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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D759ED it is the complementary color #28A612. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D759ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D759ED shade: #DC59E8, #ED6BFB, #FE7DFF, #FF8FFF and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D759ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D759ED shade: #D759ED, #C647DA, #B535C7, #A423B4 and #9311A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D759ED shade: #D75AED, #ED5ADB, #ED5AB3, #ED5A8C and #ED5A64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D759ED shade: #D75AED, #AF5AED, #885AED, #605AED and #5A5AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D759ED shade matches the following richer shades: #D75AED and #E14BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D759ED shade: #D75AED, #CC69DE, #C277CF, #B786C0 and #AD95B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D759ED shade: #885AED, #AF5AED, #D75AED, #ED5ADC and #ED5AB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D759ED shade: #BE18DB, #CE35E9, #D75AED, #E07FF1 and #E9A4F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D759ED shade: #D759ED, #ED615A and #5AED9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D759ED shade: #D759ED, #EDD75A and #5AEDD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D759ED shade: #D759ED, #ED615A, #70ED5A and #5AE5ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D759ED shade: #D759ED, #ED8D5A, #70ED5A and #5AB9ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 62 / 0 / 7

HEX #D759ED

RGB 215 89 237

HSL 291.08, 0.8%, 0.64%

LAB 59.62, 69.1, -52.31

 

Complementary color

CMYK 76 / 0 / 89 / 35

HEX #28A612

RGB 40 166 18

HSL 111.08, 0.8%, 0.36%

LAB 59.68, -58.29, 58.1

 

CMYK 5 / 62 / 0 / 9

HEX #DC59E8

RGB 220 89 232

HSL 294.97, 0.76%, 0.63%

LAB 60.06, 69.38, -48.79

 

CMYK 6 / 57 / 0 / 2

HEX #ED6BFB

RGB 237 107 251

HSL 294.17, 0.95%, 0.7%

LAB 66.12, 69.12, -49.57

 

CMYK 0 / 51 / 0 / 0

HEX #FE7DFF

RGB 254 125 255

HSL 299.54, 1%, 0.75%

LAB 71.53, 66.07, -43.11

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 9 / 62 / 0 / 7

HEX #D759ED

RGB 215 89 237

HSL 291.08, 0.8%, 0.64%

LAB 59.62, 69.1, -52.31

 

CMYK 9 / 67 / 0 / 15

HEX #C647DA

RGB 198 71 218

HSL 291.84, 0.67%, 0.57%

LAB 53.57, 69.1, -51.4

 

CMYK 9 / 73 / 0 / 22

HEX #B535C7

RGB 181 53 199

HSL 292.6, 0.58%, 0.49%

LAB 47.62, 68.62, -50.18

 

CMYK 9 / 81 / 0 / 29

HEX #A423B4

RGB 164 35 180

HSL 293.38, 0.67%, 0.42%

LAB 41.83, 67.42, -48.49

 

CMYK 9 / 89 / 0 / 37

HEX #9311A1

RGB 147 17 161

HSL 294.17, 0.81%, 0.35%

LAB 36.32, 65.1, -46.14

 

CMYK 9 / 62 / 0 / 7

HEX #D75AED

RGB 215 90 237

HSL 291.02, 0.8%, 0.64%

LAB 59.77, 68.68, -52.07

 

CMYK 0 / 62 / 8 / 7

HEX #ED5ADB

RGB 237 90 219

HSL 307.35, 0.8%, 0.64%

LAB 62.02, 70.96, -38.24

 

CMYK 0 / 62 / 24 / 7

HEX #ED5AB3

RGB 237 90 179

HSL 323.67, 0.8%, 0.64%

LAB 60.4, 65.28, -18.02

 

CMYK 0 / 62 / 41 / 7

HEX #ED5A8C

RGB 237 90 140

HSL 339.59, 0.8%, 0.64%

LAB 59.17, 60.77, 2.75

 

CMYK 0 / 62 / 58 / 7

HEX #ED5A64

RGB 237 90 100

HSL 355.92, 0.8%, 0.64%

LAB 58.26, 57.34, 24.82

 

CMYK 9 / 62 / 0 / 7

HEX #D75AED

RGB 215 90 237

HSL 291.02, 0.8%, 0.64%

LAB 59.77, 68.68, -52.07

 

CMYK 26 / 62 / 0 / 7

HEX #AF5AED

RGB 175 90 237

HSL 274.69, 0.8%, 0.64%

LAB 54.6, 59.54, -60.64

 

CMYK 43 / 62 / 0 / 7

HEX #885AED

RGB 136 90 237

HSL 258.78, 0.8%, 0.64%

LAB 50.29, 51.25, -67.81

 

CMYK 59 / 62 / 0 / 7

HEX #605AED

RGB 96 90 237

HSL 242.45, 0.8%, 0.64%

LAB 46.86, 44.05, -73.54

 

CMYK 62 / 62 / 0 / 7

HEX #5A5AED

RGB 90 90 237

HSL 240, 0.8%, 0.64%

LAB 46.45, 43.13, -74.23

 

CMYK 9 / 62 / 0 / 7

HEX #D75AED

RGB 215 90 237

HSL 291.02, 0.8%, 0.64%

LAB 59.77, 68.68, -52.07

 

CMYK 10 / 70 / 0 / 2

HEX #E14BFB

RGB 225 75 251

HSL 291.14, 0.96%, 0.64%

LAB 59.89, 79.12, -59.58

 

CMYK 9 / 62 / 0 / 7

HEX #D75AED

RGB 215 90 237

HSL 291.02, 0.8%, 0.64%

LAB 59.77, 68.68, -52.07

 

