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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D75A8C it is the complementary color #28A573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D75A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D75A8C shade: #DC5A87, #ED6C9A, #FE7EAD, #FF90C0 and #FFA2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D75A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D75A8C shade: #D75A8C, #C64879, #B53666, #A42453 and #931240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D75A8C shade: #D75B8D, #D75B6B and #D75B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D75A8C shade: #D75B8D, #D75BAE, #D75BD0, #BD5BD7 and #9C5BD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D75A8C shade matches the following richer shades: #D75B8D, #E84A89 and #F83A86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D75A8C shade: #D75B8D, #C76B90, #B67C93, #A68C96 and #959D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D75A8C shade: #D75BCF, #D75BAE, #D75B8D, #D75B6B and #D76B5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D75A8C shade: #B42C62, #CF3A75, #D75B8D, #DF7CA4 and #E79DBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D75A8C shade: #D75A8C, #D7BE5B and #5BBED7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D75A8C shade: #D75A8C, #8DD75B and #5B8DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D75A8C shade: #D75A8C, #D7BE5B, #5BD7A5 and #5B74D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D75A8C shade: #D75A8C, #CBD75B, #5BD7A5 and #675BD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 35 / 16

HEX #D75A8C

RGB 215 90 140

HSL 336, 0.61%, 0.6%

LAB 55.74, 53.93, -2.67

 

Complementary color

CMYK 76 / 0 / 30 / 35

HEX #28A573

RGB 40 165 115

HSL 156, 0.61%, 0.4%

LAB 60.43, -45.38, 16.54

 

CMYK 0 / 59 / 39 / 14

HEX #DC5A87

RGB 220 90 135

HSL 339.23, 0.65%, 0.61%

LAB 56.36, 54.95, 1.28

 

CMYK 0 / 54 / 35 / 7

HEX #ED6C9A

RGB 237 108 154

HSL 338.6, 0.78%, 0.68%

LAB 62.56, 54.28, -0.42

 

CMYK 0 / 50 / 32 / 0

HEX #FE7EAD

RGB 254 126 173

HSL 337.97, 0.98%, 0.75%

LAB 68.76, 53.52, -1.86

 

CMYK 0 / 44 / 25 / 0

HEX #FF90C0

RGB 255 144 192

HSL 334.05, 1%, 0.78%

LAB 72.9, 47.46, -6.35

 

CMYK 0 / 36 / 17 / 0

HEX #FFA2D3

RGB 255 162 211

HSL 328.39, 1%, 0.82%

LAB 77.16, 41.01, -10.46

 

CMYK 0 / 58 / 35 / 16

HEX #D75A8C

RGB 215 90 140

HSL 336, 0.61%, 0.6%

LAB 55.74, 53.93, -2.67

 

CMYK 0 / 64 / 39 / 22

HEX #C64879

RGB 198 72 121

HSL 336.67, 0.53%, 0.53%

LAB 49.52, 54.41, -0.79

 

CMYK 0 / 70 / 44 / 29

HEX #B53666

RGB 181 54 102

HSL 337.32, 0.54%, 0.46%

LAB 43.39, 54.55, 1.55

 

CMYK 0 / 78 / 49 / 36

HEX #A42453

RGB 164 36 83

HSL 337.97, 0.64%, 0.39%

LAB 37.44, 54.1, 4.54

 

CMYK 0 / 88 / 56 / 42

HEX #931240

RGB 147 18 64

HSL 338.6, 0.78%, 0.32%

LAB 31.82, 52.64, 8.48

 

CMYK 0 / 58 / 34 / 16

HEX #D75B8D

RGB 215 91 141

HSL 335.81, 0.61%, 0.6%

LAB 55.94, 53.59, -2.96

 

CMYK 0 / 58 / 50 / 16

HEX #D75B6B

RGB 215 91 107

HSL 352.26, 0.61%, 0.6%

LAB 55.06, 50.08, 15.82

 

CMYK 0 / 58 / 58 / 16

HEX #D75B5B

RGB 215 91 91

HSL 0, 0.61%, 0.6%

LAB 54.75, 48.79, 24.77

 

CMYK 0 / 58 / 34 / 16

HEX #D75B8D

RGB 215 91 141

HSL 335.81, 0.61%, 0.6%

LAB 55.94, 53.59, -2.96

 

CMYK 0 / 58 / 19 / 16

HEX #D75BAE

RGB 215 91 174

HSL 319.84, 0.61%, 0.6%

LAB 57.06, 57.91, -20.53

 

CMYK 0 / 58 / 3 / 16

HEX #D75BD0

RGB 215 91 208

HSL 303.39, 0.61%, 0.6%

LAB 58.49, 63.19, -37.79

 

CMYK 12 / 58 / 0 / 16

HEX #BD5BD7

RGB 189 91 215

HSL 287.42, 0.61%, 0.6%

LAB 55.29, 57.8, -47.05

 

CMYK 27 / 58 / 0 / 16

HEX #9C5BD7

RGB 156 91 215

HSL 271.45, 0.61%, 0.6%

LAB 51.22, 49.63, -53.78

 

CMYK 0 / 58 / 34 / 16

HEX #D75B8D

RGB 215 91 141

HSL 335.81, 0.61%, 0.6%

LAB 55.94, 53.59, -2.96

 

CMYK 0 / 68 / 41 / 9

HEX #E84A89

RGB 232 74 137

HSL 336.08, 0.77%, 0.6%

LAB 55.95, 65.34, -0.27

 

CMYK 0 / 77 / 46 / 3

HEX #F83A86

RGB 248 58 134

HSL 336, 0.93%, 0.6%

LAB 56.79, 74.6, 3.06

 

