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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D71F93 it is the complementary color #28E06C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D71F93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D71F93 shade: #DC1F8E, #ED31A1, #FE43B4, #FF55C7 and #FF67DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D71F93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D71F93 shade: #D71F93, #C60D80, #B5006D, #A4005A and #930047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D71F93 shade: #D61F92, #D61F61, #D61F2F and #D61F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D71F93 shade: #D61F92, #D61FC4, #B71FD6, #861FD6 and #541FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D71F93 shade matches the following richer shades: #D61F92 and #EA0B98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D71F93 shade: #D61F92, #C2328D, #AF4688, #9B5A83 and #876E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D71F93 shade: #B81FD6, #D61FC4, #D61F93, #D61F62 and #D61F31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D71F93 shade: #8E1461, #B2197A, #D61F92, #E33BA5 and #E85FB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D71F93 shade: #D71F93, #D6871F and #1FD6D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D71F93 shade: #D71F93, #93D61F and #1F93D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D71F93 shade: #D71F93, #D6871F, #1FD662 and #1F6ED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D71F93 shade: #D71F93, #D6BE1F, #1FD662 and #1F37D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 32 / 16

HEX #D71F93

RGB 215 31 147

HSL 322.17, 0.75%, 0.48%

LAB 48.93, 74.32, -17.05

 

Complementary color

CMYK 82 / 0 / 52 / 12

HEX #28E06C

RGB 40 224 108

HSL 142.17, 0.75%, 0.52%

LAB 78.95, -67.95, 44.29

 

CMYK 0 / 86 / 35 / 14

HEX #DC1F8E

RGB 220 31 142

HSL 324.76, 0.75%, 0.49%

LAB 49.68, 74.91, -12.81

 

CMYK 0 / 79 / 32 / 7

HEX #ED31A1

RGB 237 49 161

HSL 324.26, 0.84%, 0.56%

LAB 54.84, 76.87, -16

 

CMYK 0 / 74 / 29 / 0

HEX #FE43B4

RGB 254 67 180

HSL 323.74, 0.99%, 0.63%

LAB 60.23, 78.03, -18.6

 

CMYK 0 / 67 / 22 / 0

HEX #FF55C7

RGB 255 85 199

HSL 319.76, 1%, 0.67%

LAB 63.24, 74.57, -24.84

 

CMYK 0 / 60 / 15 / 0

HEX #FF67DA

RGB 255 103 218

HSL 314.61, 1%, 0.7%

LAB 66.54, 70.14, -30.46

 

CMYK 0 / 86 / 32 / 16

HEX #D71F93

RGB 215 31 147

HSL 322.17, 0.75%, 0.48%

LAB 48.93, 74.32, -17.05

 

CMYK 0 / 93 / 35 / 22

HEX #C60D80

RGB 198 13 128

HSL 322.7, 0.88%, 0.41%

LAB 44.02, 71.31, -13.26

 

CMYK 0 / 100 / 40 / 29

HEX #B5006D

RGB 181 0 109

HSL 323.87, 1%, 0.35%

LAB 39.46, 67.09, -8.65

 

CMYK 0 / 100 / 45 / 36

HEX #A4005A

RGB 164 0 90

HSL 327.07, 1%, 0.32%

LAB 35.26, 61.61, -3.14

 

CMYK 0 / 100 / 52 / 42

HEX #930047

RGB 147 0 71

HSL 331.02, 1%, 0.29%

LAB 31.02, 56.08, 2.69

 

CMYK 0 / 86 / 32 / 16

HEX #D61F92

RGB 214 31 146

HSL 322.3, 0.75%, 0.48%

LAB 48.7, 73.99, -16.81

 

CMYK 0 / 86 / 55 / 16

HEX #D61F61

RGB 214 31 97

HSL 338.36, 0.75%, 0.48%

LAB 47.16, 69.63, 10.86

 

CMYK 0 / 86 / 78 / 16

HEX #D61F2F

RGB 214 31 47

HSL 354.75, 0.75%, 0.48%

LAB 46.29, 67.1, 40.01

 

CMYK 0 / 86 / 86 / 16

HEX #D61F1F

RGB 214 31 31

HSL 0, 0.75%, 0.48%

LAB 46.14, 66.68, 48.37

 

CMYK 0 / 86 / 32 / 16

HEX #D61F92

RGB 214 31 146

HSL 322.3, 0.75%, 0.48%

LAB 48.7, 73.99, -16.81

 

CMYK 0 / 86 / 8 / 16

HEX #D61FC4

RGB 214 31 196

HSL 305.9, 0.75%, 0.48%

LAB 50.99, 80.18, -42.74

 

CMYK 14 / 86 / 0 / 16

HEX #B71FD6

RGB 183 31 214

HSL 289.84, 0.75%, 0.48%

LAB 46.85, 77.51, -60.04

 

CMYK 37 / 86 / 0 / 16

HEX #861FD6

RGB 134 31 214

HSL 273.77, 0.75%, 0.48%

LAB 39.42, 70.25, -72.46

 

CMYK 61 / 86 / 0 / 16

HEX #541FD6

RGB 84 31 214

HSL 257.38, 0.75%, 0.48%

LAB 33.39, 64.8, -82.59

 

CMYK 0 / 86 / 32 / 16

HEX #D61F92

RGB 214 31 146

HSL 322.3, 0.75%, 0.48%

LAB 48.7, 73.99, -16.81

 

CMYK 0 / 95 / 35 / 8

HEX #EA0B98

RGB 234 11 152

HSL 322.06, 0.91%, 0.48%

LAB 51.84, 81.42, -15.28

 

CMYK 0 / 86 / 32 / 16

HEX #D61F92

RGB 214 31 146

HSL 322.3, 0.75%, 0.48%

LAB 48.7, 73.99, -16.81

 

