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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7508B it is the complementary color #28AF74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7508B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7508B shade: #DC5086, #ED6299, #FE74AC, #FF86BF and #FF98D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7508B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7508B shade: #D7508B, #C63E78, #B52C65, #A41A52 and #93083F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7508B shade: #D7508B, #D75067 and #D75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7508B shade: #D7508B, #D750B0, #D750D4, #B650D7 and #9250D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7508B shade matches the following richer shades: #D7508B, #E93F89 and #FA2E87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7508B shade: #D7508B, #C6628E, #B57390, #A38492 and #929694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7508B shade: #D750D5, #D750B1, #D7508D, #D75069 and #D75C50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7508B shade: #AE2762, #CF2F75, #D7508B, #DF72A2 and #E794B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7508B shade: #D7508B, #D7B650 and #50C3D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7508B shade: #D7508B, #8DD750 and #508DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7508B shade: #D7508B, #D7B650, #50D79B and #5072D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7508B shade: #D7508B, #D1D750, #50D79B and #5750D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

Complementary color

CMYK 77 / 0 / 34 / 31

HEX #28AF74

RGB 40 175 116

HSL 153.78, 0.63%, 0.42%

LAB 63.65, -49.14, 20.41

 

CMYK 0 / 64 / 39 / 14

HEX #DC5086

RGB 220 80 134

HSL 336.86, 0.67%, 0.59%

LAB 54.74, 59.16, -0.51

 

CMYK 0 / 59 / 35 / 7

HEX #ED6299

RGB 237 98 153

HSL 336.26, 0.79%, 0.66%

LAB 60.82, 58.71, -2.4

 

CMYK 0 / 54 / 32 / 0

HEX #FE74AC

RGB 254 116 172

HSL 335.65, 0.99%, 0.73%

LAB 66.93, 58.1, -3.99

 

CMYK 0 / 47 / 25 / 0

HEX #FF86BF

RGB 255 134 191

HSL 331.74, 1%, 0.76%

LAB 70.92, 52.27, -8.73

 

CMYK 0 / 40 / 18 / 0

HEX #FF98D2

RGB 255 152 210

HSL 326.21, 1%, 0.8%

LAB 75.06, 45.99, -13.06

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 0 / 69 / 39 / 22

HEX #C63E78

RGB 198 62 120

HSL 334.41, 0.54%, 0.51%

LAB 48.02, 58.34, -2.39

 

CMYK 0 / 76 / 44 / 29

HEX #B52C65

RGB 181 44 101

HSL 335.04, 0.61%, 0.44%

LAB 42.1, 57.98, 0.29

 

CMYK 0 / 84 / 50 / 36

HEX #A41A52

RGB 164 26 82

HSL 335.65, 0.73%, 0.37%

LAB 36.44, 56.78, 3.75

 

CMYK 0 / 95 / 57 / 42

HEX #93083F

RGB 147 8 63

HSL 336.26, 0.9%, 0.3%

LAB 31.2, 54.29, 8.27

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 0 / 63 / 52 / 16

HEX #D75067

RGB 215 80 103

HSL 349.78, 0.63%, 0.58%

LAB 53.13, 54.66, 15.53

 

CMYK 0 / 63 / 63 / 16

HEX #D75050

RGB 215 80 80

HSL 0, 0.63%, 0.58%

LAB 52.69, 52.99, 28.52

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 0 / 63 / 18 / 16

HEX #D750B0

RGB 215 80 176

HSL 317.33, 0.63%, 0.58%

LAB 55.4, 62.93, -24.24

 

CMYK 0 / 63 / 1 / 16

HEX #D750D4

RGB 215 80 212

HSL 301.33, 0.63%, 0.58%

LAB 57.01, 68.45, -42.38

 

CMYK 15 / 63 / 0 / 16

HEX #B650D7

RGB 182 80 215

HSL 285.33, 0.63%, 0.58%

LAB 52.5, 61.17, -51.55

 

CMYK 32 / 63 / 0 / 16

HEX #9250D7

RGB 146 80 215

HSL 269.33, 0.63%, 0.58%

LAB 47.95, 52.99, -59.09

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 0 / 73 / 41 / 9

HEX #E93F89

RGB 233 63 137

HSL 333.88, 0.79%, 0.58%

LAB 54.75, 69.43, -2.01

 

CMYK 0 / 82 / 46 / 2

HEX #FA2E87

RGB 250 46 135

HSL 333.82, 0.95%, 0.58%

LAB 56.12, 78.21, 1.54

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 0 / 51 / 28 / 22

HEX #C6628E

RGB 198 98 142

HSL 333.6, 0.47%, 0.58%

LAB 54.76, 44.79, -5.58

 

