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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D72DDC it is the complementary color #28D223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D72DDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D72DDC shade: #DC2DD7, #ED3FEA, #FE51FD, #FF63FF and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D72DDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D72DDC shade: #D72DDC, #C61BC9, #B509B6, #A400A3 and #930090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D72DDC shade: #D72EDC, #DC2EB2, #DC2E83, #DC2E54 and #DC2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D72DDC shade: #D72EDC, #A82EDC, #792EDC, #4A2EDC and #2E2EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D72DDC shade matches the following richer shades: #D72EDC and #E91AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D72DDC shade: #D72EDC, #C442C8, #B155B4, #9F69A0 and #8C7D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D72DDC shade: #792EDC, #A72EDC, #D62EDC, #DC2EB3 and #DC2E85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D72DDC shade: #981A9C, #BB20BF, #D72EDC, #DD51E1 and #E474E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D72DDC shade: #D72DDC, #DC4B2E and #2EDC90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D72DDC shade: #D72DDC, #DCD62E and #2EDCD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D72DDC shade: #D72DDC, #DC4B2E, #33DC2E and #2EBFDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D72DDC shade: #D72DDC, #DC7F2E, #33DC2E and #2E8ADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 80 / 0 / 14

HEX #D72DDC

RGB 215 45 220

HSL 298.29, 0.71%, 0.52%

LAB 53.48, 80.98, -52.53

 

Complementary color

CMYK 81 / 0 / 83 / 18

HEX #28D223

RGB 40 210 35

HSL 118.29, 0.71%, 0.48%

LAB 73.98, -70.81, 66.99

 

CMYK 0 / 80 / 2 / 14

HEX #DC2DD7

RGB 220 45 215

HSL 301.71, 0.71%, 0.52%

LAB 54.03, 81.17, -48.77

 

CMYK 0 / 73 / 1 / 7

HEX #ED3FEA

RGB 237 63 234

HSL 301.03, 0.83%, 0.59%

LAB 59.43, 82.62, -50.74

 

CMYK 0 / 68 / 0 / 0

HEX #FE51FD

RGB 254 81 253

HSL 300.35, 0.99%, 0.66%

LAB 65, 83.43, -52.29

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 2 / 80 / 0 / 14

HEX #D72DDC

RGB 215 45 220

HSL 298.29, 0.71%, 0.52%

LAB 53.48, 80.98, -52.53

 

CMYK 1 / 87 / 0 / 21

HEX #C61BC9

RGB 198 27 201

HSL 298.97, 0.76%, 0.45%

LAB 48.27, 78.69, -50.13

 

CMYK 1 / 95 / 0 / 29

HEX #B509B6

RGB 181 9 182

HSL 299.65, 0.91%, 0.37%

LAB 43.35, 75.25, -47.07

 

CMYK 0 / 100 / 1 / 36

HEX #A400A3

RGB 164 0 163

HSL 300.37, 1%, 0.32%

LAB 38.79, 70.47, -43.23

 

CMYK 0 / 100 / 2 / 42

HEX #930090

RGB 147 0 144

HSL 301.22, 1%, 0.29%

LAB 34.43, 64.71, -38.81

 

CMYK 2 / 79 / 0 / 14

HEX #D72EDC

RGB 215 46 220

HSL 298.28, 0.71%, 0.52%

LAB 53.57, 80.74, -52.4

 

CMYK 0 / 79 / 19 / 14

HEX #DC2EB2

RGB 220 46 178

HSL 314.48, 0.71%, 0.52%

LAB 52.27, 75.78, -30.19

 

CMYK 0 / 79 / 40 / 14

HEX #DC2E83

RGB 220 46 131

HSL 330.69, 0.71%, 0.52%

LAB 50.46, 70.5, -5

 

CMYK 0 / 79 / 62 / 14

HEX #DC2E54

RGB 220 46 84

HSL 346.9, 0.71%, 0.52%

LAB 49.26, 66.86, 21.89

 

CMYK 0 / 79 / 79 / 14

HEX #DC2E2E

RGB 220 46 46

HSL 0, 0.71%, 0.52%

LAB 48.72, 65.16, 43.46

 

CMYK 2 / 79 / 0 / 14

HEX #D72EDC

RGB 215 46 220

HSL 298.28, 0.71%, 0.52%

LAB 53.57, 80.74, -52.4

 

CMYK 24 / 79 / 0 / 14

HEX #A82EDC

RGB 168 46 220

HSL 282.07, 0.71%, 0.52%

LAB 46.24, 72.32, -64.57

 

CMYK 45 / 79 / 0 / 14

HEX #792EDC

RGB 121 46 220

HSL 265.86, 0.71%, 0.52%

LAB 39.89, 65.05, -75.19

 

CMYK 66 / 79 / 0 / 14

HEX #4A2EDC

RGB 74 46 220

HSL 249.66, 0.71%, 0.52%

LAB 35.16, 59.65, -83.16

 

CMYK 79 / 79 / 0 / 14

HEX #2E2EDC

RGB 46 46 220

HSL 240, 0.71%, 0.52%

LAB 33.35, 57.6, -86.2

 

CMYK 2 / 79 / 0 / 14

HEX #D72EDC

RGB 215 46 220

HSL 298.28, 0.71%, 0.52%

LAB 53.57, 80.74, -52.4

 

CMYK 3 / 89 / 0 / 6

HEX #E91AEF

RGB 233 26 239

HSL 298.31, 0.87%, 0.52%

LAB 56.38, 90.43, -58.44

 

CMYK 2 / 79 / 0 / 14

HEX #D72EDC

RGB 215 46 220

HSL 298.28, 0.71%, 0.52%

LAB 53.57, 80.74, -52.4

 

