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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7635D3F it is the complementary color #289CA23F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7635D3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7635D3F shade: #DC63583F, #ED756B3F, #FE877E3F, #FF99913F and #FFABA43F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7635D3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7635D3F shade: #D7635D3F, #C6514A3F, #B53F373F, #A42D243F and #931B113F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7635D3F shade: #D6625C and #D65C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7635D3F shade: #D6625C, #D6835C, #D6A45C, #D6C55C and #C7D65C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7635D3F shade matches the following richer shades: #D6625C, #E7534B and #F7443B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7635D3F shade: #D6625C, #C6716C, #B5807D, #A58E8D and #949D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7635D3F shade: #D65C99, #D65C78, #D6605C, #D6815C and #D6A15C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7635D3F shade: #B3332D, #CE423B, #D6625C, #DE827D and #E7A19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7635D3F shade: #D7635D, #BAD65C and #5C89D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7635D3F shade: #D7635D, #5CD660 and #605CD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7635D3F shade: #D7635D, #BAD65C, #5CD2D6 and #785CD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7635D3F shade: #D7635D, #95D65C, #5CD2D6 and #9D5CD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 14 / 4

HEX #D7635D3F

RGBA 215 99 93 0.25

HSLA 2.95, 0.6%, 0.6%, 0.25

LABA 56.25, 45.12, 25.57, 0.25

 

Complementary color

CMYK 19 / 1 / 0 / 9

HEX #289CA23F

RGBA 40 156 162 0.25

HSLA 182.95, 0.6%, 0.4%, 0.25

LABA 58.82, -28.7, -12.23, 0.25

 

CMYK 0 / 14 / 15 / 3

HEX #DC63583F

RGBA 220 99 88 0.25

HSLA 5, 0.65%, 0.6%, 0.25

LABA 56.92, 46.56, 29.46, 0.25

 

CMYK 0 / 13 / 14 / 2

HEX #ED756B3F

RGBA 237 117 107 0.25

HSLA 4.62, 0.78%, 0.67%, 0.25

LABA 63.17, 45.37, 27.28, 0.25

 

CMYK 0 / 12 / 13 / 0

HEX #FE877E3F

RGBA 254 135 126 0.25

HSLA 4.22, 0.98%, 0.75%, 0.25

LABA 69.4, 44.21, 25.38, 0.25

 

CMYK 0 / 10 / 11 / 0

HEX #FF99913F

RGBA 255 153 145 0.25

HSLA 4.36, 1%, 0.78%, 0.25

LABA 73.6, 37.25, 20.63, 0.25

 

CMYK 0 / 8 / 9 / 0

HEX #FFABA43F

RGBA 255 171 164 0.25

HSLA 4.62, 1%, 0.82%, 0.25

LABA 77.91, 30, 16.25, 0.25

 

CMYK 0 / 13 / 14 / 4

HEX #D7635D3F

RGBA 215 99 93 0.25

HSLA 2.95, 0.6%, 0.6%, 0.25

LABA 56.25, 45.12, 25.57, 0.25

 

CMYK 0 / 15 / 16 / 6

HEX #C6514A3F

RGBA 198 81 74 0.25

HSLA 3.39, 0.52%, 0.53%, 0.25

LABA 49.96, 46.26, 27.98, 0.25

 

CMYK 0 / 16 / 17 / 7

HEX #B53F373F

RGBA 181 63 55 0.25

HSLA 3.81, 0.53%, 0.46%, 0.25

LABA 43.73, 47.29, 30.82, 0.25

 

CMYK 0 / 18 / 20 / 9

HEX #A42D243F

RGBA 164 45 36 0.25

HSLA 4.22, 0.64%, 0.39%, 0.25

LABA 37.66, 48.02, 34.14, 0.25

 

CMYK 0 / 20 / 22 / 11

HEX #931B113F

RGBA 147 27 17 0.25

HSLA 4.62, 0.79%, 0.32%, 0.25

LABA 31.87, 48.11, 37.7, 0.25

 