CMYK 0 / 74 / 27 / 24

HEX #C2328D

RGB 194 50 141

HSL 322.08, 0.59%, 0.48%

LAB 46.54, 63.89, -17.41

 

CMYK 0 / 60 / 22 / 31

HEX #AF4688

RGB 175 70 136

HSL 322.29, 0.43%, 0.48%

LAB 46, 50.14, -15.5

 

CMYK 0 / 42 / 15 / 39

HEX #9B5A83

RGB 155 90 131

HSL 322.15, 0.27%, 0.48%

LAB 46.87, 32.58, -11.44

 

CMYK 0 / 19 / 7 / 47

HEX #876E7E

RGB 135 110 126

HSL 321.6, 0.1%, 0.48%

LAB 49.26, 12.74, -5.11

 

CMYK 14 / 86 / 0 / 16

HEX #B81FD6

RGB 184 31 214

HSL 290.16, 0.75%, 0.48%

LAB 47.01, 77.67, -59.77

 

CMYK 0 / 86 / 8 / 16

HEX #D61FC4

RGB 214 31 196

HSL 305.9, 0.75%, 0.48%

LAB 50.99, 80.18, -42.74

 

CMYK 0 / 86 / 31 / 16

HEX #D61F93

RGB 214 31 147

HSL 321.97, 0.75%, 0.48%

LAB 48.74, 74.1, -17.35

 

CMYK 0 / 86 / 54 / 16

HEX #D61F62

RGB 214 31 98

HSL 338.03, 0.75%, 0.48%

LAB 47.18, 69.7, 10.27

 

CMYK 0 / 86 / 77 / 16

HEX #D61F31

RGB 214 31 49

HSL 354.1, 0.75%, 0.48%

LAB 46.31, 67.17, 38.9

 

CMYK 0 / 86 / 32 / 44

HEX #8E1461

RGB 142 20 97

HSL 322.13, 0.75%, 0.32%

LAB 32.07, 54.1, -12.93

 

CMYK 0 / 86 / 31 / 30

HEX #B2197A

RGB 178 25 122

HSL 321.96, 0.75%, 0.4%

LAB 40.52, 64.41, -15.24

 

CMYK 0 / 86 / 32 / 16

HEX #D61F92

RGB 214 31 146

HSL 322.3, 0.75%, 0.48%

LAB 48.7, 73.99, -16.81

 

CMYK 0 / 74 / 27 / 11

HEX #E33BA5

RGB 227 59 165

HSL 322.14, 0.75%, 0.56%

LAB 54.21, 72.16, -19.47

 

CMYK 0 / 59 / 22 / 9

HEX #E85FB6

RGB 232 95 182

HSL 321.9, 0.75%, 0.64%

LAB 60.53, 62.16, -19.61

 

CMYK 0 / 86 / 32 / 16

HEX #D71F93

RGB 215 31 147

HSL 322.17, 0.75%, 0.48%

LAB 48.93, 74.32, -17.05

 

CMYK 0 / 37 / 86 / 16

HEX #D6871F

RGB 214 135 31

HSL 34.1, 0.75%, 0.48%

LAB 63.11, 22.9, 62.52

 

CMYK 86 / 0 / 3 / 16

HEX #1FD6D0

RGB 31 214 208

HSL 178.03, 0.75%, 0.48%

LAB 77.84, -42.72, -9.16

 

CMYK 0 / 86 / 32 / 16

HEX #D71F93

RGB 215 31 147

HSL 322.17, 0.75%, 0.48%

LAB 48.93, 74.32, -17.05

 

CMYK 31 / 0 / 86 / 16

HEX #93D61F

RGB 147 214 31

HSL 81.97, 0.75%, 0.48%

LAB 78.69, -45.3, 73.39

 

CMYK 86 / 31 / 0 / 16

HEX #1F93D6

RGB 31 147 214

HSL 201.97, 0.75%, 0.48%

LAB 58.05, -6.99, -42.79

 

CMYK 0 / 86 / 32 / 16

HEX #D71F93

RGB 215 31 147

HSL 322.17, 0.75%, 0.48%

LAB 48.93, 74.32, -17.05

 

CMYK 0 / 37 / 86 / 16

HEX #D6871F

RGB 214 135 31

HSL 34.1, 0.75%, 0.48%

LAB 63.11, 22.9, 62.52

 

CMYK 86 / 0 / 54 / 16

HEX #1FD662

RGB 31 214 98

HSL 141.97, 0.75%, 0.48%

LAB 75.62, -66.96, 44.94

 

CMYK 86 / 49 / 0 / 16

HEX #1F6ED6

RGB 31 110 214

HSL 214.1, 0.75%, 0.48%

LAB 47.36, 15.49, -59.84

 

CMYK 0 / 86 / 32 / 16

HEX #D71F93

RGB 215 31 147

HSL 322.17, 0.75%, 0.48%

LAB 48.93, 74.32, -17.05

 

CMYK 0 / 11 / 86 / 16

HEX #D6BE1F

RGB 214 190 31

HSL 52.13, 0.75%, 0.48%

LAB 76.81, -6.38, 73.76

 

CMYK 86 / 0 / 54 / 16

HEX #1FD662

RGB 31 214 98

HSL 141.97, 0.75%, 0.48%

LAB 75.62, -66.96, 44.94

 

CMYK 86 / 74 / 0 / 16

HEX #1F37D6

RGB 31 55 214

HSL 232.13, 0.75%, 0.48%

LAB 33.73, 50.14, -82.14

 

Description

Color code: HEX #D71F93 | qconv.com Color code: HEX #D71F93 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 31 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 31 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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