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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D761C9 it is the complementary color #289E36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D761C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D761C9 shade: #DC61C4, #ED73D7, #FE85EA, #FF97FD and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D761C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D761C9 shade: #D761C9, #C64FB6, #B53DA3, #A42B90 and #93197D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D761C9 shade: #D760C9, #D760A9, #D76089, #D76069 and #D76060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D761C9 shade: #D760C9, #C560D7, #A560D7, #8560D7 and #6560D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D761C9 shade matches the following richer shades: #D760C9, #E750D5 and #F740E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D761C9 shade: #D760C9, #C770BD, #B780B1, #A790A4 and #97A098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D761C9 shade: #A560D7, #C560D7, #D760C9, #D760A9 and #D7608A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D761C9 shade: #B72EA7, #CF3FBE, #D760C9, #DF81D4 and #E8A2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D761C9 shade: #D761C9, #D78660 and #60D7B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D761C9 shade: #D761C9, #C9D760 and #60C9D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D761C9 shade: #D761C9, #D78660, #60D76E and #60B1D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D761C9 shade: #D761C9, #D7A960, #60D76E and #608ED7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 7 / 16

HEX #D761C9

RGB 215 97 201

HSL 307.12, 0.6%, 0.61%

LAB 59.17, 59.35, -32.76

 

Complementary color

CMYK 75 / 0 / 66 / 38

HEX #289E36

RGB 40 158 54

HSL 127.12, 0.6%, 0.39%

LAB 57.24, -53.11, 43.85

 

CMYK 0 / 56 / 11 / 14

HEX #DC61C4

RGB 220 97 196

HSL 311.71, 0.64%, 0.62%

LAB 59.66, 59.93, -29.09

 

CMYK 0 / 51 / 9 / 7

HEX #ED73D7

RGB 237 115 215

HSL 310.82, 0.77%, 0.69%

LAB 65.88, 59.43, -30

 

CMYK 0 / 48 / 8 / 0

HEX #FE85EA

RGB 254 133 234

HSL 309.92, 0.98%, 0.76%

LAB 72.09, 58.82, -30.76

 

CMYK 0 / 41 / 1 / 0

HEX #FF97FD

RGB 255 151 253

HSL 301.15, 1%, 0.8%

LAB 76.37, 53.48, -34.49

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 55 / 7 / 16

HEX #D761C9

RGB 215 97 201

HSL 307.12, 0.6%, 0.61%

LAB 59.17, 59.35, -32.76

 

CMYK 0 / 60 / 8 / 22

HEX #C64FB6

RGB 198 79 182

HSL 308.07, 0.51%, 0.54%

LAB 52.92, 59.69, -31.76

 

CMYK 0 / 66 / 10 / 29

HEX #B53DA3

RGB 181 61 163

HSL 309, 0.5%, 0.47%

LAB 46.72, 59.7, -30.49

 

CMYK 0 / 74 / 12 / 36

HEX #A42B90

RGB 164 43 144

HSL 309.92, 0.58%, 0.41%

LAB 40.63, 59.18, -28.81

 

CMYK 0 / 83 / 15 / 42

HEX #93197D

RGB 147 25 125

HSL 310.82, 0.71%, 0.34%

LAB 34.76, 57.75, -26.5

 

CMYK 0 / 55 / 7 / 16

HEX #D760C9

RGB 215 96 201

HSL 307.06, 0.6%, 0.61%

LAB 59, 59.81, -33.02

 

CMYK 0 / 55 / 21 / 16

HEX #D760A9

RGB 215 96 169

HSL 323.19, 0.6%, 0.61%

LAB 57.73, 54.91, -16.62

 

CMYK 0 / 55 / 36 / 16

HEX #D76089

RGB 215 96 137

HSL 339.33, 0.6%, 0.61%

LAB 56.7, 50.8, 0.5

 

CMYK 0 / 55 / 51 / 16

HEX #D76069

RGB 215 96 105

HSL 355.46, 0.6%, 0.61%

LAB 55.92, 47.55, 18.17

 

CMYK 0 / 55 / 55 / 16

HEX #D76060

RGB 215 96 96

HSL 0, 0.6%, 0.61%

LAB 55.74, 46.8, 23.17

 

CMYK 0 / 55 / 7 / 16

HEX #D760C9

RGB 215 96 201

HSL 307.06, 0.6%, 0.61%

LAB 59, 59.81, -33.02

 

CMYK 8 / 55 / 0 / 16

HEX #C560D7

RGB 197 96 215

HSL 290.92, 0.6%, 0.61%

LAB 57.21, 57.47, -43.93

 

CMYK 23 / 55 / 0 / 16

HEX #A560D7

RGB 165 96 215

HSL 274.79, 0.6%, 0.61%

LAB 53.25, 49.24, -50.48

 

CMYK 38 / 55 / 0 / 16

HEX #8560D7

RGB 133 96 215

HSL 258.66, 0.6%, 0.61%

LAB 49.81, 41.42, -56.17

 

CMYK 53 / 55 / 0 / 16

HEX #6560D7

RGB 101 96 215

HSL 242.52, 0.6%, 0.61%

LAB 47.03, 34.47, -60.8

 

CMYK 0 / 55 / 7 / 16

HEX #D760C9

RGB 215 96 201

HSL 307.06, 0.6%, 0.61%

LAB 59, 59.81, -33.02

 

CMYK 0 / 65 / 8 / 9

HEX #E750D5

RGB 231 80 213

HSL 307.15, 0.76%, 0.61%

LAB 59.46, 72.44, -38.93

 

CMYK 0 / 74 / 9 / 3

HEX #F740E2

RGB 247 64 226

HSL 306.89, 0.92%, 0.61%

LAB 60.72, 83.21, -44.11

 

