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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D74043 it is the complementary color #28BFBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D74043. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D74043 shade: #DC403E, #ED5251, #FE6464, #FF7677 and #FF888A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D74043. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D74043 shade: #D74043, #C62E30, #B51C1D, #A40A0A and #930000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D74043 shade: #D74245 and #D74242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D74043 shade: #D74245, #D7426D, #D74295, #D742BD and #C842D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D74043 shade matches the following richer shades: #D74245, #E92F33 and #FC1D21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D74043 shade: #D74245, #C45456, #B26768, #9F797A and #8D8C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D74043 shade: #D74296, #D7426E, #D74247, #D76442 and #D78C42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D74043 shade: #A32325, #C52A2D, #D74245, #DE6466 and #E58688

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D74043 shade: #D74043, #BED742 and #4282D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D74043 shade: #D74043, #47D742 and #4247D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D74043 shade: #D74043, #BED742, #42D7D2 and #5B42D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D74043 shade: #D74043, #91D742, #42D7D2 and #8742D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 69 / 16

HEX #D74043

RGB 215 64 67

HSL 358.81, 0.65%, 0.55%

LAB 50.12, 58.7, 32.91

 

Complementary color

CMYK 79 / 0 / 2 / 25

HEX #28BFBC

RGB 40 191 188

HSL 178.81, 0.65%, 0.45%

LAB 70.42, -37.5, -9.37

 

CMYK 0 / 71 / 72 / 14

HEX #DC403E

RGB 220 64 62

HSL 0.76, 0.69%, 0.55%

LAB 50.96, 60.02, 36.99

 

CMYK 0 / 65 / 66 / 7

HEX #ED5251

RGB 237 82 81

HSL 0.38, 0.81%, 0.62%

LAB 56.72, 59.47, 33.77

 

CMYK 0 / 61 / 61 / 0

HEX #FE6464

RGB 254 100 100

HSL 0, 0.99%, 0.69%

LAB 62.6, 58.65, 30.98

 

CMYK 0 / 54 / 53 / 0

HEX #FF7677

RGB 255 118 119

HSL 359.56, 1%, 0.73%

LAB 66.17, 52.23, 24.99

 

CMYK 0 / 47 / 46 / 0

HEX #FF888A

RGB 255 136 138

HSL 358.99, 1%, 0.77%

LAB 69.97, 45.17, 19.51

 

CMYK 0 / 70 / 69 / 16

HEX #D74043

RGB 215 64 67

HSL 358.81, 0.65%, 0.55%

LAB 50.12, 58.7, 32.91

 

CMYK 0 / 77 / 76 / 22

HEX #C62E30

RGB 198 46 48

HSL 359.21, 0.62%, 0.48%

LAB 44.48, 58.81, 36.57

 

CMYK 0 / 85 / 84 / 29

HEX #B51C1D

RGB 181 28 29

HSL 359.61, 0.73%, 0.41%

LAB 39.14, 58.18, 40.62

 

CMYK 0 / 94 / 94 / 36

HEX #A40A0A

RGB 164 10 10

HSL 0, 0.89%, 0.34%

LAB 34.26, 56.4, 44.2

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 69 / 68 / 16

HEX #D74245

RGB 215 66 69

HSL 358.79, 0.65%, 0.55%

LAB 50.42, 58.05, 32.11

 

CMYK 0 / 69 / 69 / 16

HEX #D74242

RGB 215 66 66

HSL 0, 0.65%, 0.55%

LAB 50.38, 57.9, 33.8

 

CMYK 0 / 69 / 68 / 16

HEX #D74245

RGB 215 66 69

HSL 358.79, 0.65%, 0.55%

LAB 50.42, 58.05, 32.11

 

CMYK 0 / 69 / 49 / 16

HEX #D7426D

RGB 215 66 109

HSL 342.68, 0.65%, 0.55%

LAB 51.21, 60.79, 9.25

 

CMYK 0 / 69 / 31 / 16

HEX #D74295

RGB 215 66 149

HSL 326.58, 0.65%, 0.55%

LAB 52.41, 64.85, -12.95

 

CMYK 0 / 69 / 12 / 16

HEX #D742BD

RGB 215 66 189

HSL 310.47, 0.65%, 0.55%

LAB 54.05, 70.13, -33.87

 

CMYK 7 / 69 / 0 / 16

HEX #C842D7

RGB 200 66 215

HSL 293.96, 0.65%, 0.55%

LAB 53.04, 70.87, -50.53

 

CMYK 0 / 69 / 68 / 16

HEX #D74245

RGB 215 66 69

HSL 358.79, 0.65%, 0.55%

LAB 50.42, 58.05, 32.11

 

CMYK 0 / 80 / 78 / 9

HEX #E92F33

RGB 233 47 51

HSL 358.71, 0.81%, 0.55%

LAB 51.38, 68.71, 44.27

 

CMYK 0 / 88 / 87 / 1

HEX #FC1D21

RGB 252 29 33

HSL 358.92, 0.97%, 0.55%

LAB 53.69, 76.97, 56.74

 

CMYK 0 / 69 / 68 / 16

HEX #D74245

RGB 215 66 69

HSL 358.79, 0.65%, 0.55%

LAB 50.42, 58.05, 32.11

 

CMYK 0 / 57 / 56 / 23

HEX #C45456

RGB 196 84 86

HSL 358.93, 0.49%, 0.55%

LAB 50.39, 44.99, 21.41

 

