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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D72FF2 it is the complementary color #28D00D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D72FF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D72FF2 shade: #DC2FED, #ED41FF, #FE53FF, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D72FF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D72FF2 shade: #D72FF2, #C61DDF, #B50BCC, #A400B9 and #9300A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D72FF2 shade: #D731F2, #F231D9, #F231A4, #F23170 and #F2313C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D72FF2 shade: #D731F2, #A331F2, #6F31F2, #3B31F2 and #3131F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D72FF2 shade matches the following richer shades: #D731F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D72FF2 shade: #D731F2, #CA43E0, #BD54CE, #B166BD and #A478AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D72FF2 shade: #6E31F2, #A131F2, #D531F2, #F231DB and #F231A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D72FF2 shade: #AA0CC4, #CC0FEA, #D731F2, #DF58F4 and #E67EF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D72FF2 shade: #D72FF2, #F23B31 and #31F288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D72FF2 shade: #D72FF2, #F2D531 and #31F2D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D72FF2 shade: #D72FF2, #F23B31, #4EF231 and #31E8F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D72FF2 shade: #D72FF2, #F27431, #4EF231 and #31AEF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 81 / 0 / 5

HEX #D72FF2

RGB 215 47 242

HSL 291.69, 0.88%, 0.57%

LAB 54.96, 84.03, -62.56

 

Complementary color

CMYK 81 / 0 / 94 / 18

HEX #28D00D

RGB 40 208 13

HSL 111.69, 0.88%, 0.43%

LAB 73.28, -70.99, 70.37

 

CMYK 7 / 80 / 0 / 7

HEX #DC2FED

RGB 220 47 237

HSL 294.63, 0.84%, 0.56%

LAB 55.44, 84.09, -58.94

 

CMYK 7 / 75 / 0 / 0

HEX #ED41FF

RGB 237 65 255

HSL 294.32, 1%, 0.63%

LAB 60.79, 85.34, -60.26

 

CMYK 0 / 67 / 0 / 0

HEX #FE53FF

RGB 254 83 255

HSL 299.65, 1%, 0.66%

LAB 65.34, 83.07, -52.86

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 11 / 81 / 0 / 5

HEX #D72FF2

RGB 215 47 242

HSL 291.69, 0.88%, 0.57%

LAB 54.96, 84.03, -62.56

 

CMYK 11 / 87 / 0 / 13

HEX #C61DDF

RGB 198 29 223

HSL 292.27, 0.77%, 0.49%

LAB 49.75, 81.82, -60.37

 

CMYK 11 / 95 / 0 / 20

HEX #B50BCC

RGB 181 11 204

HSL 292.85, 0.9%, 0.42%

LAB 44.83, 78.5, -57.54

 

CMYK 11 / 100 / 0 / 27

HEX #A400B9

RGB 164 0 185

HSL 293.19, 1%, 0.36%

LAB 40.24, 73.92, -54.01

 

CMYK 11 / 100 / 0 / 35

HEX #9300A6

RGB 147 0 166

HSL 293.13, 1%, 0.33%

LAB 35.9, 68.21, -49.84

 

CMYK 11 / 80 / 0 / 5

HEX #D731F2

RGB 215 49 242

HSL 291.61, 0.88%, 0.57%

LAB 55.13, 83.54, -62.29

 

CMYK 0 / 80 / 10 / 5

HEX #F231D9

RGB 242 49 217

HSL 307.77, 0.88%, 0.57%

LAB 58.12, 84.81, -43.19

 

CMYK 0 / 80 / 32 / 5

HEX #F231A4

RGB 242 49 164

HSL 324.25, 0.88%, 0.57%

LAB 55.84, 78.35, -16.16

 

CMYK 0 / 80 / 54 / 5

HEX #F23170

RGB 242 49 112

HSL 340.41, 0.88%, 0.57%

LAB 54.28, 73.73, 12.48

 

CMYK 0 / 80 / 75 / 5

HEX #F2313C

RGB 242 49 60

HSL 356.58, 0.88%, 0.57%

LAB 53.38, 70.98, 41.97

 

CMYK 11 / 80 / 0 / 5

HEX #D731F2

RGB 215 49 242

HSL 291.61, 0.88%, 0.57%

LAB 55.13, 83.54, -62.29

 

CMYK 33 / 80 / 0 / 5

HEX #A331F2

RGB 163 49 242

HSL 275.44, 0.88%, 0.57%

LAB 47.49, 75.01, -75.03

 

CMYK 54 / 80 / 0 / 5

HEX #6F31F2

RGB 111 49 242

HSL 259.27, 0.88%, 0.57%

LAB 41.2, 68.09, -85.59

 

CMYK 76 / 80 / 0 / 5

HEX #3B31F2

RGB 59 49 242

HSL 243.11, 0.88%, 0.57%

LAB 37, 63.55, -92.67

 

CMYK 80 / 80 / 0 / 5

HEX #3131F2

RGB 49 49 242

HSL 240, 0.88%, 0.57%

LAB 36.48, 62.99, -93.54

 

CMYK 11 / 80 / 0 / 5

HEX #D731F2

RGB 215 49 242

HSL 291.61, 0.88%, 0.57%

LAB 55.13, 83.54, -62.29

 

CMYK 11 / 80 / 0 / 5

HEX #D731F2

RGB 215 49 242

HSL 291.61, 0.88%, 0.57%

LAB 55.13, 83.54, -62.29

 

CMYK 10 / 70 / 0 / 12

HEX #CA43E0

RGB 202 67 224

HSL 291.59, 0.72%, 0.57%

LAB 53.98, 72.5, -54.12

 

