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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D74387 it is the complementary color #28BC78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D74387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D74387 shade: #DC4382, #ED5595, #FE67A8, #FF79BB and #FF8BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D74387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D74387 shade: #D74387, #C63174, #B51F61, #A40D4E and #93003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D74387 shade: #D74286, #D7425E and #D74242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D74387 shade: #D74286, #D742AE, #D742D7, #AF42D7 and #8742D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D74387 shade matches the following richer shades: #D74286, #E92F85 and #FC1D83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D74387 shade: #D74286, #C45488, #B26789, #9F798B and #8D8C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D74387 shade: #D742D7, #D742AF, #D74287, #D7425F and #D74C42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D74387 shade: #A3235E, #C52A71, #D74286, #DE649C and #E586B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D74387 shade: #D74387, #D7AF42 and #42C3D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D74387 shade: #D74387, #87D742 and #4287D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D74387 shade: #D74387, #D7AF42, #42D791 and #4269D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D74387 shade: #D74387, #D2D742, #42D791 and #4742D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 37 / 16

HEX #D74387

RGB 215 67 135

HSL 332.43, 0.65%, 0.55%

LAB 52.07, 62.91, -5.11

 

Complementary color

CMYK 79 / 0 / 36 / 26

HEX #28BC78

RGB 40 188 120

HSL 152.43, 0.65%, 0.45%

LAB 67.85, -53.29, 23.95

 

CMYK 0 / 70 / 41 / 14

HEX #DC4382

RGB 220 67 130

HSL 335.29, 0.69%, 0.56%

LAB 52.78, 63.81, -0.99

 

CMYK 0 / 64 / 37 / 7

HEX #ED5595

RGB 237 85 149

HSL 334.74, 0.81%, 0.63%

LAB 58.67, 63.76, -3.23

 

CMYK 0 / 59 / 34 / 0

HEX #FE67A8

RGB 254 103 168

HSL 334.17, 0.99%, 0.7%

LAB 64.64, 63.4, -5.09

 

CMYK 0 / 53 / 27 / 0

HEX #FF79BB

RGB 255 121 187

HSL 330.45, 1%, 0.74%

LAB 68.4, 57.95, -10.25

 

CMYK 0 / 45 / 19 / 0

HEX #FF8BCE

RGB 255 139 206

HSL 325.34, 1%, 0.77%

LAB 72.35, 51.91, -14.92

 

CMYK 0 / 69 / 37 / 16

HEX #D74387

RGB 215 67 135

HSL 332.43, 0.65%, 0.55%

LAB 52.07, 62.91, -5.11

 

CMYK 0 / 75 / 41 / 22

HEX #C63174

RGB 198 49 116

HSL 333.02, 0.6%, 0.48%

LAB 46.26, 62.49, -2.53

 

CMYK 0 / 83 / 46 / 29

HEX #B51F61

RGB 181 31 97

HSL 333.6, 0.71%, 0.42%

LAB 40.68, 61.29, 0.74

 

CMYK 0 / 92 / 52 / 36

HEX #A40D4E

RGB 164 13 78

HSL 334.17, 0.85%, 0.35%

LAB 35.46, 58.95, 4.94

 

CMYK 0 / 100 / 60 / 42

HEX #93003B

RGB 147 0 59

HSL 335.92, 1%, 0.29%

LAB 30.69, 55.2, 10.23

 

CMYK 0 / 69 / 38 / 16

HEX #D74286

RGB 215 66 134

HSL 332.62, 0.65%, 0.55%

LAB 51.91, 63.18, -4.76

 

CMYK 0 / 69 / 56 / 16

HEX #D7425E

RGB 215 66 94

HSL 348.72, 0.65%, 0.55%

LAB 50.86, 59.6, 17.82

 

CMYK 0 / 69 / 69 / 16

HEX #D74242

RGB 215 66 66

HSL 0, 0.65%, 0.55%

LAB 50.38, 57.9, 33.8

 

CMYK 0 / 69 / 38 / 16

HEX #D74286

RGB 215 66 134

HSL 332.62, 0.65%, 0.55%

LAB 51.91, 63.18, -4.76

 

CMYK 0 / 69 / 19 / 16

HEX #D742AE

RGB 215 66 174

HSL 316.51, 0.65%, 0.55%

LAB 53.38, 68.02, -26.18

 

CMYK 0 / 69 / 0 / 16

HEX #D742D7

RGB 215 66 215

HSL 300, 0.65%, 0.55%

LAB 55.33, 74.11, -46.75

 

CMYK 19 / 69 / 0 / 16

HEX #AF42D7

RGB 175 66 215

HSL 283.89, 0.65%, 0.55%

LAB 49.39, 65.57, -56.57

 

CMYK 37 / 69 / 0 / 16

HEX #8742D7

RGB 135 66 215

HSL 267.79, 0.65%, 0.55%

LAB 44.17, 57.59, -65.28

 

CMYK 0 / 69 / 38 / 16

HEX #D74286

RGB 215 66 134

HSL 332.62, 0.65%, 0.55%

LAB 51.91, 63.18, -4.76

 

CMYK 0 / 80 / 43 / 9

HEX #E92F85

RGB 233 47 133

HSL 332.26, 0.81%, 0.55%

LAB 53, 73.65, -2.18

 

CMYK 0 / 88 / 48 / 1

HEX #FC1D83

RGB 252 29 131

HSL 332.56, 0.97%, 0.55%

LAB 55.29, 81.49, 2.78

 

CMYK 0 / 69 / 38 / 16

HEX #D74286

RGB 215 66 134

HSL 332.62, 0.65%, 0.55%

LAB 51.91, 63.18, -4.76

 

