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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7347D it is the complementary color #28CB82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7347D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7347D shade: #DC3478, #ED468B, #FE589E, #FF6AB1 and #FF7CC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7347D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7347D shade: #D7347D, #C6226A, #B51057, #A40044 and #930031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7347D shade: #D7337C, #D73350 and #D73333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7347D shade: #D7337C, #D733A8, #D733D5, #AC33D7 and #8033D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7347D shade matches the following richer shades: #D7337C, #EA1F7A and #FE0B78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7347D shade: #D7337C, #C3467E, #AF5A80, #9B6E82 and #878284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7347D shade: #D733D4, #D733A8, #D7337C, #D73351 and #D74033

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7347D shade: #991E55, #BB2568, #D7337C, #DD5592 and #E477A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7347D shade: #D7347D, #D7AE33 and #33BED7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7347D shade: #D7347D, #7CD733 and #337CD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7347D shade: #D7347D, #D7AE33, #33D78D and #335CD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7347D shade: #D7347D, #CED733, #33D78D and #3B33D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 42 / 16

HEX #D7347D

RGB 215 52 125

HSL 333.13, 0.67%, 0.52%

LAB 49.96, 66.96, -2.22

 

Complementary color

CMYK 80 / 0 / 36 / 20

HEX #28CB82

RGB 40 203 130

HSL 153.13, 0.67%, 0.48%

LAB 72.74, -56.86, 25.25

 

CMYK 0 / 76 / 45 / 14

HEX #DC3478

RGB 220 52 120

HSL 335.71, 0.71%, 0.53%

LAB 50.72, 67.82, 2.02

 

CMYK 0 / 70 / 41 / 7

HEX #ED468B

RGB 237 70 139

HSL 335.21, 0.82%, 0.6%

LAB 56.34, 68.36, -0.79

 

CMYK 0 / 65 / 38 / 0

HEX #FE589E

RGB 254 88 158

HSL 334.7, 0.99%, 0.67%

LAB 62.1, 68.42, -3.1

 

CMYK 0 / 58 / 31 / 0

HEX #FF6AB1

RGB 255 106 177

HSL 331.41, 1%, 0.71%

LAB 65.55, 63.46, -8.86

 

CMYK 0 / 51 / 23 / 0

HEX #FF7CC4

RGB 255 124 196

HSL 327.02, 1%, 0.74%

LAB 69.23, 57.74, -14.06

 

CMYK 0 / 76 / 42 / 16

HEX #D7347D

RGB 215 52 125

HSL 333.13, 0.67%, 0.52%

LAB 49.96, 66.96, -2.22

 

CMYK 0 / 83 / 46 / 22

HEX #C6226A

RGB 198 34 106

HSL 333.66, 0.71%, 0.45%

LAB 44.5, 65.69, 1.07

 

CMYK 0 / 91 / 52 / 29

HEX #B51057

RGB 181 16 87

HSL 334.18, 0.84%, 0.39%

LAB 39.38, 63.37, 5.21

 

CMYK 0 / 100 / 59 / 36

HEX #A40044

RGB 164 0 68

HSL 335.12, 1%, 0.32%

LAB 34.62, 59.9, 10.29

 

CMYK 0 / 100 / 67 / 42

HEX #930031

RGB 147 0 49

HSL 340, 1%, 0.29%

LAB 30.46, 54.6, 16.62

 

CMYK 0 / 76 / 42 / 16

HEX #D7337C

RGB 215 51 124

HSL 333.29, 0.67%, 0.52%

LAB 49.82, 67.16, -1.82

 

CMYK 0 / 76 / 63 / 16

HEX #D73350

RGB 215 51 80

HSL 349.39, 0.67%, 0.52%

LAB 48.75, 63.79, 23.47

 

CMYK 0 / 76 / 76 / 16

HEX #D73333

RGB 215 51 51

HSL 0, 0.67%, 0.52%

LAB 48.33, 62.42, 40

 

CMYK 0 / 76 / 42 / 16

HEX #D7337C

RGB 215 51 124

HSL 333.29, 0.67%, 0.52%

LAB 49.82, 67.16, -1.82

 

CMYK 0 / 76 / 22 / 16

HEX #D733A8

RGB 215 51 168

HSL 317.2, 0.67%, 0.52%

LAB 51.43, 72.04, -25.69

 

CMYK 0 / 76 / 1 / 16

HEX #D733D5

RGB 215 51 213

HSL 300.73, 0.67%, 0.52%

LAB 53.62, 78.37, -48.33

 

CMYK 20 / 76 / 0 / 16

HEX #AC33D7

RGB 172 51 215

HSL 284.27, 0.67%, 0.52%

LAB 47.03, 70.48, -60.4

 

CMYK 40 / 76 / 0 / 16

HEX #8033D7

RGB 128 51 215

HSL 268.17, 0.67%, 0.52%

LAB 41, 62.94, -70.48

 

CMYK 0 / 76 / 42 / 16

HEX #D7337C

RGB 215 51 124

HSL 333.29, 0.67%, 0.52%

LAB 49.82, 67.16, -1.82

 

CMYK 0 / 87 / 48 / 8

HEX #EA1F7A

RGB 234 31 122

HSL 333.1, 0.83%, 0.52%

LAB 51.7, 76.33, 2.56

 

CMYK 0 / 96 / 53 / 0

HEX #FE0B78

RGB 254 11 120

HSL 333.09, 0.99%, 0.52%

LAB 54.73, 83.05, 8.62

 

CMYK 0 / 76 / 42 / 16

HEX #D7337C

RGB 215 51 124

HSL 333.29, 0.67%, 0.52%

LAB 49.82, 67.16, -1.82

 

