYK 82 / 32 / 0 / 15

HEX #2894D9

RGB 40 148 217

HSL 203.39, 0.7%, 0.5%

LAB 58.64, -5.74, -43.53

 

CMYK 0 / 51 / 85 / 14

HEX #DC6B21

RGB 220 107 33

HSL 23.74, 0.74%, 0.5%

LAB 57.89, 40.07, 57.84

 

CMYK 0 / 47 / 78 / 7

HEX #ED7D34

RGB 237 125 52

HSL 23.68, 0.84%, 0.57%

LAB 64.1, 38.23, 56.69

 

CMYK 0 / 44 / 72 / 0

HEX #FE8F47

RGB 254 143 71

HSL 23.61, 0.99%, 0.64%

LAB 70.3, 36.54, 55.14

 

CMYK 0 / 37 / 65 / 0

HEX #FFA15A

RGB 255 161 90

HSL 25.82, 1%, 0.68%

LAB 74.5, 28.65, 50.72

 

CMYK 0 / 30 / 57 / 0

HEX #FFB36D

RGB 255 179 109

HSL 28.77, 1%, 0.71%

LAB 78.81, 20.53, 46.4

 

CMYK 0 / 50 / 82 / 16

HEX #D76B26

RGB 215 107 38

HSL 23.39, 0.7%, 0.5%

LAB 57.18, 38.24, 54.99

 

CMYK 0 / 55 / 90 / 22

HEX #C65913

RGB 198 89 19

HSL 23.46, 0.82%, 0.43%

LAB 50.92, 40.16, 55.65

 

CMYK 0 / 61 / 100 / 29

HEX #B54700

RGB 181 71 0

HSL 23.54, 1%, 0.35%

LAB 44.7, 42.1, 55.24

 

CMYK 0 / 68 / 100 / 36

HEX #A43500

RGB 164 53 0

HSL 19.39, 1%, 0.32%

LAB 38.62, 43.97, 50.41

 

CMYK 0 / 76 / 100 / 42

HEX #932300

RGB 147 35 0

HSL 14.29, 1%, 0.29%

LAB 32.71, 45.21, 45.48

 

CMYK 0 / 50 / 82 / 15

HEX #D96C26

RGB 217 108 38

HSL 23.46, 0.7%, 0.5%

LAB 57.67, 38.52, 55.55

 

CMYK 0 / 72 / 82 / 15

HEX #D93C26

RGB 217 60 38

HSL 7.37, 0.7%, 0.5%

LAB 49.65, 59.66, 48.28

 

CMYK 0 / 82 / 82 / 15

HEX #D92626

RGB 217 38 38

HSL 0, 0.7%, 0.5%

LAB 47.34, 66.13, 46.14

 

CMYK 0 / 50 / 82 / 15

HEX #D96C26

RGB 217 108 38

HSL 23.46, 0.7%, 0.5%

LAB 57.67, 38.52, 55.55

 

CMYK 0 / 28 / 82 / 15

HEX #D99C26

RGB 217 156 38

HSL 39.55, 0.7%, 0.5%

LAB 68.51, 13.07, 65.04

 

CMYK 0 / 6 / 82 / 15

HEX #D9CC26

RGB 217 204 38

HSL 55.64, 0.7%, 0.5%

LAB 80.78, -12.04, 75.5

 

CMYK 17 / 0 / 82 / 15

HEX #B5D926

RGB 181 217 38

HSL 72.07, 0.7%, 0.5%

LAB 81.61, -33.32, 75.14

 

CMYK 39 / 0 / 82 / 15

HEX #85D926

RGB 133 217 38

HSL 88.16, 0.7%, 0.5%

LAB 78.9, -51.22, 71.71

 

CMYK 0 / 50 / 82 / 15

HEX #D96C26

RGB 217 108 38

HSL 23.46, 0.7%, 0.5%

LAB 57.67, 38.52, 55.55

 

CMYK 0 / 57 / 92 / 7

HEX #ED6712

RGB 237 103 18

HSL 23.29, 0.86%, 0.5%

LAB 59.66, 48.21, 64.94

 

CMYK 0 / 50 / 82 / 15

HEX #D96C26

RGB 217 108 38

HSL 23.46, 0.7%, 0.5%

LAB 57.67, 38.52, 55.55

 

CMYK 0 / 43 / 70 / 23

HEX #C4703B

RGB 196 112 59

HSL 23.21, 0.54%, 0.5%

LAB 55.73, 28.79, 42.96

 

CMYK 0 / 33 / 54 / 31

HEX #AF7550

RGB 175 117 80

HSL 23.37, 0.37%, 0.5%

LAB 54.47, 18.7, 29.57

 

CMYK 0 / 22 / 35 / 39

HEX #9B7964

RGB 155 121 100

HSL 22.91, 0.22%, 0.5%

LAB 53.56, 10.18, 16.58

 

