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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D761BD it is the complementary color #289E42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D761BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D761BD shade: #DC61B8, #ED73CB, #FE85DE, #FF97F1 and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D761BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D761BD shade: #D761BD, #C64FAA, #B53D97, #A42B84 and #931971

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D761BD shade: #D760BD, #D7609D, #D7607D and #D76060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D761BD shade: #D760BD, #D160D7, #B160D7, #9160D7 and #7160D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D761BD shade matches the following richer shades: #D760BD, #E750C6 and #F740CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D761BD shade: #D760BD, #C770B4, #B780AB, #A790A2 and #97A099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D761BD shade: #B160D7, #D160D7, #D760BD, #D7609E and #D7607E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D761BD shade: #B72E99, #CF3FAF, #D760BD, #DF81CB and #E8A2D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D761BD shade: #D761BD, #D79260 and #60D7C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D761BD shade: #D761BD, #BDD760 and #60BDD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D761BD shade: #D761BD, #D79260, #60D77A and #60A5D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D761BD shade: #D761BD, #D7B560, #60D77A and #6082D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 12 / 16

HEX #D761BD

RGB 215 97 189

HSL 313.22, 0.6%, 0.61%

LAB 58.67, 57.43, -26.69

 

Complementary color

CMYK 75 / 0 / 58 / 38

HEX #289E42

RGB 40 158 66

HSL 133.22, 0.6%, 0.39%

LAB 57.36, -51.63, 38.43

 

CMYK 0 / 56 / 16 / 14

HEX #DC61B8

RGB 220 97 184

HSL 317.56, 0.64%, 0.62%

LAB 59.18, 58.1, -22.97

 

CMYK 0 / 51 / 14 / 7

HEX #ED73CB

RGB 237 115 203

HSL 316.72, 0.77%, 0.69%

LAB 65.42, 57.56, -23.99

 

CMYK 0 / 48 / 13 / 0

HEX #FE85DE

RGB 254 133 222

HSL 315.87, 0.98%, 0.76%

LAB 71.64, 56.93, -24.85

 

CMYK 0 / 41 / 5 / 0

HEX #FF97F1

RGB 255 151 241

HSL 308.08, 1%, 0.8%

LAB 75.91, 51.42, -28.69

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 55 / 12 / 16

HEX #D761BD

RGB 215 97 189

HSL 313.22, 0.6%, 0.61%

LAB 58.67, 57.43, -26.69

 

CMYK 0 / 60 / 14 / 22

HEX #C64FAA

RGB 198 79 170

HSL 314.12, 0.51%, 0.54%

LAB 52.4, 57.81, -25.59

 

CMYK 0 / 66 / 17 / 29

HEX #B53D97

RGB 181 61 151

HSL 315, 0.5%, 0.47%

LAB 46.17, 57.88, -24.19

 

CMYK 0 / 74 / 20 / 36

HEX #A42B84

RGB 164 43 132

HSL 315.87, 0.58%, 0.41%

LAB 40.06, 57.43, -22.35

 

CMYK 0 / 83 / 23 / 42

HEX #931971

RGB 147 25 113

HSL 316.72, 0.71%, 0.34%

LAB 34.17, 56.1, -19.86

 

CMYK 0 / 55 / 12 / 16

HEX #D760BD

RGB 215 96 189

HSL 313.11, 0.6%, 0.61%

LAB 58.5, 57.89, -26.96

 

CMYK 0 / 55 / 27 / 16

HEX #D7609D

RGB 215 96 157

HSL 329.24, 0.6%, 0.61%

LAB 57.32, 53.27, -10.28

 

CMYK 0 / 55 / 42 / 16

HEX #D7607D

RGB 215 96 125

HSL 345.38, 0.6%, 0.61%

LAB 56.38, 49.47, 7.08

 

CMYK 0 / 55 / 55 / 16

HEX #D76060

RGB 215 96 96

HSL 0, 0.6%, 0.61%

LAB 55.74, 46.8, 23.17

 

CMYK 0 / 55 / 12 / 16

HEX #D760BD

RGB 215 96 189

HSL 313.11, 0.6%, 0.61%

LAB 58.5, 57.89, -26.96

 

CMYK 3 / 55 / 0 / 16

HEX #D160D7

RGB 209 96 215

HSL 296.97, 0.6%, 0.61%

LAB 58.81, 60.6, -41.3

 

CMYK 18 / 55 / 0 / 16

HEX #B160D7

RGB 177 96 215

HSL 280.84, 0.6%, 0.61%

LAB 54.68, 52.3, -48.11

 

CMYK 33 / 55 / 0 / 16

HEX #9160D7

RGB 145 96 215

HSL 264.71, 0.6%, 0.61%

LAB 51.03, 44.28, -54.15

 

CMYK 47 / 55 / 0 / 16

HEX #7160D7

RGB 113 96 215

HSL 248.57, 0.6%, 0.61%

LAB 47.99, 36.94, -59.2

 

CMYK 0 / 55 / 12 / 16

HEX #D760BD

RGB 215 96 189

HSL 313.11, 0.6%, 0.61%

LAB 58.5, 57.89, -26.96

 

CMYK 0 / 65 / 14 / 9

HEX #E750C6

RGB 231 80 198

HSL 313.11, 0.76%, 0.61%

LAB 58.79, 70.23, -31.46

 

CMYK 0 / 74 / 16 / 3

HEX #F740CF

RGB 247 64 207

HSL 313.11, 0.92%, 0.61%

LAB 59.84, 80.61, -34.76

 

CMYK 0 / 55 / 12 / 16

HEX #D760BD

RGB 215 96 189

HSL 313.11, 0.6%, 0.61%

LAB 58.5, 57.89, -26.96

 

