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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D75C19 it is the complementary color #28A3E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D75C19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D75C19 shade: #DC5C14, #ED6E27, #FE803A, #FF924D and #FFA460

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D75C19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D75C19 shade: #D75C19, #C64A06, #B53800, #A42600 and #931400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D75C19 shade: #D75C19, #D72919 and #D71919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D75C19 shade: #D75C19, #D78F19, #D7C219, #B8D719 and #85D719

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D75C19 shade matches the following richer shades: #D75C19 and #EA5606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D75C19 shade: #D75C19, #C3622D, #B06740, #9C6D53 and #897367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D75C19 shade: #D7193C, #D72919, #D75B19, #D78E19 and #D7C019

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D75C19 shade: #8D3C11, #B24C15, #D75C19, #E77232 and #EB8B57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D75C19 shade: #D75C19, #6ED719 and #1923D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D75C19 shade: #D75C19, #19D75B and #5B19D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D75C19 shade: #D75C19, #6ED719, #1994D7 and #8119D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D75C19 shade: #D75C19, #36D719, #1994D7 and #BA19D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

Complementary color

CMYK 83 / 29 / 0 / 10

HEX #28A3E6

RGB 40 163 230

HSL 201.16, 0.79%, 0.53%

LAB 63.64, -9.57, -42.88

 

CMYK 0 / 58 / 91 / 14

HEX #DC5C14

RGB 220 92 20

HSL 21.6, 0.83%, 0.47%

LAB 54.99, 47.08, 59.9

 

CMYK 0 / 54 / 84 / 7

HEX #ED6E27

RGB 237 110 39

HSL 21.52, 0.85%, 0.54%

LAB 61.05, 45.28, 59.26

 

CMYK 0 / 50 / 77 / 0

HEX #FE803A

RGB 254 128 58

HSL 21.43, 0.99%, 0.61%

LAB 67.14, 43.53, 57.84

 

CMYK 0 / 43 / 70 / 0

HEX #FF924D

RGB 255 146 77

HSL 23.26, 1%, 0.65%

LAB 71.11, 35.69, 53.23

 

CMYK 0 / 36 / 62 / 0

HEX #FFA460

RGB 255 164 96

HSL 25.66, 1%, 0.69%

LAB 75.24, 27.46, 48.62

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 0 / 63 / 97 / 22

HEX #C64A06

RGB 198 74 6

HSL 21.25, 0.94%, 0.4%

LAB 48.15, 47.09, 57.15

 

CMYK 0 / 69 / 100 / 29

HEX #B53800

RGB 181 56 0

HSL 18.56, 1%, 0.35%

LAB 42.23, 48.7, 53.96

 

CMYK 0 / 77 / 100 / 36

HEX #A42600

RGB 164 38 0

HSL 13.9, 1%, 0.32%

LAB 36.52, 49.73, 49.4

 

CMYK 0 / 86 / 100 / 42

HEX #931400

RGB 147 20 0

HSL 8.16, 1%, 0.29%

LAB 31.12, 49.68, 44.41

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 0 / 81 / 88 / 16

HEX #D72919

RGB 215 41 25

HSL 5.05, 0.79%, 0.47%

LAB 47.11, 64.56, 51.97

 

CMYK 0 / 88 / 88 / 16

HEX #D71919

RGB 215 25 25

HSL 0, 0.79%, 0.47%

LAB 45.92, 67.93, 51.07

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 0 / 33 / 88 / 16

HEX #D78F19

RGB 215 143 25

HSL 37.26, 0.79%, 0.47%

LAB 65.09, 18.88, 65.84

 

CMYK 0 / 10 / 88 / 16

HEX #D7C219

RGB 215 194 25

HSL 53.37, 0.79%, 0.47%

LAB 77.93, -8.13, 75.93

 

CMYK 14 / 0 / 88 / 16

HEX #B8D719

RGB 184 215 25

HSL 69.79, 0.79%, 0.47%

LAB 81.22, -31.53, 77.53

 

CMYK 38 / 0 / 88 / 16

HEX #85D719

RGB 133 215 25

HSL 85.89, 0.79%, 0.47%

LAB 78.26, -50.85, 73.89

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 0 / 63 / 97 / 8

HEX #EA5606

RGB 234 86 6

HSL 21.05, 0.95%, 0.47%

LAB 56.25, 54.62, 65.04

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 0 / 50 / 77 / 24

HEX #C3622D

RGB 195 98 45

HSL 21.2, 0.63%, 0.47%

LAB 52.43, 35.14, 46.34

 

