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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D762A0 it is the complementary color #289D5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D762A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D762A0 shade: #DC629B, #ED74AE, #FE86C1, #FF98D4 and #FFAAE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D762A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D762A0 shade: #D762A0, #C6508D, #B53E7A, #A42C67 and #931A54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D762A0 shade: #D6619F, #D6617F and #D66161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D762A0 shade: #D6619F, #D661BF, #CE61D6, #AE61D6 and #8F61D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D762A0 shade matches the following richer shades: #D6619F, #E651A0 and #F641A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D762A0 shade: #D6619F, #C6719E, #B6819D, #A6919C and #96A19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D762A0 shade: #CE61D6, #D661BF, #D6619F, #D66180 and #D66161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D762A0 shade: #B62F76, #CE408B, #D6619F, #DF82B3 and #E7A2C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D762A0 shade: #D762A0, #D6AF61 and #61CED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D762A0 shade: #D762A0, #9FD661 and #619FD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D762A0 shade: #D762A0, #D6AF61, #61D698 and #6188D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D762A0 shade: #D762A0, #D6D261, #61D698 and #6165D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 26 / 16

HEX #D762A0

RGB 215 98 160

HSL 328.21, 0.59%, 0.61%

LAB 57.77, 52.73, -11.34

 

Complementary color

CMYK 75 / 0 / 39 / 38

HEX #289D5F

RGB 40 157 95

HSL 148.21, 0.59%, 0.39%

LAB 57.45, -46.43, 23.5

 

CMYK 0 / 55 / 30 / 14

HEX #DC629B

RGB 220 98 155

HSL 331.97, 0.64%, 0.62%

LAB 58.34, 53.65, -7.51

 

CMYK 0 / 51 / 27 / 7

HEX #ED74AE

RGB 237 116 174

HSL 331.24, 0.77%, 0.69%

LAB 64.6, 52.97, -8.83

 

CMYK 0 / 47 / 24 / 0

HEX #FE86C1

RGB 254 134 193

HSL 330.5, 0.98%, 0.76%

LAB 70.85, 52.22, -9.96

 

CMYK 0 / 40 / 17 / 0

HEX #FF98D4

RGB 255 152 212

HSL 325.05, 1%, 0.8%

LAB 75.12, 46.29, -14.06

 

CMYK 0 / 33 / 9 / 0

HEX #FFAAE7

RGB 255 170 231

HSL 316.94, 1%, 0.83%

LAB 79.49, 40.03, -17.83

 

CMYK 0 / 54 / 26 / 16

HEX #D762A0

RGB 215 98 160

HSL 328.21, 0.59%, 0.61%

LAB 57.77, 52.73, -11.34

 

CMYK 0 / 60 / 29 / 22

HEX #C6508D

RGB 198 80 141

HSL 328.98, 0.51%, 0.55%

LAB 51.46, 53.28, -9.91

 

CMYK 0 / 66 / 33 / 29

HEX #B53E7A

RGB 181 62 122

HSL 329.75, 0.49%, 0.48%

LAB 45.18, 53.58, -8.13

 

CMYK 0 / 73 / 37 / 36

HEX #A42C67

RGB 164 44 103

HSL 330.5, 0.58%, 0.41%

LAB 39.02, 53.42, -5.86

 

CMYK 0 / 82 / 43 / 42

HEX #931A54

RGB 147 26 84

HSL 331.24, 0.7%, 0.34%

LAB 33.1, 52.45, -2.83

 

CMYK 0 / 55 / 26 / 16

HEX #D6619F

RGB 214 97 159

HSL 328.21, 0.59%, 0.61%

LAB 57.41, 52.76, -11.31

 

CMYK 0 / 55 / 41 / 16

HEX #D6617F

RGB 214 97 127

HSL 344.62, 0.59%, 0.61%

LAB 56.46, 48.87, 6.01

 

CMYK 0 / 55 / 55 / 16

HEX #D66161

RGB 214 97 97

HSL 0, 0.59%, 0.61%

LAB 55.79, 46.05, 22.64

 

CMYK 0 / 55 / 26 / 16

HEX #D6619F

RGB 214 97 159

HSL 328.21, 0.59%, 0.61%

LAB 57.41, 52.76, -11.31

 

CMYK 0 / 55 / 11 / 16

HEX #D661BF

RGB 214 97 191

HSL 311.79, 0.59%, 0.61%

LAB 58.61, 57.46, -27.94

 

CMYK 4 / 55 / 0 / 16

HEX #CE61D6

RGB 206 97 214

HSL 295.9, 0.59%, 0.61%

LAB 58.53, 59.17, -41.21

 

CMYK 19 / 55 / 0 / 16

HEX #AE61D6

RGB 174 97 214

HSL 279.49, 0.59%, 0.61%

LAB 54.45, 50.8, -47.93

 

CMYK 33 / 55 / 0 / 16

HEX #8F61D6

RGB 143 97 214

HSL 263.59, 0.59%, 0.61%

LAB 50.97, 42.99, -53.68

 

CMYK 0 / 55 / 26 / 16

HEX #D6619F

RGB 214 97 159

HSL 328.21, 0.59%, 0.61%

LAB 57.41, 52.76, -11.31

 

CMYK 0 / 65 / 30 / 10

HEX #E651A0

RGB 230 81 160

HSL 328.19, 0.75%, 0.61%

LAB 57.31, 64.59, -11.79

 

CMYK 0 / 74 / 35 / 4

HEX #F641A1

RGB 246 65 161

HSL 328.18, 0.91%, 0.61%

LAB 57.99, 74.59, -11.1

 

