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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76A14 it is the complementary color #2895EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76A14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76A14 shade: #DC6A0F, #ED7C22, #FE8E35, #FFA048 and #FFB25B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76A14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76A14 shade: #D76A14, #C65801, #B54600, #A43400 and #932200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76A14 shade: #D76A14, #D73514 and #D71414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76A14 shade: #D76A14, #D79E14, #D7D314, #A6D714 and #71D714

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76A14 shade matches the following richer shades: #D76A14 and #EA6801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76A14 shade: #D76A14, #C46C27, #B16E3A, #9E714D and #8B7360

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76A14 shade: #D71427, #D73414, #D76814, #D79C14 and #D7D014

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76A14 shade: #8B450D, #B15710, #D76A14, #EB7E29 and #EF954F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76A14 shade: #D76A14, #5BD714 and #1A14D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76A14 shade: #D76A14, #14D768 and #6814D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76A14 shade: #D76A14, #5BD714, #1482D7 and #8F14D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76A14 shade: #D76A14, #21D714, #1482D7 and #CA14D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

Complementary color

CMYK 83 / 37 / 0 / 8

HEX #2895EB

RGB 40 149 235

HSL 206.46, 0.83%, 0.54%

LAB 59.84, 0.24, -51.64

 

CMYK 0 / 52 / 93 / 14

HEX #DC6A0F

RGB 220 106 15

HSL 26.63, 0.87%, 0.46%

LAB 57.62, 40.24, 63.01

 

CMYK 0 / 48 / 86 / 7

HEX #ED7C22

RGB 237 124 34

HSL 26.6, 0.85%, 0.53%

LAB 63.78, 38.22, 63.37

 

CMYK 0 / 44 / 79 / 0

HEX #FE8E35

RGB 254 142 53

HSL 26.57, 0.99%, 0.6%

LAB 69.95, 36.34, 62.64

 

CMYK 0 / 37 / 72 / 0

HEX #FFA048

RGB 255 160 72

HSL 28.85, 1%, 0.64%

LAB 74.11, 28.22, 58.73

 

CMYK 0 / 30 / 64 / 0

HEX #FFB25B

RGB 255 178 91

HSL 31.83, 1%, 0.68%

LAB 78.38, 19.84, 54.65

HEX #FFB25B

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 0 / 56 / 99 / 22

HEX #C65801

RGB 198 88 1

HSL 26.5, 0.99%, 0.39%

LAB 50.67, 40.42, 59.81

 

CMYK 0 / 61 / 100 / 29

HEX #B54600

RGB 181 70 0

HSL 23.2, 1%, 0.35%

LAB 44.52, 42.57, 55.14

 

CMYK 0 / 68 / 100 / 36

HEX #A43400

RGB 164 52 0

HSL 19.02, 1%, 0.32%

LAB 38.46, 44.39, 50.33

 

CMYK 0 / 77 / 100 / 42

HEX #932200

RGB 147 34 0

HSL 13.88, 1%, 0.29%

LAB 32.58, 45.56, 45.4

 

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 0 / 75 / 91 / 16

HEX #D73514

RGB 215 53 20

HSL 10.15, 0.83%, 0.46%

LAB 48.32, 61.02, 54.81

 

CMYK 0 / 91 / 91 / 16

HEX #D71414

RGB 215 20 20

HSL 0, 0.83%, 0.46%

LAB 45.63, 68.62, 52.97

 

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 0 / 27 / 91 / 16

HEX #D79E14

RGB 215 158 20

HSL 42.46, 0.83%, 0.46%

LAB 68.72, 10.71, 69.74

 

CMYK 0 / 2 / 91 / 16

HEX #D7D314

RGB 215 211 20

HSL 58.77, 0.83%, 0.46%

LAB 82.43, -16.77, 80.25

 

CMYK 23 / 0 / 91 / 16

HEX #A6D714

RGB 166 215 20

HSL 75.08, 0.83%, 0.46%

LAB 80.04, -38.81, 76.88

 

CMYK 47 / 0 / 91 / 16

HEX #71D714

RGB 113 215 20

HSL 91.38, 0.83%, 0.46%

LAB 77.38, -57.44, 73.61

 

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 0 / 56 / 100 / 8

HEX #EA6801

RGB 234 104 1

HSL 26.52, 0.99%, 0.46%

LAB 59.34, 46.45, 67.75

 

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 0 / 45 / 80 / 23

HEX #C46C27

RGB 196 108 39

HSL 26.37, 0.67%, 0.46%

LAB 54.67, 30.04, 51.28

 