CMYK 8 / 59 / 0 / 19

HEX #BD54CE

RGB 189 84 206

HSL 291.64, 0.55%, 0.57%

LAB 53.62, 59.32, -44.58

 

CMYK 6 / 46 / 0 / 26

HEX #B166BD

RGB 177 102 189

HSL 291.72, 0.4%, 0.57%

LAB 54.58, 43.86, -33.43

 

CMYK 4 / 30 / 0 / 33

HEX #A478AB

RGB 164 120 171

HSL 291.76, 0.23%, 0.57%

LAB 56.35, 26.19, -20.45

 

CMYK 55 / 80 / 0 / 5

HEX #6E31F2

RGB 110 49 242

HSL 258.96, 0.88%, 0.57%

LAB 41.09, 67.98, -85.77

 

CMYK 33 / 80 / 0 / 5

HEX #A131F2

RGB 161 49 242

HSL 274.82, 0.88%, 0.57%

LAB 47.22, 74.71, -75.49

 

CMYK 12 / 80 / 0 / 5

HEX #D531F2

RGB 213 49 242

HSL 290.98, 0.88%, 0.57%

LAB 54.82, 83.19, -62.81

 

CMYK 0 / 80 / 10 / 5

HEX #F231DB

RGB 242 49 219

HSL 307.15, 0.88%, 0.57%

LAB 58.22, 85.08, -44.17

 

CMYK 0 / 80 / 31 / 5

HEX #F231A8

RGB 242 49 168

HSL 323.01, 0.88%, 0.57%

LAB 55.99, 78.78, -18.28

 

CMYK 13 / 94 / 0 / 23

HEX #AA0CC4

RGB 170 12 196

HSL 291.52, 0.88%, 0.41%

LAB 42.45, 75.4, -56.83

 

CMYK 13 / 94 / 0 / 8

HEX #CC0FEA

RGB 204 15 234

HSL 291.78, 0.88%, 0.49%

LAB 50.83, 86.41, -64.82

 

CMYK 11 / 80 / 0 / 5

HEX #D731F2

RGB 215 49 242

HSL 291.61, 0.88%, 0.57%

LAB 55.13, 83.54, -62.29

 

CMYK 9 / 64 / 0 / 4

HEX #DF58F4

RGB 223 88 244

HSL 291.92, 0.88%, 0.65%

LAB 60.96, 72.59, -54.02

 

CMYK 7 / 49 / 0 / 3

HEX #E67EF7

RGB 230 126 247

HSL 291.57, 0.88%, 0.73%

LAB 68.36, 57.74, -43.92

 

CMYK 11 / 81 / 0 / 5

HEX #D72FF2

RGB 215 47 242

HSL 291.69, 0.88%, 0.57%

LAB 54.96, 84.03, -62.56

 

CMYK 0 / 76 / 80 / 5

HEX #F23B31

RGB 242 59 49

HSL 3.11, 0.88%, 0.57%

LAB 54.27, 67.83, 48.8

 

CMYK 80 / 0 / 44 / 5

HEX #31F288

RGB 49 242 136

HSL 147.05, 0.88%, 0.57%

LAB 84.96, -68.59, 38.33

 

CMYK 11 / 81 / 0 / 5

HEX #D72FF2

RGB 215 47 242

HSL 291.69, 0.88%, 0.57%

LAB 54.96, 84.03, -62.56

 

CMYK 0 / 12 / 80 / 5

HEX #F2D531

RGB 242 213 49

HSL 50.98, 0.88%, 0.57%

LAB 85.35, -5.63, 77.36

 

CMYK 80 / 0 / 12 / 5

HEX #31F2D5

RGB 49 242 213

HSL 170.98, 0.88%, 0.57%

LAB 86.48, -51.96, 0.95

 

CMYK 11 / 81 / 0 / 5

HEX #D72FF2

RGB 215 47 242

HSL 291.69, 0.88%, 0.57%

LAB 54.96, 84.03, -62.56

 

CMYK 0 / 76 / 80 / 5

HEX #F23B31

RGB 242 59 49

HSL 3.11, 0.88%, 0.57%

LAB 54.27, 67.83, 48.8

 

CMYK 68 / 0 / 80 / 5

HEX #4EF231

RGB 78 242 49

HSL 110.98, 0.88%, 0.57%

LAB 84.66, -73.98, 73.46

 

CMYK 80 / 4 / 0 / 5

HEX #31E8F2

RGB 49 232 242

HSL 183.11, 0.88%, 0.57%

LAB 84.37, -39.63, -17.44

 

CMYK 11 / 81 / 0 / 5

HEX #D72FF2

RGB 215 47 242

HSL 291.69, 0.88%, 0.57%

LAB 54.96, 84.03, -62.56

 

CMYK 0 / 52 / 80 / 5

HEX #F27431

RGB 242 116 49

HSL 20.83, 0.88%, 0.57%

LAB 63, 44.55, 57.19

 

CMYK 68 / 0 / 80 / 5

HEX #4EF231

RGB 78 242 49

HSL 110.98, 0.88%, 0.57%

LAB 84.66, -73.98, 73.46

 

CMYK 80 / 28 / 0 / 5

HEX #31AEF2

RGB 49 174 242

HSL 201.14, 0.88%, 0.57%

LAB 67.53, -10.65, -43.34

 

Description

Color code: HEX #D72FF2 | qconv.com Color code: HEX #D72FF2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 47 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 47 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 81 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 81% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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