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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D73485 it is the complementary color #28CB7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D73485. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D73485 shade: #DC3480, #ED4693, #FE58A6, #FF6AB9 and #FF7CCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D73485. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D73485 shade: #D73485, #C62272, #B5105F, #A4004C and #930039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D73485 shade: #D73384, #D73358 and #D73333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D73485 shade: #D73384, #D733B0, #D133D7, #A433D7 and #7833D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D73485 shade matches the following richer shades: #D73384, #EA1F84 and #FE0B84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D73485 shade: #D73384, #C34684, #AF5A84, #9B6E84 and #878285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D73485 shade: #D133D7, #D733B0, #D73385, #D73359 and #D73833

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D73485 shade: #991E5B, #BB2570, #D73384, #DD5599 and #E477AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D73485 shade: #D73485, #D7A533 and #33C6D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D73485 shade: #D73485, #85D733 and #3385D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D73485 shade: #D73485, #D7A533, #33D785 and #3364D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D73485 shade: #D73485, #D7D733, #33D785 and #3333D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 38 / 16

HEX #D73485

RGB 215 52 133

HSL 330.18, 0.67%, 0.52%

LAB 50.21, 67.74, -6.68

 

Complementary color

CMYK 80 / 0 / 40 / 20

HEX #28CB7A

RGB 40 203 122

HSL 150.18, 0.67%, 0.48%

LAB 72.61, -58.42, 29.24

 

CMYK 0 / 76 / 42 / 14

HEX #DC3480

RGB 220 52 128

HSL 332.86, 0.71%, 0.53%

LAB 50.96, 68.55, -2.46

 

CMYK 0 / 70 / 38 / 7

HEX #ED4693

RGB 237 70 147

HSL 332.34, 0.82%, 0.6%

LAB 56.58, 69.16, -5.15

 

CMYK 0 / 65 / 35 / 0

HEX #FE58A6

RGB 254 88 166

HSL 331.81, 0.99%, 0.67%

LAB 62.34, 69.27, -7.35

 

CMYK 0 / 58 / 27 / 0

HEX #FF6AB9

RGB 255 106 185

HSL 328.19, 1%, 0.71%

LAB 65.8, 64.43, -13.01

 

CMYK 0 / 51 / 20 / 0

HEX #FF7CCC

RGB 255 124 204

HSL 323.36, 1%, 0.74%

LAB 69.49, 58.85, -18.12

 

CMYK 0 / 76 / 38 / 16

HEX #D73485

RGB 215 52 133

HSL 330.18, 0.67%, 0.52%

LAB 50.21, 67.74, -6.68

 

CMYK 0 / 83 / 42 / 22

HEX #C62272

RGB 198 34 114

HSL 330.73, 0.71%, 0.45%

LAB 44.75, 66.41, -3.53

 

CMYK 0 / 91 / 48 / 29

HEX #B5105F

RGB 181 16 95

HSL 331.27, 0.84%, 0.39%

LAB 39.62, 64.02, 0.45

 

CMYK 0 / 100 / 54 / 36

HEX #A4004C

RGB 164 0 76

HSL 332.2, 1%, 0.32%

LAB 34.83, 60.47, 5.34

 

CMYK 0 / 100 / 61 / 42

HEX #930039

RGB 147 0 57

HSL 336.73, 1%, 0.29%

LAB 30.64, 55.07, 11.51

 

CMYK 0 / 76 / 39 / 16

HEX #D73384

RGB 215 51 132

HSL 330.37, 0.67%, 0.52%

LAB 50.07, 67.94, -6.28

 

CMYK 0 / 76 / 59 / 16

HEX #D73358

RGB 215 51 88

HSL 346.46, 0.67%, 0.52%

LAB 48.91, 64.29, 18.81

 

CMYK 0 / 76 / 76 / 16

HEX #D73333

RGB 215 51 51

HSL 0, 0.67%, 0.52%

LAB 48.33, 62.42, 40

 

CMYK 0 / 76 / 39 / 16

HEX #D73384

RGB 215 51 132

HSL 330.37, 0.67%, 0.52%

LAB 50.07, 67.94, -6.28

 

CMYK 0 / 76 / 18 / 16

HEX #D733B0

RGB 215 51 176

HSL 314.27, 0.67%, 0.52%

LAB 51.78, 73.07, -29.84

 

CMYK 3 / 76 / 0 / 16

HEX #D133D7

RGB 209 51 215

HSL 297.8, 0.67%, 0.52%

LAB 52.76, 77.51, -50.89

 

CMYK 24 / 76 / 0 / 16

HEX #A433D7

RGB 164 51 215

HSL 281.34, 0.67%, 0.52%

LAB 45.86, 69.03, -62.35

 

CMYK 44 / 76 / 0 / 16

HEX #7833D7

RGB 120 51 215

HSL 265.24, 0.67%, 0.52%

LAB 40.03, 61.71, -72.1

 

CMYK 0 / 76 / 39 / 16

HEX #D73384

RGB 215 51 132

HSL 330.37, 0.67%, 0.52%

LAB 50.07, 67.94, -6.28

 

CMYK 0 / 87 / 44 / 8

HEX #EA1F84

RGB 234 31 132

HSL 330.15, 0.83%, 0.52%

LAB 51.99, 77.15, -3.05

 

CMYK 0 / 96 / 48 / 0

HEX #FE0B84

RGB 254 11 132

HSL 330.12, 0.99%, 0.52%

LAB 55.05, 83.91, 1.88

 

CMYK 0 / 76 / 39 / 16

HEX #D73384

RGB 215 51 132

HSL 330.37, 0.67%, 0.52%

LAB 50.07, 67.94, -6.28

 