CMYK 2 / 67 / 0 / 22

HEX #C442C8

RGB 196 66 200

HSL 298.21, 0.55%, 0.52%

LAB 51.61, 67.42, -44.25

 

CMYK 2 / 53 / 0 / 29

HEX #B155B4

RGB 177 85 180

HSL 298.11, 0.39%, 0.52%

LAB 50.85, 50.84, -34.06

 

CMYK 1 / 34 / 0 / 37

HEX #9F69A0

RGB 159 105 160

HSL 298.91, 0.22%, 0.52%

LAB 51.85, 30.84, -21.01

 

CMYK 0 / 11 / 0 / 45

HEX #8C7D8C

RGB 140 125 140

HSL 300, 0.06%, 0.52%

LAB 54.17, 8.58, -6.01

 

CMYK 45 / 79 / 0 / 14

HEX #792EDC

RGB 121 46 220

HSL 265.86, 0.71%, 0.52%

LAB 39.89, 65.05, -75.19

 

CMYK 24 / 79 / 0 / 14

HEX #A72EDC

RGB 167 46 220

HSL 281.72, 0.71%, 0.52%

LAB 46.09, 72.16, -64.81

 

CMYK 3 / 79 / 0 / 14

HEX #D62EDC

RGB 214 46 220

HSL 297.93, 0.71%, 0.52%

LAB 53.4, 80.55, -52.66

 

CMYK 0 / 79 / 19 / 14

HEX #DC2EB3

RGB 220 46 179

HSL 314.14, 0.71%, 0.52%

LAB 52.31, 75.91, -30.7

 

CMYK 0 / 79 / 40 / 14

HEX #DC2E85

RGB 220 46 133

HSL 330, 0.71%, 0.52%

LAB 50.53, 70.69, -6.11

 

CMYK 3 / 83 / 0 / 39

HEX #981A9C

RGB 152 26 156

HSL 298.15, 0.71%, 0.36%

LAB 37.51, 63.35, -41.17

 

CMYK 2 / 83 / 0 / 25

HEX #BB20BF

RGB 187 32 191

HSL 298.49, 0.71%, 0.44%

LAB 46.12, 74.22, -47.86

 

CMYK 2 / 79 / 0 / 14

HEX #D72EDC

RGB 215 46 220

HSL 298.28, 0.71%, 0.52%

LAB 53.57, 80.74, -52.4

 

CMYK 2 / 64 / 0 / 12

HEX #DD51E1

RGB 221 81 225

HSL 298.33, 0.71%, 0.6%

LAB 58.69, 71.62, -47.02

 

CMYK 1 / 50 / 0 / 9

HEX #E474E7

RGB 228 116 231

HSL 298.43, 0.71%, 0.68%

LAB 65.56, 59.13, -39.5

 

CMYK 2 / 80 / 0 / 14

HEX #D72DDC

RGB 215 45 220

HSL 298.29, 0.71%, 0.52%

LAB 53.48, 80.98, -52.53

 

CMYK 0 / 66 / 79 / 14

HEX #DC4B2E

RGB 220 75 46

HSL 10, 0.71%, 0.52%

LAB 52.34, 55.17, 47.09

 

CMYK 79 / 0 / 35 / 14

HEX #2EDC90

RGB 46 220 144

HSL 153.79, 0.71%, 0.52%

LAB 78.33, -59.67, 25.52

 

CMYK 2 / 80 / 0 / 14

HEX #D72DDC

RGB 215 45 220

HSL 298.29, 0.71%, 0.52%

LAB 53.48, 80.98, -52.53

 

CMYK 0 / 3 / 79 / 14

HEX #DCD62E

RGB 220 214 46

HSL 57.93, 0.71%, 0.52%

LAB 83.71, -15.52, 76.04

 

CMYK 79 / 0 / 3 / 14

HEX #2EDCD6

RGB 46 220 214

HSL 177.93, 0.71%, 0.52%

LAB 79.97, -42.56, -9.18

 

CMYK 2 / 80 / 0 / 14

HEX #D72DDC

RGB 215 45 220

HSL 298.29, 0.71%, 0.52%

LAB 53.48, 80.98, -52.53

 

CMYK 0 / 66 / 79 / 14

HEX #DC4B2E

RGB 220 75 46

HSL 10, 0.71%, 0.52%

LAB 52.34, 55.17, 47.09

 

CMYK 77 / 0 / 79 / 14

HEX #33DC2E

RGB 51 220 46

HSL 118.28, 0.71%, 0.52%

LAB 77.33, -71.79, 67.23

 

CMYK 79 / 13 / 0 / 14

HEX #2EBFDC

RGB 46 191 220

HSL 190, 0.71%, 0.52%

LAB 71.56, -27.15, -25.1

 

CMYK 2 / 80 / 0 / 14

HEX #D72DDC

RGB 215 45 220

HSL 298.29, 0.71%, 0.52%

LAB 53.48, 80.98, -52.53

 

CMYK 0 / 42 / 79 / 14

HEX #DC7F2E

RGB 220 127 46

HSL 27.93, 0.71%, 0.52%

LAB 62.16, 30.14, 56.56

 

CMYK 77 / 0 / 79 / 14

HEX #33DC2E

RGB 51 220 46

HSL 118.28, 0.71%, 0.52%

LAB 77.33, -71.79, 67.23

 

CMYK 79 / 37 / 0 / 14

HEX #2E8ADC

RGB 46 138 220

HSL 208.28, 0.71%, 0.52%

LAB 56.01, 1.78, -49.36

 

Description

Color code: HEX #D72DDC | qconv.com Color code: HEX #D72DDC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 45 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 45 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 80 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 80% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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