CMYK 0 / 58 / 34 / 16

HEX #D75B8D

RGB 215 91 141

HSL 335.81, 0.61%, 0.6%

LAB 55.94, 53.59, -2.96

 

CMYK 0 / 46 / 28 / 22

HEX #C76B90

RGB 199 107 144

HSL 335.87, 0.45%, 0.6%

LAB 56.75, 40.8, -3.78

 

CMYK 0 / 32 / 19 / 29

HEX #B67C93

RGB 182 124 147

HSL 336.21, 0.28%, 0.6%

LAB 58.48, 25.96, -3.22

 

CMYK 0 / 16 / 10 / 35

HEX #A68C96

RGB 166 140 150

HSL 336.92, 0.13%, 0.6%

LAB 60.84, 11.52, -1.66

 

CMYK 5 / 0 / 2 / 38

HEX #959D9A

RGB 149 157 154

HSL 157.5, 0.04%, 0.6%

LAB 64.03, -3.45, 0.57

 

CMYK 0 / 58 / 4 / 16

HEX #D75BCF

RGB 215 91 207

HSL 303.87, 0.61%, 0.6%

LAB 58.45, 63.03, -37.29

 

CMYK 0 / 58 / 19 / 16

HEX #D75BAE

RGB 215 91 174

HSL 319.84, 0.61%, 0.6%

LAB 57.06, 57.91, -20.53

 

CMYK 0 / 58 / 34 / 16

HEX #D75B8D

RGB 215 91 141

HSL 335.81, 0.61%, 0.6%

LAB 55.94, 53.59, -2.96

 

CMYK 0 / 58 / 50 / 16

HEX #D75B6B

RGB 215 91 107

HSL 352.26, 0.61%, 0.6%

LAB 55.06, 50.08, 15.82

 

CMYK 0 / 50 / 58 / 16

HEX #D76B5B

RGB 215 107 91

HSL 7.74, 0.61%, 0.6%

LAB 57.77, 41, 28.68

 

CMYK 0 / 76 / 46 / 29

HEX #B42C62

RGB 180 44 98

HSL 336.18, 0.61%, 0.44%

LAB 41.82, 57.42, 1.75

 

CMYK 0 / 72 / 43 / 19

HEX #CF3A75

RGB 207 58 117

HSL 336.24, 0.61%, 0.52%

LAB 48.98, 62.07, 1.02

 

CMYK 0 / 58 / 34 / 16

HEX #D75B8D

RGB 215 91 141

HSL 335.81, 0.61%, 0.6%

LAB 55.94, 53.59, -2.96

 

CMYK 0 / 44 / 26 / 13

HEX #DF7CA4

RGB 223 124 164

HSL 335.76, 0.61%, 0.68%

LAB 63.99, 43.02, -4.27

 

CMYK 0 / 32 / 19 / 9

HEX #E79DBB

RGB 231 157 187

HSL 335.68, 0.61%, 0.76%

LAB 72.69, 31.79, -4.21

 

CMYK 0 / 58 / 35 / 16

HEX #D75A8C

RGB 215 90 140

HSL 336, 0.61%, 0.6%

LAB 55.74, 53.93, -2.67

 

CMYK 0 / 12 / 58 / 16

HEX #D7BE5B

RGB 215 190 91

HSL 47.9, 0.61%, 0.6%

LAB 77.3, -3.08, 52.34

 

CMYK 58 / 12 / 0 / 16

HEX #5BBED7

RGB 91 190 215

HSL 192.1, 0.61%, 0.6%

LAB 72.2, -21.81, -21.31

 

CMYK 0 / 58 / 35 / 16

HEX #D75A8C

RGB 215 90 140

HSL 336, 0.61%, 0.6%

LAB 55.74, 53.93, -2.67

 

CMYK 34 / 0 / 58 / 16

HEX #8DD75B

RGB 141 215 91

HSL 95.81, 0.61%, 0.6%

LAB 79.05, -44.06, 52.99

 

CMYK 58 / 34 / 0 / 16

HEX #5B8DD7

RGB 91 141 215

HSL 215.81, 0.61%, 0.6%

LAB 58.21, 5.15, -42.98

 

CMYK 0 / 58 / 35 / 16

HEX #D75A8C

RGB 215 90 140

HSL 336, 0.61%, 0.6%

LAB 55.74, 53.93, -2.67

 

CMYK 0 / 12 / 58 / 16

HEX #D7BE5B

RGB 215 190 91

HSL 47.9, 0.61%, 0.6%

LAB 77.3, -3.08, 52.34

 

CMYK 58 / 0 / 23 / 16

HEX #5BD7A5

RGB 91 215 165

HSL 155.81, 0.61%, 0.6%

LAB 78.19, -46.24, 14.47

 

CMYK 58 / 46 / 0 / 16

HEX #5B74D7

RGB 91 116 215

HSL 227.9, 0.61%, 0.6%

LAB 51.41, 20.24, -53.79

 

CMYK 0 / 58 / 35 / 16

HEX #D75A8C

RGB 215 90 140

HSL 336, 0.61%, 0.6%

LAB 55.74, 53.93, -2.67

 

CMYK 6 / 0 / 58 / 16

HEX #CBD75B

RGB 203 215 91

HSL 65.81, 0.61%, 0.6%

LAB 82.94, -20.66, 58.44

 

CMYK 58 / 0 / 23 / 16

HEX #5BD7A5

RGB 91 215 165

HSL 155.81, 0.61%, 0.6%

LAB 78.19, -46.24, 14.47

 

CMYK 52 / 58 / 0 / 16

HEX #675BD7

RGB 103 91 215

HSL 245.81, 0.61%, 0.6%

LAB 46, 37.86, -62.44

 

Description

Color code: HEX #D75A8C | qconv.com Color code: HEX #D75A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 90 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 90 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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