CMYK 0 / 38 / 67 / 31

HEX #B16E3A

RGB 177 110 58

HSL 26.22, 0.51%, 0.46%

LAB 52.73, 21.81, 39.44

 

CMYK 0 / 28 / 51 / 38

HEX #9E714D

RGB 158 113 77

HSL 26.67, 0.34%, 0.46%

LAB 51.4, 13.4, 26.94

 

CMYK 0 / 17 / 31 / 45

HEX #8B7360

RGB 139 115 96

HSL 26.51, 0.18%, 0.46%

LAB 50.21, 6.4, 14.03

 

CMYK 0 / 91 / 82 / 16

HEX #D71427

RGB 215 20 39

HSL 354.15, 0.83%, 0.46%

LAB 45.76, 68.99, 43.98

 

CMYK 0 / 76 / 91 / 16

HEX #D73414

RGB 215 52 20

HSL 9.85, 0.83%, 0.46%

LAB 48.2, 61.34, 54.73

 

CMYK 0 / 52 / 91 / 16

HEX #D76814

RGB 215 104 20

HSL 25.85, 0.83%, 0.46%

LAB 56.48, 39.35, 60.62

 

CMYK 0 / 27 / 91 / 16

HEX #D79C14

RGB 215 156 20

HSL 41.85, 0.83%, 0.46%

LAB 68.22, 11.79, 69.36

 

CMYK 0 / 3 / 91 / 16

HEX #D7D014

RGB 215 208 20

HSL 57.85, 0.83%, 0.46%

LAB 81.63, -15.28, 79.63

 

CMYK 0 / 50 / 91 / 45

HEX #8B450D

RGB 139 69 13

HSL 26.67, 0.83%, 0.3%

LAB 37.43, 26.29, 43.24

 

CMYK 0 / 51 / 91 / 31

HEX #B15710

RGB 177 87 16

HSL 26.46, 0.83%, 0.38%

LAB 47.24, 32.71, 52.36

 

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 0 / 46 / 83 / 8

HEX #EB7E29

RGB 235 126 41

HSL 26.29, 0.83%, 0.54%

LAB 63.95, 36.58, 60.91

 

CMYK 0 / 38 / 67 / 6

HEX #EF954F

RGB 239 149 79

HSL 26.25, 0.83%, 0.62%

LAB 69.76, 27.84, 50.2

 

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 58 / 0 / 91 / 16

HEX #5BD714

RGB 91 215 20

HSL 98.15, 0.83%, 0.46%

LAB 76.6, -63.55, 72.65

 

CMYK 88 / 91 / 0 / 16

HEX #1A14D7

RGB 26 20 215

HSL 241.85, 0.83%, 0.46%

LAB 28.45, 65.64, -91.5

 

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 91 / 0 / 52 / 16

HEX #14D768

RGB 20 215 104

HSL 145.85, 0.83%, 0.46%

LAB 75.91, -67.15, 42.42

 

CMYK 52 / 91 / 0 / 16

HEX #6814D7

RGB 104 20 215

HSL 265.85, 0.83%, 0.46%

LAB 34.7, 69.78, -80.94

 

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 58 / 0 / 91 / 16

HEX #5BD714

RGB 91 215 20

HSL 98.15, 0.83%, 0.46%

LAB 76.6, -63.55, 72.65

 

CMYK 91 / 40 / 0 / 16

HEX #1482D7

RGB 20 130 215

HSL 206.15, 0.83%, 0.46%

LAB 52.97, 2.74, -51.42

 

CMYK 33 / 91 / 0 / 16

HEX #8F14D7

RGB 143 20 215

HSL 277.85, 0.83%, 0.46%

LAB 39.99, 74, -72.04

 

CMYK 0 / 51 / 91 / 16

HEX #D76A14

RGB 215 106 20

HSL 26.46, 0.83%, 0.46%

LAB 56.89, 38.34, 60.92

 

CMYK 85 / 0 / 91 / 16

HEX #21D714

RGB 33 215 20

HSL 116, 0.83%, 0.46%

LAB 75.44, -73.53, 71.19

 

CMYK 91 / 40 / 0 / 16

HEX #1482D7

RGB 20 130 215

HSL 206.15, 0.83%, 0.46%

LAB 52.97, 2.74, -51.42

 

CMYK 6 / 91 / 0 / 16

HEX #CA14D7

RGB 202 20 215

HSL 296, 0.83%, 0.46%

LAB 49.45, 82.55, -56.25

 

Description

Color code: HEX #D76A14 | qconv.com Color code: HEX #D76A14 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 106 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 106 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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