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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D765BC it is the complementary color #289A43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D765BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D765BC shade: #DC65B7, #ED77CA, #FE89DD, #FF9BF0 and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D765BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D765BC shade: #D765BC, #C653A9, #B54196, #A42F83 and #931D70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D765BC shade: #D765BC, #D7659D, #D7657F and #D76565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D765BC shade: #D765BC, #D465D7, #B565D7, #9665D7 and #7765D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D765BC shade matches the following richer shades: #D765BC, #E755C4 and #F746CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D765BC shade: #D765BC, #C875B4, #B884AC, #A894A3 and #99A49B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D765BC shade: #B565D7, #D365D7, #D765BD, #D7659E and #D76580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D765BC shade: #BA3099, #CF44AE, #D765BC, #E086CA and #E8A7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D765BC shade: #D765BC, #D79665 and #65D7C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D765BC shade: #D765BC, #BDD765 and #65BDD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D765BC shade: #D765BC, #D79665, #65D780 and #65A6D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D765BC shade: #D765BC, #D7B965, #65D780 and #6583D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

Complementary color

CMYK 74 / 0 / 56 / 40

HEX #289A43

RGB 40 154 67

HSL 134.21, 0.59%, 0.38%

LAB 56.06, -50.07, 36.38

 

CMYK 0 / 54 / 17 / 14

HEX #DC65B7

RGB 220 101 183

HSL 318.66, 0.63%, 0.63%

LAB 59.84, 56.11, -21.4

 

CMYK 0 / 50 / 15 / 7

HEX #ED77CA

RGB 237 119 202

HSL 317.8, 0.77%, 0.7%

LAB 66.11, 55.51, -22.38

 

CMYK 0 / 46 / 13 / 0

HEX #FE89DD

RGB 254 137 221

HSL 316.92, 0.98%, 0.77%

LAB 72.35, 54.83, -23.21

 

CMYK 0 / 39 / 6 / 0

HEX #FF9BF0

RGB 255 155 240

HSL 309, 1%, 0.8%

LAB 76.68, 49.24, -26.98

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 0 / 58 / 15 / 22

HEX #C653A9

RGB 198 83 169

HSL 315.13, 0.5%, 0.55%

LAB 53.01, 55.88, -24.05

 

CMYK 0 / 64 / 17 / 29

HEX #B54196

RGB 181 65 150

HSL 316.03, 0.47%, 0.48%

LAB 46.72, 56.1, -22.74

 

CMYK 0 / 71 / 20 / 36

HEX #A42F83

RGB 164 47 131

HSL 316.92, 0.55%, 0.41%

LAB 40.51, 55.88, -21.03

 

CMYK 0 / 80 / 24 / 42

HEX #931D70

RGB 147 29 112

HSL 317.8, 0.67%, 0.35%

LAB 34.5, 54.88, -18.71

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 0 / 53 / 27 / 16

HEX #D7659D

RGB 215 101 157

HSL 330.53, 0.59%, 0.62%

LAB 58.22, 50.9, -8.93

 

CMYK 0 / 53 / 41 / 16

HEX #D7657F

RGB 215 101 127

HSL 346.32, 0.59%, 0.62%

LAB 57.35, 47.28, 7.3

 

CMYK 0 / 53 / 53 / 16

HEX #D76565

RGB 215 101 101

HSL 0, 0.59%, 0.62%

LAB 56.78, 44.78, 21.65

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 1 / 53 / 0 / 16

HEX #D465D7

RGB 212 101 215

HSL 298.42, 0.59%, 0.62%

LAB 60.08, 59.07, -39.29

 

CMYK 16 / 53 / 0 / 16

HEX #B565D7

RGB 181 101 215

HSL 282.11, 0.59%, 0.62%

LAB 56.13, 50.8, -45.79

 

CMYK 30 / 53 / 0 / 16

HEX #9665D7

RGB 150 101 215

HSL 265.79, 0.59%, 0.62%

LAB 52.62, 42.76, -51.58

 

CMYK 45 / 53 / 0 / 16

HEX #7765D7

RGB 119 101 215

HSL 249.47, 0.59%, 0.62%

LAB 49.66, 35.31, -56.48

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 0 / 63 / 15 / 9

HEX #E755C4

RGB 231 85 196

HSL 314.38, 0.75%, 0.62%

LAB 59.41, 68, -29.36

 

CMYK 0 / 72 / 17 / 3

HEX #F746CD

RGB 247 70 205

HSL 314.24, 0.92%, 0.62%

LAB 60.39, 78.52, -32.76

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 0 / 42 / 10 / 22

HEX #C875B4

RGB 200 117 180

HSL 314.46, 0.43%, 0.62%

LAB 60.16, 41.43, -19.43

 

