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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D73014 it is the complementary color #28CFEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D73014. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D73014 shade: #DC300F, #ED4222, #FE5435, #FF6648 and #FF785B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D73014. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D73014 shade: #D73014, #C61E01, #B50C00, #A40000 and #930000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D73014 shade: #D73014 and #D71414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D73014 shade: #D73014, #D76414, #D79914, #D7CD14 and #ABD714

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D73014 shade matches the following richer shades: #D73014 and #EA2201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D73014 shade: #D73014, #C43D27, #B14B3A, #9E584D and #8B6660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D73014 shade: #D71462, #D7142E, #D72E14, #D76214 and #D79614

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D73014 shade: #8B1F0D, #B12710, #D73014, #EB4529 and #EF664F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D73014 shade: #D73014, #96D714 and #1448D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D73014 shade: #D73014, #14D72E and #2E14D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D73014 shade: #D73014, #96D714, #14BDD7 and #5514D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D73014 shade: #D73014, #5BD714, #14BDD7 and #8F14D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

Complementary color

CMYK 83 / 12 / 0 / 8

HEX #28CFEB

RGB 40 207 235

HSL 188.62, 0.83%, 0.54%

LAB 76.72, -30.74, -25.32

 

CMYK 0 / 78 / 93 / 14

HEX #DC300F

RGB 220 48 15

HSL 9.66, 0.87%, 0.46%

LAB 48.72, 63.96, 57.21

 

CMYK 0 / 72 / 86 / 7

HEX #ED4222

RGB 237 66 34

HSL 9.46, 0.85%, 0.53%

LAB 54.04, 63.7, 55.38

 

CMYK 0 / 67 / 79 / 0

HEX #FE5435

RGB 254 84 53

HSL 9.25, 0.99%, 0.6%

LAB 59.59, 62.98, 52.75

 

CMYK 0 / 60 / 72 / 0

HEX #FF6648

RGB 255 102 72

HSL 9.84, 1%, 0.64%

LAB 62.7, 56.61, 46.45

 

CMYK 0 / 53 / 64 / 0

HEX #FF785B

RGB 255 120 91

HSL 10.61, 1%, 0.68%

LAB 66.1, 49.35, 40.33

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 0 / 85 / 99 / 22

HEX #C61E01

RGB 198 30 1

HSL 8.83, 0.99%, 0.39%

LAB 42.67, 62.09, 55.75

 

CMYK 0 / 93 / 100 / 29

HEX #B50C00

RGB 181 12 0

HSL 3.98, 1%, 0.35%

LAB 38, 60.56, 52.13

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 0 / 91 / 91 / 16

HEX #D71414

RGB 215 20 20

HSL 0, 0.83%, 0.46%

LAB 45.63, 68.62, 52.97

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 0 / 53 / 91 / 16

HEX #D76414

RGB 215 100 20

HSL 24.62, 0.83%, 0.46%

LAB 55.7, 41.34, 60.05

 

CMYK 0 / 29 / 91 / 16

HEX #D79914

RGB 215 153 20

HSL 40.92, 0.83%, 0.46%

LAB 67.49, 13.4, 68.8

 

CMYK 0 / 5 / 91 / 16

HEX #D7CD14

RGB 215 205 20

HSL 56.92, 0.83%, 0.46%

LAB 80.83, -13.78, 79.01

 

CMYK 20 / 0 / 91 / 16

HEX #ABD714

RGB 171 215 20

HSL 73.54, 0.83%, 0.46%

LAB 80.35, -36.85, 77.26

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 0 / 85 / 100 / 8

HEX #EA2201

RGB 234 34 1

HSL 8.5, 0.99%, 0.46%

LAB 50.26, 71.09, 63.22

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 0 / 69 / 80 / 23

HEX #C43D27

RGB 196 61 39

HSL 8.41, 0.67%, 0.46%

LAB 45.93, 52.55, 42.89

 

CMYK 0 / 58 / 67 / 31

HEX #B14B3A

RGB 177 75 58

HSL 8.57, 0.51%, 0.46%

LAB 45.2, 40.44, 30.66

 

CMYK 0 / 44 / 51 / 38

HEX #9E584D

RGB 158 88 77

HSL 8.15, 0.34%, 0.46%

LAB 45.34, 27.61, 19.03

 

