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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D73E20 it is the complementary color #28C1DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D73E20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D73E20 shade: #DC3E1B, #ED502E, #FE6241, #FF7454 and #FF8667

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D73E20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D73E20 shade: #D73E20, #C62C0D, #B51A00, #A40800 and #930000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D73E20 shade: #D53E20 and #D52020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D73E20 shade: #D53E20, #D56E20, #D59F20, #D5D020 and #A9D520

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D73E20 shade matches the following richer shades: #D53E20 and #E9300C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D73E20 shade: #D53E20, #C14B34, #AD5847, #9A655B and #86736F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D73E20 shade: #D52065, #D52035, #D53B20, #D56B20 and #D59C20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D73E20 shade: #8D2915, #B1331A, #D53E20, #E2573C and #E77660

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D73E20 shade: #D73E20, #96D520 and #204DD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D73E20 shade: #D73E20, #20D53B and #3B20D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D73E20 shade: #D73E20, #96D520, #20BAD5 and #5F20D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D73E20 shade: #D73E20, #5FD520, #20BAD5 and #9620D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 85 / 16

HEX #D73E20

RGB 215 62 32

HSL 9.84, 0.74%, 0.48%

LAB 49.49, 58.17, 50.82

 

Complementary color

CMYK 82 / 13 / 0 / 13

HEX #28C1DF

RGB 40 193 223

HSL 189.84, 0.74%, 0.52%

LAB 72.17, -27.7, -25.8

 

CMYK 0 / 72 / 88 / 14

HEX #DC3E1B

RGB 220 62 27

HSL 10.88, 0.78%, 0.48%

LAB 50.38, 59.65, 54.06

 

CMYK 0 / 66 / 81 / 7

HEX #ED502E

RGB 237 80 46

HSL 10.68, 0.84%, 0.55%

LAB 56.03, 58.81, 51.68

 

CMYK 0 / 61 / 74 / 0

HEX #FE6241

RGB 254 98 65

HSL 10.48, 0.99%, 0.63%

LAB 61.82, 57.7, 49.05

 

CMYK 0 / 55 / 67 / 0

HEX #FF7454

RGB 255 116 84

HSL 11.23, 1%, 0.66%

LAB 65.27, 50.84, 43.08

 

CMYK 0 / 47 / 60 / 0

HEX #FF8667

RGB 255 134 103

HSL 12.24, 1%, 0.7%

LAB 68.96, 43.29, 37.41

 

CMYK 0 / 71 / 85 / 16

HEX #D73E20

RGB 215 62 32

HSL 9.84, 0.74%, 0.48%

LAB 49.49, 58.17, 50.82

 

CMYK 0 / 78 / 93 / 22

HEX #C62C0D

RGB 198 44 13

HSL 10.05, 0.88%, 0.41%

LAB 44, 58.57, 52.75

 

CMYK 0 / 86 / 100 / 29

HEX #B51A00

RGB 181 26 0

HSL 8.62, 1%, 0.35%

LAB 38.83, 58.17, 52.45

 

CMYK 0 / 95 / 100 / 36

HEX #A40800

RGB 164 8 0

HSL 2.93, 1%, 0.32%

LAB 34.12, 56.53, 48.17

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 71 / 85 / 16

HEX #D53E20

RGB 213 62 32

HSL 9.94, 0.74%, 0.48%

LAB 49.12, 57.53, 50.36

 

CMYK 0 / 85 / 85 / 16

HEX #D52020

RGB 213 32 32

HSL 0, 0.74%, 0.48%

LAB 46.02, 66.23, 47.69

 

CMYK 0 / 71 / 85 / 16

HEX #D53E20

RGB 213 62 32

HSL 9.94, 0.74%, 0.48%

LAB 49.12, 57.53, 50.36

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213 110 32

HSL 25.86, 0.74%, 0.48%

LAB 57.47, 35.74, 57.44

 

CMYK 0 / 25 / 85 / 16

HEX #D59F20

RGB 213 159 32

HSL 42.1, 0.74%, 0.48%

LAB 68.79, 9.55, 66.87

 

CMYK 0 / 2 / 85 / 16

HEX #D5D020

RGB 213 208 32

HSL 58.34, 0.74%, 0.48%

LAB 81.49, -15.9, 77.33

 

CMYK 21 / 0 / 85 / 16

HEX #A9D520

RGB 169 213 32

HSL 74.59, 0.74%, 0.48%

LAB 79.69, -36.45, 74.53

 

CMYK 0 / 71 / 85 / 16

HEX #D53E20

RGB 213 62 32

HSL 9.94, 0.74%, 0.48%

LAB 49.12, 57.53, 50.36

 

CMYK 0 / 79 / 95 / 9

HEX #E9300C

RGB 233 48 12

HSL 9.77, 0.9%, 0.48%

LAB 51.23, 67.68, 60.83

 

CMYK 0 / 71 / 85 / 16

HEX #D53E20

RGB 213 62 32

HSL 9.94, 0.74%, 0.48%

LAB 49.12, 57.53, 50.36

 

CMYK 0 / 61 / 73 / 24

HEX #C14B34

RGB 193 75 52

HSL 9.79, 0.58%, 0.48%

LAB 47.77, 46.02, 37.71

 

