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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D73DEC it is the complementary color #28C213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D73DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D73DEC shade: #DC3DE7, #ED4FFA, #FE61FF, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D73DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D73DEC shade: #D73DEC, #C62BD9, #B519C6, #A407B3 and #9300A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D73DEC shade: #D73CEC, #EC3CD1, #EC3CA2, #EC3C73 and #EC3C43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D73DEC shade: #D73CEC, #A73CEC, #783CEC, #493CEC and #3C3CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D73DEC shade matches the following richer shades: #D73CEC and #E42BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D73DEC shade: #D73CEC, #C94DDA, #BC5FC9, #AF70B8 and #A281A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D73DEC shade: #773CEC, #A53CEC, #D43CEC, #EC3CD4 and #EC3CA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D73DEC shade: #AD13C2, #CF17E8, #D73CEC, #DE62EF and #E687F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D73DEC shade: #D73DEC, #EC483C and #3CEC8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D73DEC shade: #D73DEC, #ECD43C and #3CECD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D73DEC shade: #D73DEC, #EC483C, #53EC3C and #3CE0EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D73DEC shade: #D73DEC, #EC7C3C, #53EC3C and #3CABEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 74 / 0 / 7

HEX #D73DEC

RGB 215 61 236

HSL 292.8, 0.82%, 0.58%

LAB 55.93, 79.18, -57.65

 

Complementary color

CMYK 79 / 0 / 90 / 24

HEX #28C213

RGB 40 194 19

HSL 112.8, 0.82%, 0.42%

LAB 68.81, -66.76, 65.76

 

CMYK 5 / 74 / 0 / 9

HEX #DC3DE7

RGB 220 61 231

HSL 296.12, 0.78%, 0.57%

LAB 56.41, 79.33, -54.03

 

CMYK 5 / 68 / 0 / 2

HEX #ED4FFA

RGB 237 79 250

HSL 295.44, 0.94%, 0.65%

LAB 62.08, 80.04, -55.43

 

CMYK 0 / 62 / 0 / 0

HEX #FE61FF

RGB 254 97 255

HSL 299.62, 1%, 0.69%

LAB 67.16, 77.97, -49.98

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 9 / 74 / 0 / 7

HEX #D73DEC

RGB 215 61 236

HSL 292.8, 0.82%, 0.58%

LAB 55.93, 79.18, -57.65

 

CMYK 9 / 80 / 0 / 15

HEX #C62BD9

RGB 198 43 217

HSL 293.45, 0.7%, 0.51%

LAB 50.39, 77.87, -55.93

 

CMYK 9 / 87 / 0 / 22

HEX #B519C6

RGB 181 25 198

HSL 294.1, 0.78%, 0.44%

LAB 45.08, 75.64, -53.67

 

CMYK 8 / 96 / 0 / 30

HEX #A407B3

RGB 164 7 179

HSL 294.77, 0.92%, 0.36%

LAB 40.08, 72.2, -50.71

 

CMYK 8 / 100 / 0 / 37

HEX #9300A0

RGB 147 0 160

HSL 295.13, 1%, 0.31%

LAB 35.48, 67.23, -46.89

 

CMYK 9 / 75 / 0 / 7

HEX #D73CEC

RGB 215 60 236

HSL 292.84, 0.82%, 0.58%

LAB 55.82, 79.49, -57.82

 

CMYK 0 / 75 / 11 / 7

HEX #EC3CD1

RGB 236 60 209

HSL 309.2, 0.82%, 0.58%

LAB 57.72, 79.63, -39.34

 

CMYK 0 / 75 / 31 / 7

HEX #EC3CA2

RGB 236 60 162

HSL 325.23, 0.82%, 0.58%

LAB 55.76, 73.72, -15.21

 

CMYK 0 / 75 / 51 / 7

HEX #EC3C73

RGB 236 60 115

HSL 341.25, 0.82%, 0.58%

LAB 54.35, 69.29, 10.61

 

CMYK 0 / 75 / 72 / 7

HEX #EC3C43

RGB 236 60 67

HSL 357.61, 0.82%, 0.58%

LAB 53.46, 66.41, 37.8

 

CMYK 9 / 75 / 0 / 7

HEX #D73CEC

RGB 215 60 236

HSL 292.84, 0.82%, 0.58%

LAB 55.82, 79.49, -57.82

 

CMYK 29 / 75 / 0 / 7

HEX #A73CEC

RGB 167 60 236

HSL 276.48, 0.82%, 0.58%

LAB 48.89, 70.64, -69.35

 

CMYK 49 / 75 / 0 / 7

HEX #783CEC

RGB 120 60 236

HSL 260.45, 0.82%, 0.58%

LAB 43.18, 63.12, -78.9

 

CMYK 69 / 75 / 0 / 7

HEX #493CEC

RGB 73 60 236

HSL 244.43, 0.82%, 0.58%

LAB 39.08, 57.51, -85.81

 

CMYK 75 / 75 / 0 / 7

HEX #3C3CEC

RGB 60 60 236

HSL 240, 0.82%, 0.58%

LAB 38.28, 56.4, -87.14

 

CMYK 9 / 75 / 0 / 7

HEX #D73CEC

RGB 215 60 236

HSL 292.84, 0.82%, 0.58%

LAB 55.82, 79.49, -57.82

 

CMYK 10 / 83 / 0 / 1

HEX #E42BFD

RGB 228 43 253

HSL 292.86, 0.98%, 0.58%

LAB 57.38, 88.91, -64.69

 

CMYK 9 / 75 / 0 / 7

HEX #D73CEC

RGB 215 60 236

HSL 292.84, 0.82%, 0.58%

LAB 55.82, 79.49, -57.82

 