CMYK 0 / 6 / 10 / 47

HEX #867E79

RGB 134 126 121

HSL 23.08, 0.05%, 0.5%

LAB 53.35, 2.1, 3.8

 

CMYK 0 / 82 / 70 / 15

HEX #D92641

RGB 217 38 65

HSL 350.95, 0.7%, 0.5%

LAB 47.65, 67.07, 31.2

 

CMYK 0 / 73 / 82 / 15

HEX #D93B26

RGB 217 59 38

HSL 7.04, 0.7%, 0.5%

LAB 49.52, 60.01, 48.17

 

CMYK 0 / 51 / 82 / 15

HEX #D96B26

RGB 217 107 38

HSL 23.13, 0.7%, 0.5%

LAB 57.47, 39.03, 55.37

 

CMYK 0 / 29 / 82 / 15

HEX #D99A26

RGB 217 154 38

HSL 38.88, 0.7%, 0.5%

LAB 68.02, 14.15, 64.62

 

CMYK 0 / 7 / 82 / 15

HEX #D9CA26

RGB 217 202 38

HSL 54.97, 0.7%, 0.5%

LAB 80.25, -11.03, 75.06

 

CMYK 0 / 50 / 82 / 42

HEX #93491A

RGB 147 73 26

HSL 23.31, 0.7%, 0.34%

LAB 39.65, 27.91, 40.35

 

CMYK 0 / 51 / 82 / 29

HEX #B65A20

RGB 182 90 32

HSL 23.2, 0.7%, 0.42%

LAB 48.71, 33.58, 48.02

 

CMYK 0 / 50 / 82 / 15

HEX #D96C26

RGB 217 108 38

HSL 23.46, 0.7%, 0.5%

LAB 57.67, 38.52, 55.55

 

CMYK 0 / 41 / 67 / 13

HEX #DF8449

RGB 223 132 73

HSL 23.6, 0.7%, 0.58%

LAB 63.89, 29.96, 46.01

 

CMYK 0 / 32 / 53 / 10

HEX #E59B6C

RGB 229 155 108

HSL 23.31, 0.7%, 0.66%

LAB 70.3, 22.66, 35.73

 

CMYK 0 / 50 / 82 / 16

HEX #D76B26

RGB 215 107 38

HSL 23.39, 0.7%, 0.5%

LAB 57.18, 38.24, 54.99

 

CMYK 48 / 0 / 82 / 15

HEX #71D926

RGB 113 217 38

HSL 94.86, 0.7%, 0.5%

LAB 78.04, -57.6, 70.62

 

CMYK 82 / 81 / 0 / 15

HEX #2629D9

RGB 38 41 217

HSL 238.99, 0.7%, 0.5%

LAB 31.82, 58.65, -87.02

 

CMYK 0 / 50 / 82 / 16

HEX #D76B26

RGB 215 107 38

HSL 23.39, 0.7%, 0.5%

LAB 57.18, 38.24, 54.99

 

CMYK 82 / 0 / 51 / 15

HEX #26D96B

RGB 38 217 107

HSL 143.13, 0.7%, 0.5%

LAB 76.74, -65.99, 42.03

 

CMYK 51 / 82 / 0 / 15

HEX #6B26D9

RGB 107 38 217

HSL 263.13, 0.7%, 0.5%

LAB 36.97, 65.47, -78.33

 

CMYK 0 / 50 / 82 / 16

HEX #D76B26

RGB 215 107 38

HSL 23.39, 0.7%, 0.5%

LAB 57.18, 38.24, 54.99

 

CMYK 48 / 0 / 82 / 15

HEX #71D926

RGB 113 217 38

HSL 94.86, 0.7%, 0.5%

LAB 78.04, -57.6, 70.62

 

CMYK 82 / 32 / 0 / 15

HEX #2694D9

RGB 38 148 217

HSL 203.13, 0.7%, 0.5%

LAB 58.6, -5.92, -43.59

 

CMYK 35 / 82 / 0 / 15

HEX #8E26D9

RGB 142 38 217

HSL 274.86, 0.7%, 0.5%

LAB 41.45, 70.03, -70.81

 

CMYK 0 / 50 / 82 / 16

HEX #D76B26

RGB 215 107 38

HSL 23.39, 0.7%, 0.5%

LAB 57.18, 38.24, 54.99

 

CMYK 73 / 0 / 82 / 15

HEX #3BD926

RGB 59 217 38

HSL 112.96, 0.7%, 0.5%

LAB 76.49, -70.13, 68.65

 

CMYK 82 / 32 / 0 / 15

HEX #2694D9

RGB 38 148 217

HSL 203.13, 0.7%, 0.5%

LAB 58.6, -5.92, -43.59

 

CMYK 10 / 82 / 0 / 15

HEX #C426D9

RGB 196 38 217

HSL 292.96, 0.7%, 0.5%

LAB 49.66, 78.71, -57.12

 

Description

Color code: HEX #D76B26 | qconv.com Color code: HEX #D76B26 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 107 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 107 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 82 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 82% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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