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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D72CEC it is the complementary color #28D313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D72CEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D72CEC shade: #DC2CE7, #ED3EFA, #FE50FF, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D72CEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D72CEC shade: #D72CEC, #C61AD9, #B508C6, #A400B3 and #9300A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D72CEC shade: #D72DEB, #EB2DCD, #EB2D9A, #EB2D66 and #EB2D33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D72CEC shade: #D72DEB, #A32DEB, #702DEB, #3D2DEB and #2D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D72CEC shade matches the following richer shades: #D72DEB and #E51AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D72CEC shade: #D72DEB, #C840D9, #BA52C6, #AB65B4 and #9D77A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D72CEC shade: #702DEB, #A22DEB, #D52DEB, #EB2DCF and #EB2D9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D72CEC shade: #A311B5, #C514DB, #D72DEB, #DE53EF and #E579F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D72CEC shade: #D72CEC, #EB3D2D and #2DEB89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D72CEC shade: #D72CEC, #EBD52D and #2DEBD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D72CEC shade: #D72CEC, #EB3D2D, #43EB2D and #2DDCEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D72CEC shade: #D72CEC, #EB762D, #43EB2D and #2DA2EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 81 / 0 / 7

HEX #D72CEC

RGB 215 44 236

HSL 293.44, 0.83%, 0.55%

LAB 54.35, 83.75, -60.18

 

Complementary color

CMYK 81 / 0 / 91 / 17

HEX #28D313

RGB 40 211 19

HSL 113.44, 0.83%, 0.45%

LAB 74.25, -71.7, 70.37

 

CMYK 5 / 81 / 0 / 9

HEX #DC2CE7

RGB 220 44 231

HSL 296.47, 0.8%, 0.54%

LAB 54.85, 83.84, -56.52

 

CMYK 5 / 75 / 0 / 2

HEX #ED3EFA

RGB 237 62 250

HSL 295.85, 0.95%, 0.61%

LAB 60.21, 85.4, -58.42

 

CMYK 0 / 69 / 0 / 0

HEX #FE50FF

RGB 254 80 255

HSL 299.66, 1%, 0.66%

LAB 64.98, 84.07, -53.42

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 9 / 81 / 0 / 7

HEX #D72CEC

RGB 215 44 236

HSL 293.44, 0.83%, 0.55%

LAB 54.35, 83.75, -60.18

 

CMYK 9 / 88 / 0 / 15

HEX #C61AD9

RGB 198 26 217

HSL 294.03, 0.79%, 0.48%

LAB 49.2, 81.35, -57.84

 

CMYK 9 / 96 / 0 / 22

HEX #B508C6

RGB 181 8 198

HSL 294.63, 0.92%, 0.4%

LAB 44.34, 77.82, -54.86

 

CMYK 8 / 100 / 0 / 30

HEX #A400B3

RGB 164 0 179

HSL 294.97, 1%, 0.35%

LAB 39.83, 72.95, -51.12

 

CMYK 8 / 100 / 0 / 37

HEX #9300A0

RGB 147 0 160

HSL 295.13, 1%, 0.31%

LAB 35.48, 67.23, -46.89

 

CMYK 9 / 81 / 0 / 8

HEX #D72DEB

RGB 215 45 235

HSL 293.68, 0.83%, 0.55%

LAB 54.37, 83.36, -59.59

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCD

RGB 235 45 205

HSL 309.47, 0.83%, 0.55%

LAB 56.03, 82.69, -39.72

 

CMYK 0 / 81 / 34 / 8

HEX #EB2D9A

RGB 235 45 154

HSL 325.58, 0.83%, 0.55%

LAB 53.89, 76.64, -13.34

 

CMYK 0 / 81 / 57 / 8

HEX #EB2D66

RGB 235 45 102

HSL 342, 0.83%, 0.55%

LAB 52.4, 72.23, 15.68

 

CMYK 0 / 81 / 78 / 8

HEX #EB2D33

RGB 235 45 51

HSL 358.11, 0.83%, 0.55%

LAB 51.59, 69.77, 44.61

 

CMYK 9 / 81 / 0 / 8

HEX #D72DEB

RGB 215 45 235

HSL 293.68, 0.83%, 0.55%

LAB 54.37, 83.36, -59.59

 

CMYK 31 / 81 / 0 / 8

HEX #A32DEB

RGB 163 45 235

HSL 277.26, 0.83%, 0.55%

LAB 46.53, 74.8, -72.65

 

CMYK 52 / 81 / 0 / 8

HEX #702DEB

RGB 112 45 235

HSL 261.16, 0.83%, 0.55%

LAB 40.11, 67.96, -83.41

 

CMYK 74 / 81 / 0 / 8

HEX #3D2DEB

RGB 61 45 235

HSL 245.05, 0.83%, 0.55%

LAB 35.73, 63.41, -90.81

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 9 / 81 / 0 / 8

HEX #D72DEB

RGB 215 45 235

HSL 293.68, 0.83%, 0.55%

LAB 54.37, 83.36, -59.59

 

CMYK 10 / 90 / 0 / 0

HEX #E51AFE

RGB 229 26 254

HSL 293.42, 0.99%, 0.55%

LAB 56.64, 92.07, -66.44

 

CMYK 9 / 81 / 0 / 8

HEX #D72DEB

RGB 215 45 235

HSL 293.68, 0.83%, 0.55%

LAB 54.37, 83.36, -59.59

 

CMYK 8 / 71 / 0 / 15

HEX #C840D9

RGB 200 64 217

HSL 293.33, 0.67%, 0.55%

LAB 52.9, 71.93, -51.89

 

