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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D755B0 it is the complementary color #28AA4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D755B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D755B0 shade: #DC55AB, #ED67BE, #FE79D1, #FF8BE4 and #FF9DF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D755B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D755B0 shade: #D755B0, #C6439D, #B5318A, #A41F77 and #930D64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D755B0 shade: #D756B0, #D7568D, #D7566A and #D75656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D755B0 shade: #D756B0, #D756D3, #B856D7, #9556D7 and #7256D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D755B0 shade matches the following richer shades: #D756B0, #E845B7 and #F934BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D755B0 shade: #D756B0, #C667AA, #B577A3, #A5889C and #949995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D755B0 shade: #B956D7, #D756D3, #D756B0, #D7568E and #D7566B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D755B0 shade: #B12988, #CF34A1, #D756B0, #DF77C0 and #E798CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D755B0 shade: #D755B0, #D79656 and #56D7CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D755B0 shade: #D755B0, #B0D756 and #56B0D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D755B0 shade: #D755B0, #D79656, #56D77D and #5696D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D755B0 shade: #D755B0, #D7BD56, #56D77D and #5670D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 18 / 16

HEX #D755B0

RGB 215 85 176

HSL 318, 0.62%, 0.59%

LAB 56.17, 60.83, -23.06

 

Complementary color

CMYK 76 / 0 / 54 / 33

HEX #28AA4F

RGB 40 170 79

HSL 138, 0.62%, 0.41%

LAB 61.45, -54.01, 36.95

 

CMYK 0 / 61 / 22 / 14

HEX #DC55AB

RGB 220 85 171

HSL 321.78, 0.66%, 0.6%

LAB 56.74, 61.54, -19.22

 

CMYK 0 / 57 / 20 / 7

HEX #ED67BE

RGB 237 103 190

HSL 321.04, 0.79%, 0.67%

LAB 62.86, 61.18, -20.55

 

CMYK 0 / 52 / 18 / 0

HEX #FE79D1

RGB 254 121 209

HSL 320.3, 0.99%, 0.74%

LAB 69, 60.66, -21.67

 

CMYK 0 / 45 / 11 / 0

HEX #FF8BE4

RGB 255 139 228

HSL 313.97, 1%, 0.77%

LAB 73.11, 55.25, -25.89

 

CMYK 0 / 38 / 3 / 0

HEX #FF9DF7

RGB 255 157 247

HSL 304.9, 1%, 0.81%

LAB 77.33, 49.41, -29.76

 

CMYK 0 / 60 / 18 / 16

HEX #D755B0

RGB 215 85 176

HSL 318, 0.62%, 0.59%

LAB 56.17, 60.83, -23.06

 

CMYK 0 / 66 / 21 / 22

HEX #C6439D

RGB 198 67 157

HSL 318.78, 0.53%, 0.52%

LAB 50.04, 60.91, -21.56

 

CMYK 0 / 73 / 24 / 29

HEX #B5318A

RGB 181 49 138

HSL 319.55, 0.57%, 0.45%

LAB 44.02, 60.53, -19.65

 

CMYK 0 / 81 / 27 / 36

HEX #A41F77

RGB 164 31 119

HSL 320.3, 0.68%, 0.38%

LAB 38.21, 59.37, -17.14

 

CMYK 0 / 91 / 32 / 42

HEX #930D64

RGB 147 13 100

HSL 321.04, 0.84%, 0.31%

LAB 32.72, 57, -13.77

 

CMYK 0 / 60 / 18 / 16

HEX #D756B0

RGB 215 86 176

HSL 318.14, 0.62%, 0.59%

LAB 56.32, 60.4, -22.81

 

CMYK 0 / 60 / 34 / 16

HEX #D7568D

RGB 215 86 141

HSL 334.42, 0.62%, 0.59%

LAB 55.1, 55.84, -4.2

 

CMYK 0 / 60 / 51 / 16

HEX #D7566A

RGB 215 86 106

HSL 350.7, 0.62%, 0.59%

LAB 54.18, 52.28, 15.19

 

CMYK 0 / 60 / 60 / 16

HEX #D75656

RGB 215 86 86

HSL 0, 0.62%, 0.59%

LAB 53.79, 50.73, 26.43

 

CMYK 0 / 60 / 18 / 16

HEX #D756B0

RGB 215 86 176

HSL 318.14, 0.62%, 0.59%

LAB 56.32, 60.4, -22.81

 

CMYK 0 / 60 / 2 / 16

HEX #D756D3

RGB 215 86 211

HSL 301.86, 0.62%, 0.59%

LAB 57.85, 65.84, -40.5

 

CMYK 14 / 60 / 0 / 16

HEX #B856D7

RGB 184 86 215

HSL 285.58, 0.62%, 0.59%

LAB 53.76, 58.91, -49.51

 

CMYK 31 / 60 / 0 / 16

HEX #9556D7

RGB 149 86 215

HSL 269.3, 0.62%, 0.59%

LAB 49.44, 50.59, -56.68

 

CMYK 47 / 60 / 0 / 16

HEX #7256D7

RGB 114 86 215

HSL 253.02, 0.62%, 0.59%

LAB 45.82, 42.97, -62.69

 

CMYK 0 / 60 / 18 / 16

HEX #D756B0

RGB 215 86 176

HSL 318.14, 0.62%, 0.59%

LAB 56.32, 60.4, -22.81

 

CMYK 0 / 70 / 21 / 9

HEX #E845B7

RGB 232 69 183

HSL 318.04, 0.78%, 0.59%

LAB 56.91, 72.39, -25.74

 

CMYK 0 / 79 / 24 / 2

HEX #F934BE

RGB 249 52 190

HSL 317.97, 0.94%, 0.59%

LAB 58.33, 82.12, -27.34

 