CMYK 8 / 53 / 0 / 13

HEX #CC69DE

RGB 204 105 222

HSL 290.77, 0.64%, 0.64%

LAB 60.08, 56.31, -43.29

 

CMYK 6 / 43 / 0 / 19

HEX #C277CF

RGB 194 119 207

HSL 291.14, 0.48%, 0.64%

LAB 60.93, 43.44, -33.62

 

CMYK 5 / 30 / 0 / 25

HEX #B786C0

RGB 183 134 192

HSL 290.69, 0.32%, 0.64%

LAB 62.44, 28.83, -22.92

 

CMYK 2 / 16 / 0 / 31

HEX #AD95B1

RGB 173 149 177

HSL 291.43, 0.15%, 0.64%

LAB 64.61, 14.04, -11.29

 

CMYK 43 / 62 / 0 / 7

HEX #885AED

RGB 136 90 237

HSL 258.78, 0.8%, 0.64%

LAB 50.29, 51.25, -67.81

 

CMYK 26 / 62 / 0 / 7

HEX #AF5AED

RGB 175 90 237

HSL 274.69, 0.8%, 0.64%

LAB 54.6, 59.54, -60.64

 

CMYK 9 / 62 / 0 / 7

HEX #D75AED

RGB 215 90 237

HSL 291.02, 0.8%, 0.64%

LAB 59.77, 68.68, -52.07

 

CMYK 0 / 62 / 7 / 7

HEX #ED5ADC

RGB 237 90 220

HSL 306.94, 0.8%, 0.64%

LAB 62.07, 71.12, -38.73

 

CMYK 0 / 62 / 24 / 7

HEX #ED5AB4

RGB 237 90 180

HSL 323.27, 0.8%, 0.64%

LAB 60.44, 65.41, -18.54

 

CMYK 13 / 89 / 0 / 14

HEX #BE18DB

RGB 190 24 219

HSL 291.08, 0.8%, 0.48%

LAB 47.9, 80.72, -61.15

 

CMYK 12 / 77 / 0 / 9

HEX #CE35E9

RGB 206 53 233

HSL 291, 0.8%, 0.56%

LAB 53.55, 79.35, -59.86

 

CMYK 9 / 62 / 0 / 7

HEX #D75AED

RGB 215 90 237

HSL 291.02, 0.8%, 0.64%

LAB 59.77, 68.68, -52.07

 

CMYK 7 / 47 / 0 / 5

HEX #E07FF1

RGB 224 127 241

HSL 291.05, 0.8%, 0.72%

LAB 67.56, 54.48, -41.93

 

CMYK 5 / 33 / 0 / 4

HEX #E9A4F5

RGB 233 164 245

HSL 291.11, 0.8%, 0.8%

LAB 76.36, 38.7, -30.38

 

CMYK 9 / 62 / 0 / 7

HEX #D759ED

RGB 215 89 237

HSL 291.08, 0.8%, 0.64%

LAB 59.62, 69.1, -52.31

 

CMYK 0 / 59 / 62 / 7

HEX #ED615A

RGB 237 97 90

HSL 2.86, 0.8%, 0.64%

LAB 59.24, 53.6, 31.81

 

CMYK 62 / 0 / 34 / 7

HEX #5AED9C

RGB 90 237 156

HSL 146.94, 0.8%, 0.64%

LAB 84.56, -57.18, 27.91

 

CMYK 9 / 62 / 0 / 7

HEX #D759ED

RGB 215 89 237

HSL 291.08, 0.8%, 0.64%

LAB 59.62, 69.1, -52.31

 

CMYK 0 / 9 / 62 / 7

HEX #EDD75A

RGB 237 215 90

HSL 51.02, 0.8%, 0.64%

LAB 85.68, -6.81, 62.66

 

CMYK 62 / 0 / 9 / 7

HEX #5AEDD7

RGB 90 237 215

HSL 171.02, 0.8%, 0.64%

LAB 85.83, -44.19, -0.97

 

CMYK 9 / 62 / 0 / 7

HEX #D759ED

RGB 215 89 237

HSL 291.08, 0.8%, 0.64%

LAB 59.62, 69.1, -52.31

 

CMYK 0 / 59 / 62 / 7

HEX #ED615A

RGB 237 97 90

HSL 2.86, 0.8%, 0.64%

LAB 59.24, 53.6, 31.81

 

CMYK 53 / 0 / 62 / 7

HEX #70ED5A

RGB 112 237 90

HSL 111.02, 0.8%, 0.64%

LAB 84.36, -61.62, 59.1

 

CMYK 62 / 3 / 0 / 7

HEX #5AE5ED

RGB 90 229 237

HSL 183.27, 0.8%, 0.64%

LAB 84.14, -34.77, -15.07

 

CMYK 9 / 62 / 0 / 7

HEX #D759ED

RGB 215 89 237

HSL 291.08, 0.8%, 0.64%

LAB 59.62, 69.1, -52.31

 

CMYK 0 / 41 / 62 / 7

HEX #ED8D5A

RGB 237 141 90

HSL 20.82, 0.8%, 0.64%

LAB 67.87, 31.9, 42.4

 

CMYK 53 / 0 / 62 / 7

HEX #70ED5A

RGB 112 237 90

HSL 111.02, 0.8%, 0.64%

LAB 84.36, -61.62, 59.1

 

CMYK 62 / 22 / 0 / 7

HEX #5AB9ED

RGB 90 185 237

HSL 201.22, 0.8%, 0.64%

LAB 71.55, -12.76, -34.27

 

Description

Color code: HEX #D759ED | qconv.com Color code: HEX #D759ED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 89 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 89 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 62 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 62% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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