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Color name
HEX #D74714

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D74714 it is the complementary color #28B8EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D74714. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D74714 shade: #DC470F, #ED5922, #FE6B35, #FF7D48 and #FF8F5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D74714. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D74714 shade: #D74714, #C63501, #B52300, #A41100 and #930000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D74714 shade: #D74714 and #D71414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D74714 shade: #D74714, #D77B14, #D7B014, #C9D714 and #94D714

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D74714 shade matches the following richer shades: #D74714 and #EA3E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D74714 shade: #D74714, #C45027, #B1593A, #9E624D and #8B6B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D74714 shade: #D7144B, #D71417, #D74514, #D77914 and #D7AC14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D74714 shade: #8B2E0D, #B13A10, #D74714, #EB5C29 and #EF784F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D74714 shade: #D74714, #7FD714 and #1431D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D74714 shade: #D74714, #14D745 and #4514D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D74714 shade: #D74714, #7FD714, #14A6D7 and #6C14D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D74714 shade: #D74714, #45D714, #14A6D7 and #A614D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

Complementary color

CMYK 83 / 22 / 0 / 8

HEX #28B8EB

RGB 40 184 235

HSL 195.69, 0.83%, 0.54%

LAB 69.99, -19.17, -35.7

 

CMYK 0 / 68 / 93 / 14

HEX #DC470F

RGB 220 71 15

HSL 16.39, 0.87%, 0.46%

LAB 51.56, 56.1, 58.99

 

CMYK 0 / 62 / 86 / 7

HEX #ED5922

RGB 237 89 34

HSL 16.26, 0.85%, 0.53%

LAB 57.33, 54.78, 58.09

 

CMYK 0 / 58 / 79 / 0

HEX #FE6B35

RGB 254 107 53

HSL 16.12, 0.99%, 0.6%

LAB 63.21, 53.32, 56.27

 

CMYK 0 / 51 / 72 / 0

HEX #FF7D48

RGB 255 125 72

HSL 17.38, 1%, 0.64%

LAB 66.82, 45.95, 50.98

 

CMYK 0 / 44 / 64 / 0

HEX #FF8F5B

RGB 255 143 91

HSL 19.02, 1%, 0.68%

LAB 70.64, 37.98, 45.74

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 0 / 73 / 99 / 22

HEX #C63501

RGB 198 53 1

HSL 15.84, 0.99%, 0.39%

LAB 45.02, 55.49, 56.8

 

CMYK 0 / 81 / 100 / 29

HEX #B52300

RGB 181 35 0

HSL 11.6, 1%, 0.35%

LAB 39.62, 55.93, 52.77

 

CMYK 0 / 90 / 100 / 36

HEX #A41100

RGB 164 17 0

HSL 6.22, 1%, 0.32%

LAB 34.59, 55.19, 48.43

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 0 / 91 / 91 / 16

HEX #D71414

RGB 215 20 20

HSL 0, 0.83%, 0.46%

LAB 45.63, 68.62, 52.97

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 0 / 43 / 91 / 16

HEX #D77B14

RGB 215 123 20

HSL 31.69, 0.83%, 0.46%

LAB 60.48, 29.51, 63.56

 

CMYK 0 / 18 / 91 / 16

HEX #D7B014

RGB 215 176 20

HSL 48, 0.83%, 0.46%

LAB 73.25, 1.13, 73.19

 

CMYK 7 / 0 / 91 / 16

HEX #C9D714

RGB 201 215 20

HSL 64.31, 0.83%, 0.46%

LAB 82.42, -24.62, 79.77

 

CMYK 31 / 0 / 91 / 16

HEX #94D714

RGB 148 215 20

HSL 80.62, 0.83%, 0.46%

LAB 79.01, -45.64, 75.62

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 0 / 74 / 100 / 8

HEX #EA3E01

RGB 234 62 1

HSL 15.71, 0.99%, 0.46%

LAB 52.88, 63.71, 64.37

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 0 / 59 / 80 / 23

HEX #C45027

RGB 196 80 39

HSL 15.67, 0.67%, 0.46%

LAB 49.03, 44.27, 45.92

 

CMYK 0 / 50 / 67 / 31

HEX #B1593A

RGB 177 89 58

HSL 15.63, 0.51%, 0.46%

LAB 48, 33.28, 33.99

 