CMYK 0 / 42 / 42 / 30

HEX #B26768

RGB 178 103 104

HSL 359.2, 0.33%, 0.55%

LAB 52.02, 30.16, 12.55

 

CMYK 0 / 24 / 23 / 38

HEX #9F797A

RGB 159 121 122

HSL 358.42, 0.17%, 0.55%

LAB 54.5, 14.96, 5.19

 

CMYK 0 / 1 / 1 / 45

HEX #8D8C8C

RGB 141 140 140

HSL 0, 0%, 0.55%

LAB 58.33, 0.37, 0.12

 

CMYK 0 / 69 / 30 / 16

HEX #D74296

RGB 215 66 150

HSL 326.17, 0.65%, 0.55%

LAB 52.45, 64.97, -13.49

 

CMYK 0 / 69 / 49 / 16

HEX #D7426E

RGB 215 66 110

HSL 342.28, 0.65%, 0.55%

LAB 51.23, 60.87, 8.69

 

CMYK 0 / 69 / 67 / 16

HEX #D74247

RGB 215 66 71

HSL 357.99, 0.65%, 0.55%

LAB 50.45, 58.16, 30.98

 

CMYK 0 / 53 / 69 / 16

HEX #D76442

RGB 215 100 66

HSL 13.69, 0.65%, 0.55%

LAB 56.04, 42.89, 40.41

 

CMYK 0 / 35 / 69 / 16

HEX #D78C42

RGB 215 140 66

HSL 29.8, 0.65%, 0.55%

LAB 64.64, 21.99, 49.97

 

CMYK 0 / 79 / 77 / 36

HEX #A32325

RGB 163 35 37

HSL 359.06, 0.65%, 0.39%

LAB 36.22, 51.22, 31.96

 

CMYK 0 / 79 / 77 / 23

HEX #C52A2D

RGB 197 42 45

HSL 358.84, 0.65%, 0.47%

LAB 43.82, 59.61, 37.51

 

CMYK 0 / 69 / 68 / 16

HEX #D74245

RGB 215 66 69

HSL 358.79, 0.65%, 0.55%

LAB 50.42, 58.05, 32.11

 

CMYK 0 / 55 / 54 / 13

HEX #DE6466

RGB 222 100 102

HSL 359.02, 0.65%, 0.63%

LAB 57.66, 47.85, 22.44

 

CMYK 0 / 41 / 41 / 10

HEX #E58688

RGB 229 134 136

HSL 358.74, 0.65%, 0.71%

LAB 66.13, 36.52, 14.78

 

CMYK 0 / 70 / 69 / 16

HEX #D74043

RGB 215 64 67

HSL 358.81, 0.65%, 0.55%

LAB 50.12, 58.7, 32.91

 

CMYK 12 / 0 / 69 / 16

HEX #BED742

RGB 190 215 66

HSL 70.07, 0.65%, 0.55%

LAB 81.81, -27.54, 67.04

 

CMYK 69 / 40 / 0 / 16

HEX #4282D7

RGB 66 130 215

HSL 214.23, 0.65%, 0.55%

LAB 54.06, 7.3, -49.62

 

CMYK 0 / 70 / 69 / 16

HEX #D74043

RGB 215 64 67

HSL 358.81, 0.65%, 0.55%

LAB 50.12, 58.7, 32.91

 

CMYK 67 / 0 / 69 / 16

HEX #47D742

RGB 71 215 66

HSL 117.99, 0.65%, 0.55%

LAB 76.27, -65.51, 59.61

 

CMYK 69 / 67 / 0 / 16

HEX #4247D7

RGB 66 71 215

HSL 237.99, 0.65%, 0.55%

LAB 38.85, 44, -74.22

 

CMYK 0 / 70 / 69 / 16

HEX #D74043

RGB 215 64 67

HSL 358.81, 0.65%, 0.55%

LAB 50.12, 58.7, 32.91

 

CMYK 12 / 0 / 69 / 16

HEX #BED742

RGB 190 215 66

HSL 70.07, 0.65%, 0.55%

LAB 81.81, -27.54, 67.04

 

CMYK 69 / 0 / 2 / 16

HEX #42D7D2

RGB 66 215 210

HSL 177.99, 0.65%, 0.55%

LAB 78.7, -39.27, -8.89

 

CMYK 58 / 69 / 0 / 16

HEX #5B42D7

RGB 91 66 215

HSL 250.07, 0.65%, 0.55%

LAB 39.63, 50.15, -72.88

 

CMYK 0 / 70 / 69 / 16

HEX #D74043

RGB 215 64 67

HSL 358.81, 0.65%, 0.55%

LAB 50.12, 58.7, 32.91

 

CMYK 33 / 0 / 69 / 16

HEX #91D742

RGB 145 215 66

HSL 88.19, 0.65%, 0.55%

LAB 79.05, -44.74, 63.36

 

CMYK 69 / 0 / 2 / 16

HEX #42D7D2

RGB 66 215 210

HSL 177.99, 0.65%, 0.55%

LAB 78.7, -39.27, -8.89

 

CMYK 37 / 69 / 0 / 16

HEX #8742D7

RGB 135 66 215

HSL 267.79, 0.65%, 0.55%

LAB 44.17, 57.59, -65.28

 

Description

Color code: HEX #D74043 | qconv.com Color code: HEX #D74043 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 64 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 64 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 69 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 69% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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