CMYK 0 / 44 / 10 / 22

HEX #C770B4

RGB 199 112 180

HSL 313.1, 0.44%, 0.61%

LAB 59, 43.73, -21.21

 

CMYK 0 / 30 / 7 / 28

HEX #B780AB

RGB 183 128 171

HSL 313.09, 0.28%, 0.61%

LAB 60.29, 28.17, -14.28

 

CMYK 0 / 14 / 3 / 35

HEX #A790A2

RGB 167 144 162

HSL 313.04, 0.12%, 0.61%

LAB 62.31, 11.83, -6.3

 

CMYK 6 / 0 / 4 / 37

HEX #97A099

RGB 151 160 153

HSL 133.33, 0.05%, 0.61%

LAB 64.98, -4.57, 2.53

 

CMYK 18 / 55 / 0 / 16

HEX #B160D7

RGB 177 96 215

HSL 280.84, 0.6%, 0.61%

LAB 54.68, 52.3, -48.11

 

CMYK 3 / 55 / 0 / 16

HEX #D160D7

RGB 209 96 215

HSL 296.97, 0.6%, 0.61%

LAB 58.81, 60.6, -41.3

 

CMYK 0 / 55 / 12 / 16

HEX #D760BD

RGB 215 96 189

HSL 313.11, 0.6%, 0.61%

LAB 58.5, 57.89, -26.96

 

CMYK 0 / 55 / 27 / 16

HEX #D7609E

RGB 215 96 158

HSL 328.74, 0.6%, 0.61%

LAB 57.35, 53.4, -10.81

 

CMYK 0 / 55 / 41 / 16

HEX #D7607E

RGB 215 96 126

HSL 344.87, 0.6%, 0.61%

LAB 56.41, 49.58, 6.53

 

CMYK 0 / 75 / 16 / 28

HEX #B72E99

RGB 183 46 153

HSL 313.14, 0.6%, 0.45%

LAB 44.69, 64.04, -27.66

 

CMYK 0 / 70 / 15 / 19

HEX #CF3FAF

RGB 207 63 175

HSL 313.33, 0.6%, 0.53%

LAB 51.74, 67.24, -29.42

 

CMYK 0 / 55 / 12 / 16

HEX #D760BD

RGB 215 96 189

HSL 313.11, 0.6%, 0.61%

LAB 58.5, 57.89, -26.96

 

CMYK 0 / 42 / 9 / 13

HEX #DF81CB

RGB 223 129 203

HSL 312.77, 0.59%, 0.69%

LAB 66.29, 46.39, -22.82

 

CMYK 0 / 30 / 7 / 9

HEX #E8A2D8

RGB 232 162 216

HSL 313.71, 0.6%, 0.77%

LAB 74.8, 34.18, -17

 

CMYK 0 / 55 / 12 / 16

HEX #D761BD

RGB 215 97 189

HSL 313.22, 0.6%, 0.61%

LAB 58.67, 57.43, -26.69

 

CMYK 0 / 32 / 55 / 16

HEX #D79260

RGB 215 146 96

HSL 25.21, 0.6%, 0.61%

LAB 66.4, 20.79, 36.85

 

CMYK 55 / 0 / 10 / 16

HEX #60D7C1

RGB 96 215 193

HSL 168.91, 0.6%, 0.61%

LAB 79.01, -38.76, 0.74

 

CMYK 0 / 55 / 12 / 16

HEX #D761BD

RGB 215 97 189

HSL 313.22, 0.6%, 0.61%

LAB 58.67, 57.43, -26.69

 

CMYK 12 / 0 / 55 / 16

HEX #BDD760

RGB 189 215 96

HSL 73.11, 0.6%, 0.61%

LAB 81.98, -25.83, 54.87

 

CMYK 55 / 12 / 0 / 16

HEX #60BDD7

RGB 96 189 215

HSL 193.11, 0.6%, 0.61%

LAB 72.09, -20.32, -21.46

 

CMYK 0 / 55 / 12 / 16

HEX #D761BD

RGB 215 97 189

HSL 313.22, 0.6%, 0.61%

LAB 58.67, 57.43, -26.69

 

CMYK 0 / 32 / 55 / 16

HEX #D79260

RGB 215 146 96

HSL 25.21, 0.6%, 0.61%

LAB 66.4, 20.79, 36.85

 

CMYK 55 / 0 / 43 / 16

HEX #60D77A

RGB 96 215 122

HSL 133.11, 0.6%, 0.61%

LAB 77.57, -53.21, 35.96

 

CMYK 55 / 23 / 0 / 16

HEX #60A5D7

RGB 96 165 215

HSL 205.21, 0.6%, 0.61%

LAB 65.2, -7.53, -32.03

 

CMYK 0 / 55 / 12 / 16

HEX #D761BD

RGB 215 97 189

HSL 313.22, 0.6%, 0.61%

LAB 58.67, 57.43, -26.69

 

CMYK 0 / 16 / 55 / 16

HEX #D7B560

RGB 215 181 96

HSL 42.86, 0.6%, 0.61%

LAB 75.04, 2.02, 47.32

 

CMYK 55 / 0 / 43 / 16

HEX #60D77A

RGB 96 215 122

HSL 133.11, 0.6%, 0.61%

LAB 77.57, -53.21, 35.96

 

CMYK 55 / 40 / 0 / 16

HEX #6082D7

RGB 96 130 215

HSL 222.86, 0.6%, 0.61%

LAB 55.44, 12.74, -47.34

 

Description

Color code: HEX #D761BD | qconv.com Color code: HEX #D761BD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 97 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 97 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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