CMYK 0 / 38 / 51 / 38

HEX #9E624D

RGB 158 98 77

HSL 15.56, 0.34%, 0.46%

LAB 47.68, 21.98, 22.12

 

CMYK 0 / 23 / 31 / 45

HEX #8B6B60

RGB 139 107 96

HSL 15.35, 0.18%, 0.46%

LAB 48.07, 11.06, 11.06

 

CMYK 0 / 91 / 65 / 16

HEX #D7144B

RGB 215 20 75

HSL 343.08, 0.83%, 0.46%

LAB 46.25, 70.37, 23.28

 

CMYK 0 / 91 / 89 / 16

HEX #D71417

RGB 215 20 23

HSL 359.08, 0.83%, 0.46%

LAB 45.65, 68.66, 51.74

 

CMYK 0 / 68 / 91 / 16

HEX #D74514

RGB 215 69 20

HSL 15.08, 0.83%, 0.46%

LAB 50.4, 55.29, 56.26

 

CMYK 0 / 44 / 91 / 16

HEX #D77914

RGB 215 121 20

HSL 31.08, 0.83%, 0.46%

LAB 60.04, 30.56, 63.24

 

CMYK 0 / 20 / 91 / 16

HEX #D7AC14

RGB 215 172 20

HSL 46.77, 0.83%, 0.46%

LAB 72.23, 3.25, 72.41

 

CMYK 0 / 67 / 91 / 45

HEX #8B2E0D

RGB 139 46 13

HSL 15.71, 0.83%, 0.3%

LAB 32.86, 38.11, 39.65

 

CMYK 0 / 67 / 91 / 31

HEX #B13A10

RGB 177 58 16

HSL 15.65, 0.83%, 0.38%

LAB 41.86, 46.69, 48.39

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 0 / 61 / 83 / 8

HEX #EB5C29

RGB 235 92 41

HSL 15.77, 0.83%, 0.54%

LAB 57.54, 52.94, 55.23

 

CMYK 0 / 50 / 67 / 6

HEX #EF784F

RGB 239 120 79

HSL 15.38, 0.83%, 0.62%

LAB 63.63, 42.75, 43.2

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 41 / 0 / 91 / 16

HEX #7FD714

RGB 127 215 20

HSL 87.08, 0.83%, 0.46%

LAB 77.97, -52.99, 74.34

 

CMYK 91 / 77 / 0 / 16

HEX #1431D7

RGB 20 49 215

HSL 231.08, 0.83%, 0.46%

LAB 32.37, 53.35, -84.97

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 91 / 0 / 68 / 16

HEX #14D745

RGB 20 215 69

HSL 135.08, 0.83%, 0.46%

LAB 75.56, -71.5, 57.48

 

CMYK 68 / 91 / 0 / 16

HEX #4514D7

RGB 69 20 215

HSL 255.08, 0.83%, 0.46%

LAB 31.05, 67.23, -87.1

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 41 / 0 / 91 / 16

HEX #7FD714

RGB 127 215 20

HSL 87.08, 0.83%, 0.46%

LAB 77.97, -52.99, 74.34

 

CMYK 91 / 23 / 0 / 16

HEX #14A6D7

RGB 20 166 215

HSL 195.08, 0.83%, 0.46%

LAB 63.61, -17.79, -34.65

 

CMYK 50 / 91 / 0 / 16

HEX #6C14D7

RGB 108 20 215

HSL 267.08, 0.83%, 0.46%

LAB 35.19, 70.15, -80.11

 

CMYK 0 / 67 / 91 / 16

HEX #D74714

RGB 215 71 20

HSL 15.69, 0.83%, 0.46%

LAB 50.69, 54.49, 56.47

 

CMYK 68 / 0 / 91 / 16

HEX #45D714

RGB 69 215 20

HSL 104.92, 0.83%, 0.46%

LAB 76.02, -68.43, 71.92

 

CMYK 91 / 23 / 0 / 16

HEX #14A6D7

RGB 20 166 215

HSL 195.08, 0.83%, 0.46%

LAB 63.61, -17.79, -34.65

 

CMYK 23 / 91 / 0 / 16

HEX #A614D7

RGB 166 20 215

HSL 284.92, 0.83%, 0.46%

LAB 43.53, 77.07, -66.12

 

Description

Color code: HEX #D74714 | qconv.com Color code: HEX #D74714 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 71 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 71 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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