CMYK 0 / 36 / 20 / 29

HEX #B57390

RGB 181 115 144

HSL 333.64, 0.31%, 0.58%

LAB 56.19, 30.12, -4.87

 

CMYK 0 / 19 / 10 / 36

HEX #A38492

RGB 163 132 146

HSL 332.9, 0.14%, 0.58%

LAB 58.38, 14.22, -3.01

 

CMYK 3 / 0 / 1 / 41

HEX #929694

RGB 146 150 148

HSL 150, 0.02%, 0.58%

LAB 61.71, -1.84, 0.54

 

CMYK 0 / 63 / 1 / 16

HEX #D750D5

RGB 215 80 213

HSL 300.89, 0.63%, 0.58%

LAB 57.06, 68.62, -42.87

 

CMYK 0 / 63 / 18 / 16

HEX #D750B1

RGB 215 80 177

HSL 316.89, 0.63%, 0.58%

LAB 55.44, 63.07, -24.76

 

CMYK 0 / 63 / 34 / 16

HEX #D7508D

RGB 215 80 141

HSL 332.89, 0.63%, 0.58%

LAB 54.14, 58.43, -5.62

 

CMYK 0 / 63 / 51 / 16

HEX #D75069

RGB 215 80 105

HSL 348.89, 0.63%, 0.58%

LAB 53.17, 54.83, 14.4

 

CMYK 0 / 57 / 63 / 16

HEX #D75C50

RGB 215 92 80

HSL 5.33, 0.63%, 0.58%

LAB 54.74, 47.56, 31.1

 

CMYK 0 / 78 / 44 / 32

HEX #AE2762

RGB 174 39 98

HSL 333.78, 0.63%, 0.42%

LAB 40.13, 57.34, -0.86

 

CMYK 0 / 77 / 43 / 19

HEX #CF2F75

RGB 207 47 117

HSL 333.75, 0.63%, 0.5%

LAB 47.73, 65.58, -0.8

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 0 / 49 / 27 / 13

HEX #DF72A2

RGB 223 114 162

HSL 333.58, 0.63%, 0.66%

LAB 61.94, 47.8, -6.15

 

CMYK 0 / 36 / 20 / 9

HEX #E794B8

RGB 231 148 184

HSL 333.98, 0.63%, 0.74%

LAB 70.61, 36.11, -5.61

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 0 / 15 / 63 / 16

HEX #D7B650

RGB 215 182 80

HSL 45.33, 0.63%, 0.58%

LAB 75.13, 0.34, 54.96

 

CMYK 63 / 9 / 0 / 16

HEX #50C3D7

RGB 80 195 215

HSL 188.89, 0.63%, 0.58%

LAB 73.31, -26.28, -19.65

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 34 / 0 / 63 / 16

HEX #8DD750

RGB 141 215 80

HSL 92.89, 0.63%, 0.58%

LAB 78.95, -45.07, 57.64

 

CMYK 63 / 34 / 0 / 16

HEX #508DD7

RGB 80 141 215

HSL 212.89, 0.63%, 0.58%

LAB 57.71, 3.05, -43.79

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 0 / 15 / 63 / 16

HEX #D7B650

RGB 215 182 80

HSL 45.33, 0.63%, 0.58%

LAB 75.13, 0.34, 54.96

 

CMYK 63 / 0 / 28 / 16

HEX #50D79B

RGB 80 215 155

HSL 153.33, 0.63%, 0.58%

LAB 77.68, -50.52, 18.99

 

CMYK 63 / 47 / 0 / 16

HEX #5072D7

RGB 80 114 215

HSL 224.89, 0.63%, 0.58%

LAB 50.27, 19.43, -55.64

 

CMYK 0 / 63 / 35 / 16

HEX #D7508B

RGB 215 80 139

HSL 333.78, 0.63%, 0.58%

LAB 54.08, 58.2, -4.53

 

CMYK 3 / 0 / 63 / 16

HEX #D1D750

RGB 209 215 80

HSL 62.67, 0.63%, 0.58%

LAB 83.3, -18.98, 63.61

 

CMYK 63 / 0 / 28 / 16

HEX #50D79B

RGB 80 215 155

HSL 153.33, 0.63%, 0.58%

LAB 77.68, -50.52, 18.99

 

CMYK 60 / 63 / 0 / 16

HEX #5750D7

RGB 87 80 215

HSL 243.11, 0.63%, 0.58%

LAB 42.26, 41.56, -68.58

 

Description

Color code: HEX #D7508B | qconv.com Color code: HEX #D7508B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 80 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 80 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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