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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D73B1B it is the complementary color #28C4E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D73B1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D73B1B shade: #DC3B16, #ED4D29, #FE5F3C, #FF714F and #FF8362

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D73B1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D73B1B shade: #D73B1B, #C62908, #B51700, #A40500 and #930000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D73B1B shade: #D53A1A and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D73B1B shade: #D53A1A, #D56D1A, #D59F1A, #D5D11A and #A7D51A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D73B1B shade matches the following richer shades: #D53A1A and #E92D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D73B1B shade: #D53A1A, #C2472E, #AF5441, #9B6155 and #886D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D73B1B shade: #D51A5F, #D51A2D, #D53A1A, #D56B1A and #D59D1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D73B1B shade: #8C2611, #B13016, #D53A1A, #E65233 and #EA7158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D73B1B shade: #D73B1B, #91D51A and #1A46D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D73B1B shade: #D73B1B, #1AD53A and #3A1AD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D73B1B shade: #D73B1B, #91D51A, #1AB6D5 and #5F1AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D73B1B shade: #D73B1B, #59D51A, #1AB6D5 and #971AD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 87 / 16

HEX #D73B1B

RGB 215 59 27

HSL 10.21, 0.78%, 0.47%

LAB 49.07, 59.13, 52.64

 

Complementary color

CMYK 82 / 14 / 0 / 11

HEX #28C4E4

RGB 40 196 228

HSL 190.21, 0.78%, 0.53%

LAB 73.24, -27.58, -26.88

 

CMYK 0 / 73 / 90 / 14

HEX #DC3B16

RGB 220 59 22

HSL 11.21, 0.82%, 0.47%

LAB 49.98, 60.61, 55.69

 

CMYK 0 / 68 / 83 / 7

HEX #ED4D29

RGB 237 77 41

HSL 11.02, 0.84%, 0.55%

LAB 55.56, 59.85, 53.58

 

CMYK 0 / 63 / 76 / 0

HEX #FE5F3C

RGB 254 95 60

HSL 10.82, 0.99%, 0.62%

LAB 61.29, 58.79, 51.02

 

CMYK 0 / 56 / 69 / 0

HEX #FF714F

RGB 255 113 79

HSL 11.59, 1%, 0.65%

LAB 64.67, 51.98, 45.02

 

CMYK 0 / 49 / 62 / 0

HEX #FF8362

RGB 255 131 98

HSL 12.61, 1%, 0.69%

LAB 68.3, 44.44, 39.26

 

CMYK 0 / 73 / 87 / 16

HEX #D73B1B

RGB 215 59 27

HSL 10.21, 0.78%, 0.47%

LAB 49.07, 59.13, 52.64

 

CMYK 0 / 79 / 96 / 22

HEX #C62908

RGB 198 41 8

HSL 10.42, 0.92%, 0.4%

LAB 43.67, 59.39, 54.04

 

CMYK 0 / 87 / 100 / 29

HEX #B51700

RGB 181 23 0

HSL 7.62, 1%, 0.35%

LAB 38.61, 58.79, 52.36

 

CMYK 0 / 97 / 100 / 36

HEX #A40500

RGB 164 5 0

HSL 1.83, 1%, 0.32%

LAB 33.99, 56.92, 48.09

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 73 / 88 / 16

HEX #D53A1A

RGB 213 58 26

HSL 10.27, 0.78%, 0.47%

LAB 48.57, 58.83, 52.5

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 73 / 88 / 16

HEX #D53A1A

RGB 213 58 26

HSL 10.27, 0.78%, 0.47%

LAB 48.57, 58.83, 52.5

 

CMYK 0 / 49 / 88 / 16

HEX #D56D1A

RGB 213 109 26

HSL 26.63, 0.78%, 0.47%

LAB 57.23, 36.12, 59.28

 

CMYK 0 / 25 / 88 / 16

HEX #D59F1A

RGB 213 159 26

HSL 42.67, 0.78%, 0.47%

LAB 68.76, 9.41, 68.39

 

CMYK 0 / 2 / 88 / 16

HEX #D5D11A

RGB 213 209 26

HSL 58.72, 0.78%, 0.47%

LAB 81.74, -16.52, 78.69

 

CMYK 22 / 0 / 88 / 16

HEX #A7D51A

RGB 167 213 26

HSL 74.76, 0.78%, 0.47%

LAB 79.54, -37.4, 75.53

 

CMYK 0 / 73 / 88 / 16

HEX #D53A1A

RGB 213 58 26

HSL 10.27, 0.78%, 0.47%

LAB 48.57, 58.83, 52.5

 

CMYK 0 / 81 / 97 / 9

HEX #E92D07

RGB 233 45 7

HSL 10.09, 0.94%, 0.47%

LAB 50.94, 68.42, 61.88

 

CMYK 0 / 73 / 88 / 16

HEX #D53A1A

RGB 213 58 26

HSL 10.27, 0.78%, 0.47%

LAB 48.57, 58.83, 52.5

 

CMYK 0 / 63 / 76 / 24

HEX #C2472E

RGB 194 71 46

HSL 10.14, 0.62%, 0.47%

LAB 47.2, 47.92, 40.39

 

CMYK 0 / 52 / 63 / 31

HEX #AF5441

RGB 175 84 65

HSL 10.36, 0.46%, 0.47%

LAB 46.76, 35.57, 28.44

 

