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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D755ED it is the complementary color #28AA12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D755ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D755ED shade: #DC55E8, #ED67FB, #FE79FF, #FF8BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D755ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D755ED shade: #D755ED, #C643DA, #B531C7, #A41FB4 and #930DA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D755ED shade: #D754ED, #ED54DA, #ED54B1, #ED5488 and #ED545E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D755ED shade: #D754ED, #AE54ED, #8554ED, #5B54ED and #5454ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D755ED shade matches the following richer shades: #D754ED and #E245FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D755ED shade: #D754ED, #CC63DE, #C173CF, #B682BF and #AC91B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D755ED shade: #8554ED, #AD54ED, #D654ED, #ED54DB and #ED54B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D755ED shade: #BC17D8, #CE2FE9, #D754ED, #E07AF1 and #E89FF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D755ED shade: #D755ED, #ED5C54 and #54ED99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D755ED shade: #D755ED, #EDD654 and #54EDD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D755ED shade: #D755ED, #ED5C54, #6BED54 and #54E5ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D755ED shade: #D755ED, #ED8A54, #6BED54 and #54B8ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 64 / 0 / 7

HEX #D755ED

RGB 215 85 237

HSL 291.32, 0.81%, 0.63%

LAB 59.03, 70.75, -53.26

 

Complementary color

CMYK 76 / 0 / 89 / 33

HEX #28AA12

RGB 40 170 18

HSL 111.32, 0.81%, 0.37%

LAB 61, -59.54, 59.24

 

CMYK 5 / 63 / 0 / 9

HEX #DC55E8

RGB 220 85 232

HSL 295.1, 0.76%, 0.62%

LAB 59.47, 71.01, -49.72

 

CMYK 6 / 59 / 0 / 2

HEX #ED67FB

RGB 237 103 251

HSL 294.32, 0.95%, 0.69%

LAB 65.49, 70.86, -50.57

 

CMYK 0 / 53 / 0 / 0

HEX #FE79FF

RGB 254 121 255

HSL 299.55, 1%, 0.74%

LAB 70.85, 67.89, -44.18

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 9 / 64 / 0 / 7

HEX #D755ED

RGB 215 85 237

HSL 291.32, 0.81%, 0.63%

LAB 59.03, 70.75, -53.26

 

CMYK 9 / 69 / 0 / 15

HEX #C643DA

RGB 198 67 218

HSL 292.05, 0.67%, 0.56%

LAB 53.04, 70.6, -52.25

 

CMYK 9 / 75 / 0 / 22

HEX #B531C7

RGB 181 49 199

HSL 292.8, 0.6%, 0.49%

LAB 47.16, 69.92, -50.9

 

CMYK 9 / 83 / 0 / 29

HEX #A41FB4

RGB 164 31 180

HSL 293.56, 0.71%, 0.41%

LAB 41.48, 68.43, -49.05

 

CMYK 9 / 92 / 0 / 37

HEX #930DA1

RGB 147 13 161

HSL 294.32, 0.85%, 0.34%

LAB 36.11, 65.74, -46.49

 

CMYK 9 / 65 / 0 / 7

HEX #D754ED

RGB 215 84 237

HSL 291.37, 0.81%, 0.63%

LAB 58.88, 71.15, -53.49

 

CMYK 0 / 65 / 8 / 7

HEX #ED54DA

RGB 237 84 218

HSL 307.45, 0.81%, 0.63%

LAB 61.14, 73.14, -39.06

 

CMYK 0 / 65 / 25 / 7

HEX #ED54B1

RGB 237 84 177

HSL 323.53, 0.81%, 0.63%

LAB 59.45, 67.43, -18.31

 

CMYK 0 / 65 / 43 / 7

HEX #ED5488

RGB 237 84 136

HSL 339.61, 0.81%, 0.63%

LAB 58.15, 62.83, 3.62

 

CMYK 0 / 65 / 60 / 7

HEX #ED545E

RGB 237 84 94

HSL 356.08, 0.81%, 0.63%

LAB 57.22, 59.43, 26.94

 

CMYK 9 / 65 / 0 / 7

HEX #D754ED

RGB 215 84 237

HSL 291.37, 0.81%, 0.63%

LAB 58.88, 71.15, -53.49

 

CMYK 27 / 65 / 0 / 7

HEX #AE54ED

RGB 174 84 237

HSL 275.29, 0.81%, 0.63%

LAB 53.44, 62.15, -62.51

 

CMYK 44 / 65 / 0 / 7

HEX #8554ED

RGB 133 84 237

HSL 259.22, 0.81%, 0.63%

LAB 48.81, 53.84, -70.22

 

CMYK 62 / 65 / 0 / 7

HEX #5B54ED

RGB 91 84 237

HSL 242.75, 0.81%, 0.63%

LAB 45.19, 46.78, -76.28

 

CMYK 65 / 65 / 0 / 7

HEX #5454ED

RGB 84 84 237

HSL 240, 0.81%, 0.63%

LAB 44.72, 45.81, -77.07

 

CMYK 9 / 65 / 0 / 7

HEX #D754ED

RGB 215 84 237

HSL 291.37, 0.81%, 0.63%

LAB 58.88, 71.15, -53.49

 

CMYK 10 / 73 / 0 / 1

HEX #E245FC

RGB 226 69 252

HSL 291.48, 0.97%, 0.63%

LAB 59.39, 81.5, -60.93

 

CMYK 9 / 65 / 0 / 7

HEX #D754ED

RGB 215 84 237

HSL 291.37, 0.81%, 0.63%

LAB 58.88, 71.15, -53.49

 