CMYK 6 / 59 / 0 / 22

HEX #BA52C6

RGB 186 82 198

HSL 293.79, 0.5%, 0.55%

LAB 52.45, 57.98, -41.86

 

CMYK 5 / 44 / 0 / 29

HEX #AB65B4

RGB 171 101 180

HSL 293.16, 0.34%, 0.55%

LAB 53.23, 40.82, -30.4

 

CMYK 2 / 26 / 0 / 37

HEX #9D77A1

RGB 157 119 161

HSL 294.29, 0.18%, 0.55%

LAB 55.01, 22.36, -16.8

 

CMYK 52 / 81 / 0 / 8

HEX #702DEB

RGB 112 45 235

HSL 261.16, 0.83%, 0.55%

LAB 40.11, 67.96, -83.41

 

CMYK 31 / 81 / 0 / 8

HEX #A22DEB

RGB 162 45 235

HSL 276.95, 0.83%, 0.55%

LAB 46.39, 74.65, -72.89

 

CMYK 9 / 81 / 0 / 8

HEX #D52DEB

RGB 213 45 235

HSL 293.05, 0.83%, 0.55%

LAB 54.05, 83.01, -60.12

 

CMYK 0 / 81 / 12 / 8

HEX #EB2DCF

RGB 235 45 207

HSL 308.84, 0.83%, 0.55%

LAB 56.13, 82.96, -40.71

 

CMYK 0 / 81 / 34 / 8

HEX #EB2D9C

RGB 235 45 156

HSL 324.95, 0.83%, 0.55%

LAB 53.96, 76.84, -14.41

 

CMYK 10 / 91 / 0 / 29

HEX #A311B5

RGB 163 17 181

HSL 293.41, 0.83%, 0.39%

LAB 40.45, 71.15, -51.31

 

CMYK 10 / 91 / 0 / 14

HEX #C514DB

RGB 197 20 219

HSL 293.37, 0.83%, 0.47%

LAB 48.87, 82.38, -59.53

 

CMYK 9 / 81 / 0 / 8

HEX #D72DEB

RGB 215 45 235

HSL 293.68, 0.83%, 0.55%

LAB 54.37, 83.36, -59.59

 

CMYK 7 / 65 / 0 / 6

HEX #DE53EF

RGB 222 83 239

HSL 293.46, 0.83%, 0.63%

LAB 59.84, 73.46, -53.02

 

CMYK 6 / 50 / 0 / 5

HEX #E579F3

RGB 229 121 243

HSL 293.11, 0.84%, 0.71%

LAB 67.13, 59.17, -43.66

 

CMYK 9 / 81 / 0 / 7

HEX #D72CEC

RGB 215 44 236

HSL 293.44, 0.83%, 0.55%

LAB 54.35, 83.75, -60.18

 

CMYK 0 / 74 / 81 / 8

HEX #EB3D2D

RGB 235 61 45

HSL 5.05, 0.83%, 0.55%

LAB 53.16, 65.02, 49.31

 

CMYK 81 / 0 / 42 / 8

HEX #2DEB89

RGB 45 235 137

HSL 149.05, 0.83%, 0.55%

LAB 82.8, -66.42, 35.01

 

CMYK 9 / 81 / 0 / 7

HEX #D72CEC

RGB 215 44 236

HSL 293.44, 0.83%, 0.55%

LAB 54.35, 83.75, -60.18

 

CMYK 0 / 9 / 81 / 8

HEX #EBD52D

RGB 235 213 45

HSL 53.05, 0.83%, 0.55%

LAB 84.71, -8.71, 77.67

 

CMYK 81 / 0 / 9 / 8

HEX #2DEBD5

RGB 45 235 213

HSL 173.05, 0.83%, 0.55%

LAB 84.37, -49.38, -2.15

 

CMYK 9 / 81 / 0 / 7

HEX #D72CEC

RGB 215 44 236

HSL 293.44, 0.83%, 0.55%

LAB 54.35, 83.75, -60.18

 

CMYK 0 / 74 / 81 / 8

HEX #EB3D2D

RGB 235 61 45

HSL 5.05, 0.83%, 0.55%

LAB 53.16, 65.02, 49.31

 

CMYK 71 / 0 / 81 / 8

HEX #43EB2D

RGB 67 235 45

HSL 113.05, 0.83%, 0.55%

LAB 82.27, -73.95, 72.22

 

CMYK 81 / 6 / 0 / 8

HEX #2DDCEB

RGB 45 220 235

HSL 184.74, 0.83%, 0.55%

LAB 80.6, -36.52, -19.43

 

CMYK 9 / 81 / 0 / 7

HEX #D72CEC

RGB 215 44 236

HSL 293.44, 0.83%, 0.55%

LAB 54.35, 83.75, -60.18

 

CMYK 0 / 50 / 81 / 8

HEX #EB762D

RGB 235 118 45

HSL 23.05, 0.83%, 0.55%

LAB 62.35, 40.75, 57.9

 

CMYK 71 / 0 / 81 / 8

HEX #43EB2D

RGB 67 235 45

HSL 113.05, 0.83%, 0.55%

LAB 82.27, -73.95, 72.22

 

CMYK 81 / 31 / 0 / 8

HEX #2DA2EB

RGB 45 162 235

HSL 203.05, 0.83%, 0.55%

LAB 63.67, -6.8, -45.57

 

Description

Color code: HEX #D72CEC | qconv.com Color code: HEX #D72CEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 44 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 44 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 81 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 81% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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