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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D75686 it is the complementary color #28A979. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D75686. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D75686 shade: #DC5681, #ED6894, #FE7AA7, #FF8CBA and #FF9ECD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D75686. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D75686 shade: #D75686, #C64473, #B53260, #A4204D and #930E3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D75686 shade: #D75686, #D75663 and #D75656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D75686 shade: #D75686, #D756A9, #D756CC, #C056D7 and #9D56D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D75686 shade matches the following richer shades: #D75686, #E84582 and #F9347D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D75686 shade: #D75686, #C6678A, #B5778F, #A58893 and #949997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D75686 shade: #D756CC, #D756AA, #D75687, #D75665 and #D76956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D75686 shade: #B1295C, #CF346E, #D75686, #DF779E and #E798B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D75686 shade: #D75686, #D7C056 and #56BBD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D75686 shade: #D75686, #87D756 and #5687D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D75686 shade: #D75686, #D7C056, #56D7A6 and #566DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D75686 shade: #D75686, #C8D756, #56D7A6 and #6556D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

Complementary color

CMYK 76 / 0 / 28 / 34

HEX #28A979

RGB 40 169 121

HSL 157.67, 0.62%, 0.41%

LAB 61.83, -45.65, 15.18

 

CMYK 0 / 61 / 41 / 14

HEX #DC5681

RGB 220 86 129

HSL 340.75, 0.66%, 0.6%

LAB 55.54, 56.08, 3.62

 

CMYK 0 / 56 / 38 / 7

HEX #ED6894

RGB 237 104 148

HSL 340.15, 0.79%, 0.67%

LAB 61.69, 55.46, 1.77

 

CMYK 0 / 52 / 34 / 0

HEX #FE7AA7

RGB 254 122 167

HSL 339.55, 0.99%, 0.74%

LAB 67.86, 54.71, 0.2

 

CMYK 0 / 45 / 27 / 0

HEX #FF8CBA

RGB 255 140 186

HSL 336, 1%, 0.77%

LAB 71.93, 48.65, -4.45

 

CMYK 0 / 38 / 20 / 0

HEX #FF9ECD

RGB 255 158 205

HSL 330.93, 1%, 0.81%

LAB 76.14, 42.18, -8.69

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 0 / 66 / 42 / 22

HEX #C64473

RGB 198 68 115

HSL 338.31, 0.53%, 0.52%

LAB 48.73, 55.45, 1.69

 

CMYK 0 / 72 / 47 / 29

HEX #B53260

RGB 181 50 96

HSL 338.93, 0.57%, 0.45%

LAB 42.69, 55.46, 4.27

 

CMYK 0 / 80 / 53 / 36

HEX #A4204D

RGB 164 32 77

HSL 339.55, 0.67%, 0.38%

LAB 36.86, 54.79, 7.57

 

CMYK 0 / 90 / 61 / 42

HEX #930E3A

RGB 147 14 58

HSL 340.15, 0.83%, 0.32%

LAB 31.4, 53, 11.88

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 0 / 60 / 54 / 16

HEX #D75663

RGB 215 86 99

HSL 353.95, 0.62%, 0.59%

LAB 54.03, 51.7, 19.13

 

CMYK 0 / 60 / 60 / 16

HEX #D75656

RGB 215 86 86

HSL 0, 0.62%, 0.59%

LAB 53.79, 50.73, 26.43

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 0 / 60 / 21 / 16

HEX #D756A9

RGB 215 86 169

HSL 321.4, 0.62%, 0.59%

LAB 56.05, 59.41, -19.16

 

CMYK 0 / 60 / 5 / 16

HEX #D756CC

RGB 215 86 204

HSL 305.12, 0.62%, 0.59%

LAB 57.52, 64.69, -37.04

 

CMYK 11 / 60 / 0 / 16

HEX #C056D7

RGB 192 86 215

HSL 289.3, 0.62%, 0.59%

LAB 54.83, 60.86, -47.75

 

CMYK 27 / 60 / 0 / 16

HEX #9D56D7

RGB 157 86 215

HSL 273.02, 0.62%, 0.59%

LAB 50.37, 52.45, -55.13

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 0 / 70 / 44 / 9

HEX #E84582

RGB 232 69 130

HSL 337.55, 0.78%, 0.59%

LAB 55.1, 66.47, 2.64

 

CMYK 0 / 79 / 50 / 2

HEX #F9347D

RGB 249 52 125

HSL 337.77, 0.94%, 0.59%

LAB 56.16, 75.73, 7.54

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 0 / 48 / 30 / 22

HEX #C6678A

RGB 198 103 138

HSL 337.89, 0.45%, 0.59%

LAB 55.63, 41.72, -1.95

 