CMYK 0 / 64 / 35 / 24

HEX #C3467E

RGB 195 70 126

HSL 333.12, 0.51%, 0.52%

LAB 48.87, 54.9, -4.82

 

CMYK 0 / 49 / 27 / 31

HEX #AF5A80

RGB 175 90 128

HSL 333.18, 0.35%, 0.52%

LAB 49.48, 39.11, -5.46

 

CMYK 0 / 29 / 16 / 39

HEX #9B6E82

RGB 155 110 130

HSL 333.33, 0.18%, 0.52%

LAB 51.53, 21.04, -3.89

 

CMYK 0 / 4 / 2 / 47

HEX #878284

RGB 135 130 132

HSL 336, 0.02%, 0.52%

LAB 54.85, 2.27, -0.42

 

CMYK 0 / 76 / 1 / 16

HEX #D733D4

RGB 215 51 212

HSL 301.1, 0.67%, 0.52%

LAB 53.57, 78.22, -47.84

 

CMYK 0 / 76 / 22 / 16

HEX #D733A8

RGB 215 51 168

HSL 317.2, 0.67%, 0.52%

LAB 51.43, 72.04, -25.69

 

CMYK 0 / 76 / 42 / 16

HEX #D7337C

RGB 215 51 124

HSL 333.29, 0.67%, 0.52%

LAB 49.82, 67.16, -1.82

 

CMYK 0 / 76 / 62 / 16

HEX #D73351

RGB 215 51 81

HSL 349.02, 0.67%, 0.52%

LAB 48.77, 63.85, 22.88

 

CMYK 0 / 70 / 76 / 16

HEX #D74033

RGB 215 64 51

HSL 4.76, 0.67%, 0.52%

LAB 49.92, 58, 41.71

 

CMYK 0 / 80 / 44 / 40

HEX #991E55

RGB 153 30 85

HSL 333.17, 0.67%, 0.36%

LAB 34.72, 53.04, -0.97

 

CMYK 0 / 80 / 44 / 27

HEX #BB2568

RGB 187 37 104

HSL 333.2, 0.67%, 0.44%

LAB 42.59, 61.95, -0.73

 

CMYK 0 / 76 / 42 / 16

HEX #D7337C

RGB 215 51 124

HSL 333.29, 0.67%, 0.52%

LAB 49.82, 67.16, -1.82

 

CMYK 0 / 62 / 34 / 13

HEX #DD5592

RGB 221 85 146

HSL 333.09, 0.67%, 0.6%

LAB 56.03, 58.68, -5.66

 

CMYK 0 / 48 / 26 / 11

HEX #E477A8

RGB 228 119 168

HSL 333.03, 0.67%, 0.68%

LAB 63.77, 47.77, -6.8

 

CMYK 0 / 76 / 42 / 16

HEX #D7347D

RGB 215 52 125

HSL 333.13, 0.67%, 0.52%

LAB 49.96, 66.96, -2.22

 

CMYK 0 / 19 / 76 / 16

HEX #D7AE33

RGB 215 174 51

HSL 45, 0.67%, 0.52%

LAB 72.86, 3.04, 64.5

 

CMYK 76 / 12 / 0 / 16

HEX #33BED7

RGB 51 190 215

HSL 189.15, 0.67%, 0.52%

LAB 71.17, -27.74, -22.97

 

CMYK 0 / 76 / 42 / 16

HEX #D7347D

RGB 215 52 125

HSL 333.13, 0.67%, 0.52%

LAB 49.96, 66.96, -2.22

 

CMYK 42 / 0 / 76 / 16

HEX #7CD733

RGB 124 215 51

HSL 93.29, 0.67%, 0.52%

LAB 77.95, -52.79, 67.07

 

CMYK 76 / 42 / 0 / 16

HEX #337CD7

RGB 51 124 215

HSL 213.29, 0.67%, 0.52%

LAB 51.87, 8.97, -53.15

 

CMYK 0 / 76 / 42 / 16

HEX #D7347D

RGB 215 52 125

HSL 333.13, 0.67%, 0.52%

LAB 49.96, 66.96, -2.22

 

CMYK 0 / 19 / 76 / 16

HEX #D7AE33

RGB 215 174 51

HSL 45, 0.67%, 0.52%

LAB 72.86, 3.04, 64.5

 

CMYK 76 / 0 / 34 / 16

HEX #33D78D

RGB 51 215 141

HSL 152.93, 0.67%, 0.52%

LAB 76.82, -57.86, 25.04

 

CMYK 76 / 57 / 0 / 16

HEX #335CD7

RGB 51 92 215

HSL 225, 0.67%, 0.52%

LAB 43.16, 29.23, -67.2

 

CMYK 0 / 76 / 42 / 16

HEX #D7347D

RGB 215 52 125

HSL 333.13, 0.67%, 0.52%

LAB 49.96, 66.96, -2.22

 

CMYK 4 / 0 / 76 / 16

HEX #CED733

RGB 206 215 51

HSL 63.29, 0.67%, 0.52%

LAB 82.89, -21.69, 73.46

 

CMYK 76 / 0 / 34 / 16

HEX #33D78D

RGB 51 215 141

HSL 152.93, 0.67%, 0.52%

LAB 76.82, -57.86, 25.04

 

CMYK 73 / 76 / 0 / 16

HEX #3B33D7

RGB 59 51 215

HSL 242.93, 0.67%, 0.52%

LAB 34.4, 54.46, -81.56

 

Description

Color code: HEX #D7347D | qconv.com Color code: HEX #D7347D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 52 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 52 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 42% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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