CMYK 0 / 57 / 31 / 23

HEX #C45488

RGB 196 84 136

HSL 332.14, 0.49%, 0.55%

LAB 51.67, 50.17, -6.64

 

CMYK 0 / 42 / 23 / 30

HEX #B26789

RGB 178 103 137

HSL 332.8, 0.33%, 0.55%

LAB 52.92, 34.54, -5.66

 

CMYK 0 / 24 / 13 / 38

HEX #9F798B

RGB 159 121 139

HSL 331.58, 0.17%, 0.55%

LAB 54.98, 17.78, -4.03

 

CMYK 0 / 1 / 1 / 45

HEX #8D8C8C

RGB 141 140 140

HSL 0, 0%, 0.55%

LAB 58.33, 0.37, 0.12

 

CMYK 0 / 69 / 0 / 16

HEX #D742D7

RGB 215 66 215

HSL 300, 0.65%, 0.55%

LAB 55.33, 74.11, -46.75

 

CMYK 0 / 69 / 19 / 16

HEX #D742AF

RGB 215 66 175

HSL 316.11, 0.65%, 0.55%

LAB 53.43, 68.15, -26.7

 

CMYK 0 / 69 / 37 / 16

HEX #D74287

RGB 215 66 135

HSL 332.21, 0.65%, 0.55%

LAB 51.94, 63.28, -5.31

 

CMYK 0 / 69 / 56 / 16

HEX #D7425F

RGB 215 66 95

HSL 348.32, 0.65%, 0.55%

LAB 50.89, 59.68, 17.25

 

CMYK 0 / 65 / 69 / 16

HEX #D74C42

RGB 215 76 66

HSL 4.03, 0.65%, 0.55%

LAB 51.85, 53.9, 35.54

 

CMYK 0 / 79 / 42 / 36

HEX #A3235E

RGB 163 35 94

HSL 332.34, 0.65%, 0.39%

LAB 37.48, 55.17, -2.47

 

CMYK 0 / 79 / 43 / 23

HEX #C52A71

RGB 197 42 113

HSL 332.52, 0.65%, 0.47%

LAB 45.25, 64.02, -2.2

 

CMYK 0 / 69 / 38 / 16

HEX #D74286

RGB 215 66 134

HSL 332.62, 0.65%, 0.55%

LAB 51.91, 63.18, -4.76

 

CMYK 0 / 55 / 30 / 13

HEX #DE649C

RGB 222 100 156

HSL 332.46, 0.65%, 0.63%

LAB 59.02, 53.47, -7.05

 

CMYK 0 / 41 / 22 / 10

HEX #E586B2

RGB 229 134 178

HSL 332.21, 0.65%, 0.71%

LAB 67.22, 41.87, -7.32

 

CMYK 0 / 69 / 37 / 16

HEX #D74387

RGB 215 67 135

HSL 332.43, 0.65%, 0.55%

LAB 52.07, 62.91, -5.11

 

CMYK 0 / 19 / 69 / 16

HEX #D7AF42

RGB 215 175 66

HSL 43.89, 0.65%, 0.55%

LAB 73.22, 3.21, 59.02

 

CMYK 69 / 9 / 0 / 16

HEX #42C3D7

RGB 66 195 215

HSL 188.05, 0.65%, 0.55%

LAB 72.95, -28.39, -20.23

 

CMYK 0 / 69 / 37 / 16

HEX #D74387

RGB 215 67 135

HSL 332.43, 0.65%, 0.55%

LAB 52.07, 62.91, -5.11

 

CMYK 37 / 0 / 69 / 16

HEX #87D742

RGB 135 215 66

HSL 92.21, 0.65%, 0.55%

LAB 78.55, -48.21, 62.68

 

CMYK 69 / 37 / 0 / 16

HEX #4287D7

RGB 66 135 215

HSL 212.21, 0.65%, 0.55%

LAB 55.47, 4.29, -47.37

 

CMYK 0 / 69 / 37 / 16

HEX #D74387

RGB 215 67 135

HSL 332.43, 0.65%, 0.55%

LAB 52.07, 62.91, -5.11

 

CMYK 0 / 19 / 69 / 16

HEX #D7AF42

RGB 215 175 66

HSL 43.89, 0.65%, 0.55%

LAB 73.22, 3.21, 59.02

 

CMYK 69 / 0 / 33 / 16

HEX #42D791

RGB 66 215 145

HSL 151.81, 0.65%, 0.55%

LAB 77.16, -54.97, 23.47

 

CMYK 69 / 51 / 0 / 16

HEX #4269D7

RGB 66 105 215

HSL 224.3, 0.65%, 0.55%

LAB 47.19, 22.83, -60.63

 

CMYK 0 / 69 / 37 / 16

HEX #D74387

RGB 215 67 135

HSL 332.43, 0.65%, 0.55%

LAB 52.07, 62.91, -5.11

 

CMYK 2 / 0 / 69 / 16

HEX #D2D742

RGB 210 215 66

HSL 62.01, 0.65%, 0.55%

LAB 83.28, -19.36, 68.99

 

CMYK 69 / 0 / 33 / 16

HEX #42D791

RGB 66 215 145

HSL 151.81, 0.65%, 0.55%

LAB 77.16, -54.97, 23.47

 

CMYK 67 / 69 / 0 / 16

HEX #4742D7

RGB 71 66 215

HSL 242.01, 0.65%, 0.55%

LAB 38.1, 47.5, -75.44

 

Description

Color code: HEX #D74387 | qconv.com Color code: HEX #D74387 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 67 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 67 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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