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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D736A1 it is the complementary color #28C95E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D736A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D736A1 shade: #DC369C, #ED48AF, #FE5AC2, #FF6CD5 and #FF7EE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D736A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D736A1 shade: #D736A1, #C6248E, #B5127B, #A40068 and #930055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D736A1 shade: #D737A2, #D73776, #D7374B and #D73737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D736A1 shade: #D737A2, #D737CD, #B737D7, #8B37D7 and #6037D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D736A1 shade matches the following richer shades: #D737A2, #EB23A8 and #FE10AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D736A1 shade: #D737A2, #C44A9B, #B15E95, #9D718E and #8A8488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D736A1 shade: #B737D7, #D737CD, #D737A2, #D73777 and #D7374C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D736A1 shade: #9D1F73, #BF268C, #D737A2, #DE59B2 and #E57CC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D736A1 shade: #D736A1, #D78D37 and #37D7CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D736A1 shade: #D736A1, #A2D737 and #37A2D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D736A1 shade: #D736A1, #D78D37, #37D76C and #3782D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D736A1 shade: #D736A1, #D7BD37, #37D76C and #3752D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 25 / 16

HEX #D736A1

RGB 215 54 161

HSL 320.12, 0.67%, 0.53%

LAB 51.45, 70.28, -21.53

 

Complementary color

CMYK 80 / 0 / 53 / 21

HEX #28C95E

RGB 40 201 94

HSL 140.12, 0.67%, 0.47%

LAB 71.58, -62.42, 41.96

 

CMYK 0 / 75 / 29 / 14

HEX #DC369C

RGB 220 54 156

HSL 323.13, 0.7%, 0.54%

LAB 52.12, 70.9, -17.46

 

CMYK 0 / 70 / 26 / 7

HEX #ED48AF

RGB 237 72 175

HSL 322.55, 0.82%, 0.61%

LAB 57.78, 71.61, -19.7

 

CMYK 0 / 65 / 24 / 0

HEX #FE5AC2

RGB 254 90 194

HSL 321.95, 0.99%, 0.67%

LAB 63.57, 71.81, -21.52

 

CMYK 0 / 58 / 16 / 0

HEX #FF6CD5

RGB 255 108 213

HSL 317.14, 1%, 0.71%

LAB 67.12, 67.32, -26.77

 

CMYK 0 / 51 / 9 / 0

HEX #FF7EE8

RGB 255 126 232

HSL 310.7, 1%, 0.75%

LAB 70.88, 62.1, -31.52

 

CMYK 0 / 75 / 25 / 16

HEX #D736A1

RGB 215 54 161

HSL 320.12, 0.67%, 0.53%

LAB 51.45, 70.28, -21.53

 

CMYK 0 / 82 / 28 / 22

HEX #C6248E

RGB 198 36 142

HSL 320.74, 0.69%, 0.46%

LAB 45.93, 68.88, -18.88

 

CMYK 0 / 90 / 32 / 29

HEX #B5127B

RGB 181 18 123

HSL 321.35, 0.82%, 0.39%

LAB 40.71, 66.43, -15.51

 

CMYK 0 / 100 / 37 / 36

HEX #A40068

RGB 164 0 104

HSL 321.95, 1%, 0.32%

LAB 35.78, 62.94, -11.37

 

CMYK 0 / 100 / 42 / 42

HEX #930055

RGB 147 0 85

HSL 325.31, 1%, 0.29%

LAB 31.48, 57.31, -5.89

 

CMYK 0 / 74 / 25 / 16

HEX #D737A2

RGB 215 55 162

HSL 319.88, 0.67%, 0.53%

LAB 51.6, 70.1, -21.89

 