CMYK 0 / 27 / 31 / 45

HEX #8B6660

RGB 139 102 96

HSL 8.37, 0.18%, 0.46%

LAB 46.76, 13.99, 9.22

 

CMYK 0 / 91 / 54 / 16

HEX #D71462

RGB 215 20 98

HSL 336, 0.83%, 0.46%

LAB 46.75, 71.76, 9.7

 

CMYK 0 / 91 / 79 / 16

HEX #D7142E

RGB 215 20 46

HSL 352, 0.83%, 0.46%

LAB 45.83, 69.19, 40.17

 

CMYK 0 / 79 / 91 / 16

HEX #D72E14

RGB 215 46 20

HSL 8, 0.83%, 0.46%

LAB 47.56, 63.13, 54.29

 

CMYK 0 / 54 / 91 / 16

HEX #D76214

RGB 215 98 20

HSL 24, 0.83%, 0.46%

LAB 55.31, 42.33, 59.77

 

CMYK 0 / 30 / 91 / 16

HEX #D79614

RGB 215 150 20

HSL 40, 0.83%, 0.46%

LAB 66.76, 15.02, 68.25

 

CMYK 0 / 78 / 91 / 45

HEX #8B1F0D

RGB 139 31 13

HSL 8.57, 0.83%, 0.3%

LAB 30.64, 44.19, 37.91

 

CMYK 0 / 78 / 91 / 31

HEX #B12710

RGB 177 39 16

HSL 8.57, 0.83%, 0.38%

LAB 39.3, 53.73, 46.54

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 0 / 71 / 83 / 8

HEX #EB4529

RGB 235 69 41

HSL 8.66, 0.83%, 0.54%

LAB 54.11, 62.19, 52.14

 

CMYK 0 / 57 / 67 / 6

HEX #EF664F

RGB 239 102 79

HSL 8.63, 0.83%, 0.62%

LAB 60.26, 51.38, 39.25

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 30 / 0 / 91 / 16

HEX #96D714

RGB 150 215 20

HSL 80, 0.83%, 0.46%

LAB 79.12, -44.9, 75.75

 

CMYK 91 / 67 / 0 / 16

HEX #1448D7

RGB 20 72 215

HSL 224, 0.83%, 0.46%

LAB 37.28, 39.77, -76.87

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 91 / 0 / 79 / 16

HEX #14D72E

RGB 20 215 46

HSL 128, 0.83%, 0.46%

LAB 75.42, -73.33, 65.29

 

CMYK 79 / 91 / 0 / 16

HEX #2E14D7

RGB 46 20 215

HSL 248, 0.83%, 0.46%

LAB 29.38, 66.19, -89.92

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 30 / 0 / 91 / 16

HEX #96D714

RGB 150 215 20

HSL 80, 0.83%, 0.46%

LAB 79.12, -44.9, 75.75

 

CMYK 91 / 12 / 0 / 16

HEX #14BDD7

RGB 20 189 215

HSL 188, 0.83%, 0.46%

LAB 70.49, -29.55, -24.04

 

CMYK 60 / 91 / 0 / 16

HEX #5514D7

RGB 85 20 215

HSL 260, 0.83%, 0.46%

LAB 32.56, 68.25, -84.54

 

CMYK 0 / 78 / 91 / 16

HEX #D73014

RGB 215 48 20

HSL 8.62, 0.83%, 0.46%

LAB 47.77, 62.55, 54.43

 

CMYK 58 / 0 / 91 / 16

HEX #5BD714

RGB 91 215 20

HSL 98.15, 0.83%, 0.46%

LAB 76.6, -63.55, 72.65

 

CMYK 91 / 12 / 0 / 16

HEX #14BDD7

RGB 20 189 215

HSL 188, 0.83%, 0.46%

LAB 70.49, -29.55, -24.04

 

CMYK 33 / 91 / 0 / 16

HEX #8F14D7

RGB 143 20 215

HSL 277.85, 0.83%, 0.46%

LAB 39.99, 74, -72.04

 

Description

Color code: HEX #D73014 | qconv.com Color code: HEX #D73014 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 48 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 48 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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