CMYK 0 / 49 / 59 / 32

HEX #AD5847

RGB 173 88 71

HSL 10, 0.42%, 0.48%

LAB 47.39, 33.11, 25.67

 

CMYK 0 / 34 / 41 / 40

HEX #9A655B

RGB 154 101 91

HSL 9.52, 0.26%, 0.48%

LAB 48.18, 20.12, 14.44

 

CMYK 0 / 14 / 17 / 47

HEX #86736F

RGB 134 115 111

HSL 10.43, 0.09%, 0.48%

LAB 50.07, 6.7, 4.94

 

CMYK 0 / 85 / 53 / 16

HEX #D52065

RGB 213 32 101

HSL 337.13, 0.74%, 0.48%

LAB 47.13, 69.47, 8.32

 

CMYK 0 / 85 / 75 / 16

HEX #D52035

RGB 213 32 53

HSL 353.04, 0.74%, 0.48%

LAB 46.23, 66.84, 36.44

 

CMYK 0 / 72 / 85 / 16

HEX #D53B20

RGB 213 59 32

HSL 8.95, 0.74%, 0.48%

LAB 48.73, 58.61, 50.03

 

CMYK 0 / 50 / 85 / 16

HEX #D56B20

RGB 213 107 32

HSL 24.86, 0.74%, 0.48%

LAB 56.85, 37.28, 56.92

 

CMYK 0 / 27 / 85 / 16

HEX #D59C20

RGB 213 156 32

HSL 41.1, 0.74%, 0.48%

LAB 68.04, 11.16, 66.25

 

CMYK 0 / 71 / 85 / 45

HEX #8D2915

RGB 141 41 21

HSL 10, 0.74%, 0.32%

LAB 32.49, 41.23, 35.75

 

CMYK 0 / 71 / 85 / 31

HEX #B1331A

RGB 177 51 26

HSL 9.93, 0.74%, 0.4%

LAB 40.88, 49.74, 43.39

 

CMYK 0 / 71 / 85 / 16

HEX #D53E20

RGB 213 62 32

HSL 9.94, 0.74%, 0.48%

LAB 49.12, 57.53, 50.36

 

CMYK 0 / 62 / 73 / 11

HEX #E2573C

RGB 226 87 60

HSL 9.76, 0.74%, 0.56%

LAB 55.39, 52.65, 43.36

 

CMYK 0 / 49 / 58 / 9

HEX #E77660

RGB 231 118 96

HSL 9.78, 0.74%, 0.64%

LAB 62.33, 41.83, 32.17

 

CMYK 0 / 71 / 85 / 16

HEX #D73E20

RGB 215 62 32

HSL 9.84, 0.74%, 0.48%

LAB 49.49, 58.17, 50.82

 

CMYK 30 / 0 / 85 / 16

HEX #96D520

RGB 150 213 32

HSL 80.88, 0.74%, 0.48%

LAB 78.56, -43.74, 73.13

 

CMYK 85 / 64 / 0 / 16

HEX #204DD5

RGB 32 77 213

HSL 225.08, 0.74%, 0.48%

LAB 38.58, 36.48, -73.56

 

CMYK 0 / 71 / 85 / 16

HEX #D73E20

RGB 215 62 32

HSL 9.84, 0.74%, 0.48%

LAB 49.49, 58.17, 50.82

 

CMYK 85 / 0 / 72 / 16

HEX #20D53B

RGB 32 213 59

HSL 128.95, 0.74%, 0.48%

LAB 74.96, -70.94, 60.63

 

CMYK 72 / 85 / 0 / 16

HEX #3B20D5

RGB 59 32 213

HSL 248.95, 0.74%, 0.48%

LAB 31.27, 62.37, -85.6

 

CMYK 0 / 71 / 85 / 16

HEX #D73E20

RGB 215 62 32

HSL 9.84, 0.74%, 0.48%

LAB 49.49, 58.17, 50.82

 

CMYK 30 / 0 / 85 / 16

HEX #96D520

RGB 150 213 32

HSL 80.88, 0.74%, 0.48%

LAB 78.56, -43.74, 73.13

 

CMYK 85 / 13 / 0 / 16

HEX #20BAD5

RGB 32 186 213

HSL 188.95, 0.74%, 0.48%

LAB 69.63, -28.05, -24.25

 

CMYK 55 / 85 / 0 / 16

HEX #5F20D5

RGB 95 32 213

HSL 260.88, 0.74%, 0.48%

LAB 34.54, 65.23, -80.08

 

CMYK 0 / 71 / 85 / 16

HEX #D73E20

RGB 215 62 32

HSL 9.84, 0.74%, 0.48%

LAB 49.49, 58.17, 50.82

 

CMYK 55 / 0 / 85 / 16

HEX #5FD520

RGB 95 213 32

HSL 99.12, 0.74%, 0.48%

LAB 76.15, -61.45, 70.09

 

CMYK 85 / 13 / 0 / 16

HEX #20BAD5

RGB 32 186 213

HSL 188.95, 0.74%, 0.48%

LAB 69.63, -28.05, -24.25

 

CMYK 30 / 85 / 0 / 16

HEX #9620D5

RGB 150 32 213

HSL 279.12, 0.74%, 0.48%

LAB 41.72, 72, -68.02

 

Description

Color code: HEX #D73E20 | qconv.com Color code: HEX #D73E20 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 62 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 62 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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