CMYK 0 / 37 / 45 / 39

HEX #9B6155

RGB 155 97 85

HSL 10.29, 0.29%, 0.47%

LAB 47.2, 22.13, 16.7

 

CMYK 0 / 20 / 24 / 47

HEX #886D68

RGB 136 109 104

HSL 9.37, 0.13%, 0.47%

LAB 48.47, 9.86, 6.83

 

CMYK 0 / 88 / 55 / 16

HEX #D51A5F

RGB 213 26 95

HSL 337.86, 0.78%, 0.47%

LAB 46.59, 70.16, 11.28

 

CMYK 0 / 88 / 79 / 16

HEX #D51A2D

RGB 213 26 45

HSL 353.9, 0.78%, 0.47%

LAB 45.74, 67.71, 40.51

 

CMYK 0 / 73 / 88 / 16

HEX #D53A1A

RGB 213 58 26

HSL 10.27, 0.78%, 0.47%

LAB 48.57, 58.83, 52.5

 

CMYK 0 / 50 / 88 / 16

HEX #D56B1A

RGB 213 107 26

HSL 25.99, 0.78%, 0.47%

LAB 56.82, 37.14, 58.96

 

CMYK 0 / 26 / 88 / 16

HEX #D59D1A

RGB 213 157 26

HSL 42.03, 0.78%, 0.47%

LAB 68.27, 10.49, 67.99

 

CMYK 0 / 73 / 88 / 45

HEX #8C2611

RGB 140 38 17

HSL 10.24, 0.78%, 0.31%

LAB 31.81, 42, 37.08

 

CMYK 0 / 73 / 88 / 31

HEX #B13016

RGB 177 48 22

HSL 10.06, 0.78%, 0.39%

LAB 40.44, 50.77, 44.87

 

CMYK 0 / 73 / 88 / 16

HEX #D53A1A

RGB 213 58 26

HSL 10.27, 0.78%, 0.47%

LAB 48.57, 58.83, 52.5

 

CMYK 0 / 64 / 78 / 10

HEX #E65233

RGB 230 82 51

HSL 10.39, 0.78%, 0.55%

LAB 55.17, 55.82, 47.98

 

CMYK 0 / 52 / 62 / 8

HEX #EA7158

RGB 234 113 88

HSL 10.27, 0.78%, 0.63%

LAB 61.66, 44.88, 35.84

 

CMYK 0 / 73 / 87 / 16

HEX #D73B1B

RGB 215 59 27

HSL 10.21, 0.78%, 0.47%

LAB 49.07, 59.13, 52.64

 

CMYK 32 / 0 / 88 / 16

HEX #91D51A

RGB 145 213 26

HSL 81.82, 0.78%, 0.47%

LAB 78.28, -45.75, 73.97

 

CMYK 88 / 67 / 0 / 16

HEX #1A46D5

RGB 26 70 213

HSL 225.88, 0.78%, 0.47%

LAB 36.75, 40.57, -76.58

 

CMYK 0 / 73 / 87 / 16

HEX #D73B1B

RGB 215 59 27

HSL 10.21, 0.78%, 0.47%

LAB 49.07, 59.13, 52.64

 

CMYK 88 / 0 / 73 / 16

HEX #1AD53A

RGB 26 213 58

HSL 130.27, 0.78%, 0.47%

LAB 74.9, -71.5, 60.9

 

CMYK 73 / 88 / 0 / 16

HEX #3A1AD5

RGB 58 26 213

HSL 250.27, 0.78%, 0.47%

LAB 30.5, 64.4, -86.88

 

CMYK 0 / 73 / 87 / 16

HEX #D73B1B

RGB 215 59 27

HSL 10.21, 0.78%, 0.47%

LAB 49.07, 59.13, 52.64

 

CMYK 32 / 0 / 88 / 16

HEX #91D51A

RGB 145 213 26

HSL 81.82, 0.78%, 0.47%

LAB 78.28, -45.75, 73.97

 

CMYK 88 / 15 / 0 / 16

HEX #1AB6D5

RGB 26 182 213

HSL 189.95, 0.78%, 0.47%

LAB 68.37, -26.43, -26.19

 

CMYK 55 / 88 / 0 / 16

HEX #5F1AD5

RGB 95 26 213

HSL 262.14, 0.78%, 0.47%

LAB 33.93, 67.03, -81.08

 

CMYK 0 / 73 / 87 / 16

HEX #D73B1B

RGB 215 59 27

HSL 10.21, 0.78%, 0.47%

LAB 49.07, 59.13, 52.64

 

CMYK 58 / 0 / 88 / 16

HEX #59D51A

RGB 89 213 26

HSL 99.79, 0.78%, 0.47%

LAB 75.94, -63.2, 71.05

 

CMYK 88 / 15 / 0 / 16

HEX #1AB6D5

RGB 26 182 213

HSL 189.95, 0.78%, 0.47%

LAB 68.37, -26.43, -26.19

 

CMYK 29 / 88 / 0 / 16

HEX #971AD5

RGB 151 26 213

HSL 280.11, 0.78%, 0.47%

LAB 41.41, 73.51, -68.52

 

Description

Color code: HEX #D73B1B | qconv.com Color code: HEX #D73B1B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 59 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 59 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 87 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 87% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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