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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D75E65 it is the complementary color #28A19A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D75E65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D75E65 shade: #DC5E60, #ED7073, #FE8286, #FF9499 and #FFA6AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D75E65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D75E65 shade: #D75E65, #C64C52, #B53A3F, #A4282C and #931619

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D75E65 shade: #D76067 and #D76060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D75E65 shade: #D76067, #D76087, #D760A7, #D760C7 and #C760D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D75E65 shade matches the following richer shades: #D76067, #E75059 and #F7404A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D75E65 shade: #D76067, #C77075, #B78083, #A79091 and #97A0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D75E65 shade: #D760A7, #D76088, #D76068, #D77860 and #D79860

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D75E65 shade: #B72E36, #CF3F47, #D76067, #DF8186 and #E8A2A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D75E65 shade: #D75E65, #C7D760 and #6098D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D75E65 shade: #D75E65, #68D760 and #6068D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D75E65 shade: #D75E65, #C7D760, #60D7CF and #7060D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D75E65 shade: #D75E65, #A4D760, #60D7CF and #9460D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 53 / 16

HEX #D75E65

RGB 215 94 101

HSL 356.53, 0.6%, 0.61%

LAB 55.47, 48.16, 19.9

 

Complementary color

CMYK 75 / 0 / 4 / 37

HEX #28A19A

RGB 40 161 154

HSL 176.53, 0.6%, 0.39%

LAB 60.14, -33.51, -5.74

 

CMYK 0 / 57 / 56 / 14

HEX #DC5E60

RGB 220 94 96

HSL 359.05, 0.64%, 0.62%

LAB 56.15, 49.51, 23.86

 

CMYK 0 / 53 / 51 / 7

HEX #ED7073

RGB 237 112 115

HSL 358.56, 0.78%, 0.68%

LAB 62.36, 48.47, 21.69

 

CMYK 0 / 49 / 47 / 0

HEX #FE8286

RGB 254 130 134

HSL 358.06, 0.98%, 0.75%

LAB 68.58, 47.41, 19.81

 

CMYK 0 / 42 / 40 / 0

HEX #FF9499

RGB 255 148 153

HSL 357.2, 1%, 0.79%

LAB 72.72, 40.66, 15.01

 

CMYK 0 / 35 / 33 / 0

HEX #FFA6AC

RGB 255 166 172

HSL 355.96, 1%, 0.83%

LAB 76.99, 33.57, 10.59

 

CMYK 0 / 56 / 53 / 16

HEX #D75E65

RGB 215 94 101

HSL 356.53, 0.6%, 0.61%

LAB 55.47, 48.16, 19.9

 

CMYK 0 / 62 / 59 / 22

HEX #C64C52

RGB 198 76 82

HSL 357.05, 0.52%, 0.54%

LAB 49.23, 49.11, 22.32

 

CMYK 0 / 68 / 65 / 29

HEX #B53A3F

RGB 181 58 63

HSL 357.56, 0.51%, 0.47%

LAB 43.08, 49.85, 25.24

 

CMYK 0 / 76 / 73 / 36

HEX #A4282C

RGB 164 40 44

HSL 358.06, 0.61%, 0.4%

LAB 37.1, 50.18, 28.8

 

CMYK 0 / 85 / 83 / 42

HEX #931619

RGB 147 22 25

HSL 358.56, 0.74%, 0.33%

LAB 31.46, 49.68, 33.01

 

CMYK 0 / 55 / 52 / 16

HEX #D76067

RGB 215 96 103

HSL 356.47, 0.6%, 0.61%

LAB 55.88, 47.38, 19.28

 

CMYK 0 / 55 / 55 / 16

HEX #D76060

RGB 215 96 96

HSL 0, 0.6%, 0.61%

LAB 55.74, 46.8, 23.17

 

CMYK 0 / 55 / 52 / 16

HEX #D76067

RGB 215 96 103

HSL 356.47, 0.6%, 0.61%

LAB 55.88, 47.38, 19.28

 

CMYK 0 / 55 / 37 / 16

HEX #D76087

RGB 215 96 135

HSL 340.34, 0.6%, 0.61%

LAB 56.65, 50.57, 1.6

 

CMYK 0 / 55 / 22 / 16

HEX #D760A7

RGB 215 96 167

HSL 324.2, 0.6%, 0.61%

LAB 57.66, 54.63, -15.57

 

CMYK 0 / 55 / 7 / 16

HEX #D760C7

RGB 215 96 199

HSL 308.07, 0.6%, 0.61%

LAB 58.92, 59.48, -32.02

 

CMYK 7 / 55 / 0 / 16

HEX #C760D7

RGB 199 96 215

HSL 291.93, 0.6%, 0.61%

LAB 57.48, 57.99, -43.5

 

CMYK 0 / 55 / 52 / 16

HEX #D76067

RGB 215 96 103

HSL 356.47, 0.6%, 0.61%

LAB 55.88, 47.38, 19.28

 

CMYK 0 / 65 / 61 / 9

HEX #E75059

RGB 231 80 89

HSL 356.42, 0.76%, 0.61%

LAB 55.53, 58.81, 27.46

 

CMYK 0 / 74 / 70 / 3

HEX #F7404A

RGB 247 64 74

HSL 356.72, 0.92%, 0.61%

LAB 56.02, 68.65, 37.33

 

CMYK 0 / 55 / 52 / 16

HEX #D76067

RGB 215 96 103

HSL 356.47, 0.6%, 0.61%

LAB 55.88, 47.38, 19.28

 