CMYK 0 / 28 / 7 / 28

HEX #B884AC

RGB 184 132 172

HSL 313.85, 0.27%, 0.62%

LAB 61.37, 26.47, -13.21

 

CMYK 0 / 12 / 3 / 34

HEX #A894A3

RGB 168 148 163

HSL 315, 0.1%, 0.62%

LAB 63.47, 10.13, -5.14

 

CMYK 7 / 0 / 5 / 36

HEX #99A49B

RGB 153 164 155

HSL 130.91, 0.06%, 0.62%

LAB 66.28, -5.64, 3.32

 

CMYK 16 / 53 / 0 / 16

HEX #B565D7

RGB 181 101 215

HSL 282.11, 0.59%, 0.62%

LAB 56.13, 50.8, -45.79

 

CMYK 2 / 53 / 0 / 16

HEX #D365D7

RGB 211 101 215

HSL 297.89, 0.59%, 0.62%

LAB 59.95, 58.8, -39.51

 

CMYK 0 / 53 / 12 / 16

HEX #D765BD

RGB 215 101 189

HSL 313.68, 0.59%, 0.62%

LAB 59.37, 55.56, -25.61

 

CMYK 0 / 53 / 27 / 16

HEX #D7659E

RGB 215 101 158

HSL 330, 0.59%, 0.62%

LAB 58.25, 51.03, -9.46

 

CMYK 0 / 53 / 40 / 16

HEX #D76580

RGB 215 101 128

HSL 345.79, 0.59%, 0.62%

LAB 57.38, 47.39, 6.75

 

CMYK 0 / 74 / 18 / 27

HEX #BA3099

RGB 186 48 153

HSL 314.35, 0.59%, 0.46%

LAB 45.43, 64.12, -26.47

 

CMYK 0 / 67 / 16 / 19

HEX #CF44AE

RGB 207 68 174

HSL 314.24, 0.59%, 0.54%

LAB 52.35, 65.27, -27.89

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 0 / 40 / 10 / 12

HEX #E086CA

RGB 224 134 202

HSL 314.67, 0.59%, 0.7%

LAB 67.4, 43.95, -20.56

 

CMYK 0 / 28 / 6 / 9

HEX #E8A7D9

RGB 232 167 217

HSL 313.85, 0.59%, 0.78%

LAB 75.95, 31.69, -15.8

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 0 / 30 / 53 / 16

HEX #D79665

RGB 215 150 101

HSL 25.79, 0.59%, 0.62%

LAB 67.43, 19.05, 35.48

 

CMYK 53 / 0 / 9 / 16

HEX #65D7C4

RGB 101 215 196

HSL 170, 0.59%, 0.62%

LAB 79.24, -37, -0.5

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 12 / 0 / 53 / 16

HEX #BDD765

RGB 189 215 101

HSL 73.68, 0.59%, 0.62%

LAB 82.03, -25.39, 52.65

 

CMYK 53 / 12 / 0 / 16

HEX #65BDD7

RGB 101 189 215

HSL 193.68, 0.59%, 0.62%

LAB 72.27, -19.3, -21.16

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 0 / 30 / 53 / 16

HEX #D79665

RGB 215 150 101

HSL 25.79, 0.59%, 0.62%

LAB 67.43, 19.05, 35.48

 

CMYK 53 / 0 / 40 / 16

HEX #65D780

RGB 101 215 128

HSL 134.21, 0.59%, 0.62%

LAB 77.83, -51.03, 33.29

 

CMYK 53 / 23 / 0 / 16

HEX #65A6D7

RGB 101 166 215

HSL 205.79, 0.59%, 0.62%

LAB 65.71, -7.02, -31.24

 

CMYK 0 / 53 / 13 / 16

HEX #D765BC

RGB 215 101 188

HSL 314.21, 0.59%, 0.62%

LAB 59.33, 55.4, -25.1

 

CMYK 0 / 14 / 53 / 16

HEX #D7B965

RGB 215 185 101

HSL 44.21, 0.59%, 0.62%

LAB 76.12, 0.33, 46.17

 

CMYK 53 / 0 / 40 / 16

HEX #65D780

RGB 101 215 128

HSL 134.21, 0.59%, 0.62%

LAB 77.83, -51.03, 33.29

 

CMYK 53 / 39 / 0 / 16

HEX #6583D7

RGB 101 131 215

HSL 224.21, 0.59%, 0.62%

LAB 55.99, 13.21, -46.45

 

Description

Color code: HEX #D765BC | qconv.com Color code: HEX #D765BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 101 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 101 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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