CMYK 0 / 64 / 32 / 24

HEX #C34684

RGB 195 70 132

HSL 330.24, 0.51%, 0.52%

LAB 49.07, 55.61, -8.15

 

CMYK 0 / 49 / 25 / 31

HEX #AF5A84

RGB 175 90 132

HSL 330.35, 0.35%, 0.52%

LAB 49.61, 39.69, -7.66

 

CMYK 0 / 29 / 15 / 39

HEX #9B6E84

RGB 155 110 132

HSL 330.67, 0.18%, 0.52%

LAB 51.59, 21.38, -4.98

 

CMYK 0 / 4 / 1 / 47

HEX #878285

RGB 135 130 133

HSL 324, 0.02%, 0.52%

LAB 54.88, 2.46, -0.95

 

CMYK 3 / 76 / 0 / 16

HEX #D133D7

RGB 209 51 215

HSL 297.8, 0.67%, 0.52%

LAB 52.76, 77.51, -50.89

 

CMYK 0 / 76 / 18 / 16

HEX #D733B0

RGB 215 51 176

HSL 314.27, 0.67%, 0.52%

LAB 51.78, 73.07, -29.84

 

CMYK 0 / 76 / 38 / 16

HEX #D73385

RGB 215 51 133

HSL 330, 0.67%, 0.52%

LAB 50.11, 68.04, -6.84

 

CMYK 0 / 76 / 59 / 16

HEX #D73359

RGB 215 51 89

HSL 346.1, 0.67%, 0.52%

LAB 48.93, 64.35, 18.23

 

CMYK 0 / 74 / 76 / 16

HEX #D73833

RGB 215 56 51

HSL 1.83, 0.67%, 0.52%

LAB 48.9, 60.82, 40.62

 

CMYK 0 / 80 / 41 / 40

HEX #991E5B

RGB 153 30 91

HSL 330.24, 0.67%, 0.36%

LAB 34.92, 53.65, -4.55

 

CMYK 0 / 80 / 40 / 27

HEX #BB2570

RGB 187 37 112

HSL 330, 0.67%, 0.44%

LAB 42.85, 62.71, -5.34

 

CMYK 0 / 76 / 39 / 16

HEX #D73384

RGB 215 51 132

HSL 330.37, 0.67%, 0.52%

LAB 50.07, 67.94, -6.28

 

CMYK 0 / 62 / 31 / 13

HEX #DD5599

RGB 221 85 153

HSL 330, 0.67%, 0.6%

LAB 56.26, 59.51, -9.43

 

CMYK 0 / 48 / 24 / 11

HEX #E477AE

RGB 228 119 174

HSL 329.72, 0.67%, 0.68%

LAB 63.95, 48.6, -9.93

 

CMYK 0 / 76 / 38 / 16

HEX #D73485

RGB 215 52 133

HSL 330.18, 0.67%, 0.52%

LAB 50.21, 67.74, -6.68

 

CMYK 0 / 23 / 76 / 16

HEX #D7A533

RGB 215 165 51

HSL 41.71, 0.67%, 0.52%

LAB 70.59, 7.83, 62.36

 

CMYK 76 / 8 / 0 / 16

HEX #33C6D7

RGB 51 198 215

HSL 186.22, 0.67%, 0.52%

LAB 73.54, -31.64, -19.36

 

CMYK 0 / 76 / 38 / 16

HEX #D73485

RGB 215 52 133

HSL 330.18, 0.67%, 0.52%

LAB 50.21, 67.74, -6.68

 

CMYK 38 / 0 / 76 / 16

HEX #85D733

RGB 133 215 51

HSL 90, 0.67%, 0.52%

LAB 78.36, -49.81, 67.61

 

CMYK 76 / 38 / 0 / 16

HEX #3385D7

RGB 51 133 215

HSL 210, 0.67%, 0.52%

LAB 54.43, 3.49, -49.06

 

CMYK 0 / 76 / 38 / 16

HEX #D73485

RGB 215 52 133

HSL 330.18, 0.67%, 0.52%

LAB 50.21, 67.74, -6.68

 

CMYK 0 / 23 / 76 / 16

HEX #D7A533

RGB 215 165 51

HSL 41.71, 0.67%, 0.52%

LAB 70.59, 7.83, 62.36

 

CMYK 76 / 0 / 38 / 16

HEX #33D785

RGB 51 215 133

HSL 150, 0.67%, 0.52%

LAB 76.68, -59.42, 28.99

 

CMYK 76 / 53 / 0 / 16

HEX #3364D7

RGB 51 100 215

HSL 222.07, 0.67%, 0.52%

LAB 45.25, 24.1, -63.8

 

CMYK 0 / 76 / 38 / 16

HEX #D73485

RGB 215 52 133

HSL 330.18, 0.67%, 0.52%

LAB 50.21, 67.74, -6.68

 

CMYK 0 / 0 / 76 / 16

HEX #D7D733

RGB 215 215 51

HSL 60, 0.67%, 0.52%

LAB 83.59, -17.94, 74.36

 

CMYK 76 / 0 / 38 / 16

HEX #33D785

RGB 51 215 133

HSL 150, 0.67%, 0.52%

LAB 76.68, -59.42, 28.99

 

CMYK 76 / 76 / 0 / 16

HEX #3333D7

RGB 51 51 215

HSL 240, 0.67%, 0.52%

LAB 33.94, 53.84, -82.35

 

Description

Color code: HEX #D73485 | qconv.com Color code: HEX #D73485 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 52 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 52 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 38 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 38% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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