CMYK 0 / 54 / 57 / 16

HEX #D6625C

RGB 214 98 92

HSL 2.95, 0.6%, 0.6%

LAB 55.89, 45.17, 25.65

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5C

RGB 214 92 92

HSL 0, 0.6%, 0.6%

LAB 54.79, 48.04, 24.21

 

CMYK 0 / 54 / 57 / 16

HEX #D6625C

RGB 214 98 92

HSL 2.95, 0.6%, 0.6%

LAB 55.89, 45.17, 25.65

 

CMYK 0 / 39 / 57 / 16

HEX #D6835C

RGB 214 131 92

HSL 19.18, 0.6%, 0.6%

LAB 62.76, 28.14, 34.43

 

CMYK 0 / 23 / 57 / 16

HEX #D6A45C

RGB 214 164 92

HSL 35.41, 0.6%, 0.6%

LAB 70.61, 10.34, 44.01

 

CMYK 0 / 8 / 57 / 16

HEX #D6C55C

RGB 214 197 92

HSL 51.64, 0.6%, 0.6%

LAB 79.04, -7.04, 53.84

 

CMYK 7 / 0 / 57 / 16

HEX #C7D65C

RGB 199 214 92

HSL 67.38, 0.6%, 0.6%

LAB 82.38, -21.7, 57.3

 

CMYK 0 / 54 / 57 / 16

HEX #D6625C

RGB 214 98 92

HSL 2.95, 0.6%, 0.6%

LAB 55.89, 45.17, 25.65

 

CMYK 0 / 64 / 68 / 9

HEX #E7534B

RGB 231 83 75

HSL 3.08, 0.76%, 0.6%

LAB 55.77, 56.78, 35.78

 

CMYK 0 / 72 / 76 / 3

HEX #F7443B

RGB 247 68 59

HSL 2.87, 0.92%, 0.6%

LAB 56.31, 66.76, 45.95

 

CMYK 0 / 54 / 57 / 16

HEX #D6625C

RGB 214 98 92

HSL 2.95, 0.6%, 0.6%

LAB 55.89, 45.17, 25.65

 

CMYK 0 / 43 / 45 / 22

HEX #C6716C

RGB 198 113 108

HSL 3.33, 0.44%, 0.6%

LAB 56.98, 32.92, 17.47

 

CMYK 0 / 29 / 31 / 29

HEX #B5807D

RGB 181 128 125

HSL 3.21, 0.27%, 0.6%

LAB 58.74, 20.09, 9.82

 

CMYK 0 / 14 / 15 / 35

HEX #A58E8D

RGB 165 142 141

HSL 2.5, 0.12%, 0.6%

LAB 61.02, 8.45, 3.72

 

CMYK 6 / 1 / 0 / 38

HEX #949D9E

RGB 148 157 158

HSL 186, 0.05%, 0.6%

LAB 64.06, -3, -1.64

 

CMYK 0 / 57 / 29 / 16

HEX #D65C99

RGB 214 92 153

HSL 330, 0.6%, 0.6%

LAB 56.34, 54.29, -9.42

 

CMYK 0 / 57 / 44 / 16

HEX #D65C78

RGB 214 92 120

HSL 346.23, 0.6%, 0.6%

LAB 55.39, 50.51, 8.59

 

CMYK 0 / 55 / 57 / 16

HEX #D6605C

RGB 214 96 92

HSL 1.97, 0.6%, 0.6%

LAB 55.52, 46.14, 25.17

 

CMYK 0 / 40 / 57 / 16

HEX #D6815C

RGB 214 129 92

HSL 18.2, 0.6%, 0.6%

LAB 62.31, 29.21, 33.87

 

CMYK 0 / 25 / 57 / 16

HEX #D6A15C

RGB 214 161 92

HSL 33.93, 0.6%, 0.6%

LAB 69.87, 11.96, 43.13

 