CMYK 8 / 65 / 0 / 15

HEX #C94DDA

RGB 201 77 218

HSL 292.77, 0.66%, 0.58%

LAB 54.85, 67.4, -49.34

 

CMYK 6 / 53 / 0 / 21

HEX #BC5FC9

RGB 188 95 201

HSL 292.64, 0.5%, 0.58%

LAB 55.17, 52.9, -39.28

 

CMYK 5 / 39 / 0 / 28

HEX #AF70B8

RGB 175 112 184

HSL 292.5, 0.34%, 0.58%

LAB 56.25, 36.86, -27.98

 

CMYK 2 / 22 / 0 / 35

HEX #A281A6

RGB 162 129 166

HSL 293.51, 0.17%, 0.58%

LAB 58.17, 19.36, -14.84

 

CMYK 50 / 75 / 0 / 7

HEX #773CEC

RGB 119 60 236

HSL 260.11, 0.82%, 0.58%

LAB 43.08, 62.97, -79.08

 

CMYK 30 / 75 / 0 / 7

HEX #A53CEC

RGB 165 60 236

HSL 275.8, 0.82%, 0.58%

LAB 48.62, 70.29, -69.8

 

CMYK 10 / 75 / 0 / 7

HEX #D43CEC

RGB 212 60 236

HSL 291.82, 0.82%, 0.58%

LAB 55.36, 78.91, -58.58

 

CMYK 0 / 75 / 10 / 7

HEX #EC3CD4

RGB 236 60 212

HSL 308.18, 0.82%, 0.58%

LAB 57.86, 80.05, -40.82

 

CMYK 0 / 75 / 30 / 7

HEX #EC3CA5

RGB 236 60 165

HSL 324.2, 0.82%, 0.58%

LAB 55.87, 74.06, -16.8

 

CMYK 11 / 90 / 0 / 24

HEX #AD13C2

RGB 173 19 194

HSL 292.8, 0.82%, 0.42%

LAB 43.13, 74.64, -54.54

 

CMYK 11 / 90 / 0 / 9

HEX #CF17E8

RGB 207 23 232

HSL 292.82, 0.82%, 0.5%

LAB 51.5, 85.62, -62.58

 

CMYK 9 / 75 / 0 / 7

HEX #D73CEC

RGB 215 60 236

HSL 292.84, 0.82%, 0.58%

LAB 55.82, 79.49, -57.82

 

CMYK 7 / 59 / 0 / 6

HEX #DE62EF

RGB 222 98 239

HSL 292.77, 0.82%, 0.66%

LAB 62.08, 67.27, -49.47

 

CMYK 5 / 44 / 0 / 5

HEX #E687F3

RGB 230 135 243

HSL 292.78, 0.82%, 0.74%

LAB 69.91, 52.51, -39.3

 

CMYK 9 / 74 / 0 / 7

HEX #D73DEC

RGB 215 61 236

HSL 292.8, 0.82%, 0.58%

LAB 55.93, 79.18, -57.65

 

CMYK 0 / 69 / 75 / 7

HEX #EC483C

RGB 236 72 60

HSL 4.09, 0.82%, 0.58%

LAB 54.86, 62.02, 43.27

 

CMYK 75 / 0 / 40 / 7

HEX #3CEC8E

RGB 60 236 142

HSL 147.95, 0.82%, 0.58%

LAB 83.39, -64.18, 33.33

 

CMYK 9 / 74 / 0 / 7

HEX #D73DEC

RGB 215 61 236

HSL 292.8, 0.82%, 0.58%

LAB 55.93, 79.18, -57.65

 

CMYK 0 / 10 / 75 / 7

HEX #ECD43C

RGB 236 212 60

HSL 51.82, 0.82%, 0.58%

LAB 84.61, -7.26, 73.1

 

CMYK 75 / 0 / 10 / 7

HEX #3CECD4

RGB 60 236 212

HSL 171.82, 0.82%, 0.58%

LAB 84.85, -48.65, -0.9

 

CMYK 9 / 74 / 0 / 7

HEX #D73DEC

RGB 215 61 236

HSL 292.8, 0.82%, 0.58%

LAB 55.93, 79.18, -57.65

 

CMYK 0 / 69 / 75 / 7

HEX #EC483C

RGB 236 72 60

HSL 4.09, 0.82%, 0.58%

LAB 54.86, 62.02, 43.27

 

CMYK 65 / 0 / 75 / 7

HEX #53EC3C

RGB 83 236 60

HSL 112.16, 0.82%, 0.58%

LAB 83, -70.46, 68.64

 

CMYK 75 / 5 / 0 / 7

HEX #3CE0EC

RGB 60 224 236

HSL 184.09, 0.82%, 0.58%

LAB 82.02, -36.69, -17.8

 

CMYK 9 / 74 / 0 / 7

HEX #D73DEC

RGB 215 61 236

HSL 292.8, 0.82%, 0.58%

LAB 55.93, 79.18, -57.65

 

CMYK 0 / 47 / 75 / 7

HEX #EC7C3C

RGB 236 124 60

HSL 21.82, 0.82%, 0.58%

LAB 63.81, 38.66, 52.75

 

CMYK 65 / 0 / 75 / 7

HEX #53EC3C

RGB 83 236 60

HSL 112.16, 0.82%, 0.58%

LAB 83, -70.46, 68.64

 

CMYK 75 / 28 / 0 / 7

HEX #3CABEC

RGB 60 171 236

HSL 202.16, 0.82%, 0.58%

LAB 66.63, -9.9, -41.45

 

Description

Color code: HEX #D73DEC | qconv.com Color code: HEX #D73DEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 61 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 61 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 74 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 74% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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