CMYK 0 / 41 / 64 / 31

HEX #B06740

RGB 176 103 64

HSL 20.89, 0.47%, 0.47%

LAB 51.04, 25.67, 34.23

 

CMYK 0 / 30 / 47 / 39

HEX #9C6D53

RGB 156 109 83

HSL 21.37, 0.31%, 0.47%

LAB 50.25, 15.45, 21.97

 

CMYK 0 / 16 / 25 / 46

HEX #897367

RGB 137 115 103

HSL 21.18, 0.14%, 0.47%

LAB 50.17, 6.61, 9.84

 

CMYK 0 / 88 / 72 / 16

HEX #D7193C

RGB 215 25 60

HSL 348.95, 0.79%, 0.47%

LAB 46.27, 68.93, 32.45

 

CMYK 0 / 81 / 88 / 16

HEX #D72919

RGB 215 41 25

HSL 5.05, 0.79%, 0.47%

LAB 47.11, 64.56, 51.97

 

CMYK 0 / 58 / 88 / 16

HEX #D75B19

RGB 215 91 25

HSL 20.84, 0.79%, 0.47%

LAB 54.03, 45.78, 57.25

 

CMYK 0 / 34 / 88 / 16

HEX #D78E19

RGB 215 142 25

HSL 36.95, 0.79%, 0.47%

LAB 64.85, 19.42, 65.65

 

CMYK 0 / 11 / 88 / 16

HEX #D7C019

RGB 215 192 25

HSL 52.74, 0.79%, 0.47%

LAB 77.41, -7.1, 75.51

 

CMYK 0 / 57 / 88 / 45

HEX #8D3C11

RGB 141 60 17

HSL 20.81, 0.78%, 0.31%

LAB 35.86, 32.1, 40.57

 

CMYK 0 / 57 / 88 / 30

HEX #B24C15

RGB 178 76 21

HSL 21.02, 0.79%, 0.39%

LAB 45.2, 38.84, 49.19

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 0 / 51 / 78 / 9

HEX #E77232

RGB 231 114 50

HSL 21.22, 0.79%, 0.55%

LAB 61.01, 41.36, 54.28

 

CMYK 0 / 41 / 63 / 8

HEX #EB8B57

RGB 235 139 87

HSL 21.08, 0.79%, 0.63%

LAB 67.14, 31.96, 43.03

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 49 / 0 / 88 / 16

HEX #6ED719

RGB 110 215 25

HSL 93.16, 0.79%, 0.47%

LAB 77.27, -58.21, 72.66

 

CMYK 88 / 84 / 0 / 16

HEX #1923D7

RGB 25 35 215

HSL 236.84, 0.79%, 0.47%

LAB 30.19, 60.26, -88.59

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 88 / 0 / 58 / 16

HEX #19D75B

RGB 25 215 91

HSL 140.84, 0.79%, 0.47%

LAB 75.8, -68.68, 48.38

 

CMYK 58 / 88 / 0 / 16

HEX #5B19D7

RGB 91 25 215

HSL 260.84, 0.79%, 0.47%

LAB 33.62, 67.45, -82.78

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 49 / 0 / 88 / 16

HEX #6ED719

RGB 110 215 25

HSL 93.16, 0.79%, 0.47%

LAB 77.27, -58.21, 72.66

 

CMYK 88 / 31 / 0 / 16

HEX #1994D7

RGB 25 148 215

HSL 201.16, 0.79%, 0.47%

LAB 58.31, -7.59, -42.94

 

CMYK 40 / 88 / 0 / 16

HEX #8119D7

RGB 129 25 215

HSL 272.84, 0.79%, 0.47%

LAB 38.32, 71.3, -74.86

 

CMYK 0 / 57 / 88 / 16

HEX #D75C19

RGB 215 92 25

HSL 21.16, 0.79%, 0.47%

LAB 54.21, 45.31, 57.39

 

CMYK 75 / 0 / 88 / 16

HEX #36D719

RGB 54 215 25

HSL 110.84, 0.79%, 0.47%

LAB 75.73, -70.84, 70.73

 

CMYK 88 / 31 / 0 / 16

HEX #1994D7

RGB 25 148 215

HSL 201.16, 0.79%, 0.47%

LAB 58.31, -7.59, -42.94

 

CMYK 13 / 88 / 0 / 16

HEX #BA19D7

RGB 186 25 215

HSL 290.84, 0.79%, 0.47%

LAB 47.03, 79.26, -60.3

 

Description

Color code: HEX #D75C19 | qconv.com Color code: HEX #D75C19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 92 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 92 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 88 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 88% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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