CMYK 0 / 60 / 18 / 16

HEX #D756B0

RGB 215 86 176

HSL 318.14, 0.62%, 0.59%

LAB 56.32, 60.4, -22.81

 

CMYK 0 / 48 / 14 / 22

HEX #C667AA

RGB 198 103 170

HSL 317.68, 0.45%, 0.59%

LAB 56.69, 46.4, -18.99

 

CMYK 0 / 34 / 10 / 29

HEX #B577A3

RGB 181 119 163

HSL 317.42, 0.3%, 0.59%

LAB 57.71, 31.05, -13.6

 

CMYK 0 / 18 / 5 / 35

HEX #A5889C

RGB 165 136 156

HSL 318.62, 0.14%, 0.59%

LAB 59.9, 14.51, -6.49

 

CMYK 3 / 0 / 3 / 40

HEX #949995

RGB 148 153 149

HSL 132, 0.02%, 0.59%

LAB 62.72, -2.58, 1.46

 

CMYK 14 / 60 / 0 / 16

HEX #B956D7

RGB 185 86 215

HSL 286.05, 0.62%, 0.59%

LAB 53.9, 59.15, -49.29

 

CMYK 0 / 60 / 2 / 16

HEX #D756D3

RGB 215 86 211

HSL 301.86, 0.62%, 0.59%

LAB 57.85, 65.84, -40.5

 

CMYK 0 / 60 / 18 / 16

HEX #D756B0

RGB 215 86 176

HSL 318.14, 0.62%, 0.59%

LAB 56.32, 60.4, -22.81

 

CMYK 0 / 60 / 34 / 16

HEX #D7568E

RGB 215 86 142

HSL 333.95, 0.62%, 0.59%

LAB 55.13, 55.95, -4.74

 

CMYK 0 / 60 / 50 / 16

HEX #D7566B

RGB 215 86 107

HSL 350.23, 0.62%, 0.59%

LAB 54.2, 52.37, 14.63

 

CMYK 0 / 77 / 23 / 31

HEX #B12988

RGB 177 41 136

HSL 318.09, 0.62%, 0.43%

LAB 42.32, 61.84, -21.11

 

CMYK 0 / 75 / 22 / 19

HEX #CF34A1

RGB 207 52 161

HSL 317.81, 0.62%, 0.51%

LAB 49.85, 68.97, -24.1

 

CMYK 0 / 60 / 18 / 16

HEX #D756B0

RGB 215 86 176

HSL 318.14, 0.62%, 0.59%

LAB 56.32, 60.4, -22.81

 

CMYK 0 / 47 / 14 / 13

HEX #DF77C0

RGB 223 119 192

HSL 317.88, 0.62%, 0.67%

LAB 63.91, 49.67, -20.27

 

CMYK 0 / 34 / 10 / 9

HEX #E798CF

RGB 231 152 207

HSL 318.23, 0.62%, 0.75%

LAB 72.2, 37.63, -15.99

 

CMYK 0 / 60 / 18 / 16

HEX #D755B0

RGB 215 85 176

HSL 318, 0.62%, 0.59%

LAB 56.17, 60.83, -23.06

 

CMYK 0 / 30 / 60 / 16

HEX #D79656

RGB 215 150 86

HSL 29.77, 0.62%, 0.59%

LAB 67.23, 17.86, 43.05

 

CMYK 60 / 0 / 6 / 16

HEX #56D7CA

RGB 86 215 202

HSL 173.95, 0.62%, 0.59%

LAB 78.95, -38.37, -4.19

 

CMYK 0 / 60 / 18 / 16

HEX #D755B0

RGB 215 85 176

HSL 318, 0.62%, 0.59%

LAB 56.17, 60.83, -23.06

 

CMYK 18 / 0 / 60 / 16

HEX #B0D756

RGB 176 215 86

HSL 78.14, 0.62%, 0.59%

LAB 81.02, -31.73, 57.95

 

CMYK 60 / 18 / 0 / 16

HEX #56B0D7

RGB 86 176 215

HSL 198.14, 0.62%, 0.59%

LAB 67.97, -15.47, -27.79

 

CMYK 0 / 60 / 18 / 16

HEX #D755B0

RGB 215 85 176

HSL 318, 0.62%, 0.59%

LAB 56.17, 60.83, -23.06

 

CMYK 0 / 30 / 60 / 16

HEX #D79656

RGB 215 150 86

HSL 29.77, 0.62%, 0.59%

LAB 67.23, 17.86, 43.05

 

CMYK 60 / 0 / 42 / 16

HEX #56D77D

RGB 86 215 125

HSL 138.14, 0.62%, 0.59%

LAB 77.32, -54.97, 34.05

 

CMYK 60 / 30 / 0 / 16

HEX #5696D7

RGB 86 150 215

HSL 210.23, 0.62%, 0.59%

LAB 60.51, -1.08, -39.37

 

CMYK 0 / 60 / 18 / 16

HEX #D755B0

RGB 215 85 176

HSL 318, 0.62%, 0.59%

LAB 56.17, 60.83, -23.06

 

CMYK 0 / 12 / 60 / 16

HEX #D7BD56

RGB 215 189 86

HSL 47.91, 0.62%, 0.59%

LAB 76.99, -2.92, 54.3

 

CMYK 60 / 0 / 42 / 16

HEX #56D77D

RGB 86 215 125

HSL 138.14, 0.62%, 0.59%

LAB 77.32, -54.97, 34.05

 

CMYK 60 / 48 / 0 / 16

HEX #5670D7

RGB 86 112 215

HSL 227.91, 0.62%, 0.59%

LAB 50.06, 21.76, -55.95

 

Description

Color code: HEX #D755B0 | qconv.com Color code: HEX #D755B0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 85 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 85 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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