CMYK 0 / 55 / 26 / 16

HEX #D6619F

RGB 214 97 159

HSL 328.21, 0.59%, 0.61%

LAB 57.41, 52.76, -11.31

 

CMYK 0 / 43 / 20 / 22

HEX #C6719E

RGB 198 113 158

HSL 328.24, 0.43%, 0.61%

LAB 58.31, 39.34, -9.61

 

CMYK 0 / 29 / 14 / 29

HEX #B6819D

RGB 182 129 157

HSL 328.3, 0.27%, 0.61%

LAB 59.96, 24.81, -6.77

 

CMYK 0 / 13 / 6 / 35

HEX #A6919C

RGB 166 145 156

HSL 328.57, 0.11%, 0.61%

LAB 62.3, 9.79, -2.92

 

CMYK 7 / 0 / 4 / 37

HEX #96A19B

RGB 150 161 155

HSL 147.27, 0.06%, 0.61%

LAB 65.23, -5.08, 1.77

 

CMYK 4 / 55 / 0 / 16

HEX #CE61D6

RGB 206 97 214

HSL 295.9, 0.59%, 0.61%

LAB 58.53, 59.17, -41.21

 

CMYK 0 / 55 / 11 / 16

HEX #D661BF

RGB 214 97 191

HSL 311.79, 0.59%, 0.61%

LAB 58.61, 57.46, -27.94

 

CMYK 0 / 55 / 26 / 16

HEX #D6619F

RGB 214 97 159

HSL 328.21, 0.59%, 0.61%

LAB 57.41, 52.76, -11.31

 

CMYK 0 / 55 / 40 / 16

HEX #D66180

RGB 214 97 128

HSL 344.1, 0.59%, 0.61%

LAB 56.49, 48.98, 5.46

 

CMYK 0 / 55 / 55 / 16

HEX #D66161

RGB 214 97 97

HSL 0, 0.59%, 0.61%

LAB 55.79, 46.05, 22.64

 

CMYK 0 / 74 / 35 / 29

HEX #B62F76

RGB 182 47 118

HSL 328.44, 0.59%, 0.45%

LAB 43.19, 59.03, -8.64

 

CMYK 0 / 69 / 33 / 19

HEX #CE408B

RGB 206 64 139

HSL 328.31, 0.59%, 0.53%

LAB 50.28, 61.96, -10.35

 

CMYK 0 / 55 / 26 / 16

HEX #D6619F

RGB 214 97 159

HSL 328.21, 0.59%, 0.61%

LAB 57.41, 52.76, -11.31

 

CMYK 0 / 42 / 20 / 13

HEX #DF82B3

RGB 223 130 179

HSL 328.39, 0.59%, 0.69%

LAB 65.68, 42.07, -10.26

 

CMYK 0 / 30 / 14 / 9

HEX #E7A2C7

RGB 231 162 199

HSL 327.83, 0.59%, 0.77%

LAB 74.16, 31.01, -8.64

 

CMYK 0 / 54 / 26 / 16

HEX #D762A0

RGB 215 98 160

HSL 328.21, 0.59%, 0.61%

LAB 57.77, 52.73, -11.34

 

CMYK 0 / 18 / 55 / 16

HEX #D6AF61

RGB 214 175 97

HSL 40, 0.59%, 0.61%

LAB 73.43, 4.86, 44.89

 

CMYK 55 / 4 / 0 / 16

HEX #61CED6

RGB 97 206 214

HSL 184.1, 0.59%, 0.61%

LAB 77, -28.9, -13.49

 

CMYK 0 / 54 / 26 / 16

HEX #D762A0

RGB 215 98 160

HSL 328.21, 0.59%, 0.61%

LAB 57.77, 52.73, -11.34

 

CMYK 26 / 0 / 55 / 16

HEX #9FD661

RGB 159 214 97

HSL 88.21, 0.59%, 0.61%

LAB 79.8, -36.67, 51.39

 

CMYK 55 / 26 / 0 / 16

HEX #619FD6

RGB 97 159 214

HSL 208.21, 0.59%, 0.61%

LAB 63.5, -4.28, -34.12

 

CMYK 0 / 54 / 26 / 16

HEX #D762A0

RGB 215 98 160

HSL 328.21, 0.59%, 0.61%

LAB 57.77, 52.73, -11.34

 

CMYK 0 / 18 / 55 / 16

HEX #D6AF61

RGB 214 175 97

HSL 40, 0.59%, 0.61%

LAB 73.43, 4.86, 44.89

 

CMYK 55 / 0 / 29 / 16

HEX #61D698

RGB 97 214 152

HSL 148.21, 0.59%, 0.61%

LAB 77.82, -47.22, 20.83

 

CMYK 55 / 36 / 0 / 16

HEX #6188D6

RGB 97 136 214

HSL 220, 0.59%, 0.61%

LAB 57.08, 9.04, -44.18

 

CMYK 0 / 54 / 26 / 16

HEX #D762A0

RGB 215 98 160

HSL 328.21, 0.59%, 0.61%

LAB 57.77, 52.73, -11.34

 

CMYK 0 / 2 / 55 / 16

HEX #D6D261

RGB 214 210 97

HSL 57.95, 0.59%, 0.61%

LAB 82.51, -13.25, 55.52

 

CMYK 55 / 0 / 29 / 16

HEX #61D698

RGB 97 214 152

HSL 148.21, 0.59%, 0.61%

LAB 77.82, -47.22, 20.83

 

CMYK 55 / 53 / 0 / 16

HEX #6165D6

RGB 97 101 214

HSL 237.95, 0.59%, 0.61%

LAB 47.88, 30.33, -58.86

 

Description

Color code: HEX #D762A0 | qconv.com Color code: HEX #D762A0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 98 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 98 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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