CMYK 0 / 34 / 21 / 29

HEX #B5778F

RGB 181 119 143

HSL 336.77, 0.3%, 0.59%

LAB 57.08, 27.74, -2.98

 

CMYK 0 / 18 / 11 / 35

HEX #A58893

RGB 165 136 147

HSL 337.24, 0.14%, 0.59%

LAB 59.63, 12.88, -1.73

 

CMYK 3 / 0 / 1 / 40

HEX #949997

RGB 148 153 151

HSL 156, 0.02%, 0.59%

LAB 62.77, -2.19, 0.41

 

CMYK 0 / 60 / 5 / 16

HEX #D756CC

RGB 215 86 204

HSL 305.12, 0.62%, 0.59%

LAB 57.52, 64.69, -37.04

 

CMYK 0 / 60 / 21 / 16

HEX #D756AA

RGB 215 86 170

HSL 320.93, 0.62%, 0.59%

LAB 56.09, 59.55, -19.69

 

CMYK 0 / 60 / 37 / 16

HEX #D75687

RGB 215 86 135

HSL 337.21, 0.62%, 0.59%

LAB 54.92, 55.15, -0.92

 

CMYK 0 / 60 / 53 / 16

HEX #D75665

RGB 215 86 101

HSL 353.02, 0.62%, 0.59%

LAB 54.07, 51.86, 18

 

CMYK 0 / 51 / 60 / 16

HEX #D76956

RGB 215 105 86

HSL 8.84, 0.62%, 0.59%

LAB 57.29, 41.64, 30.9

 

CMYK 0 / 77 / 48 / 31

HEX #B1295C

RGB 177 41 92

HSL 337.5, 0.62%, 0.43%

LAB 40.74, 56.99, 3.89

 

CMYK 0 / 75 / 47 / 19

HEX #CF346E

RGB 207 52 110

HSL 337.55, 0.62%, 0.51%

LAB 48.07, 63.43, 3.97

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 0 / 47 / 29 / 13

HEX #DF779E

RGB 223 119 158

HSL 337.5, 0.62%, 0.67%

LAB 62.8, 44.77, -2.59

 

CMYK 0 / 34 / 21 / 9

HEX #E798B6

RGB 231 152 182

HSL 337.22, 0.62%, 0.75%

LAB 71.43, 33.7, -3.29

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 0 / 11 / 60 / 16

HEX #D7C056

RGB 215 192 86

HSL 49.3, 0.62%, 0.59%

LAB 77.77, -4.47, 55.17

 

CMYK 60 / 13 / 0 / 16

HEX #56BBD7

RGB 86 187 215

HSL 193.02, 0.62%, 0.59%

LAB 71.16, -21.21, -22.9

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 37 / 0 / 60 / 16

HEX #87D756

RGB 135 215 86

HSL 97.21, 0.62%, 0.59%

LAB 78.71, -46.56, 54.73

 

CMYK 60 / 37 / 0 / 16

HEX #5687D7

RGB 86 135 215

HSL 217.21, 0.62%, 0.59%

LAB 56.3, 7.72, -46.01

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 0 / 11 / 60 / 16

HEX #D7C056

RGB 215 192 86

HSL 49.3, 0.62%, 0.59%

LAB 77.77, -4.47, 55.17

 

CMYK 60 / 0 / 23 / 16

HEX #56D7A6

RGB 86 215 166

HSL 157.21, 0.62%, 0.59%

LAB 78.07, -47.02, 13.74

 

CMYK 60 / 49 / 0 / 16

HEX #566DD7

RGB 86 109 215

HSL 229.3, 0.62%, 0.59%

LAB 49.28, 23.61, -57.22

 

CMYK 0 / 60 / 38 / 16

HEX #D75686

RGB 215 86 134

HSL 337.67, 0.62%, 0.59%

LAB 54.89, 55.04, -0.37

 

CMYK 7 / 0 / 60 / 16

HEX #C8D756

RGB 200 215 86

HSL 66.98, 0.62%, 0.59%

LAB 82.67, -22.23, 60.24

 

CMYK 60 / 0 / 23 / 16

HEX #56D7A6

RGB 86 215 166

HSL 157.21, 0.62%, 0.59%

LAB 78.07, -47.02, 13.74

 

CMYK 53 / 60 / 0 / 16

HEX #6556D7

RGB 101 86 215

HSL 246.98, 0.62%, 0.59%

LAB 44.7, 40.44, -64.56

 

Description

Color code: HEX #D75686 | qconv.com Color code: HEX #D75686 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 86 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 86 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 38 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 38% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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