CMYK 0 / 44 / 41 / 22

HEX #C77075

RGB 199 112 117

HSL 356.55, 0.44%, 0.61%

LAB 57.09, 34.8, 12.44

 

CMYK 0 / 30 / 28 / 28

HEX #B78083

RGB 183 128 131

HSL 356.73, 0.28%, 0.61%

LAB 59.11, 21.7, 6.93

 

CMYK 0 / 14 / 13 / 35

HEX #A79091

RGB 167 144 145

HSL 357.39, 0.12%, 0.61%

LAB 61.83, 8.77, 2.64

 

CMYK 6 / 0 / 0 / 37

HEX #97A0A0

RGB 151 160 160

HSL 180, 0.05%, 0.61%

LAB 65.17, -3.19, -1.11

 

CMYK 0 / 55 / 22 / 16

HEX #D760A7

RGB 215 96 167

HSL 324.2, 0.6%, 0.61%

LAB 57.66, 54.63, -15.57

 

CMYK 0 / 55 / 37 / 16

HEX #D76088

RGB 215 96 136

HSL 339.83, 0.6%, 0.61%

LAB 56.67, 50.68, 1.05

 

CMYK 0 / 55 / 52 / 16

HEX #D76068

RGB 215 96 104

HSL 355.97, 0.6%, 0.61%

LAB 55.9, 47.46, 18.73

 

CMYK 0 / 44 / 55 / 16

HEX #D77860

RGB 215 120 96

HSL 12.1, 0.6%, 0.61%

LAB 60.54, 34.69, 29.43

 

CMYK 0 / 29 / 55 / 16

HEX #D79860

RGB 215 152 96

HSL 28.24, 0.6%, 0.61%

LAB 67.83, 17.55, 38.62

 

CMYK 0 / 75 / 70 / 28

HEX #B72E36

RGB 183 46 54

HSL 356.5, 0.6%, 0.45%

LAB 41.67, 54.51, 29.04

 

CMYK 0 / 70 / 66 / 19

HEX #CF3F47

RGB 207 63 71

HSL 356.67, 0.6%, 0.53%

LAB 48.61, 56.77, 28.38

 

CMYK 0 / 55 / 52 / 16

HEX #D76067

RGB 215 96 103

HSL 356.47, 0.6%, 0.61%

LAB 55.88, 47.38, 19.28

 

CMYK 0 / 42 / 40 / 13

HEX #DF8186

RGB 223 129 134

HSL 356.81, 0.59%, 0.69%

LAB 64.25, 36.69, 13.18

 

CMYK 0 / 30 / 28 / 9

HEX #E8A2A6

RGB 232 162 166

HSL 356.57, 0.6%, 0.77%

LAB 73.38, 26.49, 8.39

 

CMYK 0 / 56 / 53 / 16

HEX #D75E65

RGB 215 94 101

HSL 356.53, 0.6%, 0.61%

LAB 55.47, 48.16, 19.9

 

CMYK 7 / 0 / 55 / 16

HEX #C7D760

RGB 199 215 96

HSL 68.07, 0.6%, 0.61%

LAB 82.69, -21.87, 55.87

 

CMYK 55 / 29 / 0 / 16

HEX #6098D7

RGB 96 152 215

HSL 211.76, 0.6%, 0.61%

LAB 61.52, -0.21, -37.76

 

CMYK 0 / 56 / 53 / 16

HEX #D75E65

RGB 215 94 101

HSL 356.53, 0.6%, 0.61%

LAB 55.47, 48.16, 19.9

 

CMYK 52 / 0 / 55 / 16

HEX #68D760

RGB 104 215 96

HSL 115.97, 0.6%, 0.61%

LAB 77.51, -54.8, 48.52

 

CMYK 55 / 52 / 0 / 16

HEX #6068D7

RGB 96 104 215

HSL 235.97, 0.6%, 0.61%

LAB 48.63, 28.61, -58.23

 

CMYK 0 / 56 / 53 / 16

HEX #D75E65

RGB 215 94 101

HSL 356.53, 0.6%, 0.61%

LAB 55.47, 48.16, 19.9

 

CMYK 7 / 0 / 55 / 16

HEX #C7D760

RGB 199 215 96

HSL 68.07, 0.6%, 0.61%

LAB 82.69, -21.87, 55.87

 

CMYK 55 / 0 / 4 / 16

HEX #60D7CF

RGB 96 215 207

HSL 175.97, 0.6%, 0.61%

LAB 79.38, -35.23, -6.2

 

CMYK 48 / 55 / 0 / 16

HEX #7060D7

RGB 112 96 215

HSL 248.07, 0.6%, 0.61%

LAB 47.9, 36.73, -59.34

 

CMYK 0 / 56 / 53 / 16

HEX #D75E65

RGB 215 94 101

HSL 356.53, 0.6%, 0.61%

LAB 55.47, 48.16, 19.9

 

CMYK 24 / 0 / 55 / 16

HEX #A4D760

RGB 164 215 96

HSL 85.71, 0.6%, 0.61%

LAB 80.37, -35.39, 52.59

 

CMYK 55 / 0 / 4 / 16

HEX #60D7CF

RGB 96 215 207

HSL 175.97, 0.6%, 0.61%

LAB 79.38, -35.23, -6.2

 

CMYK 31 / 55 / 0 / 16

HEX #9460D7

RGB 148 96 215

HSL 266.22, 0.6%, 0.61%

LAB 51.35, 45.01, -53.62

 

Description

Color code: HEX #D75E65 | qconv.com Color code: HEX #D75E65 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 94 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 94 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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