CMYK 8 / 55 / 0 / 13

HEX #CC63DE

RGB 204 99 222

HSL 291.22, 0.65%, 0.63%

LAB 59.01, 59.18, -44.99

 

CMYK 7 / 44 / 0 / 19

HEX #C173CF

RGB 193 115 207

HSL 290.87, 0.49%, 0.63%

LAB 59.98, 45.26, -35.1

 

CMYK 5 / 32 / 0 / 25

HEX #B682BF

RGB 182 130 191

HSL 291.15, 0.32%, 0.63%

LAB 61.37, 30.53, -24.01

 

CMYK 2 / 18 / 0 / 31

HEX #AC91B0

RGB 172 145 176

HSL 292.26, 0.16%, 0.63%

LAB 63.47, 15.75, -12.44

 

CMYK 44 / 65 / 0 / 7

HEX #8554ED

RGB 133 84 237

HSL 259.22, 0.81%, 0.63%

LAB 48.81, 53.84, -70.22

 

CMYK 27 / 65 / 0 / 7

HEX #AD54ED

RGB 173 84 237

HSL 274.9, 0.81%, 0.63%

LAB 53.32, 61.93, -62.71

 

CMYK 10 / 65 / 0 / 7

HEX #D654ED

RGB 214 84 237

HSL 290.98, 0.81%, 0.63%

LAB 58.74, 70.93, -53.72

 

CMYK 0 / 65 / 8 / 7

HEX #ED54DB

RGB 237 84 219

HSL 307.06, 0.81%, 0.63%

LAB 61.19, 73.29, -39.55

 

CMYK 0 / 65 / 25 / 7

HEX #ED54B2

RGB 237 84 178

HSL 323.14, 0.81%, 0.63%

LAB 59.49, 67.55, -18.83

 

CMYK 13 / 89 / 0 / 15

HEX #BC17D8

RGB 188 23 216

HSL 291.3, 0.81%, 0.47%

LAB 47.32, 80.06, -60.39

 

CMYK 12 / 80 / 0 / 9

HEX #CE2FE9

RGB 206 47 233

HSL 291.29, 0.81%, 0.55%

LAB 52.99, 80.96, -60.75

 

CMYK 9 / 65 / 0 / 7

HEX #D754ED

RGB 215 84 237

HSL 291.37, 0.81%, 0.63%

LAB 58.88, 71.15, -53.49

 

CMYK 7 / 49 / 0 / 5

HEX #E07AF1

RGB 224 122 241

HSL 291.43, 0.81%, 0.71%

LAB 66.61, 56.96, -43.42

 

CMYK 5 / 35 / 0 / 4

HEX #E89FF5

RGB 232 159 245

HSL 290.93, 0.81%, 0.79%

LAB 75.17, 41.04, -32.22

 

CMYK 9 / 64 / 0 / 7

HEX #D755ED

RGB 215 85 237

HSL 291.32, 0.81%, 0.63%

LAB 59.03, 70.75, -53.26

 

CMYK 0 / 61 / 65 / 7

HEX #ED5C54

RGB 237 92 84

HSL 3.14, 0.81%, 0.63%

LAB 58.32, 55.45, 34.05

 

CMYK 65 / 0 / 35 / 7

HEX #54ED99

RGB 84 237 153

HSL 147.06, 0.81%, 0.63%

LAB 84.36, -58.85, 29.14

 

CMYK 9 / 64 / 0 / 7

HEX #D755ED

RGB 215 85 237

HSL 291.32, 0.81%, 0.63%

LAB 59.03, 70.75, -53.26

 

CMYK 0 / 10 / 65 / 7

HEX #EDD654

RGB 237 214 84

HSL 50.98, 0.81%, 0.63%

LAB 85.37, -6.67, 64.86

 

CMYK 65 / 0 / 10 / 7

HEX #54EDD6

RGB 84 237 214

HSL 170.98, 0.81%, 0.63%

LAB 85.66, -45.4, -0.71

 

CMYK 9 / 64 / 0 / 7

HEX #D755ED

RGB 215 85 237

HSL 291.32, 0.81%, 0.63%

LAB 59.03, 70.75, -53.26

 

CMYK 0 / 61 / 65 / 7

HEX #ED5C54

RGB 237 92 84

HSL 3.14, 0.81%, 0.63%

LAB 58.32, 55.45, 34.05

 

CMYK 55 / 0 / 65 / 7

HEX #6BED54

RGB 107 237 84

HSL 110.98, 0.81%, 0.63%

LAB 84.14, -63.46, 61.28

 

CMYK 65 / 3 / 0 / 7

HEX #54E5ED

RGB 84 229 237

HSL 183.14, 0.81%, 0.63%

LAB 83.99, -35.69, -15.31

 

CMYK 9 / 64 / 0 / 7

HEX #D755ED

RGB 215 85 237

HSL 291.32, 0.81%, 0.63%

LAB 59.03, 70.75, -53.26

 

CMYK 0 / 42 / 65 / 7

HEX #ED8A54

RGB 237 138 84

HSL 21.18, 0.81%, 0.63%

LAB 67.14, 33.09, 44.64

 

CMYK 55 / 0 / 65 / 7

HEX #6BED54

RGB 107 237 84

HSL 110.98, 0.81%, 0.63%

LAB 84.14, -63.46, 61.28

 

CMYK 65 / 22 / 0 / 7

HEX #54B8ED

RGB 84 184 237

HSL 200.78, 0.81%, 0.63%

LAB 71.06, -13.23, -35.04

 

Description

Color code: HEX #D755ED | qconv.com Color code: HEX #D755ED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 85 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 85 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 64 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 64% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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