CMYK 0 / 55 / 7 / 16

HEX #D760C9

RGB 215 96 201

HSL 307.06, 0.6%, 0.61%

LAB 59, 59.81, -33.02

 

CMYK 0 / 44 / 5 / 22

HEX #C770BD

RGB 199 112 189

HSL 306.9, 0.44%, 0.61%

LAB 59.35, 45.28, -25.82

 

CMYK 0 / 30 / 3 / 28

HEX #B780B1

RGB 183 128 177

HSL 306.55, 0.28%, 0.61%

LAB 60.5, 29.27, -17.39

 

CMYK 0 / 14 / 2 / 35

HEX #A790A4

RGB 167 144 164

HSL 307.83, 0.12%, 0.61%

LAB 62.37, 12.21, -7.34

 

CMYK 6 / 0 / 5 / 37

HEX #97A098

RGB 151 160 152

HSL 126.67, 0.05%, 0.61%

LAB 64.95, -4.76, 3.05

 

CMYK 23 / 55 / 0 / 16

HEX #A560D7

RGB 165 96 215

HSL 274.79, 0.6%, 0.61%

LAB 53.25, 49.24, -50.48

 

CMYK 8 / 55 / 0 / 16

HEX #C560D7

RGB 197 96 215

HSL 290.92, 0.6%, 0.61%

LAB 57.21, 57.47, -43.93

 

CMYK 0 / 55 / 7 / 16

HEX #D760C9

RGB 215 96 201

HSL 307.06, 0.6%, 0.61%

LAB 59, 59.81, -33.02

 

CMYK 0 / 55 / 21 / 16

HEX #D760A9

RGB 215 96 169

HSL 323.19, 0.6%, 0.61%

LAB 57.73, 54.91, -16.62

 

CMYK 0 / 55 / 36 / 16

HEX #D7608A

RGB 215 96 138

HSL 338.82, 0.6%, 0.61%

LAB 56.73, 50.91, -0.04

 

CMYK 0 / 75 / 9 / 28

HEX #B72EA7

RGB 183 46 167

HSL 307.01, 0.6%, 0.45%

LAB 45.37, 66.08, -34.96

 

CMYK 0 / 70 / 8 / 19

HEX #CF3FBE

RGB 207 63 190

HSL 307.08, 0.6%, 0.53%

LAB 52.44, 69.44, -37.06

 

CMYK 0 / 55 / 7 / 16

HEX #D760C9

RGB 215 96 201

HSL 307.06, 0.6%, 0.61%

LAB 59, 59.81, -33.02

 

CMYK 0 / 42 / 5 / 13

HEX #DF81D4

RGB 223 129 212

HSL 307.02, 0.59%, 0.69%

LAB 66.63, 47.92, -27.33

 

CMYK 0 / 30 / 4 / 9

HEX #E8A2DF

RGB 232 162 223

HSL 307.71, 0.6%, 0.77%

LAB 75.03, 35.4, -20.47

 

CMYK 0 / 55 / 7 / 16

HEX #D761C9

RGB 215 97 201

HSL 307.12, 0.6%, 0.61%

LAB 59.17, 59.35, -32.76

 

CMYK 0 / 38 / 55 / 16

HEX #D78660

RGB 215 134 96

HSL 19.16, 0.6%, 0.61%

LAB 63.62, 27.26, 33.37

 

CMYK 55 / 0 / 16 / 16

HEX #60D7B5

RGB 96 215 181

HSL 162.86, 0.6%, 0.61%

LAB 78.71, -41.62, 6.71

 

CMYK 0 / 55 / 7 / 16

HEX #D761C9

RGB 215 97 201

HSL 307.12, 0.6%, 0.61%

LAB 59.17, 59.35, -32.76

 

CMYK 7 / 0 / 55 / 16

HEX #C9D760

RGB 201 215 96

HSL 67.06, 0.6%, 0.61%

LAB 82.84, -21.07, 56.07

 

CMYK 55 / 7 / 0 / 16

HEX #60C9D7

RGB 96 201 215

HSL 187.06, 0.6%, 0.61%

LAB 75.55, -26.37, -16.21

 

CMYK 0 / 55 / 7 / 16

HEX #D761C9

RGB 215 97 201

HSL 307.12, 0.6%, 0.61%

LAB 59.17, 59.35, -32.76

 

CMYK 0 / 38 / 55 / 16

HEX #D78660

RGB 215 134 96

HSL 19.16, 0.6%, 0.61%

LAB 63.62, 27.26, 33.37

 

CMYK 55 / 0 / 49 / 16

HEX #60D76E

RGB 96 215 110

HSL 127.06, 0.6%, 0.61%

LAB 77.41, -55.01, 41.68

 

CMYK 55 / 18 / 0 / 16

HEX #60B1D7

RGB 96 177 215

HSL 199.16, 0.6%, 0.61%

LAB 68.63, -14.05, -26.74

 

CMYK 0 / 55 / 7 / 16

HEX #D761C9

RGB 215 97 201

HSL 307.12, 0.6%, 0.61%

LAB 59.17, 59.35, -32.76

 

CMYK 0 / 21 / 55 / 16

HEX #D7A960

RGB 215 169 96

HSL 36.81, 0.6%, 0.61%

LAB 72.01, 8.4, 43.71

 

CMYK 55 / 0 / 49 / 16

HEX #60D76E

RGB 96 215 110

HSL 127.06, 0.6%, 0.61%

LAB 77.41, -55.01, 41.68

 

CMYK 55 / 34 / 0 / 16

HEX #608ED7

RGB 96 142 215

HSL 216.81, 0.6%, 0.61%

LAB 58.73, 5.6, -42.14

 

Description

Color code: HEX #D761C9 | qconv.com Color code: HEX #D761C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 97 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 97 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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