CMYK 0 / 72 / 75 / 30

HEX #B3332D

RGB 179 51 45

HSL 2.69, 0.6%, 0.44%

LAB 41.44, 51.04, 33.91

 

CMYK 0 / 68 / 71 / 19

HEX #CE423B

RGB 206 66 59

HSL 2.86, 0.6%, 0.52%

LAB 48.68, 54.66, 35.42

 

CMYK 0 / 54 / 57 / 16

HEX #D6625C

RGB 214 98 92

HSL 2.95, 0.6%, 0.6%

LAB 55.89, 45.17, 25.65

 

CMYK 0 / 41 / 44 / 13

HEX #DE827D

RGB 222 130 125

HSL 3.09, 0.6%, 0.68%

LAB 64.14, 34.82, 18.1

 

CMYK 0 / 30 / 32 / 9

HEX #E7A19E

RGB 231 161 158

HSL 2.47, 0.6%, 0.76%

LAB 72.86, 25.6, 12.03

 

CMYK 0 / 54 / 57 / 16

HEX #D7635D

RGB 215 99 93

HSL 2.95, 0.6%, 0.6%

LAB 56.25, 45.12, 25.57

 

CMYK 13 / 0 / 57 / 16

HEX #BAD65C

RGB 186 214 92

HSL 73.77, 0.6%, 0.6%

LAB 81.46, -26.87, 56.01

 

CMYK 57 / 36 / 0 / 16

HEX #5C89D6

RGB 92 137 214

HSL 217.87, 0.6%, 0.6%

LAB 57.1, 7.4, -44.17

 

CMYK 0 / 54 / 57 / 16

HEX #D7635D

RGB 215 99 93

HSL 2.95, 0.6%, 0.6%

LAB 56.25, 45.12, 25.57

 

CMYK 57 / 0 / 55 / 16

HEX #5CD660

RGB 92 214 96

HSL 121.97, 0.6%, 0.6%

LAB 76.81, -57.45, 47.59

 

CMYK 55 / 57 / 0 / 16

HEX #605CD6

RGB 96 92 214

HSL 241.97, 0.6%, 0.6%

LAB 45.63, 35.61, -62.51

 

CMYK 0 / 54 / 57 / 16

HEX #D7635D

RGB 215 99 93

HSL 2.95, 0.6%, 0.6%

LAB 56.25, 45.12, 25.57

 

CMYK 13 / 0 / 57 / 16

HEX #BAD65C

RGB 186 214 92

HSL 73.77, 0.6%, 0.6%

LAB 81.46, -26.87, 56.01

 

CMYK 57 / 2 / 0 / 16

HEX #5CD2D6

RGB 92 210 214

HSL 181.97, 0.6%, 0.6%

LAB 78.01, -31.77, -12

 

CMYK 44 / 57 / 0 / 16

HEX #785CD6

RGB 120 92 214

HSL 253.77, 0.6%, 0.6%

LAB 47.63, 40.5, -59.18

 

CMYK 0 / 54 / 57 / 16

HEX #D7635D

RGB 215 99 93

HSL 2.95, 0.6%, 0.6%

LAB 56.25, 45.12, 25.57

 

CMYK 30 / 0 / 57 / 16

HEX #95D65C

RGB 149 214 92

HSL 91.97, 0.6%, 0.6%

LAB 79.19, -40.75, 52.81

 

CMYK 57 / 2 / 0 / 16

HEX #5CD2D6

RGB 92 210 214

HSL 181.97, 0.6%, 0.6%

LAB 78.01, -31.77, -12

 

CMYK 27 / 57 / 0 / 16

HEX #9D5CD6

RGB 157 92 214

HSL 271.97, 0.6%, 0.6%

LAB 51.47, 49.12, -52.8

 

Description

Color code: HEX #D7635D3F | qconv.com Color code: HEX #D7635D3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 99 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 99 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 14 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 14% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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