CMYK 0 / 74 / 45 / 16

HEX #D73776

RGB 215 55 118

HSL 336.38, 0.67%, 0.53%

LAB 50.08, 65.38, 2.2

HEX #D73776

CMYK 0 / 74 / 65 / 16

HEX #D7374B

RGB 215 55 75

HSL 352.5, 0.67%, 0.53%

LAB 49.11, 62.25, 26.94

HEX #D7374B

CMYK 0 / 74 / 74 / 16

HEX #D73737

RGB 215 55 55

HSL 0, 0.67%, 0.53%

LAB 48.83, 61.3, 38.3

HEX #D73737

CMYK 0 / 74 / 25 / 16

HEX #D737A2

RGB 215 55 162

HSL 319.88, 0.67%, 0.53%

LAB 51.6, 70.1, -21.89

 

CMYK 0 / 74 / 5 / 16

HEX #D737CD

RGB 215 55 205

HSL 303.75, 0.67%, 0.53%

LAB 53.59, 76.03, -43.8

 

CMYK 15 / 74 / 0 / 16

HEX #B737D7

RGB 183 55 215

HSL 288, 0.67%, 0.53%

LAB 49.14, 71.22, -56.92

 

CMYK 35 / 74 / 0 / 16

HEX #8B37D7

RGB 139 55 215

HSL 271.5, 0.67%, 0.53%

LAB 42.95, 63.13, -67.22

 

CMYK 55 / 74 / 0 / 16

HEX #6037D7

RGB 96 55 215

HSL 255.38, 0.67%, 0.53%

LAB 38.07, 56.49, -75.42

 

CMYK 0 / 74 / 25 / 16

HEX #D737A2

RGB 215 55 162

HSL 319.88, 0.67%, 0.53%

LAB 51.6, 70.1, -21.89

 

CMYK 0 / 85 / 29 / 8

HEX #EB23A8

RGB 235 35 168

HSL 320.1, 0.83%, 0.53%

LAB 53.7, 80.2, -21.89

 

CMYK 0 / 94 / 31 / 0

HEX #FE10AE

RGB 254 16 174

HSL 320.17, 0.99%, 0.53%

LAB 56.58, 87.24, -20.68

 

CMYK 0 / 74 / 25 / 16

HEX #D737A2

RGB 215 55 162

HSL 319.88, 0.67%, 0.53%

LAB 51.6, 70.1, -21.89

 

CMYK 0 / 62 / 21 / 23

HEX #C44A9B

RGB 196 74 155

HSL 320.16, 0.51%, 0.53%

LAB 50.69, 57.21, -19.42

 

CMYK 0 / 47 / 16 / 31

HEX #B15E95

RGB 177 94 149

HSL 320.24, 0.35%, 0.53%

LAB 51.29, 40.88, -15.19

 

CMYK 0 / 28 / 10 / 38

HEX #9D718E

RGB 157 113 142

HSL 320.45, 0.18%, 0.53%

LAB 52.87, 22.17, -8.93

 

CMYK 0 / 4 / 1 / 46

HEX #8A8488

RGB 138 132 136

HSL 320, 0.02%, 0.53%

LAB 55.77, 3.02, -1.35

 

CMYK 15 / 74 / 0 / 16

HEX #B737D7

RGB 183 55 215

HSL 288, 0.67%, 0.53%

LAB 49.14, 71.22, -56.92

 

CMYK 0 / 74 / 5 / 16

HEX #D737CD

RGB 215 55 205

HSL 303.75, 0.67%, 0.53%

LAB 53.59, 76.03, -43.8

 

CMYK 0 / 74 / 25 / 16

HEX #D737A2

RGB 215 55 162

HSL 319.88, 0.67%, 0.53%

LAB 51.6, 70.1, -21.89

 

CMYK 0 / 74 / 45 / 16

HEX #D73777

RGB 215 55 119

HSL 336, 0.67%, 0.53%

LAB 50.11, 65.47, 1.63

 

CMYK 0 / 74 / 65 / 16

HEX #D7374C

RGB 215 55 76

HSL 352.13, 0.67%, 0.53%

LAB 49.13, 62.3, 26.36

 

CMYK 0 / 80 / 27 / 38

HEX #9D1F73

RGB 157 31 115

HSL 320, 0.67%, 0.37%

LAB 36.72, 57.16, -17.03

 

CMYK 0 / 80 / 27 / 25

HEX #BF268C

RGB 191 38 140

HSL 320, 0.67%, 0.45%

LAB 44.74, 66.52, -19.62

 

CMYK 0 / 74 / 25 / 16

HEX #D737A2

RGB 215 55 162

HSL 319.88, 0.67%, 0.53%

LAB 51.6, 70.1, -21.89

 

CMYK 0 / 60 / 20 / 13

HEX #DE59B2

RGB 222 89 178

HSL 319.85, 0.67%, 0.61%

LAB 57.93, 61.36, -21.42

 

CMYK 0 / 46 / 15 / 10

HEX #E57CC2

RGB 229 124 194

HSL 320, 0.67%, 0.69%

LAB 65.72, 49.36, -18.56

 

CMYK 0 / 75 / 25 / 16

HEX #D736A1

RGB 215 54 161

HSL 320.12, 0.67%, 0.53%

LAB 51.45, 70.28, -21.53

 

CMYK 0 / 34 / 74 / 16

HEX #D78D37

RGB 215 141 55

HSL 32.25, 0.67%, 0.53%

LAB 64.78, 20.92, 55.1

 

CMYK 74 / 0 / 5 / 16

HEX #37D7CD

RGB 55 215 205

HSL 176.25, 0.67%, 0.53%

LAB 78.36, -41.97, -6.75

 

CMYK 0 / 75 / 25 / 16

HEX #D736A1

RGB 215 54 161

HSL 320.12, 0.67%, 0.53%

LAB 51.45, 70.28, -21.53

 

CMYK 25 / 0 / 74 / 16

HEX #A2D737

RGB 162 215 55

HSL 79.88, 0.67%, 0.53%

LAB 79.93, -39.14, 68.38

 

CMYK 74 / 25 / 0 / 16

HEX #37A2D7

RGB 55 162 215

HSL 199.88, 0.67%, 0.53%

LAB 62.98, -12.7, -35.6

 

CMYK 0 / 75 / 25 / 16

HEX #D736A1

RGB 215 54 161

HSL 320.12, 0.67%, 0.53%

LAB 51.45, 70.28, -21.53

 

CMYK 0 / 34 / 74 / 16

HEX #D78D37

RGB 215 141 55

HSL 32.25, 0.67%, 0.53%

LAB 64.78, 20.92, 55.1

 

CMYK 74 / 0 / 50 / 16

HEX #37D76C

RGB 55 215 108

HSL 139.88, 0.67%, 0.53%

LAB 76.37, -63.17, 41.15

 

CMYK 74 / 40 / 0 / 16

HEX #3782D7

RGB 55 130 215

HSL 211.88, 0.67%, 0.53%

LAB 53.69, 5.79, -50.23

 

CMYK 0 / 75 / 25 / 16

HEX #D736A1

RGB 215 54 161

HSL 320.12, 0.67%, 0.53%

LAB 51.45, 70.28, -21.53

 

CMYK 0 / 12 / 74 / 16

HEX #D7BD37

RGB 215 189 55

HSL 50.25, 0.67%, 0.53%

LAB 76.75, -4.65, 66.74

 

CMYK 74 / 0 / 50 / 16

HEX #37D76C

RGB 55 215 108

HSL 139.88, 0.67%, 0.53%

LAB 76.37, -63.17, 41.15

 

CMYK 74 / 62 / 0 / 16

HEX #3752D7

RGB 55 82 215

HSL 229.88, 0.67%, 0.53%

LAB 40.82, 36.01, -71.01

 

Description

Color code: HEX #D736A1 | qconv.com Color code: HEX #D736A1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 54 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 54 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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